This book was written by John Scott (1784-1821) a Scottish journalist, editor and publisher. He was editor of the Champion, a weekly political and literary journal. It is part of Flagstaff Hill’s Pattison Collection of books which originated from the Warrnambool Mechanics’ Institute. It was published by Longmans, Green & Co. The publisher firm, Longmans, Green & Co, was originally founded in 1724 in London by Thomas Longman under the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, including Longman, Hurst, Rees, Orme and Brown from 1811 to 1823, the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC. The book is significant for its review of early 19th century Paris by John Scott journalist and political editor. It is also important for its connection to the London publisher Longman, Hurst, Rees, Orme and Brown who were an extension of the Longmans, Green & Co, operating under this name from 1811 to 1823. The firm has been established for over two centuries, is renowned for publishing encyclopedias, dictionaries, books on English grammar, textbooks, poetry, reference books, novels, magazines and more. The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.A Visit to Paris in 1814 FULL TITLE A Visit to Paris in 1814; being a review of the moral, political, intellectual and social condition of the French capital. Author: John Scott Publisher: Longman, Hurst, Rees, Orme, and Brown Date: 1815, Third Edition (first published in 1815) Brown textured hardcover book with inscriptions, stamps and handwritten pencil. The book is part of the Pattison Collection.Label: "PAT 944.06 SCO" Sticker: "Warrnambool Mechanics Institute and Free Library" covered by a sticker "Corangamite Regional Library Service" Printed on Fly page: "Third edition, corrected, and with a new preface referring to late events." Stemp on Fly page: "CORANGAMITE REGIONAL LIBRARY SERVICE / WARRNAMBOOL CITY LIBRARY" and "WARRNAMBOOL MECHANICS' INSTITUTE" Handwritten in pencil on Fly: "444"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, pattison collection, ralph eric pattison, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, corangamite regional library service, longman hurst rees orme and brown of london, 1811 – 1823, france, paris, paris social life, paris custom, france travel, 19th century, review of paris

MIGRATION Travel is a luxury for most people, and although seafarers undoubtedly face hardships as part of their profession, they are also able to experience parts of the broader world than that of friends and family at home. The stories and experiences of seafarers - together with the work of the Mission to Seafarers ministry - contribute to the archive of ongoing global links and narratives of world trade and migration. As an example of this, in 1917 alone the Mission directed almost 6,000 letters written by visiting seafarers home to their families abroad, and received almost 3,000 letters in return. After experiencing Melbourne through the Mission, many seafarers later chose to make the city and Australia their home, and some chose to marry their partners at the Mission’s chapel. This pair of windows, titled ‘Baptism’ and ‘Holy Spirit’, was installed during 1933 and represents the integral links between seafaring and the world.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the lancet windows in the baptistry ad a photograph of the Eiffel Tower taken by Allan Charles Quinn during one of his voyages.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: A snapshot of the Eiffel Tower with Australian seafarer Allan Charles Quinn in the foreground, taken during a voyage to France in 1956reflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, flinders street, allan charles quinn, eiffel tower, france, travel, migration, baptistry, paris, catherine mclay, arthouse

Softcover, spine is exposed and torn, map attached at the back is ripped, stains at the back coverparis, france, travel, walsh st library

Index, ill, maps, p.219.non-fictionA French traveloguefrance - description, france - travel

Ill, p.224.non-fictionA description of the various regions of Francefrance - description, france - travel

p.294.non-fictionAccounting of a walking trip from Paris to Andorra.france - description and travel, spain - description and travel

p.686.non-fictionFirst published in one volume under the title of "Highway into Spain". Now published in two volumes, the first part being called "Highway into Spain", this volume being the second part.france - description and travel, spain - description and travel

Ill, pp.1-212.non-fictionA pictorial and authoritative account of our great and glorious ally and of her country, unsurpassed in beauty and magnificence,france - description and travel, art - france

Ill, pp.213-398.non-fictionA pictorial and authoritative account of our great and glorious ally and of her country, unsurpassed in beauty and magnificence,france - description and travel, art - france

