Showing 18 items
matching flower bowls
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Mont De Lancey
Rose bowl, c1927
... flower bowls... of Rechabites. vases flower bowls rose bowls ...Presented to Mr. & Mrs. W. J. Sebire in 1927 on the occasion of their 25th or 30th wedding anniversary, by Wandin Tent. Independent Order of Rechabites.Silver plated rose bowl, with gold interior and wire grill. Mounted on wooden stand.vases, flower bowls, rose bowls -
Tatura Irrigation & Wartime Camps Museum
Photograph, Sisters sitting room, Original 1943, copy 1989
... stone fireplace. Centre left wall with low white bowls.... Centre left wall with low white bowls of flowers. Books in book ...WW2 internment camp 1 hospital nursing staffTwo A.A.N.S. sisters. Off duty nurses sitting room, local stone fireplace. Centre left wall with low white bowls of flowers. Books in book case. L/coffee table (round) with tray, teapot, etc. centre. Large armchair, right foreground.nursing staff, internment camp 1, a.a.n.s. -
Flagstaff Hill Maritime Museum and Village
Domestic object - Terracotta Cooler Top, Ovens Pottery, c. 1890-1892
... jars, pots, tiles, flower pots, spittoons, basins, bowls..., storage jars, pots, tiles, flower pots, spittoons, basins, bowls ...The Ovens pottery operated from 1881 to1892 they had taken over H L & E pottery at Beechworth in 1888 but mounting debts forced the Ovens company to close in 1892. During their short ten years of operation they produced stoneware garden urns, vases, cheese dishes, ginger beer bottles, butter coolers, water filters, wine and spirit barrels, bread plates, jugs, teapots, storage jars, pots, tiles, flower pots, spittoons, basins, bowls, demijohns, lidded crocks, pipes and bricks.A significant item made by an early Australian pottery in Beechworth Victoria, this company made many utilitarian items for the Victorian domestic market. It gives us today a snapshot into early Australian companies that were unable to sustain manufacturing their products into the 20th century, due in part to the rising imports of cheaper items from overseas.Red terracotta butter cooler comprising, round base with ridged lip, and bell shaped, domed lid with spherical handle on topMarked "Ovens Pottery, Co Ltd, Patd 1890, Beechworth" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, cooler, terracotta cooler, utensil, kitchen ware, terracotta, food container, food preservation, butter cooler, ovens pottery -
Federation University Art Collection
Painting - Oil, et al, [The Green Vase] by David Strachan, c1948
... of haunting beauty. His flowers, bowls of fruit, birds, and angelic..., and still-lifes of haunting beauty. His flowers, bowls of fruit ...David STRACHAN (1919–1970) Born 25 June 1919 at Salisbury, Wiltshire, England Arrived 1920 Adelaide, Australia: 1921 Creswick, Victoria David Strachan attended Creswick State School and Geelong Church of England Grammar school. By the age of 16 he wanted to be an artist. Accompanying his mother to London in 1936, he enrolled at the Slade School of Fine Art, where he met Godfrey Miller. In 1937 he attended the Académie de la Grande Chaumière, Paris, and painted at Cassis on the Mediterranean Sea. He returned to Australia in April 1938 and studied at the George Bell School, Melbourne. He had a growing interest in classicism blended with a fascination for the dream-state which was reinforced in his work after he moved to Sydney in 1941. There he was befriended by Jean Bellette and her husband Paul Haefliger, who were to be driving forces behind the Sydney Art Group (founded 1945). He lived on the top floor of the Haefligers' house at Double Bay, and together the three artists drew from models whom the Haefligers hired. In this period Strachan painted and exhibited some of his most poetic works—mainly figurative and landscape subjects, and still-lifes of haunting beauty. His flowers, bowls of fruit, birds, and angelic figures glimmered out of the darkness as things not of this world, evoked faintly, like mythological personages in a gently spoken narrative. He 'spent an erratic war' painting camouflage at Bankstown aerodrome with other artists, among them (Sir) William Dobell, and dancing minor roles with Hélène Kirsova's ballet company. In 1948 Strachan settled in Paris. His paintings, included by Peter Bellew in an exhibition at the Musée National d'Art Moderne, had been well-received by French critics two years earlier. In 1950 he began tentative experiments in etching. These led to the formation of the Stramur-Presse, a business venture which published etchings and lithographs of leading French and English artists. His most important project was a series of twenty-two colour etchings illustrating Alister Kershaw's book of poems, Accent & Hazard (Paris, 1951). Strachan continued to exhibit in Australia and maintained a lively social life with Australian friends. From Paris, he went for weekend painting trips with Moya Dyring in her car and, after 1957, visited the Haefligers on Majorca. He lived in London in 1955-57. His paintings became progressively less soft in effect, his palette brightened, and his forms, especially the still-lifes, became spikier. In the late 1950s his attention drifted towards the study of Hindu philosophers and Jungian psychology. For most of 1957-58 he was enrolled at the C. G. Jung-Institut, Zürich, Switzerland. In 1959 he worked in Silvio Daneo's silkworm factory