Series of eleven photos taken in 1984 planting trees and 1993 showing some graves and also the growth of trees.stawell

Series of eleven photos taken in 1984 planting trees and 1993 showing some graves and also the growth of trees.stawell

Series of eleven photos taken in 1984 planting trees and 1993 showing some graves and also the growth of trees.stawell

Series of eleven photos taken in 1984 planting trees and 1993 showing some graves and also the growth of trees.stawell

Series of eleven photos taken in 1984 planting trees and 1993 showing some graves and also the growth of trees.stawell

Series of eleven photos taken in 1984 planting trees and 1993 showing some graves and also the growth of trees.stawell

Series of eleven photos taken in 1984 planting trees and 1993 showing some graves and also the growth of trees.stawell

Series of eleven photos taken in 1984 planting trees and 1993 showing some graves and also the growth of trees.stawell

c1910 Lookout tower on the hill behind tthe school at Olinda.This shows the first one built. It was followed by a covered lookout. This position lost its value when the trees grew high. The descriptive text on the reverse of this photograph was hand written by John Lundy-Clarke.The lookout on the top of Mt Olinda 1910. This one was the first one it was followed by a covered one but the position lost its value with the growth of trees in the area. It is looking towards what is now Kalorama and the Jeeves clearing in the gap can be seen at the extreme left. lookout, tower, mt olinda, mount olinda

An aerial photograph of the Heidelberg Golf Course, around 1980s. Known as the 'new course' it was designed in 1968. This image shows the growth of treed areas around the course.One of several aerial photogrphs showing the layout of the Heidelberg Golf CourseLarge colour aerial photograph, timber frame with glass. heidelberg golf club, new course 1968

.1 BLACK AND WHITE PHOTOGRAPH OF CLUNES TOWNSHIP - FRASER STREET FROM CAMP PARADE C 1897 .2 BOOKLET WITH CREAM COVER TITLE: "A COLLECTION OF HYMNS AND SOLOS FOR SUNDAY SCHOOL ANNIVERSARIES" .1 On Reverse; CLUNES FROM CAMP PARADE ABOUT 1897 On Front; Handwritten in blue ink Port Phillip Hotel - Clunes - From Camp Parade 1895-1900 *Note growth of trees along creek. Planted about 1879 to 1880. Seven Stars Hotel at bend in Fraser Streetlocal history, photography, photographs, clunes township

The photograph is of the Jacksons Creek valley, taken in the vicinity of Mill Falls, near the former 'Springvale' winery, which was downstream from the Sunbury township. John Eadie constructed a mill for producing flour at the falls in 1861.The former 'Springvale' winery was one of a number of wineries that were established in Sunbury in the 19th century.A coloured photograph of a wide open valley with a meandering water course. There is very sparse tree growth on the surrounding hillsides.jacksons creek, mill falls, eadie family, john eadie, sunbury, springvale winery

The settlement is Bulla township, which attracted Europeans in the 1840s. The bluestone building on the RHS was one of the early hotels in the town but was the Post Office and store until it was destroyed by fire in the 1980s. The school is visible behind a clump of trees in the valley. The road in the foreground is the former Bulla Road, which in the 1850s carried traffic to the Bendigo goldfields. The Creek is the Deep Creek which becomes the Maribyrnong River further downstream. In the early days of European settlement, minerals were obtained in the valley at Bulla. Today Felspar and Quartz Streets bear evidence of this early industry in the town. settlement minerals settlement,A non-digital old black and white scanned photograph of a small country settlement, with 6 buildings, in a valley. the surrounding hills are bare with very little tree growth. A road way is in the foreground and a small creek is in the middle distance.bulla bulla, bulla township, deep creek, minerals

Two colour photo of Cato Park ornamental entrance gate that replaced the old entrance gates in c 1930's. The new entrance gates were donated by Mr. Frederick Cato and the park renamed from Victoria Park to Cato Park. The coat of Arms over the entrance gate was donated to Stawell Borough Council in 1926 by Mr. P. Whelan a native of Stawell. Mr. Whelan or better known as "Whelan the wrecker" demolished more than a quarter of central Melbourne buildings so new buildings could be erected on the old sites. The coat of arms came from "Burke & Wills Building" that once stood on the corner of Russell & Collins Street Melbourne. Two colour photographs of Cato Park ornamental entrance gate. Both photos are of similar views with the lake in the background and rotunda behind the gate. The main difference between the two photos is the colour of the rotunda roof, one red the other green. Judging by the increase in tree growth and pathway under the entrance gate the photo with the green rotunda roof must be the more recent photograph. stawell

