Showing 57 items matching "exhibition of women's work"
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Kew Historical Society IncTextile - Australian Exhibition of Women's Work, Emily Davies, c.1907
... Australian Exhibition of Women's Work...Australian Exhibition of Women's Work...The first Australian Exhibition of Women's Work was a national exhibition held over thirty-nine days in 1907 in Melbourne, and in the seventh year of the country's Federation. ...Textile Australian Exhibition of Women's Work Emily Davies ...The first Australian Exhibition of Women's Work was a national exhibition held over thirty-nine days in 1907 in Melbourne, and in the seventh year of the country's Federation. The exhibition was a celebration of the creativity and productivity of women in the manual and fine arts. It was visited by over 250,000 people who saw 16,000 exhibits by women from around Australia in competition for prizes, and 3,000 (non-competitive) entries from the rest of the world. It was one of the largest women's exhibitions ever mounted. The exhibition opened on 23 October and closed on 30 November at the Royal Exhibition Building.A prize-winning collection of early 20th century embroideries created by Emily Muriel Grace Davies, the daughter of the Mayor of Richmond. Most of the embroideries were created while Emily was a student of Baldur Grammar in Kew. Baldur Grammar was founded in 1897 and was located at 17-19 Denmark Street. emily davies, baldur grammar school, plain sewing competitions, schools -- materials technology, knitting, australian exhibition of women's work -
Warrnambool and District Historical Society Inc.Programme - Microfiche, Exhibition of Women's Work, 1907, Circa 2000
... Exhibition of Women's Work, 1907....State Library of Victoria Exhibition os Australian Women’s work 1907 6 microfiche. .... warrnambool exhibition australian women’s work 1907 women’s work exhibition State Library of Victoria Exhibition os Australian Women’s work 1907 6 microfiche. ...This exhibition was held in October 1907 and ran for 5 weeks. There were over 15000 contributors in the fields of needlework, cookery, Horticulture, fine and applied arts. There was a wide variety of activities, lectures and social events. There were approximately 250,000 people who attended.An important source of work and information relating to a major event in the State of Victoria and in the work of women.Eight sheets of microfilm enclosed in plastic sheet with title page, white with black text.State Library of Victoria Exhibition os Australian Women’s work 1907 6 microfiche. warrnambool, exhibition australian women’s work, 1907 women’s work exhibition -
Linton and District Historical Society IncSheet music, Suttons Proprietary Limited, It's Not The Time For Hush A By : sheet music c.1907
... Australian Exhibition of Women's Work 1907...This song was composed for and sung during the Australian Exhibition of Women's Work, held in 1907..... / IT'S NOT THE TIME / FOR HUSH A BY / FOR / LADIES VOICES / SOLO VOICE & CHORUS / Composed for & Sung During the First / AUSTRALIAN EXHIBITION OF WOMEN'S WORK / 1907. ". Pencilled on back page: "No. 17(?) ...Linton and District Historical Society Inc 69 Sussex Street Linton 3360 goldfields This song was composed for and sung during the Australian Exhibition of Women's Work, held in 1907. Sheet music Songs Linton Choral Society Australian Exhibition of Women's Work 1907 Text: " Linton Choral Society / Dedicated to The Women's Choir / 1907 / SUTTONS POPULAR PART SONGS / No. 1. / IT'S NOT THE TIME / FOR HUSH A BY / FOR / LADIES VOICES / SOLO VOICE & CHORUS / Composed for & Sung During the First / AUSTRALIAN EXHIBITION OF WOMEN'S WORK / 1907. ". ...This song was composed for and sung during the Australian Exhibition of Women's Work, held in 1907.Single sheet, folded in two to form four pages. "Linton Choral Society" written in ink across top RH. Sheet music for a song, "It's not the time for hush a by Sheet music published in series "Suttons Popular Part Songs; No. 1". Price 3d.Text: " Linton Choral Society / Dedicated to The Women's Choir / 1907 / SUTTONS POPULAR PART SONGS / No. 1. / IT'S NOT THE TIME / FOR HUSH A BY / FOR / LADIES VOICES / SOLO VOICE & CHORUS / Composed for & Sung During the First / AUSTRALIAN EXHIBITION OF WOMEN'S WORK / 1907. ". Pencilled on back page: "No. 17(?) / Imp. edition / Sonatina / Album F. Schmitt".sheet music, songs, linton choral society, australian exhibition of women's work 1907 -
Buda Historic Home & Garden CastlemaineDomestic furniture, Arts and Crafts embroidered draught screen, c1900
... ...exhibition of women's work...This screen with embroidered and appliqued panels was entered in the First Australian Exhibition of Women's Work 1907, at the Royal Exhibition Building in Melbourne. ...Buda Historic Home & Garden Castlemaine 42 Hunter Street (Cnr Hunter and Urquhart Sts) Castlemaine goldfields This screen with embroidered and appliqued panels was entered in the First Australian Exhibition of Women's Work 1907, at the Royal Exhibition Building in Melbourne. ...This screen with embroidered and appliqued panels was entered in the First Australian Exhibition of Women's Work 1907, at the Royal Exhibition Building in Melbourne. This landmark exhibition gave women artists and craft workers an opportunity to display their works to a broad audience and gain recognition for the variety and high standard of the works in both traditional and non-traditional fields for women. The embroidery and applique design is based on an original design for a similar object made by British Arts and Crafts Architect and Designer, M.H. Baillie-Scott, which was published in The Studio magazine in the early 1900s,This three-panel draught screen was made by Hilda Leviny in the Arts and Crafts style and entered into the First Exhibition of Women's Work, at the Exhibition Buildings, Melbourne in 1907.Arts and Crafts style three-panel draught screen made from timber(American Oak), linen panels, silk embroidery threads, beaten copper decoration and varnish. The embroidered panels, made by Hilda Leviny, are mounted within the timer framework, depicting a design of birds and trees in the Arts and Crafts style. Pattern Reg. No. 3227.2 and 2503. With copper decoration.hilda leviny, buda, castlemaine, domestic furniture, handcrafts, needlework, art nouveau, 1907, exhibition of women's work, royal exhibition building, woodwork, draught sceen, arts and crafts movement, embroidery and applique -
Wodonga & District Historical Society IncDecorative object - Ruby Glass and crystal jug, 1907
... The First Australian Exhibition of Women's Work was held at the Exhibition Building, Melbourne, from 23 October to 30 November 1907. ...A small ruby glass and crystal jug which was produced as a souvenir of the Australian Exhibition of Women's Work held at the Exhibition Building in Melbourne in 1907. ...The five week exhibition showcased the work of women musicians, artists and craftswomen with over 16,000 exhibits in all fields of artistic endeavour. ...The First Australian Exhibition of Women's Work was held at the Exhibition Building, Melbourne, from 23 October to 30 November 1907. It was opened by Lady Northcote (the wife of Australia’s Governor General) and Pattie Deakin (wife of the Prime Minister), who also ran a model creche during the exhibition. The five week exhibition showcased the work of women musicians, artists and craftswomen with over 16,000 exhibits in all fields of artistic endeavour. It was attended by approximately 250,000 people. Exhibits were divided into Classes, including Fine Arts; Applied Arts; Photography; Plain Needlework; Cookery, Preserves and Laundry Work; Horticulture; and Medical and Nursing. This item was owned by Mrs. Mary Burrowes, aunt of Mrs. Jean Raper.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A small ruby glass and crystal jug which was produced as a souvenir of the Australian Exhibition of Women's Work held at the Exhibition Building in Melbourne in 1907. It has been inscribed in gold coloured paint. "Mary Women's Exhibition 1907"vase, glassware, decorative items -
