The Committee of Ithacan Expatriates held an inaugural conference on Ithaca on 17 July 1976. Stathi Raftopoulos, pictured the microphone, was a delegate to the conference along with other expatriates.Organisations such as the Committee for Ithacan Expatriates are a means by which the diaspora Greeks of Ithacan background are be able to maintain the links with the island.A black and white photograph featuring a man standing in front of a microphone at a conference. Six other male participants, including a priest, are seated at a table either side of him. In the background is a curtained stage with a banner featuring the bust of Odysseus.ULYSSES KING OF ITHACA.australia

The photograph was taken at a conference of expatriate Ithacan Greeks which took place in Vathi, Ithaca on 17 July 1976. Stathi Raftopoulos attended the conference and is seated at the table, second from the right.A conference of expatriate Ithacan Greeks indicates the close ties which remained between the Ithacans who remained in Greece and those who had settled in other countries. Many Greeks who settled in Melbourne in the early years of last century were from Ithaca. A black and white photograph of seven men and a lady sitting around a table at a meeting in a hall. There is an audience of fourteen people sitting on chairs. The speaker is barely visible in the extreme LHS of the photographThe details of the photographer and the event have been stamped on the back of the photograph in Greek.

Letter from Association of Expatriate Germans to Marie Jackschowsky in reply to application for liquidation damages under Article 2971 of Peace Treatyjackschowsky, mary elizabeth, association of expatriate germans

non-fictionCover of 2011 catalogue from Ballarat City Library of small exhibition by local book collector Michael Taffe. Private presses included, Mandrake, Fanfrolico, Windsor, Ancora, Gregynog and Kelmscott and Escutcheon.book collectors, private libraries

Rupert BUNNY (1864-1947) One of the most successful expatriate artists of his generation Rupert Bunny was superb colourist and fine draughtsman, with a strong interest in rhythmic composition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Life drawing using line depicting a female figure turned away from the onlooker. Gift of William Ritchie, 1965Signed lower third with artist's initials.art, artwork, rupert bunny, life drawing, nude, available (in march 2018)

Aboriginal artist Leann Edwards before heading to USA to show her artwork to the world. Ten of her paintings launched by expatriate Australian gallery owner Mary Harbour Lakes Entrance Victoria. Also three colour photographs of Leann Edward paintings Dolphins, Kangaroo Bed Head,Balranald Pub displayed at Nungurner January and February 1996 numbers 04119.1, 04119.2, 04119.3 size 15 x 10 cmColour photograph of Aboriginal artist Leann Edwards Also three colour photographs of Leann Edward paintings aboriginals, arts and crafts

According to the paper label "Expatriate Clive James was named the 1993 Legacy Personality of the Year at a special function conducted by Melbourne Legacy. Clive entertained over 500 guests with a personal address of his time as a young Legacy boy. Clive will be seen later in the year as part of Legacy's Annual Badge Appeal." It was a "Breakfast with Clive James" at the Regent Hotel in February 1993, and Australian author Patsy Adam-Smith and Sir Edward 'Weary' Dunlop were also guests. (See also 00752 and 00753). The event was reported in The Answer in March 1993.A record of a function to commemorate the 70th AnniversaryBlack and white photo proof sheets x 3 of a Legacy function with Clive James.The proof sheets are marked A, B, and C. 70th anniversary, dunlop, function, clive james

As a result of a group of European expatriates settling in Sunbury in the 1970s and wanting to play soccer, the Sunbury United Sporting Club was formed in 1972 with the first games played on the Aussies Rules ground in Evans Street (now the Sunbury Shopping Square). After cooperation between Shire of Bulla Council to acquire an open area of land in Michells Lane, the club moved to their own ground, Langama Park in 1975. Since that date, the club has grown and today there are 3 senior and 2 junior pitches as well as 2 cricket pitches and comfortable clubrooms on the area.Sunbury United Sporting Club was one of the first Soccer Clubs to be established in the district.A scanned non-digital coloured photograph of the Sunbury United Football Club. There is a white border around the photograph and the names of the players are listed under the image. The players are wearing navy blue guernseys with a diagonal red and white stripe across the front.sunbury united sporting club., langhama park, soccer, mitchells lane

