Silver dress clip dress clips

Clips worn with square necked frock.Combination silver and diamante brooch and dress clip.brooches, dress clips

Worn by Mrs Ethridge cousin to Mrs. Annette Lord.Silver Diamante dress ornament with a silver chain.dress clips

Tram crew number badges, engraved into a layered plastic backing - black plastic with a white underlay, used by tram crews to indicate their assigned personal employee number. Used by MMTB drivers and conductors. Badge No. 490 - with brass clip on rear - e.g. a large tie clip or dress collar clip.tramways, trams, mmtb, badges, crews, drivers, conductors, personnel

Set of 10 tram crew number badges, engraved into a layered plastic backing - black plastic with a white underlay, used by tram crews to indicate their assigned personal employee number. Used by MMTB drivers and conductors. .1 - No. 700 with a retained clothing pin on the rear. .2 - No. 399 - with brass clip on rear - eg a large tie clip or dress collar clip. .3 to .9 - same clip as .2 .3 - No. 1572 .4 - No. 1893 .5 - No. 2320 .6 - No. 2716 .7 - No. 3431 .8 - No. 3747 .9 - No. 5400 .10 - No. 6408 See Reg Item 3777.2 for another example. .11 - No. 1043 .12 - No. 1110 .13 - No. 1112 .14 - No. 1419 .15 - No. 1420 .11 to .15 advised by the donor that these were used for Student Conductors.trams, tramways, mmtb, badges, crews, drivers, conductors, personnel, employees

This belt belonged to a WW1 Australian Anzac who most probably, because of the buttons and badges, served on the Western Front. Records destroyed in 1969 bush fires at Lara means we are unable to determine who owned this in the RSL. The belts is called a 'stable belt' and the one you have acquired is an early example with a leather pocket. It became common in WW1 for both, leather belts (especially that from the 1903 bandolier equipment as worn by those in the Boer War), and stable belts to be used to hold badges collected from fellow soldiers and for that reason it was often known as a 'souvenir belt'. The evolution of the stable belt: It seems that stable belts began to become popular across the Army as a whole around the turn of the 20th century, although they probably originated with the cavalry a little earlier sometime in the 1880s/1890s. All units at that time had horses on their establishment and those soldiers told off to attend them reported for Stable Parade in Stable Dress which consisted of very high waisted and pocket less breeches, or trousers, held up by braces and collarless, woollen flannel shirts with sleeves rolled up. This was to facilitate the rigorous physical effort and flexibility of movement necessary for mucking out and grooming. Braces at that time had no elastic as rubber was expensive, they were made of cotton with no 'give' whatsoever and so soldiers commonly allowed the braces to flop down from the waist so that they could bend over freely. For trousers that fitted loosely (due to the high waist) this meant that they tended to slip down and at first soldiers cinched them in with leather belts. Later on the regimental saddlers began to make belts from the same, plain canvas or wool strapping used for the horses Surcingle and utilising the same double leather strap and buckle arrangement for security (if one strap broke the other would hold and prevent the saddle from coming unseated). One particular feature of these early stable belts was a sewn on (or in) pocket, secured by a stud or clip, within which loose change could be kept, or a pocket watch, as there were no pockets in the breeches. As you might imagine these became very popular as the pocket was useful and the extra breadth afforded by the canvas strapping made them very comfortable. Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. For this reason the stable belts invariably followed the same colour scheme (but not always the same pattern arrangement) of regimental neck ties. This belt is an example of what Australian troops collected when on the Western Front during WW1 and when on leave.Leather Belt with 31 Badges and Buttons from WW1 attachedSee Mediaww1, world war 1, australian army, badges, button, belt, stable belt