Wodonga & District Historical Society IncDecorative object - Small green glass vase, 1907
... The First Australian Exhibition of Women's Work was held at the Exhibition Building, Melbourne, from 23 October to 30 November 1907. ...A small green glass vase with gilt edge which was produced as a souvenir of the Australian Exhibition of Women's Work held at the Exhibition Building in Melbourne in 1907. ...The five week exhibition showcased the work of women musicians, artists and craftswomen with over 16,000 exhibits in all fields of artistic endeavour. ...The First Australian Exhibition of Women's Work was held at the Exhibition Building, Melbourne, from 23 October to 30 November 1907. It was opened by Lady Northcote (the wife of Australia’s Governor General) and Pattie Deakin (wife of the Prime Minister), who also ran a model creche during the exhibition. The five week exhibition showcased the work of women musicians, artists and craftswomen with over 16,000 exhibits in all fields of artistic endeavour. It was attended by approximately 250,000 people. Exhibits were divided into Classes, including Fine Arts; Applied Arts; Photography; Plain Needlework; Cookery, Preserves and Laundry Work; Horticulture; and Medical and Nursing. This item was owned by Mrs. Alice Yardy nee Dinsmore, grandmother of Mrs. Jean Raper.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A small green glass vase with gilt edge which was produced as a souvenir of the Australian Exhibition of Women's Work held at the Exhibition Building in Melbourne in 1907. It has been inscribed in gold lettering. "Alice Women's Exhibition 1907"vase, glassware, decorative items -
Embroiderers Guild, VictoriaClothing - Christening Robe, Mrs Charlotte Sarah Webb, Before 1907
... The layette won equal second prize at the First Australia Exhibition of Women's Work 1907. Part of a complete layette, which won equal second prize at the first Australian Exhibition of Women's Work 1907. ...The layette won equal second prize at the First Australia Exhibition of Women's Work 1907. Part of a complete layette, which won equal second prize at the first Australian Exhibition of Women's Work 1907. ...Part of a complete layette made by donor's maternal grandmother Mrs Charlotte Sarah Webb (nee Richardson) before 1907 (1865-51). The layette won equal second prize at the First Australia Exhibition of Women's Work 1907. Part of a complete layette, which won equal second prize at the first Australian Exhibition of Women's Work 1907. White cotton, dress has a fine self stripe, gathered bodice and squared collar of torchon lace and insertion, gathered sleeves, and pintucks, insertion and lace at skirt edge. christening robe, petticoats, embroidery, heirloom sewing, australia, 1900-20, lace -
Embroiderers Guild, VictoriaClothing - Christening Robe Petticoat, Mrs Charlotte Sarah Webb, Before 1807
... The layette won equal second prize at the First Australia Exhibition of Women's Work 1907. Refer file for information. ...The layette won equal second prize at the First Australia Exhibition of Women's Work 1907. Refer file for information. ...Part of a complete layette made by donor's maternal grandmother Mrs Charlotte Sarah Webb (nee Richardson) before 1907 (1865-51). The layette won equal second prize at the First Australia Exhibition of Women's Work 1907. Refer file for information. Part of a complete layette, which won equal second prize at the first Australian Exhibition of Women's Work 1907. See also 1113, 1114, 1115, 1116, 1117. Letters in archives.White cotton petticoat decorated with lace and pintucks.christening robe, petticoats, embroidery, heirloom sewing, australia, 1900-20, lace -
Buda Historic Home & Garden CastlemaineArtwork, other - Illustration - Poster Design, Australian Exhibition of Womans' Work 1907, 1907
... Centenary celebration of the first Australian exhibition of women's work 1907, p. 44....Original poster design by (Bertha) Dorothy Leviny for the 'Australian Exhibition of Womans' Work', Melbourne 1907. Watercolour design showing Exhibition Buildings (Carlton) and five women in medieval costume blowing their trumpets with trees in background. ...Centenary celebration of the first Australian exhibition of women's work 1907, p. 44. One of the few original poster design entries known to remain in existence from the First Australian Exhibition of Women's Work, Melbourne 1907. ...This original poster design was produced as entry in the First Australian Exhibition of Women's Work 1907 in Melbourne. Dorothy Leviny was studying art and design at the Bendigo School of Mines at this time, under the tutelage of Arthur T. Woodward, who was recognised as one of Australia's foremost proponents of the Arts and Crafts Movement. Reference: Castlemaine Art Gallery and Historical Society (2007): Catalogue. Portrait of an Exhibition. Centenary celebration of the first Australian exhibition of women's work 1907, p. 44.One of the few original poster design entries known to remain in existence from the First Australian Exhibition of Women's Work, Melbourne 1907.Original poster design by (Bertha) Dorothy Leviny for the 'Australian Exhibition of Womans' Work', Melbourne 1907. Watercolour design showing Exhibition Buildings (Carlton) and five women in medieval costume blowing their trumpets with trees in background. Text top: 'Australian Exhibition', bottom 'of Womans' (sic) Work' and lower left corner 'Melbourne/1907/Oct, 23rd to Nov. 30.Lower right-hand of design - Dorothy Leviny's insignia: A 'B' inside a 'D' with and 'L'(bertha) dorothy leviny, first australian women's exhibition, 1907, exhibition building, carlton, australian women's work, watercolour design, poster, arts and crafts movement -
Buda Historic Home & Garden CastlemaineIllustration - Watercolour, Dorothy Leviny, Original Wallpaper Design by Dorothy LEviny, 1906
... Dorothy Leviny, along with two of her sisters, entered a number of items in the First Australian Exhibition of Women's Work, Melbourne, 1907, and was awarded second prize for one of her wallpaper designs. ...Dorothy Leviny, along with two of her sisters, entered a number of items in the First Australian Exhibition of Women's Work, Melbourne, 1907, and was awarded second prize for one of her wallpaper designs. ...Original design by Dorothy Leviny, aged 25, while she was a student at the Bendigo School Of Mines under the tutelage of Arthur T. Woodward. Woodward, who had come to Australia from Britain, was a renowned proponent of the Arts and Crafts Movement in Australia during the late nineteenth and early twentieth centuries. Dorothy Leviny, along with two of her sisters, entered a number of items in the First Australian Exhibition of Women's Work, Melbourne, 1907, and was awarded second prize for one of her wallpaper designs. Dorothy Leviny was the ninth child born to noted colonial silversmith and jeweller, Ernest Leviny, and his wife, Bertha (nee Hudson).This original wallpaper design by Dorothy Leviny is one of few that remain in existence from the early twentieth century showing the influence of the British Arts and Crafts Movement in Australia.Original wallpaper design made by (Bertha) Dorothy Leviny painted in watercolour. The repetitive floral design consists of pale pink bell-shaped flowers with green stems and leaves. Paper, card, watercolour paint.'D. Leviny /06'.dorothy leviny, watercolour painting, arts and crafts movement, 1906, buda, castlemaine, arthur t woodward, bendigo school of mines, exhibition of womens work 1907, wallpaper design, illustration -
