This vase is part of collection donated by Mrs. Jean Raper. It belonged to her grandmother, Mrs. Alice Dinsmore.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A small ruby glass vase. Although this vase has no markings, decorative items made from ruby glass were popular during the Victorian era and the early 20th century.vase, glassware, decorative items

The First Australian Exhibition of Women's Work was held at the Exhibition Building, Melbourne, from 23 October to 30 November 1907. It was opened by Lady Northcote (the wife of Australia’s Governor General) and Pattie Deakin (wife of the Prime Minister), who also ran a model creche during the exhibition. The five week exhibition showcased the work of women musicians, artists and craftswomen with over 16,000 exhibits in all fields of artistic endeavour. It was attended by approximately 250,000 people. Exhibits were divided into Classes, including Fine Arts; Applied Arts; Photography; Plain Needlework; Cookery, Preserves and Laundry Work; Horticulture; and Medical and Nursing. This item was owned by Mrs. Alice Yardy nee Dinsmore, grandmother of Mrs. Jean Raper.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A small green glass vase with gilt edge which was produced as a souvenir of the Australian Exhibition of Women's Work held at the Exhibition Building in Melbourne in 1907. It has been inscribed in gold lettering. "Alice Women's Exhibition 1907"vase, glassware, decorative items

This item is an example of Carnival Ware glass. Carnival Ware is pressed glass to which an iridescent surface shimmer has been applied using metallic salts. The trade name of the colour is 'Marigold'. Carnival Ware was first produced in U.S.A in 1908 and production in both U.S. A. and other countries continued until the 1940s, with the 1920s being the decade when it was most popular. It was a cheaper version of a decorative item for the household as well as having a utilitarian purpose and is a collectable glass today.This vase has no known local significance but is retained as an example of an item likely to be found in many local households of the 20th century.This is an orange-coloured pressed glass vase. It is on a stand of three legs and has a fluted patterned top rim. The body of the vase has raised decorations of butterflies and berries.carnival ware, vintage glass ware, carnival ware glass vase

Venetian clear glass flower vase in the shape of a Palm tree, ornate decorations of leaves around top and base and thorns on stem.Reg No 100004ornaments, glass, vase, dr259

glass, vase

Clear cut glass vase

Red fluted design glass vase

Cut glass vase from Scammell shipwreck. Relics from the wreck of the Joseph H Scammell were found in 1971 by Barry Poole of the Geelong Skin Diver Club. The items were originally part of a consignment for Hawkes Bros store of Geelong.Cut glass vase with scalloped edge in shape of triangles.scammell collection, shipwrecks great ocean road victoria

Clear glass vase. Square top. Graded down to square base.Small imprint "Italy"

This glass flower vase was found the in women's toilets of The Australian Bosniak And Herzegovina Association Club rooms located at the John McLeod Pavilion, Ballarat Road, Deer Park. The vase was found during a site inspection of the pavilion, just prior it being demolished in February 2026.The Australian Bosniak And Herzegovina Association was a community group located in Deer Park Victoria.Triangle shaped glass flower vase with plastic rosesaustralian bosniak and herzegovina association, john mcleod reserve, john mcleod pavilion, ballarat road, deer park

Vintage bud vase, white/milk cut glass. [The production of objects made of White Milk glass waned after WW2]White cut glass bud vase.vases

Matsu-no-ke is a design developed by Frederick Carder (1863-1963) and registered by Stevens & Williams of England in 1884. Its distinctive feature is the presence of applied and tooled sprigs of blossom influenced by Japanese designs.This vase is a typical example of decorative art vases produced by Stevens & Williams, glassmakers in the late 19th century. The use of a leaf applied motive is unusual. The value of this item is diminished by the large repaired crack around its lower bowl.Late 19th Century art green glass vase in Matsu-no-ke style, white-cased green glass body with applied green leaves and amber-gold handle. Made by Stevens & Williams glassmakers, Stourbridge, England.

