The Adult Deaf and Dumb Mission of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Mission are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Mission but also to the significant people and events within the Deaf Community.Pink Cover, Size 21.5Hx13.5W, 52 Pages (pages 7 and 8 missing)reginald talbot, samuel gillott, edward newbigin, h. sumner martin, rev. j. h. frewin, rev j. j. halley, rev. david ross, rev e. h. sugden, w. a. dickens, john m. griffiths, w. h. judkins, m. l. miller, j. e. muir, a. c. muir, e. r. peacock, f. j. rose, ernest j. d. abraham, mrs e. j. d. abraham, miss mills, miss mitchell, miss i. foster, miss a. foster, mrs f. e. frewin, mrs h. sumner martin, mrs j. e. muir, mrs r. r. paterson, mrs samuel luke, alex williamson, s. moss, m. g. b mortimer, captain olden, rev. h. kelly, mrs james martin, leslie newbigin, john hancock, mrs d. nolan, messrs griffiths brothers proprietary limited, queensland adult deaf and dumb mission, lady gillott, rev j. t. love, rev h. g. nicholls, rev k. hosking, rev s. j. hoban, brigadier hendy, salvation army, p. holt, r. h. luff, w. p. muir, e. burke, deaf mute cricket club, mrs samuel johnson, j williamson, young mens mutal improvement society, monthly letter

"The Gesture" was an independent organ of the Deaf and Dumb having no direct connection with any single organisation. Its aim was to help all agencies established to promote the advancement of the Deaf and Dumb. The aim was to be the "Voice" of the Deaf and Dumb of Australasia". To educate the public as to the real condition and needs of the afflicted brothers and sisters, to bring prominently before the hearing and speaking community the peculiar difficulties and obstacles that Deaf Mutes have to encounter in the battle of life. The magazine was named "The Gesture" with the single object of impressing upon the minds of the hearing friends the uncontrovertable fact that whatever the system of instruction the Deaf Mute invariably resorts to the manual alphabet and the language of gesture as the only expedient means of communication with those similarly afflicted.The "Gesture" is significant as the first national newsletter of the Australasian Deaf.No. 3; Pink Cover; Size 28Hx22W; 16 pageshelen keller, ernest abraham, m. miller, j. charles, r. k. beattie, j. anderson, g. stubbs, j. mclean, j. e. muir, w. p. muir, w. a. patterson, r. h. luff, j. dempsey, e. r. w. smith, e. burke, f. e. frewin, l. downes, g. mortimer, a. c. muir, mrs frank frewin, mr and mrs i. a. tenney, melbourne deaf mute cricket club, deaf young men's mutual improvement society, m.miller, young women's society, mrs j. e. muir, miss a. foster, mrs luke, mrs a. wilson, mrs j. martin, captain olden, rev h. kelly, mr hood, mr williamson, john e. muir, w. p. monahan, thomas h. monahan, mrs leslie downes, new south wales institution for the deaf and dumb and blind, g. a. f. lentz, thomas pattison, australian deaf and dumb congress, matthew l. miller, blind deaf and dumb institution in queensland, tasmanian school for the blind, deaf and dumb, western australian school for the deaf and dumb, south australian institution for the blind, deaf and dumb, j. a. gibson, c. hawkins, mr showell