Kew Historical Society IncClothing - Black Lace Evening Dress, c.1907
... Wishart) invited the ladies of the district to meet in the mayor's room, town-hall, Kew, at half past 3 o'clock tomorrow afternoon, to consider steps to be taken locally in support of the proposed Exhibition of Women's Work.'...Another interesting and relevant report is an account in The Argus (19 March 1907, p.6): 'WOMEN'S WORK EXHIBITION The mayoress of Kew (Mrs. W. ...Lily and William Wishart lived during this period in 'Noranook', Fernhurst grove, Kew. There are numerous contemporary accounts of the social and civic activities of Lily Wishart as mayoress of Kew. In a description of a 'Mayoral At Home' in the Kew Recreation Hall, a report in The Australasian (10 Aug 1907, p.46) described the event thus: MAYORAL AT HOME In the Kew Recreation-hall on Thursday evening the Mayor and Mrs. W. Wishart gave an at home to between two and three hundred guests. ... Prior to the musical programme, the mayor and mayoress held a reception, standing on a dais at one side of the room. Mrs. Wishart was gowned in black glace silk, trimmed with handsome lace applique, and she wore a cream Maltese lace scarf over her shoulders, and held a bouquet of cardinal carnations.' This may be the dress in the collection. Another interesting and relevant report is an account in The Argus (19 March 1907, p.6): 'WOMEN'S WORK EXHIBITION The mayoress of Kew (Mrs. W. Wishart) invited the ladies of the district to meet in the mayor's room, town-hall, Kew, at half past 3 o'clock tomorrow afternoon, to consider steps to be taken locally in support of the proposed Exhibition of Women's Work.'The dress is locally significant as the work of a skilled home-dressmaker in Kew, who was also a leading civic figure in the municipality. One tends to think of amateur dressmakers as women who could not afford to purchase clothes from a retailer. Clearly, 'women's work' and the skills that educated and wealthy women acquired in the period allowed them to fashion their own garments.Full length evening dress in four parts. Undergarments include two items: a basic black silk petticoat and an upper black silk slip, the latter with two bands of ruffles. The lace dress is in two parts: a bodice and a skirt. The black, high-necked bodice is constructed of silk organza to which guipure lace has been extensively applied. The bodice has long puffed sleeves, gathered on the forearm to form a wide band of lace and ribbon at the wrist. The skirt is constructed of the same black fabric with descending bands of gathered black silk ribbon, used as ornamentation. The skirt also features a long train. Apart from the donor information about its provenance, the style of the dress can confidently be dated to the period 1900-1910. The dress was made and worn to civic functions by Mrs Lily Wishart, Mayoress of Kew in 1906-7. Earlier items belonging to William and Lily Wishart entered the collection as early as 2002. The dress was donated by a descendant of a friend of Lily Wishart in 2020. The photograph of the dress and its components attached to the record needed to be digitally enhanced so that details of the dress could be viewed online, as the fabric of the dress is an intense black. A physical assessment of the dress is included in the condition report.fashion & design collection - kew historical society, australian fashion - 1900s, evening dresses, lily clara wishart, fashion design, fashion -- 1900s -
Federation University Historical CollectionBook, Victoria Education Gazette and Teachers' Aid, 1900-1910, 1900-1910
... Parker (p. 18); Freearm Drawing- Sale State School (p.71) .5) Images: Map of Australia (p.33); Formalin lamps for disinfecting rooms (p. 80); Melbourne Teachers Training College (p. 167) .6) Werribee Gorge Supplement (p. 3, 4, 11, 12, 13) .7) First Exhibition of Women's Work (p. 7, 73-76) .8) Images: Franco-British Exhibition; Memorial to William H. ...Parker (p. 18); Freearm Drawing- Sale State School (p.71) .5) Images: Map of Australia (p.33); Formalin lamps for disinfecting rooms (p. 80); Melbourne Teachers Training College (p. 167) .6) Werribee Gorge Supplement (p. 3, 4, 11, 12, 13) .7) First Exhibition of Women's Work (p. 7, 73-76) .8) Images: Franco-British Exhibition; Memorial to William H. ...The Federation University Historical Collection holds a full range of Victoria Education Gazette and Teachers' Aid from 1900-1968.Ten black hard covered volumes with red tape spine, covering 1900 to 1910. The gazettes include Education Department appointments, transfers, resignations and retirements, notices, queries, notices of books, examination papers, original articles, lesson plans, suggestions for lessons, drawing, obituaries, notes on nature study, mathematics, music, sloyd woodwork, English grammar, Victorian State School Swimming Clubs, Geography, penmanship, science, History, Latin, Geography; The School Garden - Shean's Creek .1) Arbour Day (pg 135) Images: Melbourne Teachers' College 1888 Building (p.8); Union Jack (p. 80); Gasometer (p. 132) .2) Plant Life lesson plans, The Antarctic in 1910, Model Nature Lesson - what plants live on , Superannuation Fund, Saluting the Flag, A.N.A. School Children's Competitions, school garden awards, Teacher Training College, Nature Study - A page from a Teacher's Diary, A Mushroom, Mrs Bush's Kindergarten Christmas Images: Dookie Agricultural College, George R. Button, training college students attending the university, Sloyd teachers, Staff at the Summer School, Outside Wilson Hall, Watt's River Weir, Fungi .3) Images: Walhalla State School; Francis W. Parker (p. 18); Freearm Drawing- Sale State School (p.71) .5) Images: Map of Australia (p.33); Formalin lamps for disinfecting rooms (p. 80); Melbourne Teachers Training College (p. 167) .6) Werribee Gorge Supplement (p. 3, 4, 11, 12, 13) .7) First Exhibition of Women's Work (p. 7, 73-76) .8) Images: Franco-British Exhibition; Memorial to William H. Nichols (p. 191) .9) Temperance Teaching; Birds native to Australia (p.4) Images: Royal Agricultural Show State Schools Exhibit (p. 5-18); Leonard's Hill School; Visit of the American Fleet .10) Funeral of Edward VII Images: Portsea Quarantine Station (p. 33-35)w.o. ryan, f. thomas, a.a. tipping, t.n. considine, w.c. fordyce, e.e. bull, h.w. byrne, j.t. flynn, r.t. smith, a.w. steane, james bagge, theo fink, frank tate, siede, nature, garden, education, school, teacher, teaching, arbor day, arbour day -
Warrnambool and District Historical Society Inc.Label, Mrs. Wm. Wright, Early 20th century
