Fox's model 24 began production in 1906.Typewriter, Fox Typewriter brand, black with gold and green fancy transfers on sides, maker's name across top. Four rows of keys with Capital shift, back spacer pre-set shift. Keys include letters fractions, numbers, symbols, plus red and black type. Spacer marked in imperial measure. Printer on machine "FOX TYPEWRITER CO, GRAND RAPIDS, MICH USA" and "THE FOX TYPEWRITER CO. NO. 24 GRAND RAPIDS, MICH. USA" Printer on machine "FOX TYPEWRITER CO, GRAND RAPIDS, MICH USA" and "THE FOX TYPEWRITER CO. NO. 24 GRAND RAPIDS, MICH. USA"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, typewriter, office equipment, commerce, business, fos typewriter company, fox model 24 typewriter

Author Len Fox was an early chronicler of the history of the Eureka Flag.A soft covered booklet of 25 pages with the blue and white cover depicting the Eureka Flag and two digger.eureka, eureka stockade, eureka flag, len fox, flags, john king, raffaello carboni, withers, peter lalor

Marian FOX (1967- ) Born Malvern, Victoria Marian Fox completed a Bachelor of Visual Art (Ceramics) at the Federation University Arts Academy in 2019. The engobe slip and bronze glaze was made by the artist from a recipe provided by lecturer Peter Pilven. Instagram @marianffox Handbuilt stoneware vessel, with copper oxide, engobe, and bronze glaze. This work won the 2019 Federation University DVC 3D Art Acquisition Award. marian fox, ceramics, alumni, available, dvc art acquisition award, vessel, australian studio ceramics, available for secure display

Albert Fox was a piano tuner and manufacturer. This book is a collection of his reminiscences. He was the founder of Darnum Musical Village in country Victoria.59 p., stapled book, photographspianos, albert fox, darnum musical village

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Deputy Vice Chancellor's Visual Art acquisition Award, 2007art, artwork, mark fox, fox, lightening, landscape

Small photo of Dr Fox taken from a group photo.Small black and white photo of a male seated with hat in a three piece suit. Photo croped from group photo.Dr. Fox 1911 c 1917stawell

The front cover has a drawing depicting Brer Rabbit riding on the back of a fox that is wearing a saddle. Behind them is a line of different animals chasing Brer Rabbit and the Fox.fictionWalt Disney's Brer Rabbit Rides the Fox as told by Marion Palmer. The story was adapted from the original Uncle Remus story by Joel Chandler Harris.walt disney, brer rabbit, fox, fiction, uncle remus, joel chandler harris, marion palmer

James Fox is an actor who featured in the film Passage to India and came to Australia in 1986 to make a film on the Tolpuddle Martyrs.B&W photograph."James Fox World Wide Photos Ltd 2nd floor 7 Wilmot Street Sydney NSW Tel 2647-7220 C&N 26/2/86 page 21 E3143-16"fox, james

This work forms a pair with Untitled #3 (fox bones – ordered) / This work draws on ideas of death and the traces of a body that death leaves behind / The work aims to confront the viewer with the concept of death, but it is not morbid or macabre in its consideration of it / Instead of fear the work presents a quiet and beautiful image that aims to portray a feeling of acceptance in the inevitable destruction of one's body / In this work the bones of a deceased fox were meticulously cleaned, bleached and layed out for photographing / No digital manipulation was used to arrange the bones / The same bones from the same fox were rearranged and used for the other work in this series.This work was completed in 2012 as part of the artist's residency in 2011 at Birrarung, Laughing Waters (Laughing Waters Artist in Residence program - LWAIR) managed by Nillumbik Shire Council / Works produced there take inspiration from the natural landscape and the creatures living within that particular environment.Print - A digital photograph printed on hahnemuhle photo rag paper / edition 2 of 8 + 2 artist prints / Individual fox bones placed/layed out on a white background and arranged in an outward circular pattern. Beige/neutral in colour / Blonde timber frame. No signatures / no personal markings / no framers identified.digital print / fox / bones / pattern / photograph / laughing waters / birrarung / imam / death