at Bricherasio, Italy. In May 1960 Strachan returned to Sydney. He lived at Woolloomooloo before buying a house at Paddington in 1963. Over the ensuing years he involved himself energetically with the art scene, exhibiting, teaching (1960-65) at East Sydney Technical College, fund-raising for memorials for Thea Proctor and Dyring, and as the last president (1965) of the Society of Artists. His paintings were out of harmony with the prevailing fashion for abstraction, but he won the Wynne prize for landscape painting in 1961 and 1964 (shared). Perhaps the most moving works of Strachan's last ten years were the mining landscapes, including those he painted near Hill End, leading up to his vast canvas, 'Lewers Freehold Mine'. This was a history picture, depicting the mine as it might have appeared in 1874. He presented it to the Creswick Historical Museum in 1970 in memory of his father. (Barry Pearce, 'Strachan, David Edgar (1919–1970)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/strachan-david-edgar-11786/text21083, published first in hardcopy 2002, accessed online 6 January 2016.) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still lifefeaturing fruit and flowers.art, artwork, strachan, david strachan, still life, flowers, flora, available -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Bridget Bodenham, [Dining Setting] by Bridget Bodenham, 2006
Bridget BODENHAM Bridget Bodenham has a Diploma of Arts (Ceramics) from the University of Ballarat (now Federation University. In 2006 she received an Emerging Artist grant from the Australia Council for the Arts and was also part of Craft’s annual graduate survey exhibition, Fresh!. She works full time making ceramic serving ware, tableware, utensils and jewellery as well as planter pots and flower vases. The majority of her work is designed to be used and enjoyed. Bridget feels a connection to her surrounding bushland landscape and interprets the tones and textures in her work. She takes great care in creating each piece by hand and firing them up to three times in her large gas kiln. Each firing is totally unique resulting in one off pieces. Bridget Bodenham was a finalist in the Bombay Sapphire Design Discovery Award (2008) for a series of ceramic mortars and pestles, and received an Honourable Mention in the Mino International Ceramic Award, Japan. Bridget aims to create a sense of curiosity and reflection in form and function. She hopes her work delights and engages the owners hands and heart into everyday activities. This piece won the SMB DVC Visual Arts Acquisition Award, 2006Mould made dining setting consisting of plate, two bowls and three eating utensils. Makers mark on versoceramics, bridget bodenham, artwork, alumni, dvc aquisition award -
Vision Australia
Plaque - Image, Commemorative plaque from visually impaired and blind bowlers
"Presented to the Royal Victorian Institute of the Blind by Visually Impaired and Blind Bowlers of Victoria in grateful thanks and appreciation for financial assistance to the Australian Championships 1990". Two coloured plastic badges consisting of a wreath of native flowers in dusty pink against the letters V I B B V in gold and a lawn bowls ball against a royal blue background, surrounded by a second wreath that forms the edge of the badge, are located at the left and right base of the plaque. Image of rectangular award consisting of one coloured rectangle with engraving and two smaller round onesroyal victorian institute for the blind, awards -
Vision Australia
Award - Object, Grenadier, 2nd World Blind Bowls Tournament, 1981
A silver plated cup with five leaf clover and small flower in in the middle, as well as handles with engraved leaves. Inscribed on the mug is: 2nd World Blind Bowls Tournament. G. Hoppitt. Leicester 1981. A plastic cup rests in the middle of the trophy, possibly a candle holder. When Clarrie Hoppitt attended a demonstration of blind bowling, he immediately offered his services to teach blind people how to play. His wife Grace was just as impressed and also began teaching, leading to her attendance at the 2nd World Blind Bowls Tournament and this cup as a souvenir of her participation in the event.1 silver plated cup with plastic insert2nd World Blind Bowls Tournament G. Hoppitt Leicester 1981nameplates, royal blind society of new south wales, grace hoppitt -
Ringwood and District Historical Society
Letter, Ringwood Bowling Club asking the council for further support to provide shrubs and flowers for Bamford Park and the bowling green area in 1931
1929 saw the establishment of the Ringwood Bowls Club initially located on the land now occupied by the Eastland Shopping Centre. It moved to its current location in Loughnan Road, Ringwood in 1997.Ringwood Bowling Club asking the council for further support to provide shrubs and flowers for Bamford Park and the bowling green area in 1931. Also letter of thanks for 12 pounds, six weeks later.city of ringwood bowls club, ringwood bowling club, ringwood bowls club, lawn bowls, bowling -
Melbourne Legacy
Photograph - Widows function, World War 1 Widows Lunch 1992, 1992