... Her pupils were successful at local shows and she herself won second prize in the Australian Womens Work Exhibition of 1907 for the best made washing dress for a girl of 12. ...Her pupils were successful at local shows and she herself won second prize in the Australian Womens Work Exhibition of 1907 for the best made washing dress for a girl of 12. ...Martha Wright was the proprietor of a fancy goods store in Liebig Street, Warrnambool opposite Jordan's studio. She took art needlework classes offering seven lessons for 5 shillings . Her pupils were successful at local shows and she herself won second prize in the Australian Womens Work Exhibition of 1907 for the best made washing dress for a girl of 12. This item is significant as Mrs.Wright was a prominent business woman in Warrnambool in the early 20th century.White rectangular label with dark blue lines and background .ART NEEDLEWORK AND REQUISITES From Mrs. Wm. Wright LIEBIG ST. WARRNAMBOOL Telephone 158 GOLFERS & KNITTED SUITS A SPECIALITY martha wright, fancy goods, australian womens work exhibition -
Warrnambool and District Historical Society Inc.Painting, Hopkins River - Clifton Banks, Early 20th century
... exhibitions in Warrnambool in the early 1900s. She died in Warrnambool in 1933. This is a highly significant art work as it has artistic merit and is one of the depictions of Clifton Banks on the Hopkins River and so has historical value. It is an example of the high standard of art work that was being produced, especially by women ...Clifton Banks is the name given to a bank on the Hopkins River Estuary, about one kilometre upstream from Proudfoots Boathouse. It is at the foot of the property, Clifton which dates from the 1850s. There are several works of art and photographs depicting Clifton Banks which date from the 19th and early 20th centuries. This oil painting is believed to be the work of Emma McGeorge, the wife of Canon Samuel McGeorge, the Vicar of Christ Church, Warrnambool form 1899 to 1905. It is surmised that Emma McGeorge was encouraged by the artist Mary Norman to take up painting as a pastime or to continue with her art interests. Emma McGeorge may have been a pupil of Samuel Pearce Fuller and Mary Norman. She was successful as an exhibitor and entrant in art exhibitions in Warrnambool in the early 1900s. She died in Warrnambool in 1933. This is a highly significant art work as it has artistic merit and is one of the depictions of Clifton Banks on the Hopkins River and so has historical value. It is an example of the high standard of art work that was being produced, especially by women, in the late 19th and early 20th centuries in Warrnambool. It was bought at an auction sale in Camperdown by Les O’Callaghan in 1997. This is an oil painting, probably by Emma McGeorge, on art board of Clifton Banks on the Hopkins River. It has a gilt wooden frame with multi-tiered highly-ornamented outer frames in a gold colouring. The lower frame is discoloured (perhaps by smoke from a fire place) and there is a small piece of wood missing on the lower frame. All the gilding is slightly discoloured. The back has been sealed with pasted paper and there are old tacks and old wire for hanging the picture. There is a label on the back from W. Hickford, the Warrnambool picture framer and handwritten information on the artist and the artwork by Les O’Callaghan.Front: ‘E.Mc.G.’ Back: ‘W. J. Hickford, Picture Dealer, Framer and Gilder, Liebig Street, Warrnambool, Mounting and Repairing, Old Frames Re-gilt, Oakley Printer’ ‘603’ clifton banks, emma mcgeorge, warrnambool, hopkins river estuary -
Victoria Police MuseumOral history, Sergeant Eileen Rainford, April 2017
... worked as a translator and radio broadcaster during and after the second world war. On moving to Australia Rainford joined Victoria Police, where as one of only eight policewomen, she noted a major difference in public attitude towards women working in the force. In this interview, Rainford reflects on these different attitudes and her roles at numerous stations. police woman policewoman policewomen oral history rainford victoria police Digital archive of oral history of former police woman Eileen Rainford. Cut for exhibition ...Eileen Rainford is a retired Sergeant who joined Victoria Police as one of only eight police women in 1952. Born in England, she served with Liverpool police, patrolling the docks, prior to moving to Australia. Speaking numerous languages, including Polish and German, Rainford worked as a translator and radio broadcaster during and after the second world war. On moving to Australia Rainford joined Victoria Police, where as one of only eight policewomen, she noted a major difference in public attitude towards women working in the force. In this interview, Rainford reflects on these different attitudes and her roles at numerous stations.Digital archive of oral history of former police woman Eileen Rainford. Cut for exhibition purposespolice woman, policewoman, policewomen, oral history, rainford, victoria police -
Federation University Historical CollectionBook - Book - Scrapbook, Ballarat School of MInes: Scrapbook of Newspaper Cuttings, Book 28, September 1986 to November 1986
... work at ballarat expo...gwyn hanssen-pigott...e j tippett smb's first patron...obituary for e j tippett...david davies picture to be auctioned..."the season of storm stress and toil"...student teachers from the sultanate of brunei visit smb...ballarat girls' technical school class of 1959 reunion...instruction on computers at smb...$1.3m for new science and food services facility...ceramics instructor neville french...sheehan opens new motor school at smb...art student david noonan at exhibition...nerrina art exhibition opens...nerrina is group of ballarat women...The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 3 September 1986 to 20 November 1986. teaching positions advertised pre-employment courses courses available bruce muir agricultural challenge students gain steel building licences at ballarat airport barometer for smb students community integration a challenge career expo 86 smb course for community workers apprentices honoredat town hall head of geology philip day retires patrick hope business head at bcae filipinos discuss industry problems south street society transfers theatre title to council jim mckay fills lifelong ambition trainees at smb in jobs giving students choice age no barrier to lois rowan education help for disabled people fuel misers ready for action robert hill stephen canny darryn bauer andrew claywoth simon hawker glen meadows ross taylor hairdressing apprentices lessa arnott and lois rowan something old something new at sovereign hill top potters' work at ballarat expo gwyn hanssen-pigott e j tippett smb's first patron obituary for e j tippett david davies picture to be auctioned "the season of storm stress and toil" student teachers from the sultanate of brunei visit smb ballarat girls' technical school class of 1959 reunion instruction on computers at smb $1.3m for new science and food services facility ceramics instructor neville french sheehan opens new motor school at smb art student david noonan at exhibition nerrina art exhibition opens nerrina is group of ballarat women geoff mainwaring guides group what they need most is understanding Book with yellow cover, front, spiral bound. ...Collection of newspaper articles related to Ballarat School Of Mines.They cover activities and advertisements for staff. The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 3 September 1986 to 20 November 1986.Book with yellow cover, front, spiral bound. teaching positions advertised, pre-employment courses, courses available, bruce