Sunbury United Soccer Club was established in 1973 by a group of expatriate Europeans who wanted to play the game they grew up with. Their first games were played on the recreation reserve in Evans Street on the ground designed for AFL football. (Now the site of a shopping complex). In August 1975, Sunbury United moved to its present home on seven and a half acres of sporting ground at Langama Park in Mitchells Lane . Over the years that area has developed and there are now three senior, and two junior soccer pitches with two cricket pitches and practice nets. Although there is still room for improvement to the floodlighting on the main pitch, the night games have proven successful. The Sunbury United Soccer Club has played an important roll in district competition and is one of the many sporting clubs in Sunbury.A non-digital black and white photograph of a soccer ground showing a set of goal posts with the clubrooms and change rooms in the background.soccer, sunbury united soccer club, football, langama park, mitchells lane

Set of 12 flags collected by the donor, unused, manufactured during the late 1980s. 1 - Australian flag - see also item 790 for a used example 2 - Support Legacy 3 - March is Red Cross calling month. 4 - 100 years of trams - see also item 2608 5 - Victoria 150 6 - Architecture Week 7 - Energy Week - May 1987 8 - Spoleto festival - blue background 9 - Spoleto festival - purple background 10 - Women 150 art festival 11 - Girl Guides 12 - ESTO '88 Melbourne - ESTO is a world-wide cultural festival for expatriate Estonians which has taken place every four years since its beginning in 1972Demonstrates the type of flags that were made for use on Melbourne trams during the late 1980s.Set of 12 flags made for use on tramcars - unused - nylon woven fabric and printed on various coloured cloths. Sewn with a loop at the left hand end to enable a wooden dowell to be fitted and secured and flown on a W class tramcar.trams, flags, melbourne, tramways, legacy, festivals, 100 years of electric trams, 150th anniversary victoria

According to the paper label "Expatriate Clive James was named the 1993 Legacy Personality of the Year at a special function conducted by Melbourne Legacy. Clive entertained over 500 guests with a personal address of his time as a young Legacy boy. Clive will be seen later in the year as part of Legacy's Annual Badge Appeal." It was a "Breakfast with Clive James" at the Regent Hotel in February 1993, and Australian author Patsy Adam-Smith and Sir Edward 'Weary' Dunlop were also guests. (See also 00751 and 00753). The event was reported in The Answer in March 1993. 00752.1 Weary Dunlop and Clive James 00752.2 A colour photo of the high table at the event, including Weary Dunlop and Clive James with President J. D. Stevenson on the far right.A record of a function to commemorate the 70th Anniversary and launch Clive James as 'Personality of the Year' in 1993.Black and white photo of Weary Dunlop and Clive James and a colour photo of the Legacy breakfast.70th anniversary, dunlop, clive james

Vol. 2, No. 5, Oct-Nov 1997 CONTENTS ART BRIDGES GAP IN WAR-TORN NATION Painter Piers Batman captures life in Eritrea 3 TENACITY OF THE HUMAN SPIRIT A teacher's road back from road trauma 7 EXHIBITIONS 10 POETRY Ray Liversidge 11 STUDIO WALKABOUT Artists open studios for Eltham Festival 12 ART FROM THE HEART Interview with Herman Pekel 14 ERITREAN JOURNEY Bill Moseley's camera in Eritrea 16 ART AND THE INTERNET Two Kangaroo Ground women bring art to a wider audience 18 HOUSE AND GARDEN IN SUBURBIA Exhibition of sculpture at Austin and Repatriation Medical Centre 20 THEATRE New Playbox - powerful advocate of Australian theatre 21 SHORT STORY Goodbye Dave, by Sherry Clarke 22 BOOK REVIEW 27 POETRY READING 28 BOOK REVIEW 29 EXPATRIATES COME HOME Former Nillumbik artists exhibit works 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, thornton mccamish, bill moseley, eritrea, darebin festival, christine durham, michele lonsdale, ray liversidge, ona henderson, syd tunn, eltham festival, artists open studios program, nillumbik artists' open studios, david armfield, janet boddy, jules christian burns, wendy donald, jill forest, annie keil-taggart, ming bellamy mackay, jenni mitchell, grace mitchell, mervyn hannan, mary lou pittard, chris pittard, maureen runge, herman pekel, austin and repatriation medical centre, carolyn pickett, sherry clarke, manningham artspace, alan marshall short story award, eltham arts council inc., eltham library community gallery, harriot dance, chapman & bailey artists' stretchers and furniture, eltham high school

