St Luke’s Anglican Church officially opened on 15 March 1863. It was constructed from locally hewn stone. After serving the congregation for more than a century, the Church was closed by the Health Commission due to its deteriorated condition which was judged to be beyond repair. It was demolished by voluntary labour on the 10 – 11 August 1968. St Luke’s originally operated as a branch of the Albury church. The first resident minister at Wodonga was Rev. J. H. White who came in 1879. Much of the demolition of the church was organised and carried out by Raymond John Schmidt, a long-time parishioner of St Luke’s. After the demolition, the font was relocated to the Schmidt family garden. It was the wish of Ray Schmidt and his wife Elizabeth that the Font should come to the Wodonga & District Historical Society after their deaths. It is now displayed at Hut 97.A baptismal font made from hewn stone from the Wodonga area. Central bowl for holy water is surrounded by an inscription.Around bowl "SUFFER THE LITTLE CHILDREN WHO COME UNTO ME"st luke's church wodonga, religious ceremonial items, anglican church wodonga

The Daylesford Uniting Church (formerly Wesleyan /Methodist Church) was built in 1865, replacing an earlier Wesleyan Chapel built in 1861 which is still on site and known as the Sunday School (2024). The foundaton stone for the newer, current church was laid on 12 June 1865, designed by Architects Crouch and Wilson the structure was built in early English Gothic style. The first service was held in the new church on 10 December 1865. It is of interest for its brick broach spire, diapered brick façade and spacious interior with aisles separated from the nave by slender columns. The church organ was installed and built in 1888 by William Anderson and boasts an impressive 724 pipes, many of which are decorated with Christian symbols. This organ is a rare example of Anderson’s work and is his only instrument in Western Victoria. It is classified by the National Trust of Australia (Victoria) as being of state significance. The organ was renpvated in 1979-80 by Leighton Turner. It has 2 manuals, 14 speaking stops, 3 couplers, tracker action, Gt: 8.8 divided.8.4.4.2-2/3.2. Sw: 8.8.4.2.8. Ped: 16. In the 1880s the decline in mining led to the congregation considering ways to reduce debt. Rent was received from pew hire as well as organ concerts and annual fairs. By the end of the 19th century the church had settled into a pattern of steady parish life. The 1950s and 1960s were really the glory days of the church with an active Sunday School, tennis clubs and vibrant social activity as well as many worshippers at Sunday services. The final service was held at the church on 21 April 2024.A marble baptisimal font in Daylesford Uniting Church.In loving memory of my dear husband The late Rev. T. Pollard James 28.9.41daylesford uniting church, daylesford methodist church, daylesford, john mitchell uniting church, daylesford wesleyan church, daylesford uniting sunday school, baptisimal font, t. pollard james

Photograph of a white Baptisimal font at the Barkly Street Uniting Church.barkly street uniting church, barkly street wesleyan church, barkly street methodist church, baptism, baptisimal font, church, ballarat east

The church was designed by the architect William Wardell (1823 – 1899) in a manner strongly influenced by the English architect Charles Hansom.Colour photographs of the interior ad baptisimal font at St Peter's, Daylesford. Church plaque: Church of St Peter, Princeof the Apostles The foundaiton stone was laid on November 29th 1863 and the church was blessed and opened on May 14th 1865 by Most Rev. James ALipius Goold O.S.A., D.D> Bishop of Melbourne This stone was blessed to commemorate the 125th anniversary by Most Rev. Sir Thomas Francis Little, D.D., K.B.E. Archbishop of Melbourne May 20th 1990.catholic church, st peter's church, daylesford, daylesford, baptisimal font

Holy Trinity Anglican Church Memorial Fontstawell religion

Also referenced in the Collections Victoria Bendigo RSL item 6300 Lithographic Squadron Equipment Handbook 1991. Commonly called a type styles guide, used for the selection and editing of text styles and size in mapping.20 Sheets of 21 x 11 cm clear photographic film (connected in the Top left hand corner) depicting various Type Font Styles and Point Sizes including special characters. It also contains a digital Type gauge, a linometer and a screen angle Indicator. royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