muir agricultural challenge, students gain steel building licences at ballarat airport, barometer for smb students, community integration a challenge, career expo 86, smb course for community workers, apprentices honoredat town hall, head of geology philip day retires, patrick hope business head at bcae, filipinos discuss industry problems, south street society transfers theatre title to council, jim mckay fills lifelong ambition, trainees at smb in jobs, giving students choice, age no barrier to lois rowan, education help for disabled people, fuel misers ready for action, robert hill, stephen canny, darryn bauer, andrew claywoth, simon hawker, glen meadows, ross taylor, hairdressing apprentices lessa arnott and lois rowan, something old something new at sovereign hill, top potters' work at ballarat expo, gwyn hanssen-pigott, e j tippett smb's first patron, obituary for e j tippett, david davies picture to be auctioned, "the season of storm stress and toil", student teachers from the sultanate of brunei visit smb, ballarat girls' technical school class of 1959 reunion, instruction on computers at smb, $1.3m for new science and food services facility, ceramics instructor neville french, sheehan opens new motor school at smb, art student david noonan at exhibition, nerrina art exhibition opens, nerrina is group of ballarat women, geoff mainwaring guides group, what they need most is understanding -
Federation University Historical CollectionBook - Book - Scrapbook, Ballarat School of MInes: Scrapbook of Newspaper Cuttings, Book 41, October 1989 to December 1989
... women speak on small business...radiotherapy machine needed in ballarat...leesa arnott hairdressing apprentice...aim for 500 apprentices...cuts to performing arts?...smb juggles plan for cost cutting...smb advanced certificate in ceramics...david addy winner of edgar bartrop scholarship...literacy volunteer graduates...course offers youth hope of work...brickies of the future...adult literacy program cuts...advanced ceramics exhibition...women speak on small business radiotherapy machine needed in ballarat leesa arnott hairdressing apprentice aim for 500 apprentices cuts to performing arts? smb juggles plan for cost cutting smb advanced certificate in ceramics david addy winner of edgar bartrop scholarship literacy volunteer graduates course offers youth hope of work brickies of the future adult literacy program cuts advanced ceramics exhibition students organise deb ball government education bill library named after jack barker julie oldham wins computer service award wendy caple and allan lion horticulture students prejudice attitudes Book with yellow cover, front, spiral bound. ...Collection of newspaper articles related to Ballarat School Of Mines.They cover activities and advertisements for staff. The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 12 October 1989 to 29 December 1989.Book with yellow cover, front, spiral bound. teaching positions advertised, pre-employment courses, courses available, enrolment for smb courses, photographs ballarat life, edan bradley, sarah bolster, special entry scheme, access program for women, anthony wonish silver medal winner, kathryn wilson first r j young scholarship, promoting opportunities at smb, ann mccaffrey, smb open day, training structure charts, women speak on small business, radiotherapy machine needed in ballarat, leesa arnott hairdressing apprentice, aim for 500 apprentices, cuts to performing arts?, smb juggles plan for cost cutting, smb advanced certificate in ceramics, david addy winner of edgar bartrop scholarship, literacy volunteer graduates, course offers youth hope of work, brickies of the future, adult literacy program cuts, advanced ceramics exhibition, students organise deb ball, government education bill, library named after jack barker, julie oldham wins computer service award, wendy caple and allan lion horticulture students, prejudice attitudes -
Mission to Seafarers VictoriaFurniture - Sanctuary chairs, pair, Gladys Hawkey (1886-1974), c. 1917
... work is made in an article in 1915 where her escritoire is offered in a raffle to raise funds for the Australian sick and Wounded. The chairs were donated in 1919 when the Flinders Street mission was open. In a style of Robert Prenzel with Australian Flora, the chairs are in the typical Arts and Crafts style. Like many women from the early 1900s, she was likely to have been inspired by the Australian exhibition ...William Scott Purves Godfrey (1872-1953) designed the chairs and Miss Gladys Hawkey (1886-1974) carved them. W.S.P Godfrey was born in Toorak on 6 April 1872. He was was the cousin of Ethel Godfrey. Educated in Brussels and at Melbourne Grammar, he studied Architecture at the University of Melbourne. He and Henry Howard Spowers established the architectural firm Godfrey & Spowers, known for the design of the Argus building, around 1901. W S P Godfrey retired from practice in 1944. He died in August 1953, aged 81. He's buired in the St Kilda Cemetery with the Godfrey family. Gladys Hawkey was a member of the Guild. (photographed during the Norla Fete). She was born in Sandhurst, Bendigo and is buired in the Bendigo Cemetery. Little is known about Gladys Hawkey. She may have been a student of Robert Prenzel. Another mention of her work is made in an article in 1915 where her escritoire is offered in a raffle to raise funds for the Australian sick and Wounded. The chairs were donated in 1919 when the Flinders Street mission was open. In a style of Robert Prenzel with Australian Flora, the chairs are in the typical Arts and Crafts style. Like many women from the early 1900s, she was likely to have been inspired by the Australian exhibition of women's work and other female woodworkers of the time.Handcarvedgladys amy hawkey (1886-1974), william scott purves godfrey (1872-1953), lhlg, ladies harbour lights guild, chapel, flinders street, mission to seafarers, seamen's mission, wood carving, godfrey and spowers, heritage listed, arts and crafts, gifts-1917 -
Mission to Seafarers VictoriaMemorabilia - Framed badge, Classic Picture Framers, 2016
... women of substance of the Mission as a token of appreciation. The number 2 was given to Linda Dessau, Governor of Victoria, in 2017. The number 16 was given to Uma Kothari after she brought back the trowel and during the opening of her exhibition in June 2019. The badges are a reminder of the dedication and hard work ...Badges from the Harbour Lights Guild were found in a bag in the archives. 20 of them were framed as memorabilia to give to women of substance of the Mission as a token of appreciation. The number 2 was given to Linda Dessau, Governor of Victoria, in 2017. The number 16 was given to Uma Kothari after she brought back the trowel and during the opening of her exhibition in June 2019.The badges are a reminder of the dedication and hard work of women for the Mission.Small white badge and a golden label below with information about it mounted on a black paper and framed in a square black framebadges, flying angel, hlg -
Eltham District Historical Society IncPhotograph, "As we are" Community Banner Project, c.Oct. 1986