According to the paper label "Expatriate Clive James was named the 1993 Legacy Personality of the Year at a special function conducted by Melbourne Legacy. Clive entertained over 500 guests with a personal address of his time as a young Legacy boy. Clive will be seen later in the year as part of Legacy's Annual Badge Appeal." It was a "Breakfast with Clive James" at the Regent Hotel in February 1993, and Australian author Patsy Adam-Smith and Sir Edward 'Weary' Dunlop were also guests. (See also 00752 and 00753). 00751.1 Clive James at the podium with a logo of "70 Legacy" and slogan "Seventy year of constantly caring 1923 - 1993". 00751.2 A view along the high table with Weary Dunlop and Clive James among others whose names aren't know. 00751.3 The Melbourne Legacy President J. D. Stevenson at the podium. 00751.4 A view of the diners at their tables while Clive James is talking. 00751.5 Another view of the room including band members on stage behind Clive James. See 00753 for proof sheets of photos of the event.A record of a function to commemorate the 70th AnniversaryBlack and white photo x 5 of a Legacy function with Clive James and an article from The Answer.70th anniversary, dunlop, function, answer, clive james

An Authors Love Author: Prosper Merimee's Publisher: Macmillan And Co Date: 1889 Further Information: Being the unpublished letters of Prosper Merimee's 'Inconnue'fictionThe book is an epistolary novel (a story told in letters) written by the American author Elizabeth Balch (though it was published anonymously at the time). It was written as a highly clever literary hoax and a sequel of sorts to a major 1873 French literary sensation, Lettres à une Inconnue (Letters to an Unknown) by the famous French dramatist and short-story writer Prosper Mérimée (best known as the author of the novella Carmen). Mérimée had spent over thirty years writing passionate, brilliant, and deeply personal letters to an anonymous woman (later revealed to be Jenny Dacquin). When these were published after his death, they became a massive hit, but the public only ever saw his side of the conversation. Elizabeth Balch decided to write the missing half of the romance.flagstaff hil, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, an authors love, prosper merimees

Bendigo Operatic Society White Paper Cover Black & White Text Programme Booklet Production 'South Pacific' Opening 10th August 1962 for six nights. Does not state where performed. With the permission of Chappells Ltd Bendigo Operatic Society presents 'South Pacific.' A Beatrice Oakley Production. Music & Lyrics Rogers & Hammerstein II. Book Hammerstein II & Joshua Logan. Musical Director Mr Max O' Loghlen. South Pacific's plot is based on James A. Michener's Pulitzer Prize-winning 1947 book Tales of the South Pacific and combines elements of several of those stories. Rodgers and Hammerstein believed they could write a musical based on Michener's work that would be financially successful and, at the same time, would send a strong progressive message on racism. South Pacific focuses on an American nurse stationed on a South Pacific island during World War II, who falls in love with a middle-aged expatriate French plantation owner but struggles to accept his mixed-race children. A secondary romance, between a U.S. lieutenant and a young Tonkinese woman, explores his fears of the social consequences should he marry his Asian sweetheart. The issue of racial prejudice is candidly explored throughout the musical, most controversially in the lieutenant's song, "You've Got to Be Carefully Taught". Supporting characters, including a comic petty officer and the Tonkinese girl's mother, help to tie the stories together. Because he lacked military knowledge, Hammerstein had difficulty writing that part of the script; the director of the original production, Logan, assisted him and received credit as co-writer of the book. Cast: Ray Austin, John Boromeo, Ruth Lyon, Carol Crane, Roger Sprawson, Patricia McCracken, John Stephens, Patricia Lyon, Kenneth Nicholls, Victor White, Alfred Annison, Brain Whetstone, Fred Trewarne, Peter Houston, John Gow, Ian Beckwith, Gerry Gleeson, John Reed, Roy Cronin, Reginald Boromeo, Len Carr, Denis Cremen, Daryl Walker, George Steele, Barry Washington, Joan Crane, Dawn Beckwith, Annette Wilson, Emily Houston, Jill Angwin, Carole McKenzie, Greta Smyth, Rhonda Scott, Lorraine Brennan, Mary Speedy, Katherine Alexander, Bronwen Townsend, Ferd. Lorenz. Songs Include: ''Bali Hai'', ''I'm in Love with a Wonderful Guy,'' ''Younger Than Springtime,'' ''This Nearly Was Mine,'' '' Some Enchanted Evening,'' ''There is Nothing Like a Dame,'' ''I'm Gonna Wash That Man Right Out of My Hair,'' and many others.Arthur Hocking Press.clubs and associations, theatre, bendigo operatic society

