Gareth SAMSOM (19 November 1939- ) Born Melbourne Sansom describes a desire to constantly surprise and challenge himself as an artist. He had his first exhibition in 1959. His paintings of the 1960s were characterised by a distorted use of line, shape and colour and were influenced by abstract expressionism, Francis Bacon and Sidney Nolan. Over time, his work has also drawn on punk, dada, Basquiat, T.S. Eliot, urban graffiti, classical Greek philosophy and art theory across a variety of media ranging from drawing, printmaking and collage to photomontage and photography. Sansom lectured in Art at the Ballarat Teachers' college, and was appointed Head of Painting at the Victorian College of the Arts from 1977-1985, and Dean School of Art at the Victorian College of the Arts from 1986-1991. He was artist-in-residence at the University of Melbourne in 1985, which was when he resumed his full-time painting practice with a series of large works on canvas. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.'Looking for God in Abstract Art 2' is a play on the debate over the respective virtues of abstraction and figuration that has preoccupied artists and critics for more than a century. Sanson has always walked a wobbly line between the two, adroitly avoiding falling headlong into either camp. It is also a gentle dig at the pretensions to higher spiritual meaning in abstract art. In the centre are two photographs, one of rubber masks and the other of the artist in a lurid fright wig and mask and using a spray can like a young tagger. These images, where the artist wears a mask and teeters on bright red platforms, are wonderfully ludicrous send-ups of the 'fine art' of painting. (Geoff Wallis from 'Gareth Sansom: Alternative Person", Art Gallery of Ballarat, 2012) This work was exhibited and published in the catalogue of the exhibition 'Gareth Sansom: Alternative Person' at the Art Gallery of Ballarat in 2012 item. art, artwork, gareth sansom, sansom, mixed media, oils, enamel, photo-collage

Junior Court, Pages (ages 8 - 11 years) Gareth Award worn above the left pocket of shirt.3 x purple ribbon award badges with white embroidered text and knight's helmet.."GARETH AWARD"methodist order of knights

Gareth SAMSOM (19 November 1939- ) Born Melbourne Sansom describes a desire to constantly surprise and challenge himself as an artist. He had his first exhibition in 1959. His paintings of the 1960s were characterised by a distorted use of line, shape and colour and were influenced by abstract expressionism, Francis Bacon and Sidney Nolan. Over time, his work has also drawn on punk, dada, Basquiat, T.S. Eliot, urban graffiti, classical Greek philosophy and art theory across a variety of media ranging from drawing, printmaking and collage to photomontage and photography. Sansom lectured in Art at the Ballarat Teachers' college, and was appointed Head of Painting at the Victorian College of the Arts from 1977-1985, and Dean School of Art at the Victorian College of the Arts from 1986-1991. He was artist-in-residence at the University of Melbourne in 1985, which was when he resumed his full-time painting practice with a series of large works on canvas. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A large abstract painting.art, artwork, garth sansom, sansom, abstract

Gareth Sansom is celebrated for his daring paintings, collages and watrerclours which comine diverse references and imagery. His colourful and densley layered canvasses explore psychological and material transformation and are charged with sexual energy. 198 page exhibition catalogue with essays and artwork plates relating to the paintings of Gareth Sansom. ashley crawford, simon maidment, sebastian smee, pip wallis

Black and white photograph reproduced on p123 of 'Pioneers & Painters'pioneers and painters, artists, gareth jones roberts

Revealed for the first time - the full story brom both sides of the conflict.vietnam history - 1945 - 1975 - sources, vietnamese conflict - 1961-1975 - sources, ho chi minh, vietnam liberation armed propaganda brigade

The most provocative and original reinterpretation of Vietnam and Cold War policy making to come along in a generation.united states - foreign relations - vietnam, vietnam - foreign relations - united states, president johnson, president j f kennedy, the gulf of tonkin

Purchased through the Horsham Art Gallery Trust Fund, 2005

trophy winners at Tennis Club Trophy Night Murray Smith, Jarrod Pye, Jenny and Kevin Dowie, Jenny Devonshire, Tom Cook, Ruth McPhee, Don Collins, Kimberly Smith, Bree Waters, Lorraine Cook, Courtney Ellis, Emma Devonshire, Rex Horner, Tim Dowie, Malanie McPhee, Alec McPhee, Gareth and Scott Ager, Andrew Devonshire Lakes Entrance VictoriaBlack and white photograph showing trophy winners at Tennis Club Trophy Night Murray Smith, Jarrod Pye, Jenny and Kevin Dowie, Jenny Devonshire, Tom Cook, Ruth McPhee, Don Collins, Kimberly Smith, Bree Waters, Lorraine Cook, Courtney Ellis, Emma Devonshire, Rex Horner, Tim Dowie, Malanie McPhee, Alec McPhee, Gareth and Scott Ager, Andrew Devonshire Lakes Entrance Victoria sports, tennis, clubs, recreation