This font is a piece of church furniture used in a baptism or christening service. It was originally installed in the St Nicholas Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The church was a branch of the Victoria Missions to Seamen. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity that has served seafarers of the world since 1856 in Great Britain. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This font is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857. The collection of items from the Missions to Seamen in Williamstown, Victoria, has historical and social significance. They show that people of the 1800s and 1900s cared about the seafarers’ religious, moral, and social welfare, no matter what their religion, social status or nationality. It had its origins in Bristol, England, when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Rev. Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobson’s Bay; later, the Mission occupied buildings in Williamstown and Port Melbourne. Baptismal font: four-legged, varnished oak wood pedestal supporting a wooden box with a hand-beaten, rolled edge, copper ewer, bowl or basin insert. The box has a removable cover that has a round wooden knob. The sides of the box section have a decorative, diamond-shaped motif. The box and lid are octagonal, with four short sides and four long sides. The tops of the legs have an ornamental design. This is one of the original items in our St Nicholas Seamen's Church Williamstown Collection.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, font, baptisimal font, church furniture, religious ceremony, copper ewet, religious furniture, christening font, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, missions to seamen victoria, mission to seafarers, st nicholas seaman’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church, flying angel club, copper ewer, copper bowl, flagstaff hill maritime museum and village, maritime museum, maritime village, shipwreck coast, great ocean road, religious worship, worship service, st nicholas seamen’s church, williamstown, st nicholas missions to seamen’s church williamstown, missions to seamen, st nicholas missions to seamen’s church flagstaff hill, baptism, christening, ceremony, tradition, hand-beaten copper ewer

Memorial Font St Johns Church of England (Anglican) Pt FairyBlack and white photograph of White marble font in St John’s churchmemorial, font, st johns, anglican, church of england, interior

Digital scan of photograph - Original Source Copy: St Margaret's Parish Archives. church of england, churches, eltham, st margarets church, reverend david warren

Deep Lead Bunyip Bank Rail Crossing being up-graded 1933- Buggy in front of bridge.stawell transport railways

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

This church is located in the historic town of Heydon, a village still in private family possession.Colour photograph at Heydon Church, United Kingdomwall paintings, heydon church, united kingdom

Newspaper article colour photoHandwritten inscription: Front page Feb 26 2008

Used by Warrant Officer Class One, Greg Westhead, while he served in Bosnia. Refer to Cat No. 1496.7 and 910.2.Small rectangular book with black font and black printed images on the front cover. Right side of the front cover is a vertical orange band with black font on it. Images on the cover include a tank, a helicopter and a military vehicle (front) and the logo of the British Intelligence Corps (back). Roughly about 68 pages long detailing the warfare used by the Soviets.Front cover in bold writing " RECOGNITION GUIDE", on orange band " THREAT" . Front cover in smaller font " 1(Br) Corps Intelligence Training Directive".book, soldier's guide

The photograph is part of a serie likely to have been taken by Bill Doyle (Reverend C.J. Eldridge-Doyle), who was a keen photographer like many of the chaplains as he often uses the Ilford paper to print his images.Small b & w photograph of baptismal font at St Peter the Mariner chapel. On the wall to the left hangs the illumination: Believe in God The Father Almighty (see item 1537). handwritten number poss. 3, stamp: 8940, photographic paper markings ILFORDbaptismal, font, st peter chapel, illumination, charles edward murray puckle (1887-1915)

Author Herbert Newell. Alphabets of varied fonts, headings, flourishes, plans, numerals, sketch maps, scrolls, shading, common errors, compass points. Especially designed for use in Australian Schools, offices of Lawyers, Architects, Surveyors, Engineers, Engravers, and Draughtsmen. Table of contentsThe author is a teacher of show card and ticket writing at Sydney Technical College. Book used by many students and offices. Note by the publishers provides standards for the correct form of the characters. Light brown light card cover with black ink font and border patterns. 32 Cream pages with black ink. Two staples. Hand written name on top of outline black border S. R Coleston. Price 3/9warrnambool, lettering book, angus & robertson limited, s.r. coleston, herbert newell

On the pending sale of Holy Trinity church, this baptismal font was removed from the church for safe keeping by the Society and placed in storage at McClusy's garage. When McClusky moved out in 1997, the font was again removed and placed in sections in the Spring Street foyer of the Port Melbourne Town Hall. In February 1998 it was assembled by members of the Society.Baptismal font, eight sided, ornamental, free standing, in three sections: base, column, water bowl; made of concrete and finished in plaster of Paris for relief sculptures; painted an off-white. Base of Tasmanian oak added in 1998. Pic ref item 1485.02religion - anglican (holy trinity)

