'Miss Annie Miller, who had nursed Prince Alfred with Miss Turriff [Haldane, first matron of Alfred Hospital], also joined staff at the Alfred some time before 1876. During her time at the Sydney Infirmary, Annie Miller created something of a stir when, after her experience nursing Prince Alfred, she became selective about which areas of the hospital she would work, only willing to serve in Male Surgical and Accident. She also had been reported to Miss Nightingale by both Lucy Osburn and Haldane Turriff for openly flirting with the Resident Physician, receiving flowers, embroidering slippers, playing with his watch chain and generally becoming the subject of gossip ... Before his departure from the hospital the doctor in question diagnosed Annie Miller as having an [abdominal] aneurism and she went into decline, mainly from the deprivation of his company, it was felt. With the threat of her possibly being returned to England because of ill health, Miller went to Brisbane and Goodna (Queensland), subsequently to Melbourne, where she faded into obscurity. Her aneurism had apparently subsided.' From '5.30, nurse! : the story of the Alfred nurses' by Helen Paterson. History Books: Melbourne, 1996 p. 8 'Annie Miller was Scottish, single and claimed to be 34 years old (in Sydney, she was assumed to be ten years older); Wardroper [Sarah Elizabeth, first superintendent at the Nightingale School of Nursing at St Thomas's Hospital, London] had found her to be a good nurse, but 'proud and peculiarly sensitive'' (Burrows, 2018 p. 33). At the end of 1870 Annie resigned after the three-year term at Sydney Infirmary ended. She was appointed to the position of matron at Brisbane Hospital in February 1871. She resigned within a few months of her appointment after a dispute with the staff surgeon who refused to recognise her and her status. From 'Nurses of Australia : the illustrated history' by Deborah Burrows. NLA Publishing : Canberra, 2018 p. 41 'Annie Miller went from the [Sydney] Infirmary to Brisbane Hospital, she then joined Haldane Turriff at The Alfred Hospital, while Osburn thought that Miller had gone to nurse private patients. The two versions are not incompatible as hospitals hired out nurses to care for wealthier patients in their homes. Schultz records that Miller worked at the Hospital for the Insane at Goodna [Queensland] and died in the Melbourne Benevolent Asylum on 12 March 1907. The Victorian branch of the Australian Nursing Federation owns the book presented to Miller by Florence Nightingale in 1867.' From 'Lucy Osburn, a lady displaced : Florence Nightingale's envoy to Australia' by Judith Godden. Sydney University Press : Sydney, 2006 p. 315 'This betrayal of all that had been said to Tate [Henry, Alfred Hospital Secretary-Manager 1874-1876] was in keeping with Annie Miller's reputation (earned in Sydney) for being unreliable and a trouble-maker. Miss Miller was also an intimate of Miss Turriff's. Annie Miller is said to have had a brief term as matron in Brisbane after her resignation from the Sydney Infirmary in 1870 but the Brisbane Hospital authorities are unable to provide this one way of the other. Lucy Osburn thought that Miss Miller was in private nursing in Melbourne in 1873 and the Vagabond [alias of John Stanley James, Argus journalist] stated positively that she was working for Miss Turriff at the Alfred when he was there in 1876'. From 'The hospital south of the Yarra' by Ann Mitchell. Alfred Hospital : Melbourne, 1977 p. 242 'Annie Miller was appointed matron of the lunatic asylum at Woogaroo (Goodna) in Queensland in 1877, and remained there for ten years. When she left the medical superintendent, in his report for 1888, praised her for the work she had done in the female division of the asylum'. From 'A tapestry of service' by Bartz Schultz. Churchill Livingstone : South Melbourne, 1991 p.222Annie Miller was one of five Nightingale-trained nurses who come to Sydney in 1868 with Lucy Osburn, the newly appointed Superintendent and Chief Female Officer at the Sydney Infirmary. Florence Nightingale gave them all books before they sailed in December of that year. Annie worked in Sydney, Brisbane and Goodna, and in Melbourne. She died in 1907 and is buried at Boroondara cemetery. Annie was a member of the Royal Victorian Trained Nurses' Association. This note was written in Annie's book and this item is in the archive collection of the ANMF Vic Branch Library. The note was written on the front page of a book. We believe the item was donated to the Branch.Hand written note by Florence Nightingale to Annie Miller, upon her departure to Sydney with Lucy Osburn in 1868, written in ink on a blank page at the front of Walter Scott's 'Poetical works' (1866) [The poetical works of Sir Walter Scott]"For Mrs. Miller affectionately offered in remembrance of her own Scotch country by Florence Nightingale London 27 Nov. 1867"nursing history, nursing

