Photographs donated by Michèle Adler 2017 past FOBG PresidentThe first garden bench donated by the Friends of Burnley Gardens. (1)'Unveiling the seat in the grey garden,' L-R Back Row - Carol Sorrell, Julie-Ann Webster, Dorothy James, Jane Geeson, Barb Brockly. L-R Front Row - Phil Tulk, Elspeth Ferguson, Suzanne Borck (worked in Administration), Sandi Pullman, Greg Moore (Principal). (2, 3) Greg Moore cutting the ribbon. (4) Jane Geeson and baby, Barb Brockley (5) Jane Geeson and baby. (6) Julie-Ann Webster. (7, 8) Trish Mooney (Gardener).garden bench, friends of burnley gardens, fobg, unveiling, grey garden, carol sorrell, dorothy james, jane geeson, barbara brockley, phil tulk, elspeth ferguson, suzanne borck, sandra pullman, greg moore, julie-ann webster, trish mooney

camellia planting ceremony, kay hirst, a w jessep, dorothy jessep, tom kneen, andrew smith, camellia japonica 'a w jessep', camellia japonica' dorothy jessep', friends of burnley gardens, fobg, sir rupert hamer, open gardens scheme, ellis stones rock garden, ellis stones, australian plants society, grasslands project, 150th birthday celebration, pruning day 2000, planting ellis stones rockery 2000, summer house, shelter shed, native garden, herb garden, grey garden, orchard, field station, bulb bed, working bee, twilight working bee, ikebana exhibition

(1) Tracing paper plan of bed. (2) Perennial Border Spring Display Planted 1982, plantings numbered but no names. (3) Pencil on paper, names of plants, some in pen. Area now known as the Grey Garden. Old Storage Shed cleared in 1979. (4) Tracing paper copy, VCAH Burnley Plan Survey: Perennial Border and Environs, dated 8.11.90. Scale 1:100. This might be where the Herbaceous Border is in 2012. (Also see 11.0615).gardens, vcah burnley, perennial border, spring flowers