Photocopy of p.vii of "The Australasian" dated 17.06.1916 showing scenes from Burnley College. (1) "Miss Holttum giving instruction in rose pruning." (2) Planting out a shrub." (3) "Mr. E.E. Pescott illustrating the habits of growth of the Jonathon apple-tree." (Miss Holttum at left end of front row.) (4) "Turning over the soil." (5) "Cleaning up the garden beds." the australasian, burnley college, miss holttum, planting, shrubs, e.e. pescott, apple trees, garden beds, rose pruning, students working outside, outside classes

Emily Floyd is a Melbourne-based artist who works across sculpture, printmaking and public installation. In It’s Time (Again), Floyd graphically presents Gough Whitlam’s election speech, delivered before he became Prime Minster in 1972. Floyd’s training as a graphic designer is evident in the way in which the text’s presentation ties form to meaning. For example, the circular arrangement of the words resembles a vinyl record to be played again and again, implying the speech is worth revisiting. The circular arrangement also references other forms of timekeeping, such as the growth rings of a tree; the face of a clock; the cyclical nature of time, with its diurnal, lunar, seasonal and annual cycles. Floyd's work implies that social and political issues are cyclical in nature. It emphasises the necessity, once again, for proactive measures to ensure a quality, human-centered existence for everyone.

"Who would have thought that a boy born in 1889 from the Victorian Mallee would become a successful artist on New York’s Staten Island? This finely illustrated, exhaustively researched and beautifully written biography on Leason features the artist’s entire career as a painter and cartoonist renowned for his depictions of Australian society in the 1920s and 1930s. Leason’s story is a poignant one tracing his beginnings as a cartoonist, to the bohemian Melbourne art scene in the early 20th century, to his involvement in the artists’ camps of Eltham, to his important series of portraits of Lake Tyers Indigenous Australians, and his eventual move to the US where he has been acknowledged as making an enormous contribution to the New York arts scene. This story, as yet untold, fills a gap in the history of art in Australia and offers a new perspective on Australian art in the first half of the 20th century." - Thames and Hudson website A NEW HOME IN ELTHAM Once they had settled back into Melbourne, Perry and Belle began to look for a place to make a permanent home. Having enjoyed the bush setting of Mosman, they decided to explore the rural fringes of Melbourne. Each weekend they packed a picnic and travelled to the towns in the nearby hills - such as Ferntree Gully, Sassafras, Lilydale and, of course, Cockatoo Creek. Eventually deciding these places might be a little too far from The Herald office, they searched closer to the city. The Heidelberg and Box Hill regions that had inspired his old teacher McCubbin, had become busy, urban areas but further east, towards Warrandyte and Templestowe, there were still large tracts of bush. Finally they settled on Eltham, an area Percy knew very well, having often painted there with Jock Frater. Perry's old friend Dick McCann and his wife Margery had also settled in Eltham. The township was fifteen miles from Melbourne and serviced by an electric train that went to the central Melbourne station of Flinders Street, near where The Herald offices were located. Eltham was a small village in 1925, separated from Melbourne by the Yarra River, and surrounded by orchards and large tracts of bush. Small farms dotted the landscape and the main businesses revolved around ironmongers, blacksmiths, and farming supplies. Of particular appeal to artists was Eltham Park, a large expanse of bushland bounded by the Yarra River on the south side and the Diamond Creek on the east. The park included a playing field that was busy on weekends with cricket or football matches, but for the rest of the week it was mostly empty and an ideal place to paint. The scenery there provided the inspiration for many paintings by Leason, Meldrum and other artists such as Colin Colahan and Peter (A.E.) Newburv. The Leasons found a rundown old farmhouse on four-and-a-half acres of land in New Street, now known as Lavender Park Road. The site was splendid, at the top of a gentle slope which gave panoramic views east to the Dandenong hills, south over the Templestowe orchards and north to Kinglake. The front lawn was taken over by onion grass (or wiregrass as Leason called it) and scattered about the property were many wattles and gum trees. Aloe cacti covered much to the front of the house, while old quince and lucerne hedges separated the house and out-buildings from a rundown apple orchard. Here they would build a new home. ·with financial assistance from The Herald, Leason bought the property and immediately commissioned an architectural firm to design a new house in the popular bungalow style of the time. The old farm house was demolished but Percy saved the siding boards, bricks and corrugated iron for the outbuildings of his new home. The new house was a two storey, triple brick with a large, gabled, terracotta tiled roof. It was situated at the very top of the slope. The paint and varnish were barely dry when the family moved in during the summer of 1925-26 and the fumes were overpowering in the heat. Despite the house being wired for electricity, power poles had not yet reached the area and initially the family had to rely on kerosene lamps and candles. When electricity did arrive, Leason reflected on the community's reception of electricity at the expense of the old growth gum tree corridors in his cartoon, Electricity comes to Wiregrass. The family had now grown to seven. Jack was nearly nine, Jean was seven, Marjory was four, Nancy was two and the baby Patricia was seven months old. Jack and Jean were enrolled in the local primary school down the hill. A retired farmer, Jock McMillan, came to live on the property and help out with the general maintenance. Jock built himself a shack and Belle provided him with meals. He was kept occupied building structures around the property·, such as the garage, the outside toilet, garden beds, trellis arbours and a number of ponds. The elderly, bearded Scotsman with his old hat and baggy pants also provided the inspiration for one of the characters Leason regularly included in his cartoons. Like Leason, Jock smoked a straight stemmed pipe. A neighbour was employed to help Belle with domestic chores, and so the family settled down to live comfortably in their new Eltham house. Two dogs, Maginary and Wodger, completed the large and vibrant household. “Percy Leason; an artist’s life” by Margot Tasca, Thames & Hudson Australia Pty Ltd, Port Melbourne 2016, pp 63-64 Hardback Bookpercy leason, margot tasca, biography, artist, landscape