Harvey Perkins was a Methodist minister and a peacemaker throughout his life of service and social activism. He knew the certainty that without justice there can be no peace, within, or between, communities and nations. He was greatly influenced by ''liberation theology'' and framed his life of thought, analysis and action on the teachings of the Bible. He was also a visionary in working closely with Asian churches on ecumenical and social justice issues in a way that anticipated by decades the closer relationships Australia now enjoys with Asia. He understood that any form of intervention altered the power relationship within a community and often challenged the dominant social interests in the post-colonial Asian countries. He knew any form of aid had to empower its recipients and be based on a partnership of equality. In the early 1960s, Perkins was an opponent of the war in Indochina and conscription in Australia and played an important role in activating congregations to protest against the war. His keen intelligence, knowledge of history and analytical skills demolished the false foundation on which the US and its allies entered the war and he organised medical and social work teams in South Vietnam and Laos to help refugees and displaced persons. In the 1970s Perkins played an important role in ''decolonising'' and devolving power in the Methodist Church missions in Aboriginal Australia and the Pacific Islands by analysing power structures and relationships through what he had learnt in Asia. Harvey Perkins and his twin sister, Jean, were born in Tasmania on January 29, 1919, children of Leslie Perkins and his wife, Doris (nee Cook). Leslie was a Methodist minister and Harvey and Jean's childhood was spent in parishes in urban and rural areas of Tasmania and Victoria. The family saw the grinding poverty and desperate human need wrought by the Depression as a ceaseless tide of people came knocking at the door of the local parsonage for help. In 1941, Perkins enlisted as an officer in the Australian Navy and served in the Pacific theatre until 1946. To his children, he explained his justification as being the real threat of invasion but it was a war that altered the direction of his life. On discharge he abandoned his completed studies at Melbourne University in law and commerce and studied for a degree in divinity. He was active in the World Student Christian Federation and in 1949, was ordained into the Methodist Church. A few years later, Perkins travelled to a World Student Christian Federation conference in Canada, on his way to study in Cambridge, and met an expatriate, Jill McCrory. They married in 1953. After Cambridge, Perkins returned to Australia and served as a minister in the Mitcham area of the growing Melbourne outer suburbs until 1956, when he was appointed General Secretary of the Australian Council of Churches and director of the Inter-Church Aid and Refugee World Service. From 1968 to 1971, Perkins worked with the East Asian Christian Conference and then took a position with the World Council of Churches in Geneva with its Commission on Churches Participation in Development. He returned to Australia in 1973 to a position with the Methodist Board of Missions and then returned to the Christian Conference of Asia in 1976 and relocated to Singapore for several years. Before retiring in 1984 he worked with the Uniting Church Board of Social Responsibility. In retirement Perkins continued to work in the Dee Why parish, enjoying preaching, leading study groups and working as a pastor in a local community. Along with his work, Perkins had a lifelong passion for AFL and his beloved team North Melbourne. Wherever he was in the world he could be found fiddling with a short-wave radio to listen to a game. In later years, Perkins developed Alzheimer's and his home became his haven until two weeks before his death. Harvey Perkins is survived by Jill, children Mary, Ro, David, Marguerite, Anna, Harvey and Kate and their partners, 13 grandchildren and two great-grandchildren. Jean died in 1981. (Obituary in the SMH by David Perkins) Head and shoulders portrait of Rev. Harvey PerkinsRev. Harvey Perkinsrev. harvey perkins; methodist minister; christian conference of asia; australian council of churches