This work forms a pair with Untitled #4 (fox bones – pattern) / This work draws on ideas of death and the traces of a body that death leaves behind / The work aims to confront the viewer with the concept of death, but it is not morbid or macabre in its consideration of it / Instead of fear the work presents a quiet and beautiful image that aims to portray a feeling of acceptance in the inevitable destruction of one's body / In this work the bones of a deceased fox were meticulously cleaned, bleached and layed out for photographing / No digital manipulation was used to arrange the bones / The same bones from the same fox were rearranged and used for the other work in this series. This work was completed in 2012 as part of the artist's residency in 2011 at Birrarung, Laughing Waters (Laughing Waters Artist in Residence program - LWAIR) managed by Nillumbik Shire Council / Works produced there take inspiration from the natural landscape and the creatures living within that particular environment.Print - digital photograph printed on hahnemuhle photo rag paper / edition 2 of 8 + 2 artist prints / Individual fox bones placed/layed out on a white background and arranged in an orderly fashion according to size and shape / Beige/neutral in colour / Blonde timber frame.No signatures / no personal markings / no framers identified. digital print / fox / bones / ordered / photograph / laughing waters / birrarung / imam / death

Music book, white paper with black printed harp design enclosing the text. Headed Allan Edition - Song titles: "Lonesome in the Moonlight" (Fox-trot) & "You're a Real Sweetheart" (Fox-trot), for orchestra. Published by Allan & Co. Melbourne

Music book, white cover with black harp design enclosing text. Headed Allan Edition, Song titles: "(Like a Bird that's on the Wing) I'm Wingin' Home" (Fox-trot) & "Last Night I Dreamed You Kissed Me" (Fox-trot), for orchestra. Published by Allan & Co. MelbourneSep. 1928

Large white fox collarfurs, costume accessories, arctic fox, women's clothing

This lighter wick would have been part of a lighter with the wick in built. It would have operated with lighter fluid. Helps to tell the story of male accessories and fashion.Silver coloured metal cylindrical lighter wick. The base of the cylinder has several rows of dotted patters around the circumference. The base is slightly rusted. It is pencil-shaped at the top and has a cotton wick coming out of the top opening. The base has a makers mark stamped on attributing it to Mini Fox.Patent / Mini Fox / Made in Austriacigarette, cigarette lighter, fashion, accessory, portland, glenelg shire, smoking

'FOX" Built Fox freight Bogie imported by the Victorian Railways First patented by Englishman Samson Fox in 1893, the Fox style bogie carried virtually all the rolling stock on the Victorian Railways 4 narrow gauge lines from construction to demolition.Historic - Narrow Gauge Railway - Fox freight Bogie imported and used by the Victorian RailwaysPressed Steel Frame Bogie made of iron and Wrought iron fox, bogie, puffing billy, victorian railways

Jacket used on Fox FM radio tram, A class 237 during 1992 - see item 2798 for associated documents. Only 9 produced.Demonstrates a jacket produced by Fox FM for their "Black Thunder" Tram advertising the radio station during 1992.Medium size jacket, leather and swede, polyester lining, press studs with embroidered FOX on front and back.Markings on jacket "Dory's" size labels, "Made in Australia"fox fm, tram 237, a class, uniforms

This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853 a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fund raising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former court house in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historic books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historic Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed art works and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Reynard the Fox or The Ghost Heath Run Author: John Masefield Publisher: William Heinemann Ltd Date: 1929 The label on spine cover with typed text PAT 821 MAS Pastedown front endpaper has a sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a stamp from Corangamite Regional Library Service Front loose endpaper has a sticker from Warrnambool Mechanics Institute Flyleaf has a stamp from Warrnambool Mechanics Institute flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, reynard the fox, the ghost heath run, john masefield

Set of many documents related to the operation of "The Fox Black Thunder Tram" during 1992 around the system. Comprises: .1 - list of weeks, dates, depot and routes - two A4 pages .2 - Timetable for early Jan. 1992 when running out of Glenhuntly Depot. Many similar copies held for all depots. .3 - Poster for the Fox Morning presenters .4 - Party invite ticket for Sep 21 - using the Fox tram. .5 - The Fox FM 101.9 stickers or adhesive labels. .6 - Newspaper Cutting from the Progress Press 11/9/1991, "Quiet trams better" complaining about the tram and the noise.trams, tramways, fox fm, decorated trams, timetables, advertising trams

The Voyage of The 'Fox'. The Fate of Sir John Franklin Author: Sir F Leopold M'Clintock Publisher: John Murray, Albemarle Street, London. Publisher to the Admiralty Date: 1881 Blue embossed hardcover with a blue spine and lettering in gold. The spine has a Library label with an inscription.non-fictionThis classic 1859 maritime narrative with the subject copy being the 1881 fifth edition details one of the most significant moments in Arctic exploration. It follows the definitive discovery of what happened to Sir John Franklin’s lost expedition. The Voyage of the 'Fox' is a first-hand travel diary and official report written by Captain Francis Leopold McClintock.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the voyage of the 'fox'. the fate of sir john franklin, sir f leopold m'clintock, arctic exploration