A Bi-Monthly News Letter - Under the auspices of the Deaf Committee of the Adult Deaf and Dumb Society of Victoria'The Victorian Deaf' Newsletter is a significant publication as an historical record giving and insight into the people, activities and events of the Deaf Community in Victoria.Vol. 24 No. 7,8,9 July Aug Sep 1928, Size 37cmHx21cmW; 14 pagesh. sumner martin, e. r. peacock, edward newbigin, w. a. dickens, frank tudor, rev. j. i. halley, g. g. mercy, i. m. griffiths, h. w. h. adeney, h. bickford, j. dudley, g. vial, s. massana, ernest j. d. abraham, empson, e. burke, a. mclellan, brown, solomon moss, ruth peters, m. g. b. mortimer, j. m. johnston, r. miller, j. butterworth, p. cunningham, e. doney g. caldwell, warrie ashby, vernon griffiths, cecil griffiths, joe allen, bryon taylor, joe allen, j. e. muir, s. ferguson, walter grant, maisie reiffel, a. williamson, w. burge, myrtle groves, harold sutton, j. dickenson, david cornish, waggett, fulton, vera west, mabel ball, tennis, lacrosse, j. boortz, percy swain, e. smith, ethel dempsey, mrs frewin, empson, deaf worker's club, men's guild, deaf women's guild, british deaf conference, deaf national club, a. t. story, sam cashmore, a. a. peverill, a. h. spencer, gladys mahoney, c. h. reynolds, d. hickey, h. abbott,

Lieutenant Burke served with the Cobram troop of 8/13 Victorian Mounted Rifles. He donated the tray upon his departure from the regiment.Small silver rectangular with donor's name engraved at centre.Presented to / 8/13 VMR Officer's' Mess / by / Lieutenant John E Burke / 1967-1969 1976- 1989cobram, burke, officer, mess

Wallace v Burke Jere. Costs. 9 - 1889 - Watson v Benjeroop Trust. Letter dated 26 Aug 1889. 10 - 1910 - Note written by Smith Clara, Durham Ox, dated 134 Apr 1910 re payment. 11 - 1910 - Twigg E A W, Grazier, Mitiamo re payment. Letter dated 13 Apr 1910.cottage, miners, connelly, tatchell & dunlop, read j, hannaford miss, randall a d, stephens a w, corke & dunlop, roberts john, beard, darrigan, lewis george, roberts, ors, hatch. wallis a e, wallace, burke jere, watson, benjeroop trust, smith clara, twigg e a w

PeopleLaser copy of photographic presentation montage of Buninyong Football Club committee members, 1935On photo: "Presented to H.A.Davis Esq. President as a token of esteemby the General and Social Committees of the Buninyong Football Club, Premiers B&DFA 1935" {"Thornton" Studios Ballarat}h.a.davis, e.emory, w. burke, e. lyon, f. hutchison, c. isaac, j. ramelli, e. harden, j. mccormack, f. bryce, j. odgers, w. middleton, r.ross, g. white

Group of seven postcards from various people addressed to Mrs. A Stephens (nee Palmer). Five of the cards are depicting Theatre Actresses. (a) Unknown Actress, (b) Caricature of a surprised face with the words ' I was very surprised ' hand written underneath, (c) Miss Delia Mason, (d) Miss Gabrielle Ray in ' The Lady Dandies ', (e) Billie Burke , (f) Hand tinted card depicting women at an Aboriginal Camp, entitled ' Lubras camp, Maloga ' , (g) Unknown Actress.postcard, actresses, actresses, delia mason, billie burke, gabrielle ray, lubras camp maloga

Seven assorted postcards with various themes : (a) River scene at dusk, entitled ' Eventide ' , (b) Painting of a basket of violets, (c) Miss Marie Studholme (actress), (d) Miss Mabel Love, (e) Miss Billie Burke, (f) Miss May Beattie , (g) Baby Bruce ( 11 months old)postcard, various themes, eventide, basket of violets, marie studholme, mabel love, billie burke, may beattie, baby bruce