The buildings architect was Filippo Brunelleschi. The Ospedale degli Innocenti was a charity institution that was responsible for the welfare of abandoned children. It represented social and humanistic views of Florence during the early Renaissance. Above each column is a ceramic tondo. These were originally meant by Brunelleschi to be blank concavities, but around 1490 Andrea della Robbia was commissioned to fill them in.[7] The design features a baby in swaddling clothes. A few of the tondi are still the original ones, but some are nineteenth century copies. The Ospedale Degli Innocenti, Firenze museum holds a number of part tokens that a mother would leave with a child - keeping the other part in the hope they would be reunited, A number of photographs of the Ospedale Degli Innocenti in Florence, Italy. florence, firenze, hospital, filippo brunelleschi, the ospedale degli innocenti, tokens, orphanage

Photo shows PS Florence Annie under police guard during shearers strike of 1890'sCopy B&W photograph of PS Florence Annie courtesy R H Parsons

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 25 Florence Avenue, Kew; made by Margaret Picken in 1997. A permit to demolish the house was granted by the City of Boroondara in 2006. A new house was subsequently erected.25 FLORENCE AVE., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 25 florence avenue - kew (vic).

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Extant (in 2020) rendered neo-Georgian house, built in 1990. Renovations in 2004 included alterations to the facade. The pen and ink architectural drawing on drafting film of 30 Florence Avenue, made by Margaret Picken in 1996, predates the alterations to the facade.30 FLORENCE AVE., KEW / MARGARET PICKEN '96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 30 florence avenue - kew (vic).

Warden Florence Jack was a a warden at Camp 3. The children are from the internees in Camp 3. Wally Wagner is at the right hand side with the accordion. Black and white photograph of Warden Florence Jack, other adults and children from Camp 3. Trees in background.florence jack, wally wagner, camp 3 children

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Extant (as of 2020) red brick house in the Federation Bungalow style. Built in 1920, with additions and alterations to the interiors and rear of the property in 1970 and 1989. In 2003 a gazebo was added at the rear. This pen and ink architectural drawing on drafting film of 10 Florence Avenue, Kew was made by Margaret Picken in 1987.10 FLORENCE AVE., KEW / MARG. PICKEN '87 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 10 florence avenue - kew (vic).

A comprehensive record of the first birthday party of Junior Legacy Girls Club, including the names of important guests. Lieutenant Colonel S.G. Savige DSO MC was guest of honour and cut the birthday cake. Typed account was from 6 May 1928. 00132.1) Copy of 'Memories of a Happy Birthday Party' but titled 'Legacy Girls' Party' 00132.2) Original account titled 'Memories of a Happy Birthday Party' 00132.3) Letter to Legacy house sending through the copy and original account of above from 17 March 1975 from Florence Moore the secretary of the ILLC.Another example of Stan Savige's close involvement with the work of Melbourne Legacy, and the large number of girls catered for by Legacy.Three pages of correspondence. A Personal account recalling a function at ANZAC house to celebrate the Legacy Girls Club’s first Birthday Party, plus a covering letter.Covering letter and memoir signed 'Florence Moore Hon. Sec.'girls' club, girls' classes, stanley savige, 100years