A special luncheon was held for World War I widows as a lead up to "Legacy Week". Legatees dressed up as moustached French waiters to add a bit of humour to the day. Due to its success it was held for a number of years. Seated with the widows is President Geoff Swan who was president in 1992. Also Sir Weary Dunlop attended. Another photo shows a film crew from SBS recording the event. Legatee Lucky Luscombe is seen serving bowls of food. Also President Swan presenting flowers to Audrey the lady who ran the kitchen. The WWI group would meet on the 2nd Thursday of each month at 11 at Legacy House for many years until their numbers dwindled.A record of the type of activities Legacy provided as a social outlet for the widows.Colour photo x 11 of a World War 1 widows lunch.widows, function -
Mont De Lancey
Doll's Tea Set
Miss Moira Burgi.10 Piece doll's tea set, white with blue flower, 3 cups, 4 saucers, 1 teapot, 1 sugar bowl, 1 milk jug. Cup and saucer, Tennis picture. Odd cup and saucer, floral design. Odd jug and plate. Cup and saucer, children playing. toy dinnerware, toy cups, toy bowls, toy coffee services -
Mont De Lancey
Tea Set Children, 1912
Belonged to Ida Baker.9 Piece hand painted children's tea set. Blue and pink flowers, with green leaves and green border.tea sets, toy cups, tea and coffee sets, toy bowls -
Mont De Lancey
Pottery - Bowl, Mrs. Annette Lord, 1953-54
Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pottery bowl with lid and handles with flowers under lid. White.pottery, bowls -
Mont De Lancey
Pottery - Bowl, 1953-54
Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pottery bowl with handles and flowers at base. White.pottery, bowls -
Mont De Lancey
Bowl, Burlington Ware
Used by Edna Andrews for storing dripping.Oval cream china bowl with orange and gold flowers and a green rim.Burlington Ware Made in Englandbowls -
Ringwood and District Historical Society
Photograph, Ringwood Bowls Club- Ringwood Council and Staff versus Ringwood Bowling Club, "Mayors Shield", 1947
Black and white photograph (5 copies)Typed below photograph, "Ringwood Bowling Club - 1947". On back of photograph: Newspaper cutting titled "Bowls in the Early Days" with list of names. Front Row: (L to R). J. Archbold, M. Flowers, R. Anderson, A. Long (Town Clerk), J.K. McCaskill (Mayor), S. Hunt (Pres.), E. Tann, Sec., A. Ibbotson, C. Merry (Building Inspector). 2nd Row: C. Wedge, G. Wood, G. Devenish, J. Proundley, R. Wilkins, B. Hubbard, C. Ward, H. Watson, E. Purser, J. Bray (Engineer).Back Row: T. Williams, F. Caterer, A. Burgess, R. Ramsey, T. Roberts, E. McKibbon, G. Hood, T. Hall, H. Martin, J. Smith, J. Knox, Rev. Leewin, F. Moore, - Evans: J. Grenville (Dep. Town Clerk), G. Young, E. Moran". -
Whitehorse Historical Society Inc.
Photograph, Heatherdale Reserve, 2000
... view of Heatherdale Bowls Club with flower garden. Located... Bowls Club with flower garden. Located between Purches Street ...Produced as one of a series of 24 prints commissioned by Nunawading & District Historical Society -|Theme: Intersections of Mitcham and Nunawading 2000/2001.|See also Series by P. Simmenauer on the same theme.Black and white photograph - print and negative of Heatherdale Reserve - Whitehorse side of Heatherdale Road - Features view of Heatherdale Bowls Club with flower garden. Located between Purches Street and Heatherdale Road to south of Panel street.heatherdale bowls club, heatherdale road vermont, heatherdale reserve -
Wodonga & District Historical Society Inc
Decorative object - Decorative ceramic bowl, early 20th century
This bowl was used in the home of Mrs. Laura Sommer nee Costa grandmother of one of the life members of Wodonga & District Historical Society who donated this item to our collection. It is representative of decorative household items in the early to mid 20th century.This item is an outstanding example of popular decorative household items from the 19th and early 20th century.A large ceramic decorative bowl featuring rural images. The primary colours of the bowl is a deep blue with gilt edges and markings. It features 2 rural scenes showing men with horses and a cart. The top edge is slightly contoured. There is a maker's mark underneath the bowl.Maker's map on base: A small flower within and larger flower shape with "MADE IN ENGLAND" written around it.decorative bowls, domestic items, ceramics, english ceramics and porcelain -
Vision Australia
Photograph - Image, Canberra Shield : Indoor Bias Bowls for the Blind National Championships
A brown wooden award depicting a relief of an award with an image of black and white lawn bowls and a white jack on a green background. At the top of the board is an engraved plate that reads "Canberra Shield Indoor Bias Bowls for the Blind National Championships" with separate scroll work images of flowers and ferns at the top left and right hand edges. The relief sits in front of the top plate, whilst underneath are individual engraved plates for each years winners, with six plates not completed. At the base, in the middle, is another larger plate with the inscription "Most Outstanding Individual Performance". The 11 winners were inscribed "Most Outstanding Performance" with their name and year and sometimes their state. These were: 1984 Ivan Molloy, 1985 Judy Watts, 1986 Fay Williams, 1987 W. Fisher S.A., 1988 M. Cumming S.A., 1989 Betty Coleclough QLD, 1990 I. Molloy VIC, 1992 B. Brown QLD, 1994 Betty Coleclough QLD, 1996 A. Horner S.A., 1998 Ken Curtis, NSW".Wooden rectangle with metal plaques and image of lawn bowls in trophy topper that is wedged into boardawards, ivan molloy, judy watts, fay williams, w.fisher, m. cumming, betty coleclough, b. brown, a. horner, ken curtis, recreation