Photo - see pdf file for further information. Number Brief Description RT123 1971 Convention - 9.4.71 - tram 610 - "Special" - Wattle park terminus RT124 Mt Alexander Road - 980 - "Special" RT125 St Kilda Jct - 7.4.71 - "St Kilda Beach" - route 16 RT126 North Balwyn Terminus - 9.4.71 - tram 840 - "Nth Balwyn" route 79 RT127 Preston - tram 980 - "City - Spencer St" - route 9A RT128 St Kilda Jct - "E Brighton Malv Burke Rd" - route 64 RT129 St Kilda Park St Terminus 12.4.71 - tram 394 - "Special" & tram 1017 - "West Preston - Northcote" - route 10 RT130 Carnegie 9.4.71 - tram 106 - "St Kilda Jun" - route 17 RT131 High St - tram 980 - "East Preston" - route 98 RT132 St Kilda Park St Terminus 12.4.71 - tram 894 - "West Preston" - route 10 RT133 St Kilda Park St Terminus 12.4.71 - tram 894 - "West Preston" - route 10 RT134 Wattle Park - 9.4.71 - tram 610 - "City" - route 70 RT135 Wellington Parade - 9.4.71 - tram 840 - "City - Flinders & Spencer St Cnr" - route 23 RT136 Melville Rd West Coburg 12.4.71 - tram 787 - route 55 Demonstrates the work of Robert Thomson in photography, collection and/or production of slidesAssembled album in a black presentation folder of 14 colour slides, collected or produced by Robert Thomson. All photographs have been scanned and placed on the Museum's G drive. A list of all photographs with details has been compiled. melbourne, tramways, trams

Calling Card Cases were used by the aristocracy in 18th Century Europe as it was requirement in genteel society to leave a calling card when visiting a household. According to the Hallmarks on the case it was made in 1904 by the Williams Birmingham Ltd. in Birmingham, England.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A small rectangular silver calling card case that has an ornate pattern etched into its front.FRONT: WB LD/ Anchor symbol/ Lion symbol/ e (Hallmark)early 20th century

While the date of when this box was made is unknown, there is an inscription on the lid that indicated that the item was owned by a J. E. Huderric in 1767. A snuffbox is a small decorative box used to store scented tobacco powder and were commonly used by men and women in the 17th and 18th century.The social history objects held in the Burke Museum's collection help to tell the stories of Beechworth's past by showing the social, cultural, and economic aspects of the town's history.A decorated small black box. It is rectangular and opens up with a lid. The lid is decorated on the outside corners and a centre diamond shape using opal coloured flaked gems.J. E. Huderric 1767/ [inscribed on the lid] A01197/box, drugs, tobacco, 18th century

A 1980s photograph taken of the shops on Camp Street from the corner of Ford Street in Beechworth. The photograph shows the Camp Street Butcher which was opened by E Spencer in 1940 to supply locals with the primest quality meat at the lowest possible cash prices.This photograph is part of Burke Museum's collection of streetscape images, capturing the historical essence of Beechworth's streets and township. It serves as a significant visual record, offering valuable insights into the architectural and social fabric of the area during a pivotal period in its history.Black and white rectangular photograph, unmounted.Reverse: 2568/ GWYN MIRRORS CHEMIST BEECHWORTH/ F558camp street, ford street, beechworth, streetscape, shops, butcher

Personal reference for Marjory Jean Burke written by Victor E. Hutchins of Northcote.Miss Burke was a nurse, midwife and infant welfare sister. This collection covers her many qualifications throughout Australia and Great Britain, including references both professional and personal. When Miss Burke returned to Australia, she was employed at Diamond Valley Community Hospital as a nurse in 1953 and as Deputy Matron 1954-1971.Reference typed on cream paper. Original hand written on blue lined paper.marjorie jean burke, nurses, diamond valley community hospital

A photo of the original Burke Library building between two medium sized trees, a lamp post sits between them and a large tree is behind the building. This photo was taken c1950/60s.This photo is of both historical and social significance to the people and community of Beechworth because it shows the development of the Burke Museum from what it was in this picture, to what can be seen today. It also shows the Burke Museum's prominent architecture marking it as a particular point of interest within Beechworth. Along with the aspects of the building that the Burke museum is known for today, such as the façade and the central lamp post, all of which are significant to the town of Beechworth and its people.Black and white rectangular photograph printed on photographic paper.Obverse: 1856 / Library Reverse: Beechworth Library / 33 1/3% / Caldwell / 19 eu (illegible) / 11 eu (illegible) / 729 / 3 1/6 / BMM 8691 / S / T / E / T (Scribbles and arrows across the page)burke museum, beechworth, 1950s, architecture, landscaping, development