This belt belonged to a WW1 Australian Anzac who most probably, because of the buttons and badges, served on the Western Front. Records destroyed in 1969 bush fires at Lara means we are unable to determine who owned this in the RSL. The belts is called a 'stable belt' and the one you have acquired is an early example with a leather pocket. It became common in WW1 for both, leather belts (especially that from the 1903 bandolier equipment as worn by those in the Boer War), and stable belts to be used to hold badges collected from fellow soldiers and for that reason it was often known as a 'souvenir belt'. The evolution of the stable belt: It seems that stable belts began to become popular across the Army as a whole around the turn of the 20th century, although they probably originated with the cavalry a little earlier sometime in the 1880s/1890s. All units at that time had horses on their establishment and those soldiers told off to attend them reported for Stable Parade in Stable Dress which consisted of very high waisted and pocket less breeches, or trousers, held up by braces and collarless, woollen flannel shirts with sleeves rolled up. This was to facilitate the rigorous physical effort and flexibility of movement necessary for mucking out and grooming. Braces at that time had no elastic as rubber was expensive, they were made of cotton with no 'give' whatsoever and so soldiers commonly allowed the braces to flop down from the waist so that they could bend over freely. For trousers that fitted loosely (due to the high waist) this meant that they tended to slip down and at first soldiers cinched them in with leather belts. Later on the regimental saddlers began to make belts from the same, plain canvas or wool strapping used for the horses Surcingle and utilising the same double leather strap and buckle arrangement for security (if one strap broke the other would hold and prevent the saddle from coming unseated). One particular feature of these early stable belts was a sewn on (or in) pocket, secured by a stud or clip, within which loose change could be kept, or a pocket watch, as there were no pockets in the breeches. As you might imagine these became very popular as the pocket was useful and the extra breadth afforded by the canvas strapping made them very comfortable. Around about the turn of the 20th century it began to be popular for officers to wear neckties in regimental colours both for sport and less formal, country dress. This habit probably began with the Queens Household troops and Line Cavalry, but quickly spread throughout the Army and it appears as if this use of regimental colours spread to the canvas or wool strapping used to make stable belts. For this reason the stable belts invariably followed the same colour scheme (but not always the same pattern arrangement) of regimental neck ties.This belt is an example of what Australian troops collected when on the Western Front during WW1 and when on leave.Webbing Belt with Badges and Buttons WW1See Mediaarmy, australian army, western front, aif, s.w.ellis, service number 640, 2 m.g.c., buttons, badges, belt, stable belt

The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A man's pre-tied black bow tie with a metal spring clip to attach to the shirt collar. The 2 spring clips have 'alligator teeth' to grip the collaron spring clip MADE IN AUSTRALIA SPRINGmenswear, clothing, bow ties, cheltenham, moorabbin, bentleigh, early settlers, pioneers, market gardeners, male neckwear

The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A pre tied white Bow tie sewn on a neckband with an elastic clip fastenermenswear, clothing, bow ties, cheltenham, moorabbin, bentleigh, early settlers, pioneers, market gardeners, male neckwear

The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A man's pre tied black bow tie with an elastic fastening clipmenswear, neckties, bow ties, cheltenham. moorabbin, bentleigh

Donated by CPL Bramley who was in charge of our Catafalque Party ANZAC Day 2006.Black Leather, Brass Metal Clip, Black Leather Strap.Hermes Leather goods, Cowhide, Made in Australia. bramley, raaf, handbag.

Item is used with battle dress pants and jacket.Suspenders for Patt. '49 Khaki Battle Dress Trousers. Navy blue with white dot cotton stitching pattern covering material. Brown leather patches/detail on each of the four ends before attachment loops. Two gold metal clips on the ends of each of the two straps. On each metal clip - inscription 'will not rust'. On one leather patch - 'Domo' military uniforms, army, army suspenders, suspenders

This item was worn by Sarah Archer, born 9.11.1881, and her daughter Irene Jean Maiden, born 1.7.1923, She lived in Orbost all her life having been born at the oOld Orbost Hospital in Nicholson Street. Irene died aged 86. Until well into the 20th century, the corset was an essential element of fashionable dress. Corsets were worn by women (and much earlier by men) to enhance their figures and to hold their stockings in place. Although still sometimes used they were mainly used prior to the making of pantyhose approximately 1960. A corset made of heavy apricot / pink cotton fabric . It has back tape acing through metal eyelets, and slide hooks. It has suspender straps with clips attached to the bottom of the corset. The stays, possibly whalebone, are sewn vertically into the fabric.on label - in red ink - "Liberty Reg'd "6/2815 D" small below waist size 32" exactcostume-women corsetry clothing

Uniform issued to "D. Hutchinson". Refer also 10313.3.1.2.3. Belts - service dress style, khaki colour polyester webbing belt with silver colour metal slide buckle and metal top. For trousers. Manufacturer's information on inner edge of buckle. 4. Belt Jungle green colour polyester fabric webbing belt with black colour metal hook and clip buckle, metal slide adjuster and clips. Belt has eyelets along both edges. 5. Belt - for Ceremonial dress - black colour polyester webbing belt with brass colour metal hook and clip buckle and clips. Manufacturer's mark on buckle.Manufacturer's marking - etched into metal. 1.2.3. "82/ LION METAL/ GOODS/ P/L/ ^". 5. "^/^".d. hutchinson, uniforms, army, belts

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection..1) Black woollen trousers with a purple stripe down the outside of each leg. Zipper fly. Calico manufacturer's label sewn onto the inside of the waist band. .2) White elastic braces with leather attachments for securing to trousers. .3) Black woollen waistcoat with four gold coloured buttons, each bearing a Christian Chaplain's insignia. .4) Black woollen mess jacket with purple lapels, cuffs and epaulettes. Black nylon fabric lining. Gold crucifix on each lapel. Major's insignia on each epaulette. Gold coloured buttons each bearing a Christian Chaplain's insignia. .5) Black fabric bow tie with clear plastic clips for fastening to a collar.Handwritten on trousers' manufacturer's label in black ink: '556101'army chaplain, uniform, mess dress, major thomas b. williams