Ill, pp.400-616.non-fictionA pictorial and authoritative account of our great and glorious ally and of her country, unsurpassed in beauty and magnificence,france - description and travel, art - france

This photograph is one of a series taken by Allan while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of Allan Quinn standing in the foreground, with the Eiffel Tower in the background. There are people in the midground. There is a narrow white boarder around the image.On reverse: PARIS 6-6-49 handwritten in blue ink. below this is a pencil mark, similar to "ItI"written sideways.allan-quinn, photograph, paris, france, eiffel tower

This photograph is one of a series taken by Allan while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Eiffel Tower, from some distance. There is a narrow white boarder around the image.On reverse: PARIS 6-6-49 handwritten in blue ink. below this is a pencil mark, similar to "ItI"written sideways.allan-quinn, photograph, paris, france, eiffel-tower

This photograph is one of a series taken by Allan while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of a narrow laneway in Rouen, France, taken on the 5th of June, 1949. There is a narrow white boarder around the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is a mark "ItI"in pencil, written sideways.allan-quinn, photograph, rouen, france

This photograph is one of a series taken by Allan while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph, taken on the 5th of June, 1949, shows one of Rouen's main sight: "Le Gros-Horloge" (Great-Clock), a fourteenth-century astronomical clock in central Rouen, Normandy, France. Rouen had been heavily damaged during World War II. Buildings of different styles and ages can be seen, as well as people walking. There is a narrow white boarder around the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI"in pencil.allan-quinn, photograph, rouen, france

This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the port at Rouen, France, taken on the 5th of June, 1949. There is a narrow white boarder around the image.On reverse: PORT OF ROUEN / 5-6-49 handwritten in blue ink. Below this is the mark "ItI"in pencil.allan-quinn, photograph, port-of-rouen, france

This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the facade of the City Council in Rouen, France, taken on the 5th of June, 1949. There is a narrow white boarder around the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" in pencil.allan-quinn, photograph, rouen, france

This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the down town area of Rouen, in France, taken on the 5th of June, 1949. A car is shown in the middle of the foreground, with people to the right and a road to the left. There is a narrow white boarder around the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, parapluies, umbrellas, chaussures, shoes, car

This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Cathedral in Rouen, taken on the 5th of June, 1949. It shows three large arched doors, and a few people walking on the street in front of it.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, cathedral, door

This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of an inn door, in Rouen, France, taken on the 5th of June, 1949. Two small wooden monks are have carved into either side of the eaves.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" written sideways in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, half-timbered houses

This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of a house "from the Middle Ages". The framework of the walls are exposed, and there are two pot visible at the bottom of the photograph. There is a narrow boarder of white around the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" written sideways in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, half-timbered houses

This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of buildings in Rouen, France, taken on the 5th of June, 1949. The building in the foreground is intact, but most of the buildings behind it have been damaged by bombing.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "It" in pencil.allan-quinn, photograph, rouen, france

This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Great-Clock fountain (corner of Rue du Gros-Horloge and Rue des Vergetiers) in Rouen, Normandy, France, taken on the 5th of June, 1949.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" written sideways in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, fountain, gros-horloge, great-clock

This photograph is one of a series taken by Allan while travelling through France in mid-1946. There are several letters relating to this journey. This photograph was exhibited by the Mission to Seafarers as part of the exhibition "Letters from Abroad" in 2012.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of the Arc de Triomphe in Paris. The Arc is framed by a row of trees on either side, and there are several cars on the road in front of it.On reverse: PARIS 6-6-49 handwritten in blue ink. below this is a pencil mark, similar to "ItI"written sideways.paris, france, letters-from-abroad, allan quinn, arc de triomphe

This photograph is one of a series taken by Allan while travelling through France in mid-1946. It was taken in the medieval city of Rouen, a city heavily damaged by the Allied bombings during the Battle of Normandy in May 1944 and shows a cob house, typical of the period. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Black and white photograph of a historical building and street scape in Rouen.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is a mark "ItI"in pencil, written sideways.allan-quinn, photograph, rouen, france, ww2, battle of normandy, normandy, cob house, middle ages, medieval