RommelDVD in caseThe War File Rommel The Desert Fox "A tireless fighter in the case of the Fuhrer & the Third Reich" General Von Runstedtww2

Valentine Vox Author: Henry Cockton Publisher: George Routledge & Co Date: 1854 Further Information: The Life and Adventures of Valentine Fox. The Ventriloquist fictionThe Life and Adventures of Valentine Vox, the Ventriloquist was first published in monthly parts between 1839 and 1840, and is a satirical, lighthearted Victorian novel. The story follows a young man named Valentine Vox who discovers he has an extraordinary talent for ventriloquism. Instead of using his gift for simple entertainment, he acts as a chaotic prankster, throwing his voice in public places to stir up trouble, expose hypocrisy, and drive unsuspecting citizens to near-madness. He makes everyday items appear to speak, creates invisible crowds, and wreaks havoc in taverns, political meetings, and crowded streets. Beneath the slapstick comedy, the novel serves a serious social purpose. Valentine’s antics eventually lead him to expose the horrific conditions and corrupt practices of private lunatic asylums in Victorian England, where sane people were sometimes locked away by greedy relatives. The book actually contributed to real-world public outcry and subsequent legal reforms surrounding mental health facilities.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, valentine vox, henry cockton

Group Picnic at Mokepilly 1900 includes members of the Fox family.stawell

Les Fox Trophy Donor: Les Fox Deed of Gift: No Les Fox was the father of Bill, Jack and George who were all members of the RBYC. This trophy was originally used for mid-week racing then later re-allocated to a Division 2 race on IRC handicap during a heat of the Club Marine Series. The race is sailed on the same day as the Commodores’ Cup for Division2 and the Boat Hook Trophy for Division 3. First Winner: Slaghoken III, W. Feltham 1963/64 les fox, division 2, irc

This photograph was taken on the occasion of the wedding of Frances Ayers to Norman Nobelius, grandson of Carl Axel Nobelius who founded the Gembrook Nurseries. The wedding took place at St Mark's Church, Emerald on 25 September 1948 followed by a reception at New Cafe, Emerald. The bridesmaids from left to right in the photograph are Elaine Morris (seated), Audrey Ayers and Barbara Ayers.Studio, color photograph of bride and three bridesmaids posed in front of floral background. Photograph is affixed to white cardboard mount and enclosed in cream folder.Underneath photo signed: 'Peter Fox'norman nobelius, frances ayers, st marks church, emerald, 1948, carl axel nobelius, wedding

Born: Fitzroy, Victoria, Australia 1865; Died: 1915ImpressionismLedger Gift, 1993Rural landscape with fence and buildings in the distance. Gold gesso on decorative wood moulding frame.Recto: Signed "E. Phillips Fox" in black paint l.l.c of composition; Not dated; Not titledlandscape, buildings, rural, hills, fence, australian art

Born: Fitzroy, Victoria, Australia 1865; Died: 1915ImpressionismGift of Dr Robert W. Henderson 2004Rural night landscape with road, buildings and moon. Gold painted wooden frame.Recto: Signed "E Phillips Fox" in brown paint l.l.c of composition; Not dated; Not titledlandscape, evening, moon rising, rural, road, australian art

Born: Uxbridge, Middlesex, England 1872; Arrived: Melbourne, Victoria, Australia c.1914; Lived and worked: France 1905-1913, Australia: 1908 and 1913, Europe, Middle East and Asia 1916- c.1936; Died: Melbourne, Victoria, Australia 1952ImpressionismLedger Gift, 1980Garden setting with flowers, trees and small figures running down a path. Bronze brushed carved timber frame.Recto: Signed "CARRICK FOX" in deep navy oil in l.l.c of composition; Not dated; Not titledpainting, garden, figures, flowers, children, trees, path

Born: Fitzroy, Victoria, Australia 1865; Lived and worked: France and England 1887-1892, France 1901-1913; Died: Melbourne, Victoria, Australia 1915ImpressionismMajor Basil MacNay Bequest, Gift of Arts Victoria, 1998Oil on wood panel depicting pink spring blossoms in a field. Carved gold brushed timber frameRecto: Signed "E. Phillips Fox" in purple oil in l.l.c of composition; Not dated; Not titledpaiting, landscape, garden, trees, cherry blossom, fence, impressionist