At the turn of the 20th century cigarette smoking was widely adopted, and elegant smoking accessories became a necessity and items such as this desk dispenser became a popular trend for fashionable men and women. Evidence of trends in the early 1900s.Rectangle metal cigarette dispenser mounted offset on a dark green painted timber base. The tin slides up on an inlay wall rail allowing the tin to slide up and down but not come of the wall. Tin lid is removable to allow the container to be filled The inside internal walls of the tin are angled so that when the tin is lifted it pushes a cigarette into the inset holder to dispense a cigarette. Bottom of the base is lined with green felt.On the top of the lid: 'Cigarettes' in script font.cigarettes, smoking, tabacco, trends

Plastic white rectangular Castell slide rule (271.1) stored in green lined rectangular case (271.2). On slide rule in green font: “Castell”

The rigger's knife is usually more square pointed and thicker than that of a sailmaker. ( C.W. Ashley 1944 Ashley book of Knots p. 19) The rigger usually had a kit of tools that would fit on a belt: a sheath knife, a marlingspike, and a grease horn containing tallow.Property of the anonymous donor a former seafarer who also presented us with two hand-crafted examples of knot tying.Knife; a wooden handle in two pieces either side of blade secured by two steel anchor points. The short steel blade is oxidised but the actual cutting edge is worn and honed. The yellow nylon sheath appears to be made from recycled material strongly stitched on two sides. Large font black lettering on the inside but indistinguishable.rigging, rigger, sailor, seamen

This album containing 50 photographs depicts a year at the Mission in 1928: Wedding of the Dora Walker with Harry Simpson on 14 February. Picnic at Riversdale Hawthorn, 1 January 1928 Ships in Port Melbourne in November: HMAS Australia, HMAS Brisbane, and destroyers Anzac, Success, Swordsman Wharfs, Victoria Dock, Stevedores Picnic in Finhaven, Kew, the Buchan's Property for Cup Day (6 November) Views of Port Melbourne from 1888 building Monday 29 October: return of Archbishop of Melbourne (Dr. Harrington Lees), who had spent a 10-month holiday in England with his wife. Arrival on the RMS Maloja Two photographs are missing.Pre Great Depression, 1928 was a difficult year in Melbourne and also for the Mission. Ships were rare on the wharfs meaning seamen were also rare in the missions. However they started the fundraising for the extension of the 1888 Port Melbourne building which was becoming too small. At the end of the year, Reverend Weller announced he was appointed assistant in London. He and his wife Alexina left in January 1929 after five years. They sailed on the Osterley on the 22 January 1929.Embossed yellow font on cover reads: ALBUMfan, strikes, police, reverend john reginald weller (1880-1969), alexina weller (nee caley), freda oxley, hmas australia, hmas brisbane, great depression, unemployment, port melbourne, station pier, sugar cane, queensland, dora simpson nee walker, weddings, cup day, finhaven, kew, the ducketts, mrs john buchan, flinders street extension, gasworks, wharfs, victoria dock, motorboat, southern cross, success, destroyers, football, sports, rms maloja, lhlg, fan album, anzac, swordsman, freda kathleen oxley 1882-1969, annie alexandrina caley (known as alexina) 1885-1934

A black / white photograph / postcard of the inside of a limestone cave. It shows stalagtites and stalagmites.on front - "Font of the Gods, Royal Cave, Buchan.'"buchan-caves royal-cave-buchan limestone-formations

A large lamp used used to light a room by showing light from above. Used in the Orbost district late 19th to early 20th century prior to electricity connection. Generally, lamps like this had a matching decorations on the shade and vase. It would have been almost impossible to find an exact match if the shade was broken so the next best thing was to replace it with a plain white one. The majority of the removable slip fonts were made to the same dimensions so it was not uncommon for an original font to be replaced with a different brand if it became unusable. This is an example of a domestic lighting device in use before the widespread connection of electricity to houses in Orbost.A large lamp which hangs from a bracket. It has a large white glass cover above the wick burner and below is a white bowl decorated with flowers. The hanging lamp is American and, from the design and pattern of the brass work, it was made by Edward Miller & Co. Both the shade and vase (font holder) are glass. It is most likely that the shade has been replaced at some stage. (ref. oillampantiques.com) illumination-lamp hanging-lamp kerosene-lamp