This photograph is one of a series taken by Allan while travelling through France in mid-1949. It shows the Saint-Ouen Abbey Church from Rue d'Amiens- Rouen. Rouen, a medieval city was heavily damaged by Allied bombings during the Battle of Normandy. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph taken on the 5th of June, 1949, of Saint-Ouen church built in the 14th century in Rouen, France. The sign to the right of the foreground reads: ROUEN CENTRE / AMIENS PARIS and probably indicates the photograph was taken from Rue d'Amiens (Amiens Street). The photograph shows the level of demolition of the city during World War II.On reverse: PARIS 6-6-49 handwritten in blue ink. below this is a pencil mark, similar to "ItI".allan-quinn, photograph, rouen, france, normandy, ww2, battle of normandy, 1939-1945, saint ouen abbey, amiens, paris

A postcard to the Comradeship Committee when a Legatee was travelling in France. The postcard was addressed to the Legatee Chairman of the Comradeship Committee. Dated 3 Feb 1983. It is signed GRIFF, it says: The French experience I should have had years ago. I am in the DORDONGE after spending some days at LA ROCHELLE on the Atlantic coast. The provincial French are courteous, generous, helpful and so elegant. Work I did with my French mistress at the Wesley Church has paid great dividends although today may be tough. I give 40 children (aged 10-14) their first ever Scottish Country dance lesson. The goose hatched in March lives a normal farmyard life till October, then it is force fed for three weeks and then 'WHAM' and PATE. Next meeting at Norton - France! Best wishes to all - GRIFF.A record of a Legatee travelling and relating experiences back to his comrades in Melbourne.Colour postcard of a Frenchman.Printed "Le Gaveur D'oies." French postage stamps. Handwritten text in blue pen.comradeship, legatee

This photograph, taken by Courtney’s Thelma Studios in Wangaratta, depicts Sergeant Arthur Loftus Maule Steele standing in the regalia of the Masonic Lodge. Before his death, Steele was a long term member of the St John’s Lodge of Masons where he was a Past Master and held office of treasurer for over thirty years. He was also a dedicated member of the Church of England and was an Electoral Inspector for Wangaratta. Steele was Sergeant of Police in Wangaratta for much of his life. He was one of 17 children born to Captain Robert Ball Steele and Mary Babington in Tours, France, in 1839. His parents were travelling at the time and soon after settled in Donegal, Ireland. At the age of 12, Steele was sent to the Military Academy of Dublin where he passed his examinations and prepared to enter the British Army. Steele met a bother of Robert O’Hara Burke and was advised to travel to Australia and join as a police cadet. Steele took the advice and travelled to Australia, arriving in Melbourne at the age of 17. He spend some time in a variety of employment including working as a clerk for the White Star Line. He entered the Victorian Police force in 1856. By 1864, Steele married Ruth Ingram Ballinger at Snowy Creek and worked at Omeo until being promoted to the mining centre of Beechworth, taking charge of the Yackandandah Station. Steele and Ballinger had ten children. Steele is well known in Victorian history for a variety of reasons, the most famous being the role he played in capturing Edward “Ned” Kelly at Glenrowan on the 28th June 1880. He also arrested Frank Neville (for the murder of a local resident Mr Nicholls) and Patrick Sheehan (first person to be executed in the Beechworth Gaol 1865 for the murder of James Kennedy at Rowdy Flat Yackandandah). He later worked on the case of Bridget Mepham (charged with the murder of her sister) at Wangaratta and retired from the Police force on the 1st of August 1896. In this retirement, Steele was a keen horticulturalist who enjoyed observing the habits and growth of new varieties cared for in his conservatory. Steele passed away in February 1914. This image has the potential to support current research on Sergeant Steele, the Masonic Lodge and photography during the c.1890s. Sergeant Steele is a well-researched member of the Victorian Police force and is known primarily for his involvement with the Kelly Gang. Therefore, depictions of Steele through photography can help to provide essential information about Steele outside of the Police force. This image has the capacity to inform about Steele’s involvement with the Masonic Lodge in Wangaratta. Therefore, it is important for what it can reveal regarding historic and social aspects. The Burke Museum is home to a large collection of Kelly centred photographs. The study of these photographs in connection to those in other museums have the ability to further current understanding on important figures and events in this historic occasion.Black and White rectangular photograph printed on matte photographic paper and mounted on an oval boardObverse: Courtney's Thelma Studios/ Wangaratta Reverse: 2747portrait, ned kelly, uniform, policeman, wangarratta, sergeant, steele, 1880, photograph, oval, black and white, sergeant steele, arthur loftus maule steele, arthur steele, wangaratta, beechworth