Contributor: T.H. KneenCardboard box of 108 35mm glass slides in metal frames made by "Gnome." Box labelled "Burnley Gardens Slides." Also 16 unused slides (1) Swan Street entrance c. (2) Orchid? b/w. (3) Nursery b/w. (4) Pasture area with man working b/w. (5) Draught horse working in the Orchard b/w. (6) Crop of corn in the Orchard c. (7) Magnolia c. (Magnolia x soulangeana). (8) Display of orange flowers c. (9) Lemon tree in the Orchard c. (10) Sign advertising 'Fruit Tree Pruning Demonstarion Sat. 2nd July (1949) c. (11) Jersey cow c. (12) Rock Point c. (13) Dahlias in the Orchard c. (14) Foundation Stone '28th August, 1946' c. (15) Felled Cypress tree 1951 b/w. (16) School truck in front of glasshouses and cacti b/w. (17)Administration Building completed but surrounded by rubble C.1949 c. (18) Plant Research Institute c. (19) Inside a glasshouse. c. (20) Administration Building c. (21) Group of female students dressed up for a function c. (22) Solenostemon (Syn. Coleus) in a glasshouse. (23, 24)Stock Matthiola incana. (25) Blossom in the Orchard c. (26) Orchard c. (27) Picking fruit in the Orchard c. (28) 2 female students holdong large bunches of poppies c. (29) Flowers growing in the Orchard c. (30) House - not Burnley c. (31) Students on an excursion c. (32) Staff member with Gladioli c. (33) Garden view - not Burnley? c. (34) Administration Building c. (35) Roses c. (36) Flowers in the Orchard c. (37) Draught horse working in the Orchard c. (38) Staff member amongst flowers in the Orchard c. (39) Garden view c. ((40) Blossom in the Orchard c. (41) Orchard c. (42) Flowers inside glasshouse c. (43) Mesembryanthemums in pots possibly in the nursery c. (44) Tree b/w. (45) Garden bed c. (46) Sign, 'Agrostology Branch, pasture Plant Research Field,' c. (47) Path to Principal's Residence c. (48) Irrigation in the Orchard b/w. (49) Cactus flowers b/w. (50) Garden view with T.H. Kneen children playing c. (51) (52) Cinerarias (now Pericallis x hybrida) in pots c. (53) Temporary building where the Grey Garden is now b/w. (54) Garden view b/w. (55) Unknown building b/w. (56) Person pruning in the Orchard c. (57) Students working in the Orchard c. (58) Swan Street with recently completed rock wall constructed by the Public Works Department b/w. (59) Lagoon paddock b/w. (60,62) Pavilion and new Administration Building before the Pavilion was removed b/w. (61) As (60) but viewed from a different direction c. (63) Plant c. (64) View through a window on the stairs in the Administration Building c. (65) Plant c. (66) Garden view of trees c. (67) Garden View b/w. (68) Blossom tree c. (69 )Garden view along path to Principal's Residence c. (70) Lagoon Paddock c. (71) Lagoon Paddock with cows b/w. (72) Inside a glasshouse b/w. (73) Entrance sign- Department of Agriculture Burnley Gardens, School of Horticulture & Primary Agriculture, Plant Research laboratory, Agrostology Branch, Fruit Preserving Branch c. (74) Plant Research Laboratory b/w. (75) Students on an excursion c. (76) Glasshouses b/w. (77) Garden view b/w. (78) Kniphophia c. (79) Hibiscus c. (80) Garden view c. (81) Dairy, Silo and dog b/w. (82) Irrigation in then Orchard b/w. (83) Garden view with magnolia c. (84) Flower plots in the Orchard c. (85) Pruning demonstration b/w. (86) Administration Building under construction c. (87) Rock Point c. (88) Mrs Kneen and Magnolia c. (89) Glasshouses c. (90) Sequoia sempervirens b/w. (91) Inside Administration Building c. (92) Luffmann Ponds b/w. (93) Sequoia sempervirend, Mrs Kneen and child c. (94) Garden bed in front of Sequoian sempervirens c. (95) Principals Residence b/w. (96) Poultry pens b/w. 1947 (97) Principals Residence b/w. (98) Student picking fruit from netted tree b/w. (99) Rock Point and Long Border c. (100) Administration Building under construction c. (101) Greenhouse b/w. (102) Rock Point c. (103) Flowers in the Orchard c. (104) Waterlilies in the Pond c. (105) Blossom tree c. (106) Hilda Kirkhope Rockery c. (107) Long Border c. (108) Plant Research Institute with flower border along drive c.burnley gardens, flower, nursery, pasture, draught horse, orchard, crops, magnolia, chicken coops, egg laying competition, glass slide

This finely crafted skirt has been made at the Fletcher Jones clothing factory. David Fletcher Jones served in World War One and following this had an itinerant hawker's business in the Western District . In 1924 he opened a tailoring shop in Liebig Street, Warrnambool and began to specialise in the production of men's trousers. In 1946 he opened a shop in Melbourne and in 1947 the firm of Fletcher Jones and Staff Pty. Ltd. was registered. In 1948 a clothing factory was opened in Warrnambool and in the 1960s Fletcher Jones shops had extended to other states of Australia and later the merchandise was extended to men's and women's clothing. It was one of the best known businesses in Australia. The Fletcher Jones company was dissolved in 2011. This is a fine example of a Fletcher Jones item of clothing. The Fletcher Jones clothing business was one of the most important businesses ever to have been in Warrnambool and the factory gardens survive as a tourist attraction in Warrnambool.This is a reversible black, grey and white checked woollen, woman's skirt. It is fully pleated on a waist band which can be buttoned either side. There is a zip on the side next to the waist band.THE Two -Way SKIRT by FLETCHER JONES PURE NEW WOOL SIZE 14fletcher jones clothing company, warrnambool industries