K2,3 and4 are of the Kiewa River and two of the bridges spanning the river along the valley. K3 and K4 would have been taken in the 1880's and show the type of trees and plant growth along the river prior to land clearing for farming. K5 is of the Running Creek Cricket Team and therefore there was sufficient population in the area to form and maintain a team as well as have other teams in the relatively near vicinity to provide competition. Note the horse drawn cart which provided transport. Date taken is unknown but possibly c 1910. The Mt. Buffalo Chalet was built in 1910 by the Victorian Government. It was Australia's first ski resort and has served generations of skiiers, hikers and families over the years. It was built for 3195 pounds and has had stories and wings added since and is the largest timber building in Australia. B4 is the earliest photo in this group as the garden is in early stages of development - the other photos show the growth of the shrubs and would be taken about c 1920. Note the cars and motor bikes. It closed in 2006. The other photos are of general interest only but interesting to see that there were donkey's grazing. There is no information as to their purpose on Mt. Buffalo. Four different Kiewa Valley families are represented in the photographs. Their descendants still live in the Valley and carry on the traditions of beef and dairy farming. Of particular interest is the photo of Miss Marjorie Clemence, the first School Teacher of Upper Gundowring School. Gundowring pastoral run was taken up in 1838 and occupied by framers in the 1860's. The area was known as Gundowring and Upper Gundowring. The Gundowring School was opened in 1871 and most likely the Upper Gundowring school would be built at the same time. It was School No. 2733 and situated in Boyd Road. It closed in 1953 when the Kiewa Consolidated School opened. The newspaper page describes the activities in which the local community of Kergunyah were in engaged in that period - Red Cross, Fire Brigade, cattle round up and some of the identities involved. The article photocopied from the Yackandandah times states that he (Norman Coad) "was sent to the Ovens District Hospital, Beechworth for treatment" which would mean that this was the closest hospital to the Kiewa Valley for emergencies in 1912.The Kiewa Valley photographs are of social significance showing two of the early bridges allowing the community easy access to both sides of the river and also the tree and plant growth before land clearing for farming. The photos of Mt. Buffalo Chalet have social, architectural and historical significance. the Chalet has been used by skiers, bush walkers and day trippers since its completion in 1910 and its closure in 2006. It is listed in the Victorian Heritage Register. The family photographs are of social and historical significance as they are of early farming families in the Kiewa Valley and also depict the dress, of both men and women) in the late 1880's. The write up in the Weekly Times has social significance as it depicts the social and farming activities and photos of the local residents from around that area. The article from the Yackandandah Times is of a personal nature with concern for the individual involved. Note: There is a photo of the gentleman mentioned in the article (Mr. Norman Coad) in the Families of the Kiewa Valley (F4) as above.30 black and white photographs - 5 of the Kiewa Valley, 8 of families of the Kiewa Vallley and 17 of Mt. Buffalo. Various sized photos. Page from the Weekly times and copied article from the Yackandandah Times on A4 sheet.(Note for easier identification they have been numbered and grouped - K1-5 (Kiewa Valley), F1-8 (Families) and B1-17 (Mt. Buffalo). K1: handwritten in ink, lower L hand corner "Bogong in the distance". K2: handwritten in ink lower L hand corner "Mongan's Bridge or Towonga". K3 handwritten in ink "Taken from Mongan Bridge looking up stream". K4 - no inscription. K5: handwritten in ink, back of photo "Running Creek Cricket Team". F1: handwritten in ink on back "Mrs. Heap" and lower down in pencil "1880's". F2 handwritten in pencil at top of back phot "Land at Tawonga TROVE The Y'dah Times 20/2/1913" and lower down in ink "Henry Ellis Larkin". F3: handwritten in ink bottom edge "Mrs Coad". Note that this photo is a postcard. F4: Written in ink lower edge "Norman Coad". Note this photo is also a postcard. F5: Lower left corner in Ink "Harry Larkin". F6: lower half back of photo, in ink "Bernie Maddison". F7: on back of photograph in ink "Miss Marjorie Clemence first School Teacher Upper Gundowring: and underneath, in pencil "C1880's". F8: Handwritten in ink on back of photo "Frank & Mrs. Keat & Lesley of Tawonga". Lower down in pencil "c1912-1914". B1: Back of photo in ink "The Chalet Mt. Buffalo". B2: no inscription. B3: "chalet at Bufflo" in ink lower left corner. B4: This is a post card. Written in ink is "Mt. Buffalo Chalet". B5 - B10 printed in ink, lower left corner "Buffalo". B11: no inscription. B12: "Mt. Buffalo" lower R corner. B13: "Buffalo?". B15: Printed in ink lower edge "Picnic at Buffalo". B16: "Donkeys on Mt. Buffalo" printed in ink lower edge. B17: handwritten in ink across back of photo "Donkeys & top of Mt. Buffalo with the Monileith in the distance". A4 sheet of paper describing an accident to Mr. Norman Coad. Under article is : Yackandandah Times (Vic: 1890 - 1931), Thursday 18 July 1912, page 3. A page torn from the Weekly Times, June 14, 1961 and entitled "Kergunyah has picturesque setting". kiewa valley, farming, families, kergunyah, gundowring upper, mt. buffalo chalet, briggs family, larki family, coad family, clemence family, laskowski collection