Pair of small cut glass vasesjohn perry, glass vase

Clear glass specimen vase with fluted top, swirled thin stem and star pattern in base.domestic equipment, ornaments, vase

Small clear glass specimen vase with fluted top, star pattern in base and thin swirled stem.domestic equipment, ornaments, vase

This glass epergne was first owned by John Sanderson's grandmother, who lived in Wandin (Clegg Road) until the 1940s. She first purchased it in 1920 and used it as a vase before passing it on to her daughter Norma Spicer. Epergne's were first created during the early 18th century France as a table centrepiece to display 'exotic' fruits and cakes from France's colonies. They were originally made of silver, however, the late 18th century saw a rise in epergnes made of porcelain due to the growing status of the European porcelain industry. The late 19th century saw another shift as Victorian and Art glass became the name of the day, and most epergne's became increasingly more complex glass works, no longer used for holding food. This epergne is the product of these later glasswork vases, reflecting 1920s interest in uranium glass and clouded geometric patterns. Epergnes like this filtered out of popularity after World War II as large dining sets and table centrepieces became less important to every day life. Those that remained transferred to more useful roles within the household: this one being used as a vase for most of its life. Green tinted glass epergne with white clouded vertical stripes. Glass thick and slightly opaque, possibly uranium glass. Base is a fruit bowl with scalloped/ruffle edges and middle coming up into a triangle. The very edges of the fruit bowl and clouded with white and blue. A golden metal notion attaches to the middle of the fruit bowl with a globe shaped connector. Notion looks like a flat gold flower with six petals and three small leaves, with middle of the flower having a screw on which to screw the largest flute. The flower has three small bucket-shaped containers attached to it in which the smaller flutes are placed. Four flutes attach from the very middle, all bell shaped with very ends flaring out into a scalloped/ruffle edge. One large flute is screwed into the middle of the fruit bowl and stands straight up. Three smaller flutes are placed in around the larger one leaning slightly away from the centre.vases, epergne, 1920, 1920s, 20s, twenties, glass, glassware, uranium glass, radium glass, clouded glass, art deco, decorative objects, tableware, wandin, clegg road

Glass vase. Milky white. Multi-leveled rim in spikes.vase-glass container

This cut-glass vase was presented to the Donald Auxiliary in recognition of their 60th Anniversary. It has lattice style cut glass around the body of the vase and 'shell' cuts around the neck and top. Just below the neck is engraved: Presented to Donald Auxiliary 60th Anniversary 1989. Many auxiliaries received vases such as this, however only one has been retained for representation.1 cut glass vase with inscription upon bulb of basePresented to RVIB Donald Auxiliary 60th Anniversary 1989royal victorian institute for the blind, auxiliaries, awards

This rose bowl was presented to the Ballarat Teachers College by the students of 1949, particularly, Peter Fryar, J McIntosh, J McIntyre and J Holloway as a trophy for the Dimboola Regatta Relay. It was subsequently used to hold '49er' roses for the reunions of the students , the last being their 60th reunion. This three piece vase is made up of 1). a silver bowl with two handles in an art deco style sitting on three feet 2). a green glass vase with a central depression and domed walls which sits into the silver bowl 3). a dome of green glass containing 19 open ended cylinders in which the flowers sit.Engraved into the base - Ballarat Teachers College 1949, Presented to the college by P. Fryar, T. McIntosh, J. Holloway, T. McIntyre, Dimboola Regatta Relay. Stamped into one handle - Silcraft, E.P., N.S, A 1, Melb.rose bowl, vase, silver and glass vase, ballarat teachers college, p fyrar, j mcintosh, j mcintyre, j holloway, peter fryar, ballarat teachers' college, 49ers

Specimen flower vase. Glass with hobnail pattern, brass top with holes for flowers.ornaments, glass, vase