Harvey Perkins was a Methodist minister and a peacemaker throughout his life of service and social activism. He knew the certainty that without justice there can be no peace, within, or between, communities and nations. He was greatly influenced by ''liberation theology'' and framed his life of thought, analysis and action on the teachings of the Bible. He was also a visionary in working closely with Asian churches on ecumenical and social justice issues in a way that anticipated by decades the closer relationships Australia now enjoys with Asia. He understood that any form of intervention altered the power relationship within a community and often challenged the dominant social interests in the post-colonial Asian countries. He knew any form of aid had to empower its recipients and be based on a partnership of equality. In the early 1960s, Perkins was an opponent of the war in Indochina and conscription in Australia and played an important role in activating congregations to protest against the war. His keen intelligence, knowledge of history and analytical skills demolished the false foundation on which the US and its allies entered the war and he organised medical and social work teams in South Vietnam and Laos to help refugees and displaced persons. In the 1970s Perkins played an important role in ''decolonising'' and devolving power in the Methodist Church missions in Aboriginal Australia and the Pacific Islands by analysing power structures and relationships through what he had learnt in Asia. Harvey Perkins and his twin sister, Jean, were born in Tasmania on January 29, 1919, children of Leslie Perkins and his wife, Doris (nee Cook). Leslie was a Methodist minister and Harvey and Jean's childhood was spent in parishes in urban and rural areas of Tasmania and Victoria. The family saw the grinding poverty and desperate human need wrought by the Depression as a ceaseless tide of people came knocking at the door of the local parsonage for help. In 1941, Perkins enlisted as an officer in the Australian Navy and served in the Pacific theatre until 1946. To his children, he explained his justification as being the real threat of invasion but it was a war that altered the direction of his life. On discharge he abandoned his completed studies at Melbourne University in law and commerce and studied for a degree in divinity. He was active in the World Student Christian Federation and in 1949, was ordained into the Methodist Church. A few years later, Perkins travelled to a World Student Christian Federation conference in Canada, on his way to study in Cambridge, and met an expatriate, Jill McCrory. They married in 1953. After Cambridge, Perkins returned to Australia and served as a minister in the Mitcham area of the growing Melbourne outer suburbs until 1956, when he was appointed General Secretary of the Australian Council of Churches and director of the Inter-Church Aid and Refugee World Service. From 1968 to 1971, Perkins worked with the East Asian Christian Conference and then took a position with the World Council of Churches in Geneva with its Commission on Churches Participation in Development. He returned to Australia in 1973 to a position with the Methodist Board of Missions and then returned to the Christian Conference of Asia in 1976 and relocated to Singapore for several years. Before retiring in 1984 he worked with the Uniting Church Board of Social Responsibility. In retirement Perkins continued to work in the Dee Why parish, enjoying preaching, leading study groups and working as a pastor in a local community. Along with his work, Perkins had a lifelong passion for AFL and his beloved team North Melbourne. Wherever he was in the world he could be found fiddling with a short-wave radio to listen to a game. In later years, Perkins developed Alzheimer's and his home became his haven until two weeks before his death. Harvey Perkins is survived by Jill, children Mary, Ro, David, Marguerite, Anna, Harvey and Kate and their partners, 13 grandchildren and two great-grandchildren. Jean died in 1981. (Obituary in the SMH by David Perkins) Head and shoulders portrait of the Rev. Harvey Perkins. Photo taken some years before the photo of him in F524 -9Rev. Harvey Perkinsrev. harvey perkins; methodist minister; christian conference of asia; australian council of churches

Ithaca House, the home of the Ithacan Philanthropic Society, is located at 329 - 335 Elizabeth Street. The site was purchased in the mid 1950s to build the club rooms. The money for the venture was raised by the issue of non-redeemable 10 and 50 pound debentures to members. Nicholas Sofarnos, a young Ithacan architecture graduate, designed the building. Construction was completed in 1958. Up until 2020 Yamaha were long standing ground floor tenants. Prior to the building of Ithaca House, from 1917 up until 1958, the club rooms were located on the top floor of Michael's Building on the corner of Lonsdale and Elizabeth Streets. The Ithacan Philanthropic Society has been a focal point initially for expatriate Ithacans and as the years have passed it holds many happy memories for Australian born Ithacans through the generations.A coloured photograph of a three storey grey building in a city street with two cars being driven along the road. The Yamaha Motor Bicycle company occupies the ground floor, and in the adjacent building Honda motorbikes are sold. There are curtained windows across the width of the second floor and signage on the top floor windows indicates this level is used for social events such as receptions and dances.