35mm colour positive transparency blue Agfacolour Service plastic mountmap, melbourne metropolitan board of works, mmbw, planning proposals, shire of eltham, planning

The Album was compiled by Nancy McHaffie late 1990's, with the assistance of Edith Jeffery's, with her book "Garden of Memories" and extensive knowledge of Phillip Island. The Cemetery lies back from the road and is surrounded by Manna Gums, rare Peppermint Gums, Blackwoods and other native trees. In all 25 acres of land were set aside as Crown Land in the land settlement of 1868. There are 6.2 acres of wetlands near the cemetery entrance.Captain McLeod: Captain McLeod and family kept the Post Office at Newhaven. He also built a boat called old "Trusty" and launched it almost opposite Churchill Island. Unfortunately, at a later date, the "Trusty" was the cause of a tragedy. The bottom of the boat had become so encrusted with marine growth that the owner decided to beach her between the jetties at Griffiths point, now San Remo. Before the job was completed the soring gave way and allowed the boat to tip over on her side, causing Captain McLeod to be crushed to death. Died March 3rd 1880 aged 64 years. Also buried in this grave is his wife Susan - died May 24th 1882 aged 62 years. Their son Andrew McLeod died February 21st 1916 aged 60 - loved husband of Elizabeth E McLeod. Alexander was Captain of the "Genista" for 12 years.phillip island cemetery, captain alexander mcleod, susan mcleod, andrew mcleod, nancy mchaffie, edith jeffery