The book belonged to Lawrence Vernon Andrews VX114736 2nd AIF (V13289) He initially enlisted in the CMF then transferred to the AIF on 16.4.1941 age 21 years, He was discharged with the rank of Pte on 31.10.1945 serving in No 65 Mobile Search Light Artillery Battery RAA. Red buckram cloth cover, “The Australian Soldiers Pocket Book”, black print, 126 pages, white paper.Font cover, “Gift from The Australian Comforts Fund”pocket books, comforts fund

The chest was constructed to allowable dimensions for storage in the ship's hold. The sturdy watertight construction afforded protection for the chests contents. It can be imagined that these would be household utensils, items of clothing and the most treasured ornaments as space permitted. It is likely that the contents included some building tools and as well, implements which Christian Ziebell used in his trade as a butcher in Bruel, thereby enabling him to undertake profitable work on his arrival in Australia.This object is of primary significance. The Koffer was constructed to allowable dimensions for storage in the ship’s hold. The sturdy watertight construction afforded protection for the Koffer’s contents on the voyage aboard the Privislaw from Hamburg, Germany to Hobsons Bay, Australia in 1850. The Koffer held the precious necessities for life for Christian Ziebell's family at their new destination. It is likely that the contents included some building tools as well, implements that Christian used in his trade as a butcher in Bruel, thereby enabling him to undertake profitable work on arrival in Australia. The wooden Koffer was airtight, so if lost overboard it would be retrievable. Some were fixed to the ship’s deck. After they settled at Westgarthtown the Koffer continued to contain the precious documents through each generation. Only the current owners saw the contents in each generation, and the children always regarded it as a “treasure chest”, which was always locked and out of bounds for them. This German-made sea chest, dating from the late 1840s, holds exceptional historical, cultural, and interpretive significance as an original migration object belonging to Christian and Sophia Ziebell during their maiden voyage to Australia. Serving as the family’s personal storage trunk aboard the Pribislaw in 1849, the chest would have functioned as a container for clothing, tools, and essential belongings. Later it served as storage for family archives and Lutheran church committee papers. Constructed in the robust mid-19th-century German style, the chest likely features oak timbers, dovetail joinery, and iron fittings typical of sea-going koffers of the period. Its painted decoration, including the name “C. Ziebell” in large black charcoal script, provides strong, direct provenance and reflects both ownership and pride in family identity. Such personalised embellishment was common among German migrants who decorated their chests during periods of spare time aboard the ship. As one of the rare surviving objects directly associated with the Ziebell family’s migration story, this chest embodies themes of aspiration, hardship, cultural continuity, and settlement. It is a tangible link between the family’s Mecklenburg origins and their new life at Westgarthtown, offering powerful interpretive value for understanding early German-Wendish migration and daily life at sea. Built to specifications for sea voyaging it is also a reminder of the planning required prior to considered migration. Its survival enriches the museum’s capacity to convey the lived experience of Christian and Sophia Ziebell and the foundational story of the community they helped to establish. Large wooden trunk/koffer. Base is rectangular, and lid is rectancular to fit the base but curves between the front and back. Morticed corners; protruding base with beveled edge. Supported by profiled runners with four built-in feet. Handle for carrying on each end, and locking mechanism on front.'C. Ziebell' written in large font on back of chestpersonal effects, travel goods, pribislaw, johann christian ziebell, german migration, luggage

The Hotel Warrnambool, the second in Warrnambool to have that name, was built on the site of the old Hotel Mansions (Ozone Coffee Palace / Ozone Hotel) which was destroyed by fire in 1929. The Hotel Warrnambool was opened in 1931 using the licence transferred from the Hotel Mansions. It has played a major role in the social and economic life of the city since this time.This luggage label from the Hotel Warrnambool is of some historical significance as the hotel is a prominent one in Warrnambool today built on the site of the Hotel Mansions regarded as the finest building ever to be erected in Warrnambool. Buff coloured rectangular label with maroon text. Two corners of the card are mitred. The label features a open ended wreath with the letters WH entwined in its centre. There are three punched holes , one with a reinforce sticker. Two pieces of adhesive tape are attached on the top and the bottom. HOTEL WARRNAMBOOL WARRNAMBOOL( In smaller font). Mr. ..... 1960 (in pencil) hotel warrnambool, ozone coffee palace, ozone hotel, warrnambool