... work for peace, and activities are undertaken on a group basis as well. The decision to participate in the group based activities is up to each woman as the time arises. The banner and some members of the group have now participated in the Peace Boogie at the World Trade Centre, the Peace Arts Conference organised by Art Action for Peace, Melbourne City Council's Peace Vigil weekend, Women's Precious Things for Peace Day exhibition and the banner was ' hung at the Footscray Community Arts Centre when the other textile peace mural Jacky co-ordinated was opened. ...work for peace, and activities are undertaken on a group basis as well. The decision to participate in the group based activities is up to each woman as the time arises. The banner and some members of the group have now participated in the Peace Boogie at the World Trade Centre, the Peace Arts Conference organised by Art Action for Peace, Melbourne City Council's Peace Vigil weekend, Women's Precious Things for Peace Day exhibition and the banner was ' hung at the Footscray Community Arts Centre when the other textile peace mural Jacky co-ordinated was opened. ...River of Life and Hiroshima Day Banners The River of Life and Hiroshima Day banners were specific peace projects initiated by the CAO and taken up by Eltham Living & Learning Centre and funded by the Victorian Peace Secretariat for IYP. The project was transferred from the Centre to Tracey as part of her artist in the community portfolio. Tracey, as CAO, employed Jacky Talbot, who was not familiar with Eltham but was an experienced community arts worker personally interested in textiles and peace. The project was publicised and a peace banner group formed. Only two of the women knew each other. They had come together from a need to do something for peace, rather than to learn about textiles. Jacky Talbot shared Elizabeth Savage's approach to the banner. She was not 'a peace-expert' and did not want to be seen as such by the group. Like Elizabeth Savage she wanted to encourage an expression of peace as it was perceived by the group. Jacky showed slides of peace images and peace banners. Textile workshops were interspersed with discussions about peace, one of which was led by a local People for Nuclear Disarmament member. The idea for the banner occurred during one of these discussions. One of the women began to talk about feeling like a drop of water lost in the river of life - yet rivers were made of countless droplets which, when joined together, became the powerful force of the river. This group quickly established a commitment, not only to peace, but to the group itself, and this has continued beyond the project. The women, as is the case with many of the groups in the Banner Project, were really surprised at their increasing textile skills and self-confidence. But they were more concerned with their commitment to peace. Each is continuing to find ways in which she can continue to work for peace, and activities are undertaken on a group basis as well. The decision to participate in the group based activities is up to each woman as the time arises. The banner and some members of the group have now participated in the Peace Boogie at the World Trade Centre, the Peace Arts Conference organised by Art Action for Peace, Melbourne City Council's Peace Vigil weekend, Women's Precious Things for Peace Day exhibition and the banner was ' hung at the Footscray Community Arts Centre when the other textile peace mural Jacky co-ordinated was opened. One woman wrote a poem about the project and peace; others have sent telegrams and letters to politicians about peace. A great deal of information about peace and other activities, articles, books, media programs were circulated amongst the group. The Hiroshima Day Banner was made by Jacky Talbot as part of the project. The women wanted to do something for Hiroshima Day and suggested that a workshop be set aside to make a banner. The artist was concerned about the remaining time scheduled for the project and spent several days "whipping" up the banner herself. For the artist this banner was to prove quite significant. The women hung it at the Community Notice Board on Hiroshima Day and were photographed by the local newspaper publicising the group and drawing wider community attention to the remembrance of the day. Although no new members joined the group from this activity, the artist felt that she was more fully accepted by the group afterwards. This banner has initiated a small group of women committed to peace. The artist has also continued to liaise and meet with the women as time permits. Future group plans include: making kimonos to wear when carrying the banner, participating in the Palm Sunday March, an observance of Hiroshima Day activity, which is yet to be decided, establishing contact with a sister-town in USA and USSR and supporting Eltham Council's stance as a Nuclear Free Zone. (Source: The banner habits of the Eltham tribes : Eltham Shire "as we are" Community Banner Project report / by Jacky Talbot, Shire of Eltham, Feb. 1987, pp43-46)35mm colour positive transparency (1 of 2) Mount - Kodak KodachromeProcess Date OCT 86Mbanner project, community banner project, tracey naughton, eltham living and learning centre, eltham peace banner, jacky talbot, river of life banner -
Eltham District Historical Society IncPhotograph, "As we are" Community Banner Project, c.Oct. 1986
... work for peace, and activities are undertaken on a group basis as well. The decision to participate in the group based activities is up to each woman as the time arises. The banner and some members of the group have now participated in the Peace Boogie at the World Trade Centre, the Peace Arts Conference organised by Art Action for Peace, Melbourne City Council's Peace Vigil weekend, Women's Precious Things for Peace Day exhibition and the banner was ' hung at the Footscray Community Arts Centre when the other textile peace mural Jacky co-ordinated was opened. ...work for peace, and activities are undertaken on a group basis as well. The decision to participate in the group based activities is up to each woman as the time arises. The banner and some members of the group have now participated in the Peace Boogie at the World Trade Centre, the Peace Arts Conference organised by Art Action for Peace, Melbourne City Council's Peace Vigil weekend, Women's Precious Things for Peace Day exhibition and the banner was ' hung at the Footscray Community Arts Centre when the other textile peace mural Jacky co-ordinated was opened. ...River of Life and Hiroshima Day Banners The River of Life and Hiroshima Day banners were specific peace projects initiated by the CAO and taken up by Eltham Living & Learning Centre and funded by the Victorian Peace Secretariat for IYP. The project was transferred from the Centre to Tracey as part of her artist in the community portfolio. Tracey, as CAO, employed Jacky Talbot, who was not familiar with Eltham but was an experienced community arts worker personally interested in textiles and peace. The project was publicised and a peace banner group formed. Only two of the women knew each other. They had come together from a need to do something for peace, rather than to learn about textiles. Jacky Talbot shared Elizabeth Savage's approach to the banner. She was not 'a peace-expert' and did not want to be seen as such by the group. Like Elizabeth Savage she wanted to encourage an expression of peace as it was perceived by the group. Jacky showed slides of peace images and peace banners. Textile workshops were interspersed with discussions about peace, one of which was led by a local People for Nuclear Disarmament member. The idea for the banner occurred during one of these discussions. One of the women began to talk about