These gloves belonged to Maria Frisch who had survived a number of concentration camps during the war and emigrated with her daughter Anne to Australia in 1948. Maria and her daughter Anne were Polish Jews. As a small child Anne had been smuggled out of the Krakow ghetto in 1942 and was taken in by a Polish woman. At the end of the war Anne was reunited with her mother in Krakow. In 1945 they travelled to Italy to be with Maria's sister Ida who had lived in Florence since the 1930s. When Maria and Anne emigrated to Melbourne, they lived in Martin Street, Brighton. Maria's husband, and Anne's father, perished in Mauthausen concentration camp. Maria Entenberg married Jack Frisch in Melbourne in 1952.Pair of black suede gloves with original paper bag from Florence. The gloves are embroidered with small pink rosebuds and green leaves. They are unused and are still tacked together. T0098.1 - left glove T0098.2 - right glove T0098.3 - paper bagPaper bag, printed in blue and red: "Vasto assortimento GUANTI in pelle / A LARGE STOCK OF KID GLOVES / BEFORE YOU BUY, VISIT US / ELEGANCE AT LOW PRICES / MARIA PIA NICCOLINI / P.za S. Lorenzo Stand N. 21 / FIRENZEgloves, florence, emigration, holocaust, maria frisch, anne gouttman

This item was found in an ANMF Federal Office archive box. It was taped into a picture frame, broken when found. The note was written on the title page of a book. The title page was separated from the book, and the book was not with the item. We believe the item came to the ANMF Federal office via the ANF Tasmanian Branch. A conference presentation was done in July 2017 about the subject of the note, Nurse Alexander.Original handwritten note by Florence Nightingale, addressed to Nurse Alexander upon her departure from England to work in Tasmania, Australia.Hand written note by Florence Nightingale to Nurse Alexander, upon her departure from England to work as a nurse in Tasmania, written in pencil on the title page of a medical textbook."Offered Nurse Alexander on her going to Tasmania. And may she have the knowledge and humility to be making continued progress. And may she remember that a nurse who is not always advancing is going back. Forward not backward in all ways. Florence Nightingale. Feb 18 1883."nursing, history

This photograph was one of Frank Wright's collection. Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a large ornate room with men and women seated at four long tables, set with flatware, silverware and ornately folded napkins. Other men and women are standing around the edges of the room. They are all formally dressed. The room has ornate cornice, ceilings and light fixtures and a large mirror on the back wall. The place is the Florence Restaurant, Piccadilly London.Written in pencil on the back - 'Dinner at Florence Restaurant Piccadilly London after Crystal Palace 1933'frank wright, florence restaurant piccadilly london

Photograph of Florence Nightingale framedflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, florence nightingale, photograph

The film 'The Lady with the Lamp' was made in 1929 with Florence Nightingale portrayed by Dame Edith Evans. This figurine was made to promote the film at the time. Widely acknowledged as the founder of modern nursing, Florence Nightingale is an iconic figure in nursing with International Nurses Day celebrated every year on her birthday May 12.A plaster figurine of a woman depicted in full length black dress, wearing a cap, a cross around her neck, hands clasped at the waist.Front of base: Florence Nightingale. Under the base - a paper is pasted on saying - 'A much loved gift given to the Alfred Hospital archives on 27.10.2004 by Bade Evans (Beatrice, nee Caldecott)florence nightingale

in the early part of the 20th century, Warrnambool's residents had their share of health problems.according to the Annual report by Dr H I Holmes in 1921. Diphtheria, typhoid fever, tuberculosis, polimyelitis and scarlet fever were common afflictions. The sanitary system or lack thereof was the primary source of much of this illness. The healthcare facilites were much better and the hospital was well run and was further improved by the opening of the baby health centre which was opened in October 1921. The centre was situated in Liebig street at the Town Hall and was open three days a week to offer advice to mothers regarding their babies. and Sister Riley was in charge. Miss Florence Lake who opened the centre was a well known resident of the town and generous benefactor of the Warrnambool base hospital.. Florence along with her sister inherited the Lyndoch estate from George and Annie rolfe in 1920. She was well known around the district for her good nature and humour. As her sister married and moved to Italy, she continued to run Lyndoch as it had always been. She died in November 1946 This plaque has historical and social significance as it notes the time in the history of Warrnambool when health came to the fore of public interest and importance. It also commemorates one of Warrnambool's better known citizens and the beginnings of the maternal health system in the cityThis heavy stone plaque grey in colour, with polished surface, is rectangular, with lettering cut and coloured in gold. all the lettering is in capitals. It is possibly graniteWarrnambool Baby Health Centre. This stone was laid by Miss Florence Lake 1st October 1927. F M Pattison President, C M Merrett Hon Sec.warrnambool, warrnambool baby health centre, sister riley, florence lake

Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. Mrs Florence Potts invented in 1871 a detachable handle made from walnut wood with a metal latch to release the handle. These wooden handles prevented burned hands and were sold to grateful women all over the world. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer.Mrs Florence Potts invented this type of detachable walnut wood handle with a meta release latch for sad irons in 1871 and it sold widely throughout the world to grateful women including those in Moorabbin Shire. The family of Ms May Curtis were early settlers in Moorabbin ShireA) A sad iron, made of cast iron , has a special handle invented in 1871 by Mrs Florence Potts of Iowa, USA. B) The detachable handle made of walnut wood to prevent burned hands, was attached to the iron by a metal latch.A) UNITED/ N0 / 50 / AUSTRALIApotts florence, iowa usa, melbourne, moorabbin, sad irons, kitchen equipmentn fireplaces, walnut wood, sewing, laundry, table ware, linen, pioneers, early settlers, washing days, craftwork

Black and white photo of Pupils of Mitcham State School with Maude Florence McGhee in Inset.mitcham state school, no. 2904

Small rectangular brass plaque mounted on wooden board.In appreciation of the interest and generosity of Miss Florence Rule February [1885]plaque, memorial, florence rule

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Life of Florence L Barclay A Study in Personality by one of her daughters Publisher: GP Putnams Sons Date: 1927 Label on spine with typed text PAT 920 BAR Pastedown end page has sticker from Corangamite Regional Library Servicewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the life of florence l barclay

Four B/W photos taken in 1974 showing various views of the Olympic Pool. One the entrance to the pool at Florence Street. Another the view of the pool across Cato Lake from Napier St. There is also an enlarged print of the view across Cato Lake. The final two photographs show the Olympic pool and wading pool with one under construction and the other the pool completed and a child in the wading pool.Four Black & white photos taken in 1974. One photo shows the Olympic Pool entrance, Florence St. Another the view of the pool from across Cato Lake from Napier St. The other two photos are similar views of the Olympic pool. One the pool under construction pre 1958 showing construction of the wading pool and form work under the main pool. The final 4th photo the completed pool with a child in the wading pool. Included also included in the file is an enlarge print of the view across the lake from Napier St.stawell

Written on backing sheet, "Mrs. Florence Wakeham - Ringwood Church of England Choir, c1939".

Tells the life story of Florence Henderson (Hayes) nee Howard. The text is based on Florence's own writing and expanded by her family. The final text was approved by Florence prior to her death in 2010. A personal story of life in Melbourne during the 20th century.128 p., illus. (some col.). Paperback.Inscribed on title page "Presented to the Greensborough Historical Society by Bryan Henderson."florence howard, florence henderson, florence hayes

People - "Jones, Florence; Armstrong, Adam" Buildings - Car Associated with - Wedding

The violinist is Bill Florence (Florias), performing at a concert for Ithacan Club members. Along with the mandolin and the guitar, the violin was also a popular musical instrument with many Ithacans. Those instruments leant themselves to the melodic style of music from the Eptanesian island. A coloured photograph of a man, standing in front of a microphone and playing a violin. There is a red and white striped curtain behind him.

Portrait of Norm Florence and George Hume. Three of Charles Hume's children.stawell deep lead

This photograph was taken when Bill Florence (Vasilis Florias) arrived in Melbourne in 1922. Many migrants on their arrival in Australia were photographed within this backdrop. Copies of these photos were often sent to their families back in their homeland.A sepia photograph of a portrait view of a man framed within a map of Australia with the words 'Welcome To' across the top of the map. Around the map are sketches of Australian bush scenes, animals and the sea.immigration

Florence Breakell with Jim and June Brehaut sitting on the wooden promenade at View Point on Lake Wendouree.florence breakell, jim brehaut, june brehaut, view point, lake wendouree, ballarat, costume

Recollections of early 20th century Preston of Mrs Florence McDonald, interviewed by Roger Jones for the Preston City Library Oral History Project on 21 January 1994 at her home at 26 Austral Avenue10 p., typescriptflorence mcdonald, preston, roger jones, preston city library oral history project

Florence Blackbourn and friends. Photographs from the collection of Peter Blackbourn, a descendant of the Chapman Stock family. Annotations to photos by Peter Blackbourn.Digital copy of black and white photograph.peter blackbourn, florence blackbourn