Common Starlings are a noisy bird that typically inhabit urban and rural areas, especially those with short grass for easy foraging, though can occasionally be found in open forests or along costal areas. They are native to a wide area of Eurasia and the North of Africa, though have been introduced to North America, some nations in South America, Fiji, South Africa, Australia, and New Zealand. They live in large flocks that fly together in strong unison, and have a range of loud calls. Male Common Starlings usually have brown eyes, in contrast to the light coloured eyes of the taxidermy mount. Otherwise, the specimen bears a reasonable resemblance to a typical Common Starlings. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Common Starling is covered in black feathers that each have a metallic orange edge. This gives the appearance of small dots across its head and neck, larger dots along its underbelly and back, and lines along the outer feathers of the wings. Its beak is yellow and its eyes are a light blue with a black pupil. The bird is stretched tall with its head turned towards the left and slightly tilted right. The specimen stands on a brown, wooden perch with a circular bar, curved stand, and circular base. The left leg has a metal tag and a swing-tag tied around it and the right leg has two swing-tags tied around it, one of which is torn.Metal Tag: 4256 Swing-Tag 1: Sturnus vulga[illegible]is / male, adult / 25 January 1861 / near Leiden / Swing-Tag 2: Tris grey-brown / Feet black - brown / Bill brown / 4256 / Swing-Tag 3 (torn): ng / e Page 58taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, starling, european starling, common starling, european bird

Taken in the 1990s, this photograph depicts a line of historically restored shopfronts on Ford Street, Beechworth, with Beechworth Bazaar in the foreground and George Gammon's Chemist and Druggist adjacent to it.This photograph is of social significance to the Beechworth community in depicting the Street of Shops, the creation of curator, Roy Harvey, which opened in 1979 at Burke Museum. According to the Indigo Shire Council webpage for Burke Museum, this addition 'began a new period of collecting with Roy Harvey calling to the community for donations. The response resulted in an influx of material adding to the town history/ development and local identities collections. The Shops and their contents reflect another period in museology.' This photograph evokes the historic shopfronts of Beechworth Bazaar and George Gammon's Chemist and Druggist from the Street of Shops, which were established during the mid-1850s on the back of gold mining wealth. The expansion of banks within Beechworth also stimulated the local economy.Colour rectangular photograph printed on gloss photographic paper.Obverse: BEECHWORTH BAZAAR est. 1855/ CHINA GLASSWARE SILVERPLATE EARTHENWARE/ ?ESTER HO?E/ R.?ALL. ? LT.LITTLEWOO?/ SINGLEMAN & RIEDLE GEORGE GAMMON/ MEDICAL GALVANISM/ CUPPING/ TEETH EXTRACTED/ CHEMIST & DRUGGIST Reverse: 3. 3055 burke museum, beechworth, beechworth bazaar, 19th-century victorian history, beechworth historic shops, burke museum, promoting settlement, marketing and retailing, living in country towns, making regional centres, preserving traditions and commemorating, victorian gold rush towns, beechworth pioneers, 1850s beechworth