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, CollectionArmy issue khaki pre knotted necktie. Tie has a Windsor knot secured with a plastic clip which attaches to a shirt collar. The ends of the tie are cut and frayed.uniform, battle dress, major thomas b. williams

The Medal ribbons are:- Top row - OBE Military Division 1939-45 Star, Pacific Star, War medal 1939-45. Middle row - Aust Service Medal. Korea Medal, Korea U.N. Medal, General Service Medal (Malaya). Bottom Row - Vietnam Medal. Long Service & Good Conduct Medal. Meritorious Service Medal. Sth. Vietnam Campaign Medal.1. Jacket, black woollen, four front pockets. There are no buttons or corps badges. On the arms are the metallic gold badges of a Staff Sgt. On the chest are 12 ribbons. 2. Braces, trouser. Elastic white, gold plated steel clips. 3. Necktie, Green. On the tie are repetitive patterns of the RA Inf badge. 4. Necktie.mess dress, uniform, post ww2, passchendaele barracks trust

British circa 1900 Officers buff leather dress waist belt of type for Household Cavalry. Malcolm Bowes Lyon was related to The Queen Mother. Part of the Collection of William (Bill) THOMASON. Refer Cat. No. 4136P.Buff leather dress waist belt with gold brass buckle and clips. Belt is in 3 smaller segments with long thin straps on each join. Used as sword slings.Inscribed "Malcolm Bowes-Lyon".life guards, household cavalry, malcolm bowes lyon, william (bill) thomason collection

Part of the collection of "William (Bill) THOMASON". Refer Cat No. 4136P.Black leather dress uniform belt. Black on one side, cream on other side with inscription. Gold belt buckle clip with emblem of Alligator on buckle. Other end buckle inscribed with Papua New Guinea Defence Force.Inscribed on back "86824 CAPTAIN F.G. MOI-HE" "Presented to MAJ B.J.ANDERSON 9 MAR 78". Buckle inscribed "PAPUA NEW GUINEA DEFENCE FORCE"belt, uniform, new guinea, william (bill) thomason collection

Uniform items issued to Quentin Clifford BINKS V245016 & VX114178 2nd AIF. Refer Cat No 1835 for his service history. The shirt was added to make up a display uniform..1) Jacket, Service Dress, khaki, winter with 2 x Australia shoulder badges, 2 x Rising Sun lapel badges, 4 x Lieut badges (two on each shoulder), 2 x Service Ribbons WW2, 4 x Colour patches two on each shoulder, 2 oval, purple with grey surround, 2 rectangular same colours, metal buttons, waist belt, 4 pockets. .2) Trousers, Service Dress, khaki, winter, plastic buttons, 3 pockets. .3) Shirt, polyester, light khaki, long sleeves, 2 pockets. .4) Tie, khaki with tie clip to fit shirt collar..1) “Wardop, my Tailors of Melbourne, Collingwood and Geelong, for all men’s wear” .2) Same as .1) but with in ink “Lieut BinksJuly 1942” .3) “A.G.C.F. 1981 D & D uniforms army, service dress winter

Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.1.) & .2) Black RAAF dress bow tie. Pre tied & secured with metal clip & adjustable elastic strap..2) Manufacturer's tab sewn onto band: Welch Margetson's Dressware bow ties, uniform, raaf

Partial dress uniform of RAAF for "Peter Stoklahsa". Enlisted 1966 to 1987. Refer to cat No. 7674P.1. Dark blue pants size 97. White label on inside. 4 pockets, clip to do up and white elastic lining on inside. 2. RAAF blue jacket. Two breast pockets and two lower pocket flaps with no pocket. Four large front buttons and two smaller pocket buttons. 'Australia' shoulder flashes and service ribbon above left chest pocket. Inside cotton lining and inside pocket on right side. Makers label sewn on inside and Commonwealth emblem on sleeve. 3. Blue Air Force cap size 7. Leather inside lining and plastic and black material band. Button on each side with plastic strap. Gold Air Force emblem of Laurel leaves, spread Eagle and Crown.Inside maker - Australian Government Clothing Factory. Size 7.raaf, uniform, peter stoklahsa