Two colour photographs depicting the entrance to Edendale farm with Alison Delaney and children, Erin and Gareth and of the 100 Years Birthday Cake.eltham, edendale farm

Prerequisite for the Gareth Award: Attaining 4th Class Merit badge; 3rd Class Merit badge and Efficiency Awards for Interest, Service and Special. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia.MOK244.1 & MOK244.2 Yellow coloured cover Methodist Order of Knights efficiency awards handbook for the Junior Efficiency, Gareth, award. The book has typed, unnumbered pages and a sketch of a youth with billy cans on the cover. The book is held together with three staples and the binding is of adhesive fabric.methodist order of knights

Identified Gareth Ager and Mr Dave McDonnell and second photo.Black and white photograph of Toorloo Arm Primary School student Garath Ager on bike, with teacher David McDonnell during school activity bike education in school grounds. Toorloo Arm Victoriaschools, education

Booklet: Weeroona College Bendigo - 2011 Annual Awards Presentation. Monday. 12th December, 2001 Bendigo Senior Secondary College Gymnasium Goal Road, Bendigo at 7:00 pm. Masters of Ceremonies: Nakita Landry, Gareth Jones.school, history, weeroona college

The Ballarat Teachers' College was a predecessor institution of Federation University Australia. Black soft covered booklet with text and photographs associated with the Ballarat Teachers College in 1973. Image of the Art Staff of the Ballarat Teachers' College Left to right: Ian Page, Gareth Sansom, John Crump, H. Fryar, Greg Binns, Ian Hemingway, Geoff Wallis. Gift of Dennis Spielvogelveronica spielvogel, barry skilbeck, christopher slater, neville sonego, bob croft, robert croft, mary egan, peter sargeant, alan sonsee, gareth sansom, ian page, greg binns, ian hemmingway, geoff wallis, peter fryar, geoff hendy, l. haines, tania wambeek, r. smith, noel sheehan, eileen parry, doug matthews, vernon wall, kevin gurrie, joy dellaca, mary glenane, mary hollick, belinda tantau, kaye rizzoli, dennis spielvogel, john crump, h. fryar, ian hemingway

The Ballarat Teachers' College was established after the Victorian State Government and the State Education Department decided to establish two provincial teachers' colleges, at Ballarat and Bendigo. On 04 May 1926 W.H. Ellwood (Principal), Miss A. Bouchier, and Mr A.B. Jones, welcomed the first enrolment of 61 students to undertake the one year course. In 1927 the College moved to the former Ballarat East Town Hall in Barkly Street, which was remodelled for their use. It closed in December 1931 due to the Great Depression. In 1946 Ballarat Teachers' College reopened and relocated to the Dana Street State School. The building used by the Teachers' College was the original bluestone building facing Doveton Street South. It was originally planned to open as a women's college, for whom the residence at 130 Victoria Street was purchased, but the decision was made to admit resident men from Ballarat. Mr T.W. Turner was appointed as Principal in 1951 and directed the introduction of a two year course for the Trained Primary Teachers' Certificate. The former one year course was terminated at the end of 1951. In 1958 the College was relocated to a custom built facility at Gillies Street, in close proximity to the Ballarat Botanical Gardens. Numbers increased with the introduction of the Trained Infant Teachers' Certificate course under the guidance of Mary Egan. With the introduction of a three year Diploma Course in 1968 accommodation became cramped. The introduction of the Diploma of Teaching (Primary) led to the Trained Infant Teachers' Certificate being discontinued in 1969, and the end of the Trained Primary Teachers' Certificate in 1969. Secondary Art and Craft students began studies at Ballarat Teachers' College in 1969 under Mr Ted Doney. In 1971 Mr D. Watson was appointed Principal. The State College of Victoria was proclaimed by Order in Council on 24 July 1973, and Ballarat Teachers' College became a constituent college of the State College of Victoria, and was known as State College of Victoria, Ballarat. By 1975 the College moved to Mount Helen as part of the Ballarat College of Advanced Education. Pre service teachers currently undertake their studies on the Mount Helen Campus of Federation University. ("Ruffians Attempted to Carry of the School Tent: A History of State Education in Ballarat", 1974, p73-4.) Green soft covered magazine of the Ballarat Teachers' College. Includes black and white images of class groups and teachers. Art Lecturers of the Ballarat Teachers' College, 1972 Standing left to right: John Crump, Miss Brock, Ian Page, Gareth Sansom. Seated left to right: Ian Neilson, Greg Binns, Geoff Wallis mary vines, peter fryar, mary egan, alan sonsee, rod lindsay, pauline walker, sue kite, dave hughes, merran fisher, terry doran, frank howman, ian page, gareth sansom, greg binns, geoff wallis, barbara crump, ian nielson, bob croft, john crump, john mildren, genny binns, geoff hendy, ballarat teachers' college, rolf lindsay, graeme drendel, dennis spielvogel, ray woolard