Ballarat Technical Art School was a division of the Ballarat School of Mines.373 certificates in 2 boxes. Most appear to be related to subjects undertaken at the Ballarat Technical Art School. Director of education stamped signature Frank Tate.Stamped Ballarat School of Mines No.10 Stamped signature "Frank Tate"ann duke, plain needlework, victor greenhalgh, frank tate, ballarat technical art school, arnold j. allen, florence allen, m.a. ansen, dressmaking, modelling human figure from cast, ruby e. allison, drawing fro memory, nancy b. angwin, maude arberry, douglas w. arch, muriel j. arch, eileen bailey, annie c. baker, percy j. baker, general design, light metal work, bessie m. barbery, commerical arithmetic, decorative needlework, bert bernaldo, drawing from a flat example, lorna m. mccallum, brush drawing, stanley g.a. barnett, millinery, mavis g. beacham, theodore k. beckwith, isabel j. bell, kelva e. bellingham, leslie bennett, olive van berkel, elizabeth e. berry, beatrice m. blake, thomas g. blake, catherine m. bowers, nancy w. bowe, clarice v. branagh, harold r. brown, architecture, modelling the head from life, henry bull, light metalwork, ivan d. brown, thyra j. brown, henry j. bull, leila m. burford, embossed leathwork, lettering, drawing fro dressmakers, irene m. burke, josephine m. callery, modelling, mona r. callow, herbert cameron, lillias cameron, william e. carlyon, doris l. carter, ruth e. catt, hiram e. chamberlain, stephen chambers, jack d. chand, jack d. chard, clara v. clegg, beryl e. coad, john c. collins, keith m. collins, robert g. collins, kathleen m. conway, athol b. cornish, ballantyne cottier, douglas s. cotton, lilith s. christmas, perspective, doreen coughlan, ivy g. crompton, phyllis culliver, joan m. cuthbertson, alan r. cutter, john l. daniel, arthur dansey, katherine d'arcy, dorothy f. darling, myrtle f. darling, reginal a. davey, gwladys h. davies, annie dellaca, henry a. deller, ivy f. denovan, joyce doepel, bessie donacaster, charles o. dowie, horace b. dowsing, walter dunstan, mary dwyer, allan r. egglestone, melville g. ellingsen, hugh o. elliott, beryl r. ellis, cecil f. engish, allan e. evans, matson l. eves, olive j. fairlie, robert j. falla, mavis felstead, lena featherston, albert c. ferguson, alma ferguson, hilda m. ferguson, john f. ferguson, beatrice m. field, clarice f. fisher, philip h. fleischer, building construction, olive p. francis, agnes fraser, essie gale, gilbert foster, pearle fricke, effie gascoigne, enid m. gates, clarice gear, james a. geary, sylvia f. greenhalgh, evelyn f. geddes, thomas j. gibson, wavie b. gilbert, edna m. gilmer, nancy govan, eula h. gower, doris e. gray, lesley j. gower, henry n. graham, victor e. greenhalgh, melva e. gribble, human anatomy, roy k. griggs, jack gullan, robert gullan, alma m. gunn, dorothy j. hallan, lucy hamilton, james hammer, dorothy e. hamond, christopher j. hanlon, catherin hardess, lily haymes, gladys hedges, irene h. hewitt, john hill, victor j. hill, olive hillings, john a. hobill, frances k. holmes, gertrude m. hopkins, alice horan, marjorie hudson, linda m. hughes, lydia hughes, winifred humphreys, commercial english, agnes a. humphries, colin hunt, kathleen hutchinson, francis n. king, jean king, hilda knox, john kopke, isabel a. kopke, hazel jackson, freda jacobi, agnes james, william r. james, alexander johnson, edward j. jones, eleanor w.h. jones, nellie kau, thomas kean, francis kelly, roy k. kelly, thomas g. kierce, theo e. leonard, esther f. leviston, bessie lockett, norman h. long, ena mackay, gwenda e. mann, robert v. maddison, herbert w. malin, dorothy m. marriott, john c. mcarthur, james p. mcculloch, doris mcdougall, cyril mcgibbony, thelma mcgibbony, jean mcgregor, kenneth mciver, constance m. mckenzie, elsie j. mckissock, alexander k.mcleod, grace b. mclean, john f.w. mclean, rebecca mcphan, vera meeny, edna merritt, dougald miller, florence h. mingst, agnes m. monteith, doreen j. montgomery, jean e. montgomery, robert w.p. montgomery, margaret b. moore, harry e. morrish, james mow, gwendoline r. neagle, gerald r. newson, robert j. nicol, helen f. nicholl, george m. norton, edward s. oliver, mavis e. oliver, hector h, osborne, henry parker, norma e. parr, doris m. patterson, elsie pearce, celia pearlman, leslie pearlman, edna pearson, william j. perriman, eulalie perry, ernest b. pinney, charles e. peverill, clarence r. pittock, raymond b. pitts, phyllis polson, cynthia b. power, bessie puzey, john m. punshon, evelyn a.v. ramsay, robert i ramsay, william a. rattray, drawing for builders and artisans, george h. reed, fred reeves, mavis i. regelhuth, george r. renkin, annie e. reynolds, lizzie rice, eileen l. richards, henry c. riegelhuth, gladys m. riley, charles a. rimmington, amy robson, ernest w. robson, florence a. rogers, dorothy rppney, kathleen rooney, hugh n. ross, stella m. rowe, agnes w. ryan, rosaling e. sage, cora sandberg, eric c. sanders, douglas f. scott, sylvia e. selkirk, dorine a. shearer, gladys sheldon, emily e. simper, veri slattery, florence c. smith, hilda m. spencer, rose spiers, mopna g. spiller, alma m. stapleton, joyce w. stark, marcus m. stone, commercial correspondence, beatrice m. stuart, ena v. sullivan, margaret a. sydes, rita tainsh, norman b. tamlyn, arthur w. thane, alma m. thomas, david e. thomas, william h. thompson, william m. thomas, edgatr j.t. tippett, sidnet tippett, gladys tongway, mavis toop, hugh d. trainor, annie e. treloar, john h. treloar, eilleen trumain, linda f. treewk, percival a. trompf, percy trompf, jean tunbridge, ruth e. tunbridge, allan j. twaits, irene m. utting, elizabeth van beek, william a. wade, agnes a. walker, james a. walker, vera v. aller, john walsh, marjorie walters, rex warrillow, edith watson, bernice e. webb, constance i weeks, ina m. westcott, pearl whan, violet wheeler, myrtle d. whitfield, annie whitl, richard l. whitla, charles f. whitla, grace a. wilcock, murray a. wilkie, andrew w. william, arthur williams, baden p. williams, david d. williams, grace f. williams, maude h. williams, mavis m. williams, james williamson, ivy wilson, hector g wilson, frederick w.r. wilson, david s. wood