Record of local historyA series of three black and white photographs of the Citizens Plot at Alexandra Gardens. 501 shows the bluestone building J Ward standing behind a wooden picket fence with bare earth in front. 502 shows men in suits standing with three horses attached to two wagons with large trees in the background. 503 shows plants that have grown in the Citizens Plot garden.501: Citizens Plot 1908 502: Citizens Plot 1909. 503: Citizens Plot showing growth 1921.

This early 1900's tin which contained loose leaf blended tea was imported into Australia by those tea merchants who wanted to provide the Australian tea drinkers with quality tea. It could well be early Lipton distributors to both city and rural clients and consumers. This was in a period when most rural families were heavy tea drinkers. It was well before the introduction of coffee as a drink (especially instant) for the early morning, after meals and general "drink any time" pick me up beverage.This relatively large tea tin marks a period in time when loose leaf tea was in great demand and large quantities were not only used by families but also restaurants, workers mess halls and remote large rural families. The ability to obtain a quick tea supply in semi remote rural areas such as the Kiewa Valley was not possible due to the factors of all weather road access and the economics of traders going out of their way. Stocking up with important beverages, such as tea, was a "one of those things" that early rural communities had to endure with. Bulk storage tins such as this item were not only a requirement but also offered storage for other household items. This usefulness was not overlooked by the "canny" rural family.This large metal tin container was specifically manufactured for the kitchens requiring a bulk storage "bin" type of loose leaf tea content. When emptied, it could also be used as a general kitchen storage container for other bulk consumables.On the front side and in the background, there are three sketches of Egyptian pyramids(increasing in size from left to right). At the forefront there is a camel "train" loaded with supplies and handlers, making their way over the sandy desert going towards a large sign(in a freehand script) "PYRAMIDS BLEND". The left side "Specially Selected" and underneath "PURE TEAS" below this and within a circle is the figure of a Geisha clad of Asian appearance (with a fan in a raised hand with boxes(of varying sizes) around her. All these are in (off white design and wording on a green background. On the back in green print on off white background "PYRAMIDS BLEND" and underneath "OF SPECIALLY SELECTED PURE TEAS". On either side are columns of similar print. To the left "THESE UNRIVALLED BLENDS ARE GUARANTEED TO CONTAIN ONLY PURE TEAS".To the right "SPECIALLY SELECTED FROM THE CHOICE GROWTHS OF CHINA INDIAN & CEYLON". Below both columns is "for delicacy & fragrance of flavor, combined with great strength, and are confidently recommended to the public as the best values in teas obtainable" On the last side is a sketch of an " Indian encircled, holding a staph with palm trees in the background and four tea containers on his left, with "PYRAMID BLEND" as a subject heading. There are two Oxen pulling a two wheeled cart with a load of six large boxes. On lid and barely readable "FIVE POUNDS NET"loose leaf tea containers, food storage tins, kitchen tidies