This children's book was produced to document the construction of the Nature Play Space in Warrnambool Botanic Gardens in 2020. It tells the story of what great community spirit, persistence and excellent teamwork can achieve; a nature play space for all to enjoy. The project was funded by the Victorian Government's 'Pick my Project' initiative and overseen by the Friends of Warrnambool Botanic Gardens in conjunction with the Botanic Gardens team and Warrnambool City Council.This book is significant as it documents the construction of the nature play space in Warrnambool Botanic Gardens. It is one of few locally produced children's books.Soft cover book with image of Warrnambool Botanic Gardens which wraps around to the back cover. The image shows the lake with children feeding ducks and trees in autumn colours.The title text is black and sub-title and author's name in grey.children's literature, garden construction, children's playgrounds

These are samples of the material used at the Fletcher Jones Factory in Warrnambool to make garments for men (suits, trousers, shorts) and women (suits, slacks, skirts, shorts). Fletcher Jones Clothing Factory was a key industry in Warrnambool from 1948 to its closure in 2005. The business was founded by David Fletcher Jones (1897-1977), a clothing manufacturer and retailer who worked as a hawker in the Western District following service with the A.I.F. in World War One. In 1924 Fletcher Jones opened three shops in Liebig Street selling men’s wear, hosiery and linen and operating a small tailoring business. He moved his shop to another location in Liebig Street and began to concentrate on men’s trousers production. In 1946 he opened a shop in Collins Street in Melbourne and eventually had stores and factories all over Australia. In Warrnambool he opened his factory at Pleasant Hill in Flaxman Street in 1948 and became a major Warrnambool employer, with over 1000 employees at one time. He transformed his business into a co-operative, with the name, ‘Fletcher Jones and Staff’ registered in 1947. The business diversified into other ranges of clothing for men and women but failed to compete with cheaper overseas clothing imports and the factory and shops were closed in the early 21st century. These pieces of material are of some interest as examples of the materials used in one of the most important businesses in Warrnambool and one that was of national significance for many decades. The Fletcher Jones label was well-known throughout Australia and Fletcher Jones himself was a prominent person in Warrnambool’s history, not only for his business interests but also for his philanthropy, his advocacy of business co-operatives and his support for many Warrnambool institutions. The Fletcher Jones Factory Gardens are still today a feature of Warrnambool and a tourist attraction. These two packets contain samples of materials used at the Fletcher Jones factory in Warrnambool. One packet (VC000690.1) contains four pieces of woollen material, one grey striped, one grey weave, one navy and one green, red and white tartan. The other packet (VC000690.2) contains two pieces of woollen grey and navy material and five small woollen samples of dark grey, light grey, navy, beige and blue and grey check material. warrnambool, industry

The actual Interim Roll was erected in the Gardens on the RH side when facing the Soldiers Memorial Institute building Pall Mall Bendigo (now Bendigo Military Museum) .1)This photo was believed to be taken about 1918/19. The idea of some form of Honor roll began as far back as 1915. As time went by the target was 2,000 names. Eventually when the completed Bronze rolls were placed on the front Loggia walls of the Soldiers Memorial there were 2,972 names which include 42 Nurses. The Honor Roll was unveiled on 25th April 1926 by Mr R. A. Rankin President of the Fathers Association. .2) As can be seen there is an extra panel on the LH side, it is unclear if there was one also at the RH end. This photo believed to be about 1924/25. This was a digital image held by the Museum which stated "0023 (Bendigo War Mem) at 2,400 dpi.jpg". Refer Cat No 8010..1) Honor Roll, copy of original photo, framed grey plastic frame. The roll itself shows 5 columns of names in alphabetical groups, there are spaces between to add additional names, there is a light hanging in front of one column. .2) Photograph, B & W, showing the Soldiers Memorial Institute Building with the Interim Honor Roll in the Gardens. This image has an extra panel on the LH side..1) "Bendigo Interim Honor Roll" .2) "The Great World War, Bendigo Interim Honor Roll"interim, honor roll, brsl, smirsl