Includes the routes of exploration, including E. Giles, A. W. Howitt, Burke & Wills, Hume & Hovell, Major Mitchell, A Forrest.A section of a map showing geology and routes of exploration. Southern Western Australia only geology, exploration, railways, electric telegraphs

Blue soft covered magazine of the Ballarat Teachers' College. Contents include: * Foreward by Principal Frank Lord "Ich Dien" * Highlights of the College Year * Review of Teacher-Training System Photographic reproductions include: * 1948 staff and students * Magazine Committee * Group Leaders and Student Council * Sports Committee * Social Committee * Exiesnon-fictionm. smale, j. cleland, j. groves, r. lockhart, a. mclachlan, j. coad, c. mansfield, b. thomas, h. frank, r. osborne, m. eichler, n. raggart, r. boatman, g. groutasch, j. forrest, g. golder, m. raisbeck, l. guest, l. morrison, j. pell, d. hunt, p. fuller, m. schier, m. klein, g. denning, w. e. denning, al witney, joyce kennedy, keith mclean, trudy kentish, jack mallett, bill henderson, beth leslie, john o'shannessy, gwen clucas, monica miller, p. hamano, aurita rowland, w.f. lord, c.p. rodoni, helen veitch, galipolli address, tom turner, patrick rodoni, ala sonsee, cornelius barbetti, margaret bradshaw, margaret burke, joan coad, irene ellwood, margaret hanrahan, denis bryans, hans fumberger, frank lord, tom