This uniform belonged to Sapper Hughes 3795948 of the Royal Australian Engineers Corps. By the date on the uniform, it is assumed that he served C 1968.This uniform has significance as an example of a uniform worn by soldier ranks for daily work and dress parades.Khaki coloured long trousers with attached suspenders. They have a button up front (5 brown plastic buttons). There are two pockets on either side of the trousers and one button up pocket on the back right with a flap that is fastened with a single brown plastic button. There are three extra brown plastic buttons on the back exterior of the waistband and six belt loops on the whole length of the waist band. The interior pocket fabric is more light weight and a slightly more green in colour. The interior of the right back pocket includes a white patch of fabric with printed inscriptions and further inscriptions written in black ink just above. The suspenders are composed mostly of blue, grey, beige, black and cream striped thick fabric. There are also silver coloured metallic components (which include inscriptions) and leather sections, most of which have a reddish/brown coating on the exterior and a white coating on the interior. One leather component has inscriptions in black ink on the interior as opposed to a white coating. The suspenders are attached to the trousers by six brown plastic buttons on the interior of the waistband. Back pocket interior inscriptions on the green fabric: HUGHES / 3795948 Back pockket interior inscriptions on the white fabric: E.W. P/LTD. / SOUTH AUSTRALIA / 1968 / (a symbol of a broad arrow) / Class 8405-66-025-6405 / Batch 67 / Mill / Size and Waist 28C / Matching Jacket 35 /36C / DRY CLEAN ONLY / CREASES SET BY SIROSET / REPRESS ON ORIGINAL CREASES / MENDING PATCH ATTACHED / NAME HUGHES. J.W. / ARMY No. 3795948 8PL Bcoj Identical metallic clip inscriptions on two of the suspenders: POLICE / (embossed image of a police baton)royal australian engineers, warrnambool rsl, warrnambool, engineer, hughes, sapper hughes, 3795948, hughes 3795948, uniform, army uniform, trousers, army

This jacket is part of the dress uniform of a Major in the Army Reserve. Major Bernard Farley who owned this jacket wore it to official functions in the Mess dining room. He served in this capacity from 1998-2001. Bernard also served in the RAAF for a number of years.These trousers are part of the dress uniform of a Major in the Army Reserve. Major Bernard Farley, who owned the uniform, wore it to official functions in the Mess dining room. He served in this capacity from 1998-2001. Bernard also served in the RAAF for a number of years.Long black trousers with a single red stripe running down either side from the top of the waistband to the base of the legs. There are two pockets just eunderneath the waistband on either side of the trousers. The fabric frms two stiff peaks at the centre of the back of the waistband. The trousers have a black zip with a metallic clip just above and six black plastic buttons along the interior of the waistband. There is one white square label with inscriptions attached to the back/left of the interior section of the waistband. Directly underneath this is another rectangular white label of the same length however much shorter. This also has inscriptions.Inscriptions on the larger square label: Fletcher Jones / Victoria / 1998 / NSN: 8405-66-095-9737 / NAME........... / SERVICE NO............ / 70% Wool / 30% Polyester / DRY CLEAN ONLY (A) / Press on original creases. Use damp cloth. Medium to hot iron / ZT782 AR0009 Inscriptions on the smaller rectangular label: 425267283.ZT782G / 94-92-76 / 347 044 07063222 / CLOTH / AR0009 / . . 5 . D40. 5 / J10066. . W *army reserve, dress uniform, dress trousers, trousers, army uniform, uniform, bernard farley, farley, warrnambool rsl, warrnambool

This sewing machine was bought by Alex Craig's dad in 1942 for his wife whom he married in 1943. Alex's grandmother used it in 1942. It still works (2013).Historical: Type of sewing machine used by S.E.C.V. wives living in Mt Beauty during the 1940's, 1950's and 1960's. Ladies made the family's clothes and sewed for the Annual Church and School fetes. eg. children's clothes and dolls' clothes. They bought dozens of dolls and made 'fairy' dresses for them using coloured netting.Singer sewing machine - brown wood lid & base. Handle on top of inside of lid as is the wooden bench that clips on to the side of the machine and also the steel knee lever that fits into the front of the machine. Black steel machine with silver fittings. Brown and white electric cord plugged in. "Singer" on front centre of lid. On machine - "Singer" above light. "The Singer manufacturing Co. / Manufactured in Great Britain" top of machine. "Singer" on front side of machine. Front - Gold plate - "The Singer Manfg. Co. / Trade Mark." Decoration on machine base and silver end.singer manufacturing co.. sewing. fetes. clothes. domestic.

BHS CollectionBendigo Advertiser ''the way we were'' from 2003. In costume: Bendigo Advertiser staff dress up for the Bendigo Advertiser's 140th birthday. From left: Sharon Ettwell, Cindy Brownfield, Dianne Lowe, Christine Burton and Nadia Riechte. The clip is in a folder.newspaper, bendigo advertiser, the way we were