feeling like a drop of water lost in the river of life - yet rivers were made of countless droplets which, when joined together, became the powerful force of the river. This group quickly established a commitment, not only to peace, but to the group itself, and this has continued beyond the project. The women, as is the case with many of the groups in the Banner Project, were really surprised at their increasing textile skills and self-confidence. But they were more concerned with their commitment to peace. Each is continuing to find ways in which she can continue to work for peace, and activities are undertaken on a group basis as well. The decision to participate in the group based activities is up to each woman as the time arises. The banner and some members of the group have now participated in the Peace Boogie at the World Trade Centre, the Peace Arts Conference organised by Art Action for Peace, Melbourne City Council's Peace Vigil weekend, Women's Precious Things for Peace Day exhibition and the banner was ' hung at the Footscray Community Arts Centre when the other textile peace mural Jacky co-ordinated was opened. One woman wrote a poem about the project and peace; others have sent telegrams and letters to politicians about peace. A great deal of information about peace and other activities, articles, books, media programs were circulated amongst the group. The Hiroshima Day Banner was made by Jacky Talbot as part of the project. The women wanted to do something for Hiroshima Day and suggested that a workshop be set aside to make a banner. The artist was concerned about the remaining time scheduled for the project and spent several days "whipping" up the banner herself. For the artist this banner was to prove quite significant. The women hung it at the Community Notice Board on Hiroshima Day and were photographed by the local newspaper publicising the group and drawing wider community attention to the remembrance of the day. Although no new members joined the group from this activity, the artist felt that she was more fully accepted by the group afterwards. This banner has initiated a small group of women committed to peace. The artist has also continued to liaise and meet with the women as time permits. Future group plans include: making kimonos to wear when carrying the banner, participating in the Palm Sunday March, an observance of Hiroshima Day activity, which is yet to be decided, establishing contact with a sister-town in USA and USSR and supporting Eltham Council's stance as a Nuclear Free Zone. (Source: The banner habits of the Eltham tribes : Eltham Shire "as we are" Community Banner Project report / by Jacky Talbot, Shire of Eltham, Feb. 1987, pp43-46)35mm colour positive transparency Mount - Black and Whitebanner project, community banner project, tracey naughton, eltham living and learning centre, eltham peace banner, jacky talbot, river of life banner -
Women's Art RegisterBooks, Re-Register: Australian Women Sculptors From The Women’s Art Register
... The exhibition catalogue for the inaugural artist in residence program at the Women’s Art Register, featuring work by artist-in-residence Julia Boros, essays, images and archival material. ...Women's Art Register Richmond Library, 415 Church Street Richmond melbourne The exhibition catalogue for the inaugural artist in residence program at the Women’s Art Register, featuring work by artist-in-residence Julia Boros, essays, images and archival material. art women artists sculpture contemporary art exhibition women’s art register textiles julia boros katve-kaisa kontturi anna sandy bonita ely richmond australian artists A5 Booklet 12 pages stapled in centre, full colour, with image of textile work on cover Re-Register: Australian Women Sculptors From The Women’s Art Register Books ...art, women artists, sculpture, contemporary art, exhibition, women’s art register, textiles, julia boros, katve-kaisa kontturi, anna sandy, bonita ely, richmond, australian artistsart, women artists, sculpture, contemporary art, exhibition, women’s art register, textiles, julia boros, katve-kaisa kontturi, anna sandy, bonita ely, richmond, australian artists -
Women's Art RegisterBook - Exhibition Catalogue, Caroline Phillips, The f Word: Contemporary feminist art in Australia, 2012-2014
... Women's Art Register Richmond Library, 415 Church Street Richmond melbourne The project considered Judy Chicago's iconic feminist work The Dinner Party (1974-1979) as a starting point for research and discussion. The f Word project had a vision to get people together and create a space for critical dialogue about feminist art then and now in Melbourne, Australia, the site of the final exhibition of The Dinner Party's international tour. ...Publication accompanying the project, The f Word: Contemporary feminist art in Australia. Curated by Caroline Phillips, this project included multiple components: A Dinner Party: Setting the table; the Regional Feminist Art Forum, the Technopia Tours Feminist Art Bus, and two exhibitions.Publication accompanying the project, The f Word: Contemporary feminist art in Australia. Curated by Caroline Phillips, this project included multiple components: A Dinner Party: Setting the table; the Regional Feminist Art Forum, the Technopia Tours Feminist Art Bus, and two exhibitions.feminism, feminist art, melbourne, the dinner party, australia, judy chicago, west space, latrobe visual art institute, bendigo, gippsland art gallery, sale, victoria, ararat regional art gallery, ararat, technopia tours, kim donaldson, catherine bell, penny byrne, filomena coppola, kate just, jill orr, clare rae, elvis richardson, kate beynon, karen buczynski-lee, destiny deacon, laurene dietrich, eliza-jane gilchrist, janice gobey, georgia macguire, robyn massey, caroline phillips, louise saxton, inez de vega, lyndal walker, justine makdessi, the great petition, natalie thomas, laura castagnini, lyndal jones, vicki kinai, dot ket, virginia fraser, juliette peers, louise burchill, carolyn barnes, melbourne social equity institute, ebony gulliver, kalinda vary, kate robertson, stephanie alexander, kate macneill, victoria duckett, hana assafiri, victoria bennett, anne marsh, catherine deveny, danni zuvela, jon dale, marcia jane, catherine evans -
Women's Art RegisterBook - Catalogue, National Gallery of Australia, Joy Hester and Friends, 2001
... Women's Art Register Richmond Library, 415 Church Street Richmond melbourne Joy Hester was a founding member of the Contemporary Art Society and only woman in the Angry Penguins whose contribution and body of work has been acknowledged more and more since her early death. Complements material held on this Australian artist in the Women's Art Register collection. Enables access to images of work from public, corporate and private collections. contemporary art society angry penguins painting watercolour gouache Catalogue accompanying exhibition ...Catalogue accompanying exhibition at National Gallery of Australia in 2001 with two essays interweaving Hester's life and art, 1920-1960.Booknon-fictionCatalogue accompanying exhibition at National Gallery of Australia in 2001 with two essays interweaving Hester's life and art, 1920-1960.contemporary art society, angry penguins, painting, watercolour, gouache -
Women's Art RegisterBook - Anthology, Nina Felshin, But is it Art? The Spirit of Art as Activism, 1995