School Council, Members of Staff, Editorial, Principal's Page, Magazine Committee, News and Notes, Literary Society, Prominent Personalities, The Centenary and Jubilee Celebrations, Prize Presentation, Boys Sport, Cricket, Annual Sports, Football, Baseball, Tennis, Science School, A Day in Colombo, The Apprentices, The Art School, Ballarat's Achievement, The Girls Association, Dressmakers, Commercial Notes, Foundation Pupils of Ballarat Girls Junior Technical School, Junior School, Retirements Green soft covered magazine with gold font.ballarat school of mines, magazine, heather harris, c. g. fairbank, d. cotton, j. bethune, f. andrewartha, p. ditchfield, n. andrews, f. benjamin, s. deans, w. j. patterson, glenice lodington, esme atkins, rosemary hullick, heather browning, valerie jolly, eileen walsh, beverley robinson, b. bryan, jack ballinger, h. trudinger, l. garner, don stevens, kevin treloar, cliff restarick, jim brokenshire, john jopling, barbara wilson, margery troon, e. j. tippett, r. w. richards, w. kingston, joan cameron, lloyd veal, john mckenzie, crom. bray, pat maloney, betty dulfer, margaret martin, bill llewellyn, jacquiline bilston, alf mckenzie, grace laurie, john spittle, mina gallie, mrs willis brown, donald eltringham, mrs d. eltringham, geoff mounter, mrs g. mounter, alan wilson, ian mclachlan, doug dean, mrs d. dean, bill meinhardt, norman dalton, b. taylor, j. tinney, r. ingleton, a. kinnane, g. hindson, j. peyton, j. sawyer, j. watts, a. fareco, e. bartrop, m. frawley, l. matthews, j. blackburn, b. flavel, b. schreenan, b. smith, d. stevens, j. ballinger, c. livitsanos, a. johnson, r. archer, j. brokenshire, g. heyes, j. carmichael, c. restarick, m. phillips, m. gillin, don stewart, a. faneco, m. stevens, w. maddox, w. tooth, r. simpson, jim john, ruth buckland, ron simpson, max phillips, l. m. pedrazzi, ballarat, lake wendouree, don whitefield, dorothy robertson, glen gazzard, alison philp, audrey dunn, judith bryan, valerie blee, valerie hughes, carol seddon, brenda beaumont, elizabeth kinnane, noel batch, pat lavery, glenys perry, ann wright, margaret henderson, margaret winberg, faida lewis, diane o'beirne, lynette klein, gloria white, dorothy j. searle, isobel tyrell, l. j. blomeley, adelaide hocking, joyce wilson, j. edwards, lynette robson, lois snibson, janice rogers, joy mills, lynn gilbert, dawn searle, valerie mills, bonnie cody, dawn peacock, margaret paine, carole sneddon, valma vincent, raylee bennetts, kay buchanan, loris gilbert, dawn lang, margaret thompson, lorraine horwood, yvonne rowlands, janette sandwith, dawn parkes, doreen new, marion marshall, p. sullivan, k. r. hall, n. brogden, k. duncan, b. baldock, j. bastin, r. furlong, n. spiers, d. quillian, n. sutherland, a. mills, l. norman, w. saggers, m. hodder, r. hewitt, d. jones, p. reid, b. warrillon, g. edwards, j. bentley, m. hall, n. quick, b. mann, f. dolan, g. gilbert, e. mackie, w. davies, d. roberts, n. purdue, r. austin, r. dunstone, g. king, r. hill, i. nunn, g. hawkes, w. cowan, c. grose, c. garnham, j. white, d. snowden, b. darrington, m. drabsch, t. wilson, r. osborne, a. mcpherson, n. dixon, g. anderson, r. stevenson, b. musgrove, m. roberts, d. dow, a. hepworth, j. copeman, g. pike, j. collier, c. petrie, l. pitcher, r. sharpe, j. gilmer, k. hall, j. boak, j. hudson, k. mccoll