From the Title page: "Lost - But Not Forgotten/ 'A Bitter Sweet Victory"/ HMAS SYDNEY/ In Memory of the 645". From Back Cover: "A Memorial Book with over 200 personal photographs based on the/ lives and families of the crew lost on HMAS Sydney II, 19 Nov 1941". Part of the "William (Bill) THOMASON" Collection. Refer Cat. No. 4136P for more items.Soft cover book. Cover - cardboard. Dark red and white colour print on front, spine and book. Cover illustrated in colour. Front montage of a sculpture of a woman with seascape in background. Back - Top - a memorial dome, Lower - Memorial Rose garden. 249 pages - cut, plain, white colour paper. Illustrated black and white photographs and maps. Front end papers - Gold colour adhesive label with black print. Title page - handwritten information. Handwritten information - blue ink pen. "Carnarvon book launch/ Keith Shegog/ 18th Nov '02" Grey lead pencil - "$25". Adhesive label - black ink print. "WINNER of the 2003/ Mavis Hoey Memorial Prize/ Awarded by the Port/ Adelaide Historical Society"publications, books, biographies, hmas sydney ii, william (bill) thomason collection

This account book is a record of accounts of the Gembrook Nurseries (aka Nobelius Nurseries) in their early days.This account book is a record of the early days of the Gembrook Nurseries which were considered, at their height in 1914, to be the largest in the Southern Hemisphere and which had a significant influence on parks, gardens and streetscapes throughout Australia and in other countries.Grey embossed leather hard-cover account book with partial leather binding, brown marbled end pages, A-Z tabbed pages with list of accounts followed by 530 pages. Dates start 12 November 1893 and conclude 15 June1902.gembrook nurseries, nobelius nurseries, carl axel nobelius, account book, 1890s

“This is the story of the three-year ordeal of the Sandakan prisoners of war. After the fall of Singapore in February 1942. Their journey became known as the Sandakan Death Marches.”Book with dust cover. 1) Cover, hard cover, cardboard with pale green paper-cover, red and black print on spine, end papers dark red colour. 2) Dust cover, paper, red and black print on front and spine, background beige on front, grey grey colour on spine. Illustrated front and spine sepia toned photograph of two soldiers in uniform standing in a graveyard. Colour photograph on back of the “Sandakan Memorial Gates” with garden view behind. 656 pages, cut, plain, off white, illustrated black and white photographs and maps.book, wwii, sandakan, prisoners of war

Hard cover book with dust cover. Hard cover - cardboard, black buckraw with gold print on spine. Dust cover - paper, black, brown and white print on front, spine and back. Front image - in black, grey tones, photograph of Observers scan the enemy lines for targets on 30 April 1915." 376 pages, wt, plain, white, illustrated in black and white and colour photographs and maps. Owners label - opposite page to Title page.Analysis of the Artillery at ANZACbooks, military history, anzac, ww1, artillery

Taken in garden of Clarendon Street property and includes students and teachersGray-scale photograph, with ornately-printed grey mount in thin black frameHandwritten on back: 1901

This battery treminal was removed from one of the Japanese Midget Submarines sunk in Sydney Harbour during the night attack on Sunday 31st May 1942 and sold publicly as a souvenir to raise money for the RAN relief funds for sailors. Metal plate - two round black metal lugs on top of a flat grey lead plate with four Japanese characters stamped on the base off the top of a battery from a Midget Submarine, with a cardboard souvenir card.Metal Plate - four Japanese characters. Cardboard tag - "A Guaranteed Souvenir / from the / Japanese Midget Submarine / Sunk in Sydney Harbour,/ Sunday May 31st, 1942" / sign by "Rear-Admiral in Charge, Sydney /July 30, 1942 Proceeds to RAN Relief Fund & King George's Fund for Sailors". Back of Tag - "27th November 1942 on show in the Gardens in Melbourne"souvenenir, japanese midget submarine