Discusses the varied contributions of the Boyd family members. Robin Boyd is discussed on p 71. Robin ais still living when this was written and it mentions Expo 70. POL was a monthly magazine, first published by Gareth Powell Publishing in Australia in the late 1960s.pp 68-71walsh st library

Third Class tests were set for Pages 10 and 11 years old. Educational required Pages to: Memorise 12 out of 16 items in Kims Test; Draw the emblems of the Australian States; Write a 100-150 words on "What I like about the MOK"; Tell in their own words how Gareth became a Page. [Methodist Church of Australasia Methodist Order of Knights Commanders' Handbook pg 24]Four round 3rd Class Educational merit badges. Green background with blue embroidery of an oil lamp. New.methodist order of knights

1990 Simon Aitken, 1991 Fairlie Johnson, 1992 Gareth Elliott, 1993 Peter Rode, 1994 David Stribley, 1995 Jessica Whitmore, 1996 Laura Radford, 1997 Rohan Cram, 1998 Tamara Weihipihana, 1999 Erin Roscholler, 2000 Tania Armstrong 2001 Innika Lee, 2002 Lewis Strating, 2003 Kyle Livingstone, 2004 Jarryd Sutton, 2005 Caitlin Tolsma

David NEWBERRY (1925-2003) Born Eltham, Victoria David Newbury's painting career started with late 1950s abstraction. He worked for four decades, until 1997, when his final works were created on his last trip to Venice. Newberry was the son artist A.E. Newbury, and painting after World War 2 at RMIT, teaching there from 1955 - 1959,. He then taught at Bendigo Teachers College 1959 - 61 and Melbourne Teachers' College/Melbourne College of Advanced Education 1962 - 83. Among his students were Robert Jacks, Peter Smales and Gareth Sansom. ‘You must capture change. One day the landscape is violet, another it’s bluer or it has pinkness, its darker or lighter. Things change in front of you.’ (David Newbury c.1985) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting.art, artwork, david newbury, birds, newbury

Poster titled "Melbourne's Painted Trams" with subtitle "Transporting Art", printed on one side of a single sheet of art paper, then folded in half, then folded in concertina style (6 panels), featuring the 15 Melbourne W2 class tramcars that were painted in the years between 1978 and 1982. Provides notes on the artists, their thoughts on the projects and details of the project. Sponsored by the Victorian Ministry for the Arts and Ministry of Transport. Notes that 14 of 15 trams had reached the end of their working lives and were to be auctioned on 7/12/1986, that No. 504, Clifton Pugh was to be donated to Museum of Victoria and that a new series of 20 painted trams were being sponsored. Poster prepared by Malpass and Burrows of the Design group with photographs by Stephen Hall and Regina Grant. Decorated trams, artists. Features trams and artists 525 - Les Kossatz 243 - Mirka Mora 504 - Clifton Pugh 503 - John Nixon 497 - Erica McGilchrist 567 - Peter Corrigan in 1978 and repainted by Paul Mason in 1982. 345 - Gareth Sansom 384 - Howard Arkley 234 - Andrew Southall 336 - Mike Brown 444 - Trevor Nickolls 502 - Rosemary Ryan 340 - Don Laycock 607 - Craig Gough 439 - Stewart Merrett 2nd copy added 2/6/15. Electric Traction, August 1979, page 135 has noted on the removal of the Japanese flags on tram 567 by artist Peter Corrigan.trams, tramways, transporting art, decorated trams, exhibitions, melbourne