ELTHAM HERITAGE TOUR The Society excursion on 24th May 1992 was arranged by David Bick, leader of the team carrying out the Shire's heritage study. David selected a number of sites or buildings identified in the study, some of them lesser known components of the Shire's heritage. The tour commenced at the Eltham Shire Office at 10.00 am. Travel was by private car and mini-bus with stops at about twelve locations for commentary by David.It included a short walk in Hurstbridge and lunch at Kinglake. Highlights of the tour included: - 10 am Leave from Shire Offices - 3 Important Trees - A Physical Link to Eltham's First Settlers - Toorak Mansion Gates - A Surviving Farm House - An Intact Circa 1900 Main Street - First Settlers - Gold Miners, and Timber-getters - An Early Hotel - A Pioneering Homestead - Changing Eltham Shire - 20th Century - 4 pm Afternoon Tea and Finish Tour Extract from ELTHAM CULTURAL HERITAGE TOUR (Newsletter No. 85, July 1992, by Bettina Woodburn) "At St Andrews we noted the old and new schools, the Anglican Church, the Hall, the Bakery and the pub – still a popular watering and eating place. Climbing towards Panton Hill the soil was not rich and supported only scarce growth. Perfunctory prospecting and mining had taken place in this area, though not with the diligence applied at Research. Again we saw the ingredients of a settlement, this one organised by Government, the Hotel, the Store, the School. Down from Memorial Park the School grounds had original tree planting and the School Bell dedicated to Maud Rattray who died in 1922. There is a new Hall and opposite in the grounds of the Church and Sunday School a modest Memorial Cross of granite with inscriptions and in memory of four 'fallen comrades'. This small section of the main road retained the small village atmosphere; although the population had increased there had been little alteration."Record of the Society's history and activities and highlighting various aspects of the Heritage Study undertaken by David Bick used to create the future heritage overlay for the Shire of Eltham and later Nillumbik Shire.Roll of 35mm colour negative film, 4 stripsKodak Gold 100 5095shire of eltham historical society, activities, heritage tour, st andrews

Surfing World, or SW as it is know, first issue appeared Sept 1962. Edited by Bob Evans this monthly magazine was published "in the interests of promoting surfing in Australia and overseas". This issue (Volume 3, Number 3) is one of a series of early 1960's SW's donated as an incomplete collection. SURFING WORLD is still published today and is Australia's oldest surfing magazine.Surfing World was the first major national surfing publication in Australia established in 1962. Its stories and photographs captured the early years of growth of surfing in Australia during the 1960's. The magazine inspired a generation of people to start surfing and provides an important archive into Australian surf culture during the sixties.Surfing World (SW) magazine Volume 3 Number 3, Nov 1963. Surfing World banner in top left over a colour photograph of (possibly) Crescent Head beach with a tree in the foreground and a surfer riding a small wave in the background.

This is a photograph of one of the many stone ruins which can be seen in the Sunbury area and surrounding districts. These ruins are found in varying degrees of structural damage caused by erosion, vegetation growth and vandalism. This is the remains of a bluestone quarry on the 'Oaklands' property at Oaklands Junction.A coloured photograph in portrait format of a basalt rock ruined structure which has been dug into a hillside with a line of trees in the background.stone structures, oaklands quarry, george evans collection

This is a photograph of one of the many stone ruins which can be seen in the Sunbury area and surrounding districts. These ruins are found in varying degrees of structural damage caused by erosion, vegetation growth and vandalism. The adit and mullock heap is from one of the mines on Redstone Hill. It was known as Batey's Mine.A coloured photograph of the remains of a mullock heap and adit from a mine. The entrance is surrounded by low growing trees and grass.stone structures, batey's mine, gold mining, redstone hill, george evans collection

This is a photograph of one of the many stone ruins which can be seen in the Sunbury area and surrounding districts. These ruins are found in varying degrees of structural damage caused by erosion, vegetation growth and vandalism. The dry stone wall is at Crowes Hill at Yuroke.A coloured photograph of a dry stone wall with a row of shaped cypress trees running off at right angles to the fence. A small tree covered hill is in the distance.stone structures, dry stone walls, crowes hill, george evans collection

This book is the remarkable story of the world's tallest tree species, the Redwood, growing in the Great Otway National Park in Victoria's south-west. It was originally planted by Victorian foresters for experimental purposes on land abandoned by the early settlers. The Coast Redwood, native of California, is now thrives in the Otways alongside the famous eucalypt, the towering Mountain Ash. The majestic Otway Redwoods, still in their youthful growth phase, have withstood adversity caused by fire, landslide, lighting and chainsaws, while the ongoing political debate about the conservation of the valuable forest resources continues.The redwoods of the Otway Ranges. Roger B. Smith. Lothian Custom Publishing; Middle Park (Vic); 2015. ii, 202 p.; illus., maps, appendices, notes. IBSN 978 1 921737 13 8. Soft cover.With best wishes from Roger Smith.