Built by artist and cartoonist Percy Leason in 1927 in what was then New Street but renamed Lavender Park Road in the late 1950s/early 1960s. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p121 Said to be a genius, cartoonist Percy Leason’s career was at its peak when in 1925 to 1926 he built his home at New Street (now Lavender Park Road) Eltham. The Herald newspaper owner, Sir Keith Murdoch, had hired Leason for his newly acquired Melbourne Punch magazine at a salary of £1750, making him ‘one of the highest paid cartoonists in the world’.1 With this salary and financial help from Murdoch, Leason was able to build his lovely home in Eltham. At the crest of a sweeping drive, the home now two-storey in white brick with a gabled grey slate roof and dormer windows is flanked by an extension built by another owner in the 1980s. Leason lived in the home with his wife, Isabel and children, until 1937, when he left for the United States of America, where he lived until his death in 1959. The four-bedroom house and garden would have been well-suited to bringing up his family and to entertaining their friends in style. Large airy rooms have high ceilings with moulded plaster, timber floors and several are brightened with bay windows. Leason made friends with many of the artists and personalities who gravitated to Eltham. Around 1931 Justus Jörgensen, founder of the Montsalvat Artists’ Colony, helped Leason build his large studio at the back of the house. Another friend was journalist Mervyn Skipper, father of jeweller and sculptor Matcham, and artists Helen and Sonia. Leason’s teacher, artist Max Meldrum, also visited and rented accommodation in Eltham, opposite Wingrove Park. Punch folded in 1925, but Leason continued as cartoonist for Table Talk. In 1926 Leason began the cartoons of a mythical Australian town Wiregrass, which were inspired by Kaniva, his home town. The art gallery in Main Road Eltham was named Wiregrass in Leason’s honour. Leason completed 1000 drawings from 1919 to 1937, which author Garrie Hutchinson claimed, were technically unsurpassed and had regional and universal interest. Leason’s acute observations of country life stemmed from his childhood in Kaniva in Victoria’s western Wimmera, where he was born, the son of a selector, in 1889. Meldrum claimed that Leason could name every plant and the habits of every animal.2 Leason also painted 28 portraits of the last full-blooded aboriginals in Victoria at Lake Tyers in Gippsland, most of which are in a private collection. In Sydney Leason illustrated Henry Lawson’s Selected Poems and worked for The Bulletin. Leason had begun his career at 13 as an apprentice lithographic artist at Sands and MacDougall. He attended night classes at the National Gallery and the Victorian Artists Society. Leason first visited Eltham in 1910 to paint with fellow artist William ‘Jock’ Frater. They camped near Bible and Pitt Streets and along the Diamond Creek on the site of the present Eltham Retirement Centre. Despite his success as a cartoonist, Leason wanted to be recognised as a serious painter and for his anthropological work.3 He was also conservative and felt uncomfortable with the modern art scene in Melbourne.4 So he left for the United States of America to work as a painter. Ironically his time in New York saw the burgeoning of modern art, notably by artists such as Jackson Pollock. But Leason found his niche by running an art school, painting society portraits and illustrating books and magazines.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, landscape, lavender park road, percy leason, new street

Black and white photograph on grey board of view (from Law Courts?) towards Howard Place, Bendigo. Conservatory Building in foreground and row of horse drawn cab (equivalent to present day taxis). Two story buildings with Hotel, Grocers, Undertakers, Photographers and Black Swan Hotel. Inscriptions: on back - Conservatory Gardens and Howard Place, Bendigo', '30', 'Gardens, 1204, FSP', '1165 (a)', 'date about 1900 ----', 'Royal Historical Society Victoria, Bendigo Branch' in a circular stamp.buildings, conservatory

Hand tinted photograph of Lake Weeroona. Bamboo, flax, pampas grass, trees, family of ducks in water. Inscriptions: on back - in grey lead pencil 'Lake Weeroona', On mount - printed BLS at front - 'Lake Weeroona'. History: with note 'photographs from Mrs Ella Bourke, 131 Barnard St, Bendigo, ph 438269'. :Photographs Francis (Frank) Thomas Kennedy'.Francil (Frank) Thomas Kennedyplace, public gardens, lake weeroona, see also 2001.152.01, 2001.153.01, 2001.154.01, 2001.157.01, 2001.158.01, 2001.159.01, 2001.161.01, 2001.162.01