Technical education in Australia virtually began at Ballarat in 1870. In the intervening century technical schools and colleges have contributed immeasurably to the life of our people and to the development of our nation.40 page booklet with brown cover with education department coat of arms. it celebrates 100 years of technical education in Victoria, with the establishment of the Ballarat School of Mines in 1870. Includes images of John L. Kelpert, A. Ronald Shannon, Oliver E. Nilsson, Ernest P. Eltham, F.H. Brooks, and Donald Clark. technical education centenary, education department, e.t. jackson, donald clark, ernest p. eltham, oliver e. nilsson, a. ronald shannon, john l. kepert, l.h. thompson, j.a. rafferty, f.h. brooks, w.a. crellin, j.m. burke, l.j. watts, r.j. middleton, r.a. armitage, r.g. ritchie, centenary, lindsay thompson

Taken in Beechworth 1869, this photograph depicts the Council Chambers on Ford Street. This phtograph was taken by James E. Bray who was well known for being one of four men to photograph the Kelly gang after the siege of Glenrowan. Black and white rectangular photograph mounted on card.Obverse: NO INSCRIPTION Reverse: BMM2969 / 23 / 76-1 / Taken 1869 / Showing Council Chambers / Built 1860 / burke museum, ford street, council chambers, beechworth historic precinct, tree guards, james e. bray

Photograph of the winners of the six-men hose and reel event in Sandhurst on the 10th March 1886. There are 5 men pictured in the photograph all wearing dress uniforms and medals posing with a hand-drawn hose reel and stand pipe. Pictured from left to right: J. Scott / G. Duncan / C. Ellen / J. Anderson / F. Lloyd /. This photograph was take by James E. Bray (1832-1891).Sepia rectangular photograph printed on photographic paper and mounted on cardObverse: Winners of the six-men hose and reel event, Sandhurst, March 10th 1986 / Prize: Fifty Guinea Hose Reel/ J.E Bray Photo / J.Payne (absent) , J. Scott / G. Duncan / C. Ellen / J. Anderson / F. Lloyd / Reverse: 97.22 / 84-253-1 / BMMA3123 Members of Beechwoth Fire Brigade 1886emergency services, beechworth, sandhurst, burke museum, photograph, fire brigade, fire

Photograph of a group of firemen posing for newspaper article holding various fire brigade equipment that was published in the Border Morning Mail Monday 15th April 1940. Sepia rectangular newspaper reproduction printed on matte photographic paperObverse: One of the many bush fire brigade units who protect the north-east of Victoria, who paraded at Beechworth on Saturday. The group includes: Messrs. E. Jessup, F.Paton, G. Witherow, J. Carney, M. Sonneman, K. Allen, G. Wald, W. Rae, W. Lee, D. Hume, J. Morrison J. Neary, A.D. Neary, J. Witherow, A.J Goonan, R. Hupwood and W. Shannon. Reverse: 7625.1emergency services, beechworth, burke museum, newspaper article, photograph, fire brigade, fire, firemen

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: B'WORTH NEWTOWN / OLD HOUSE / E MARCUSE Reverse: B 11/ 023 / BEECHWORTH NOSTALGIA / BW - 04 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

This gull specimen is a young Herring Gull (Larus argentatus). It is a large gull and one of the most well known of the gulls. This particular species can be found in Northern Europe, Western Europe, Central Europe, Eastern Europe, Scandinavia and the Baltic States. Juvenile and first-winter Herring Gulls are a brown colour with some darker streaks with a bark bill and dark eyes. These colours identifies this particular specimen as a juvenile bird. These birds are commonly seen near the seaside and are omnivores who scavenge from garbage dumps, landfill sites and sewage outflows. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This specimen is a juvenile Herring Gull with pale cream and brown coloured plumage. It has a dark bill and dark legs with webbed toes. The eyes are small and are made of glass. They are a pale brown and black colour. The feathers on on the lower back and tail are a darker brown colour compared to the pale plumage on the rest of the bird.Paper Tag: "2yd variega[ted]... Catelogu[e]..." Paper Tag: "Larus argentatus" Metal Tag: "1511"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, gull, pacific gull