The photo was taken at a Grecian Ball at which the Olympic Club Dancing Group dressed in national costumes performed Greek traditional dances. The couple on the left is Madelaine Cosmas and Spiro Paizis; the on right in the foreground are Irini Pappas and Nick Lappas.The maintenance of traditional Greek dancing has been an important in retaining traditional culture within expatriate Greek communities.A print of a black and white photograph of two ladies and two menders in Greek traditional costume and dancing. Two musicians, a violinist and a piano accordion player are providing the music for the dancers.

non-fictionFor some, home is not simply a matter of place. Gillian Bouras comes and goes between London, where she spends long periods, and the village in the Peloponnese to which she migrated nearly twenty years ago. Unable to settle in either England or Greece, her life is one of perpetual journey, of constant goodbyes and starting again. Even in Australia, where she was born and raised, she feels like an outsider. This journal deals with the complexity of finding your place in the world. Insightful and always engaging, Bouras explores the divide that exists between cultures, between the past and the present, between those who shut the world out and those who too readily let it in.bouras gillian - 1945 - diaries, australian - diaries, women immigrants, social life and customs, cultural assimilation, greek australians, biography & autobiography, psychology, social science, customs & traditions, emigration & immigration, personal memoirs

CatalogueJohn Davieswalsh st library

Notre Dame of Paris Vol 3 Author: Victor Hugo Publisher: J M Dent & Co Date: 1899 Further Information: Translated by J. Carroll Beckwith Vol. 1 is 7072, Vol. 3 is 7073, Vol.4 is 8036fictionThe novel is better known today by its English title, The Hunchback of Notre-Dame. This grand historical novel is set in 1482 Paris and revolves around the doomed gypsy dancer Esmeralda, the tortured archdeacon Claude Frollo, the dashing but shallow captain Phoebus, and the fiercely loyal, deformed bell-ringer Quasimodo. By the time you reach the final volume, the narrative is driving toward its intense, tragic climax. Beyond the human drama, the book is a love letter to Gothic architecture; Hugo famously wrote it to spark a preservation movement to save the crumbling Notre-Dame Cathedral from neglect and modernisation.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, notre dame of paris vol 4, victor hugo, j. carroll beckwith

Notre Dame of Paris Vol 4 Author: Victor Hugo Publisher: J M Dent & Co Date: 1899 Further Information: Translated by J. Carroll Beckwith Vol. 1 is 7072, Vol. 3 is 7073, Vol. 2 is 7761fictionThe novel is better known today by its English title, The Hunchback of Notre-Dame. This grand historical novel is set in 1482 Paris and revolves around the doomed gypsy dancer Esmeralda, the tortured archdeacon Claude Frollo, the dashing but shallow captain Phoebus, and the fiercely loyal, deformed bell-ringer Quasimodo. By the time you reach Volume 4, the narrative is driving toward its intense, tragic climax. Beyond the human drama, the book is a love letter to Gothic architecture; Hugo famously wrote it to spark a preservation movement to save the crumbling Notre-Dame Cathedral from neglect and modernisation.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, notre dame of paris vol 4, victor hugo, j. carroll beckwith

Notre Dame of Paris Vol 2 Author: Victor Hugo Publisher: J M Dent & Co Date: 1899 Further Information: Translated by J. Carroll Beckwith Vol. 1 is 7072, Vol. 3 is 7073, Vol.4 is 8036fictionThe novel is better known today by its English title, The Hunchback of Notre-Dame. This grand historical novel is set in 1482 Paris and revolves around the doomed gypsy dancer Esmeralda, the tortured archdeacon Claude Frollo, the dashing but shallow captain Phoebus, and the fiercely loyal, deformed bell-ringer Quasimodo. By the time you reach the final volume, the narrative is driving toward its intense, tragic climax. Beyond the human drama, the book is a love letter to Gothic architecture; Hugo famously wrote it to spark a preservation movement to save the crumbling Notre-Dame Cathedral from neglect and modernisation.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, notre dame of paris vol 4, victor hugo, j. carroll beckwith

Notre Dame of Paris Vol 1 Author: Victor Hugo Publisher: J M Dent & Co Date: 1899 Further Information: Translated by J. Carroll Beckwith Vol. 4 is 8036, Vol. 2 is 7073, Vol. 3 is 7761fictionThe novel is better known today by its English title, The Hunchback of Notre-Dame. This grand historical novel is set in 1482 Paris and revolves around the doomed gypsy dancer Esmeralda, the tortured archdeacon Claude Frollo, the dashing but shallow captain Phoebus, and the fiercely loyal, deformed bell-ringer Quasimodo. By the time you reach the final volume, the narrative is driving toward its intense, tragic climax. Beyond the human drama, the book is a love letter to Gothic architecture; Hugo famously wrote it to spark a preservation movement to save the crumbling Notre-Dame Cathedral from neglect and modernisation.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, notre dame of paris vol 4, victor hugo, j. carroll beckwith