Pattison Collection This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853, a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November 1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half-yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fundraising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however, it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former courthouse in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historical books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historical Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed artworks and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. Jules Verne (1828–1905) Jules Verne pursued his writing career after finishing law school in 1849, during this time he was writing poetry and short stories. He began to hit his stride after meeting publisher Pierre-Jules Hetzel in1862, who nurtured many of the works that would later comprise the author's 54 novels the (Voyages Extraordinaires). Often referred to as the "Father of Science Fiction," Verne wrote books about a variety of innovations and technological advancements years before they were practical realities. In 1856, Verne met and fell in love with Honorine de Viane, a young widow with two daughters. They married in 1857, and in 1861, the couple's only child, Michel Jean Pierre Verne, was born. Realizing he needed a stronger financial foundation, Verne began working as a stockbroker. However, he refused to abandon his writing career, and that year he published his first book, The 1857 Salon (Le Salon de 1857). In all Verne authored more than 60 books as well as dozens of plays, short stories and librettos. He conjured hundreds of memorable characters and imagined countless innovations years before their time, including stories about submarine and space travel, terrestrial flight and deep-sea exploration. Jules Verne died in 1905, at his residence in the French city of Amiens, stricken with diabetes, on March 24, 1905. Verne had many memorable novels, his most famous being Five Weeks in a Balloon, Journey to the Centre of the Earth, From the Earth to the Moon, Around the World in Eighty Days, In Search of the Castaways and Twenty Thousand Leagues under the Sea Additional works surfaced decades later. Backwards to Britain based on his many trips to the United Kingdom was finally printed in 1989, 130 years after it was written. Also Paris in the Twentieth Century, originally considered too far-fetched with its depictions of skyscrapers, gas-fuelled cars and mass transit systems, followed in 1994 The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Martin Paz Author: Jules Verne Publisher: Sampson Low Marston Searle and Livington Date: 1876 The label on the spine with typed text PAT 843 VER Flyleaf has a stamp from Warrnambool Mechanics Institute Front loose endpaper has a sticker from Warrnambool Mechanics Institute and Free Library covered by a sticker from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, martin paz, jules verne, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library

The Uncounted Cost is one of a number of works written by Mary Gaunt. Her other works include, Alone in West Africa, A Woman in China, The End of the Earth, Kirkhams Find, The Moving Finger and Deadman’s. Mary was born at Indigo near Chiltern in 1862 and lived for many years in Ballarat where her father W.H. Gaunt was gold commissioner and later a judge. The original Gaunt family home was converted into St Patrick’s College. She married Dr Lindsay Miller and moved to Warrnambool and after his death in 1899 she embarked on her travels which took her to many parts of the world. She died in Cannes, France in January 1942.Mary Gaunt wrote over 25 novels, numerous travel books and many stories and articles. She had a strong link with Warrnambool and details of the district are included among her writings. She also wrote regularly in the early 1900’s for the Times in London on women issues. She was an independent thinker and worker. Blue hard cover with illustration in dark blue depicting one person sitting looking upwards to another person holding spear. 248 pages. Clementine E Coles written in black pen inside front cover. Dedication: To my friend Agnes Herbert. the uncounted cost, mary gaunt, alone in west africa, warrnambool