... Women's Art Register Richmond Library, 415 Church Street Richmond melbourne Documenting the hybrid of community organising and political activism which emerged in the mid-1970s,. Includes work by The Guerrilla Girls, The Women's Action Coalition and Gran Fury. Complements material held in The Women's Art Register. public art collective interdisciplinary body racism durational art social practice museology feminism collaboration A collection of essays by art critics, historians and journalists exploring 12 individual and group practices of activist art making. An overview of the dynamic exhibitions ...A collection of essays by art critics, historians and journalists exploring 12 individual and group practices of activist art making. An overview of the dynamic exhibitions, events, happenings and cultural practices engaged in creating social change.BookA collection of essays by art critics, historians and journalists exploring 12 individual and group practices of activist art making. An overview of the dynamic exhibitions, events, happenings and cultural practices engaged in creating social change.public art, collective, interdisciplinary, body, racism, durational art, social practice, museology, feminism, collaboration -
Women's Art RegisterBook, Joan Kerr, Heritage. The National Women's Art Book, 1995
... Women. It was the springboard for a large number of exhibitions and activities held nationally also marking the anniversary. Complements and expands similar material held in The Womens Art Register. colonial art craft competitions portraiture furniture sculpture indigenous art museology 500 works of art by 500 Australian women from colonial times to 1955 with images and commentaries on each work prepared by by 200 curators, critics, family member or the artists herself. ...500 works of art by 500 Australian women from colonial times to 1955 with images and commentaries on each work prepared by by 200 curators, critics, family member or the artists herself. Includes images of many works which may never have been reproduced. A biographical section comprises concise entries on these artists.Booknon-fiction500 works of art by 500 Australian women from colonial times to 1955 with images and commentaries on each work prepared by by 200 curators, critics, family member or the artists herself. Includes images of many works which may never have been reproduced. A biographical section comprises concise entries on these artists.colonial art, craft, competitions, portraiture, furniture, sculpture, indigenous art, museology -
Women's Art RegisterBook, Barbara Hall and Jenni Mather, Australian Women Photographers 1840 - 1960, 1986
... Complements other material held in The Women's Art Register on women photographers. self portraiture self-portraiture pictorialism Home magazine studio photography melbourne Society of Women Painters and Sculptors Olive Cotton Ruth Hollick Arising from research for an exhibition of the same name, which toured Australia 1981- 1982 the book covers the work of 45 amateur and professional photographers and their lives as innovators and travellers. ...Arising from research for an exhibition of the same name, which toured Australia 1981- 1982 the book covers the work of 45 amateur and professional photographers and their lives as innovators and travellers. Many of the works come from private collections and have not been previously published.Booknon-fictionArising from research for an exhibition of the same name, which toured Australia 1981- 1982 the book covers the work of 45 amateur and professional photographers and their lives as innovators and travellers. Many of the works come from private collections and have not been previously published.self portraiture, self-portraiture, pictorialism, home magazine, studio photography, melbourne society of women painters and sculptors, olive cotton, ruth hollick -
Women's Art RegisterBook - Anthology, Joan Kerr and Jo Holder, Past Present. The National Women's Art Anthology, N/A
... Final work in the National Women's Art Project which Joan Kerr started in 1993, which was marked by major publications and exhibitions in 1995....Women's Art Register Richmond Library, 415 Church Street Richmond melbourne Final work in the National Women's Art Project which Joan Kerr started in 1993, which was marked by major publications and exhibitions in 1995. ...Essays on feminist art, art history, criticism and museum practices in 1990s Australia by writers, academics, artists.non-fictionEssays on feminist art, art history, criticism and museum practices in 1990s Australia by writers, academics, artists.indigenous art, political art, gender, represenation, museology, photography, installation, graphic design, collaborative practices -
Women's Art RegisterBook, Judith Brooks, The Women's Gallery 1988 - 1995, 2019
... Women's Art Register Richmond Library, 415 Church Street Richmond melbourne Images and text covering every artist and event held in the feminist exhibition space in lively bohemian Fitzroy Melbourne. Overview of a significant feminist centred art space which collaborated with The Women's Art Register on an annual exhibition.and showed the work of established and emerging artists. solo and group exhibitions spiritual art political art portraiture IWD exhibitions collaborative prectice collective practice Documents every event in the volunteer-run Women's Gallery, which ran June 1988 until December 1995, in bohemian Brunswick Street Melbourne and showed 119 solo and group exhibitions, and hosted book launches, music and theatre performances, seminars and poetry readings. ...Documents every event in the volunteer-run Women's Gallery, which ran June 1988 until December 1995, in bohemian Brunswick Street Melbourne and showed 119 solo and group exhibitions, and hosted book launches, music and theatre performances, seminars and poetry readings.BOOKnon-fictionDocuments every event in the volunteer-run Women's Gallery, which ran June 1988 until December 1995, in bohemian Brunswick Street Melbourne and showed 119 solo and group exhibitions, and hosted book launches, music and theatre performances, seminars and poetry readings.solo and group exhibitions, spiritual art, political art, portraiture, iwd exhibitions, collaborative prectice, collective practice -
Glenelg Shire Council Cultural CollectionPainting, Yvonne Cohen, Banana Grower, c. 1966
... exhibition at CEMA Arts Centre. CEMA Portland Artists Society Female Artists Female Women Bannana Agriculture Front: Von(lower left, etched into black paint) Back: Taped label:"Banana Grower" Yvonne Cohen Porter St Templestow $ 90.00 Glued label: Yvonne Cohen :Banana Grower"(1966) Yellow sticker: 1966 Abstract depiction of a person with a bunch of bananas completed in shades of red, brown and black. The focus of the work ...CEMA Art collection. Winner of 1966 Portland art Society Art Prize for category oil. Included in the 1999 "Salvage" exhibition at CEMA Arts Centre.AbstractAbstract depiction of a person with a bunch of bananas completed in shades of red, brown and black. The focus of the work is the standing human figure with brown clothing and red skin tones. The person is looking to their right at the bunch of bananas they are holding. The work has a two tiered wooden frame and exposed canvas.Front: Von(lower left, etched into black paint) Back: Taped label:"Banana Grower" Yvonne Cohen Porter St Templestow $ 90.00 Glued label: Yvonne Cohen :Banana Grower"(1966) Yellow sticker: 1966cema, portland artists society, female artists, female, women, bannana, agriculture
