A clipping from "The Australian Women's Weekly," "What Women are Doing" section. A short article about Hilda Kirkhope, assistant at the Burnley Horticultural College, Melbourne. Includes a photo of Miss Kirkhope with 3 female students looking at an easel, with the caption: "Miss Hilda Kirkhope instructing senior pupils how to prepare a plan for a landscape garden. She teaches all aspects of garden design."the australian women's weekly, hilda kirkhope, burnley horticultural college, garden design, students in class

Elaine Pearce (1937) designed the garden in Hobart, Tasmania, for her parents after her Graduation, when she could not find work. See Elaine Pearce Box 101B for handwritten notes.Set of 19 colour photographs. One of Elaine Pearce (1937) taken by A.P. Winzenried in 1991 and 18 of the garden in Hobart, Tasmania designed for her parents after graduation when she could not find work. Also taken in 1991. (12) Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 64. Also see her handwritten notes.elaine pearce, a.p. winzenried, hobart, tasmania, green grows our garden, a.p. winzenried, garden design

Hardcover w/ Dust Jacketwalsh st library

Appears to have been used for an exhibitionColour photograph pasted on black paper which is pasted on polystyrene board. Students constructing the Sunken Garden and Wisteria Walk. Used in an ExhibitionCaption, "The house was demolished in 1980. Geoff Olive, the Gardens Manager designed the new landscaping. Students building the Sunken Garden 1983." Work had commenced 1981.geoff olive, gardens manager, sunken garden, students working outside, principal's residence, garden design, wisteria walk

Central Park Gardens. Garden design for Coronation 22 June 1911 King George VPost card of garden designed for coronation 22 nd June 1911, King George VCoronation 22nd June1911 taken by N? Fraser stawell

Colour photograph. Signage for V.C.A.H. Student designed gardens in the Field Station for Garden Week.vcah, students, garden design, field station, garden week, victorian college of agriculture & horticulture, orchard

Miss June De Chaneet, Terms I, II and III 1939. She graduated with a Certificate of Competency in Horticulture in 1939Report Card of Miss June de Chaneet, Terms I, II and III 1939. Lists subjects taken. Miss J.de Chaneet graduated in Certificate of Competency in Horticulture 1939. Subjects taken: Botany, Chemistry, Gardening, Entomology, Vegetable Pathology, Viticulture, Citriculture, Garden Design, Outdoor Work, Garden observation. Note by T. H. Kneen 1/4/92 "This report card show the name of the school as it was known from the time of Mr. McLennan's appointment in 1916. See B91 228 - on the sign Horticulture takes precedence over Primary Agriculture. The location Royal Horticultural Gardens owes its origin to the Royal Horticultural Society of Victoria which relinquished management of the Gardens to the Department of Agriculture in 1891." "I would have thought the use of Royal was for the RHSV exclusively." THKThe report is signed by the principal A.W. Jessop and Miss de Chaneet's parent V. de Chaneet.certificate of competency, june de chaneet, report card, term reports, botany report, chemistry report, gardening report, entomology report, vegetable pathology report, viticulture report, citriculture report, garden design report, out-door work report, garden observation report, attendances, punctuality, conduct

A booklist on home restoration held in Camberwell City Libraries, covering the history of Australian houses, house restoration and conservation, the history and details of interior decoration, furniture and contents, the history of Australian gardens, and garden restoration and design.An A5 sized bookletbuildings, structures and establishments, restoration, conservation, garden restoration, garden design, interior decoration

'Close Knit' was conceived based around providing the high density accommodation of the area with what many residents will never experience; the iconic ‘Aussie’ backyard, symbolised by washing on a Hills Hoist. This concept was transposed into several elements, including two large flying jumper sculptures. These stainless steel and fibreglass structures are supported on slanted poles, reminiscent of Hills Hoist arms. The jumpers appear to catch the breeze, and billow up, like washing on the clothesline on a sunny day, and cast lovely shadows across the paths and gardens. They are bright and joyful reminders of simple homespun joys. The handcraft theme is also featured in knitted concrete garden walls throughout the gardens. As if the wind is captured in the movement of the Hellenistic drapery, these panels echo the Lady of Justice, an earlier work of mine on the Victorian County Court. These feature walls bring a softness to the park and hark back to classic European garden design. There are 6 finial/balls of wool marking gateways and entrances to the park, as well as a couple randomly scattered throughout to be discovered. There is also a draped plinth at the Peel street entrance which has my signature. Again these elements echo traditional garden design and are a tactile and recognizable link to the hand knit themes of the park. Given the strong themes of domesticity and handcrafts, I have titled my work ‘Close Knit’, as it applies to the purpose of this public space as well as the works scattered throughout. Yarra City Council delivered Cambridge Street Reserve in partnership with the Victorian Government, who have supported the project with $1.3m funding. Yarra City Council has invested a further $731,130 towards the project. Urban Imitative Landscape Design worked with artist William Eicholtz at the beginning of the design process to consider the needs of a growing high-density population of the area. At double the size, with extensive park seating and a large lawn space which is shaded by native trees, Cambridge Street Reserve is now the largest park in Collingwood. 'Close Knit' by William EicholtzTwo knitted fibreglass 'jumpers' over stainless steel framework; six concrete balls of wool throughout the park; 25 metres of cast (drapery) concrete walls; concrete plinth at Peel street entry which is draped with a concrete knit and a ball of wool on top as finial; reverse rope reliefs on the front façade of eastern stairs. Artist name and date 'William Eicholtz 2023' inscribed on plinth with ball of wool on top as finial. handcrafts, domesticity, aussie icons, european garden design, public space, high density accomodation

The Presbyterian Church owned three lots of land bounded by Pakenham Road and the northern side of Dorchester Road, between 1927 and 1964. Providence House opened in 1927 as a peaceful country rest home for “tired mothers” from the inner suburbs, and their children. It was also used, at different times, for kindergarten groups and in 1955 for a girls Bible Class for Easter “studies, fun and fellowship.”Cockatoo had several guest houses which took paying guests. Providence House did not charge fees, but is the best-documented of the large houses which provided accommodation.Framed landscape design plan under glass, with detailed plant listings. Original watercolourDonated by Victoria & Digby Newcombe 2003presbyterian church, rest home, landscape plan, garden design, cockatoo victoria, providence house, black n.c,

John and Phyllis Murphy designed this house and garden in Kew for Sir Frank and Lady Macfarlane Burnet in 1959, the year before Burnet and Peter Medaware received the Nobel Prize for discovering acquired immunological tolerance. For the most highly honoured scientist to have worked in Australia, Burnet's house is modest - single storey with two bedrooms. Typical of post-war suburban housing thought, the garden is a generous, and the planting a mix of existing shrubs and trees, old favourites such as camelias, hydrangeas, lilacs, and a unusually 'a thick copse of native trees'. John Murphy (1920-2004) and Phyllis Murphy (nee Slater) (1924-) are alumni of RMIT. John commenced his architectural studies at Swinburne Technical College prior to WW2, and subsequently studied at Melbourne Technical College (now RMIT University) from 1944 to 1946. Phyllis studied architecture at Melbourne Technical College from 1942, before transferring to Melbourne University's Architectural Atelier in 1944 They both completed their Bachelor of Architecture in 1949, with Phyllis topping the fourth year, and John coming in second. They established their architectural practice in 1950. One early project was their design with Kevin Borland and Peter McIntyre for the Olympic Swimming Pool (1956). Ann Carew 2018dye, paper, garden design, kew