Presented to the Greensborough Historical Society on the occasion of an Community Group Award to the Society by Banyule City Council 2017Heavy clear glass vase2017 volunteer awards: Volunteer Group Award, Greensborough Historical Society Inc., Banyule City Council. Etched.greensborough historical society inc., banyule volunteer awards 2017

Gift to the corporate collectionGlass vase with fluted lipglass, corporate collection

Green glass vase on glass base, with diamond pattern.vases

Small clear cut glass vase

Ruby red cut glass vasevases

This beautiful hand-cut crystal vase was made in Poland by Violetta Crystal Glassworks. Its design is decorative and functional. It reflects vases produced in the late 19th and early 20th century when hand-cut lead Crystalware was popular in England. The lead content in the glass makes the glass softer and easier to hand-cut. The crystal clear glass sparkles in the light. Crystalware was kept for special occasions such as weddings and religious events. The Violetta Crystal Glassworks was founded in 1864 by Franz Losky, at the district of in Stronie Śląskie. Its original name was Oransko-Nassawska Glassworks, then later named Oranienhütte. The Glassworks came under Poland's rule after World War II. In 1950 it was subject to the Central Board of the Glass Industry and Precious Ceramics, with its seat in Sosnowiec, and the Glassworks was called United Glassworks of the Lower Silesia Region – State Crystal Glassworks in Stronie Śląskie.In 1953 it began exporting its products. In 1970 the name was changed to Violetta Crystal Glassworks in the Polish district of Stronie Śląskie. The firm became the major exporter of Polish glass. From 1992, structural changes in the company resulted in the loss of production, which stopped altogether in May, 2008. Minex CEI SA bought the plant in 2011 and operated it until the end of 2018.This hand-cut lead crystal vase design reflects that of vases produced in the late-19th and early-20th centuries. It is representative of decorative domestic items used during that era, particularly for important and special occasions such as weddings and religious events. Crystalware was cherished for its beauty. The vase is also significant for its association with the renowned Violetta Crystal Glassworks established in 1864 by Franz Losky, which was at one time the greatest exporter of hand-cut crystal made in Poland.Vase; clear hand-cut glass, 24 per cent lead crystal. The vase is wide at the top with a scalloped edge. It tapers inwards to a round foot. A clear rectangular label with gold text is attached. It is branded Violetta hand-cut crystal, made in Poland. On the label: "MADE IN POLAND" "Violetta" "Hand cut 24 % lead crystal" "(R)" within a circleflagstaff hill maritime village, shipwreck coast, flagstaff hill, warrnambool, flagstaff hill museum and village, domestic object, decorative object, functional object, vase, crystal vase, cut glass vase, hand-cut glass, violetta, violetta glassworks, polish glassworks, made in poland, vase with scalloped edge, crystal glassworks, franz losky, oransko-nassawska glassworks, oranienhütte, stronie śląskie, hand-cut crystal, crystalware

pair of glass vases blown by Tricia Allen of Hot House Glass Studio exhibition at Garry McEwan Gallery St Kilda titled Daria's Sisters St Kilda Victoria. Also another colour photograph taken of glass art by Tricia Allen of Hot House Studio three clear glass figurines Nudettes on exhibition at Gary McEwan Gallery St Kilda July 2002 number 04074.1 size 10 x 15 cmColour photograph of a pair of glass vases blown by Tricia Allen of Hot House Glass Studio exhibition at Garry McEwan Gallery St Kilda titled Daria's Sisters St Kilda Victoria. Also another colour photograph taken of glass art by Tricia Allen of Hot House Studio three clear glass figurines Nudettes on exhibition at Gary McEwan Gallery St Kilda July 2002 number 04074.1 size 10 x 15 cmarts, people, arts and crafts, business

Wedding gift to Thomas SebirePair of frosted glass vases with multi-coloured floral design, and gold gilt leaves.vases

Glass vase. Glittering pink. Small, bulbous vase with fluted scalloped rim.. Inside is white.vase ornament-glass