Coloured postcard with grey border. Spray of gold wattle left side, Southern Cross stars bottom RH side. Image shows Conservatory building in gardens, Bendigo. Top right in image: horse drawn vehicle on Bridge Street, Black Swan on corner Receipt number 355/16Valentine & Sons Melbournebendigo, business, carwardine soap and candle

Clothing. Fleece lined cotton calico garden gloves with grey stretch ribbing (4cm) at wrists. Old box 573.costume accessories, clothing accessories, garden gloves

Slide. Garden 12 Hope Street. Tree & Grey bushy shrub at side of house.slide, bendigo, garden 12 hope street., garden 12 hope street.

Sepia photograph of grey haired man, smoking a pipe, with two models of machines. In background, weatherboard wall , at left. Brick wall at right. Garden plants at centre. On back 'post card'cottage, miners

Thomas Crouch Watts was born on March 7th. 1865, to Joseph and Susan Watts. Before the real estate business commenced, Thomas and his brother were in partnership as booksellers and stationers in a shop at View Point. Thomas lived in a fine house in Rowan Street, which was called 'Ottawa' Thomas started his real estate business in the early 1900s in a shop in View Street. His daughter Edna was the book keeper and typist, Stewart Watson was the salesman and Stanley Phipps (Edith Lunn's father) was the property manager and valuer. When Thomas Watts died in 1914, his daughter took over the running of the business. She married Stewart Watson in 1918. Eventually the name of the business was changed to Bishop and Earl. From a letter from Edith Lunn re T.C. Watts & Son. 'The firm of T.C. Watts & Son later became Bishop and Earl. When the firm of Bishop and Earl ceased to operate after the death of Edith Lunn's father, S.P. Bishop, Miss. June Parry, Secretary of the BHS was a member of staff. June rescued all the photos of properties listed for sale from the office and placed them into the custody of the BHS.' Black and white original photograph mounted on grey cardboard. Weatherboard house, corrugated iron roof. Return verandah with wooden decoration. 1 chimney. 2 decorative gables above windows. Garden with lawn, shrubs and garden seat. Written on back of image 'H. Liddall, Webster Street. Terms £500 bal 61/2 %. £775 on 30.1.41 £250 deposit, low interest to be arranged. 25 Webster Street. White sticker attached to bottom of photo board ' December 1927 Pyke Street - Bendigo £1150' 2012 photo of house attached to record.Frank A. Jeffree Photo Bendigoplace, building, residential

BHS CollectionBlack and white photograph mounted on rectangular grey board. House, brick and render, tiled roof, porch with arches and pillars, established garden, brick rendered fence and low hedge, a chimney, patterned windows and entry doors. '' Amalfi '' 143 Forest Street.Frank A. Jeffree, Bendigoplace, building, residential, stamped on back in rectangle ''t.c. watts and son/auctioneer/estate agents/253 mitchell street/bendigo'' stamped on back in circle ''royal historical society of victoria, bendigo branch''

BHS CollectionBlack and white photograph mounted on rectangular grey board. House, large elevated w/board with tiled roof. Ventilated eaves and rough cast insert to front gable. Steps to side verandah with balustrade. Casement windows to front and side bay window double wooden verandah posts, palms, fruit trees and ground cover creepers in garden.Not legibleplace, building, residential, stamped on back in rectangle ''t.c. watts and son/auctioneer/estate agents/253 mitchell street/bendigo'' stamped on back in circle ''royal historical society of victoria, bendigo branch''

BHS CollectionBlack and white photograph mounted on rectangular grey board. House, weatherboard, 3 gable rooves and small gabled portico. All gables decorated with rough cast and wooden slats. Decorative chimneys with pots, verandah posts with capitals. Tall palm tree in established garden picket fence, with ornate fence posts. Creeper over gateway. Queen Street.Frank A. Jeffree Bendigoplace, building, residential, stamped on back in rectangle ''t.c. watts and son/auctioneer/estate agents/253 mitchell street/bendigo'' stamped on back in circle ''royal historical society of victoria, bendigo branch''