The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.A conical, stiffened net, woman's hat covered in white silk and feathers. Nilwomen's clothing -- hats, headwear, hats -- turbans

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Circular rimless woman’s hat wrapped with purple, pink and green fabric to create vibrant bands of colour.Nilwomen's clothing -- hats, hats -- turbans, headwear

During the late 1950s and early 1960s, prominent milliners (such as Christian Dior and Balenciaga) popularised sculptural, draped turban shapes.These compact, artistic styles were designed to complement the neatly tailored suits, neat bouffant hairstyles, and cocktail dresses of the era, making them a staple for formal afternoon teas, weddings, and evening social eventsA mid-century draped turban cocktail hat with an integrated birdcage veil, dating precisely to the late 1950s to early 1960s. It is a classic "half-hat" or stylized turban hybrid. The base is structured to sit securely on the back or crown of the head, framing the hairstyle rather than covering the entire head. The hat features heavy, precise horizontal draping and ruching. The fabric appears to be a high-quality silk taffeta or faille in a rich navy or steel blue, which holds its crisp, structured shape exceptionally well. The sides flare out into elegant, padded horn-like or crescent folds. Attached underneath is a delicate honeycomb netting birdcage veil, designed to drape softly over the upper face or eyes for an air of mystery and sophistication.women's clothing -- hats, half hats, fashion melbourne 1950s, fashion melbourne 1960s

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Women's winter toque / turban hat of tall, soft crown with close-fitting rolled brim. Constructed in vivid cherry-red cotton velveteen / velour felt, the fabric draped and pleated diagonally around the crown and gathered at the side. Trimmed on one side with a long vertical panel of black fur - possibly dyed rabbit or synthetic fur - extending from crown to brim edge with long hair falling below the brim.Nilheadwear, clothing, women's hats

DALE HANNAFORD 8435318 Served Afghanistan 2011 Refer Cat No’s 2508, 2509.2 .1) Boot, high sided, left foot, leather, fawn colour, metal eyelets. Padded on the inside, rubber sole, cord lace. .2) Same as .1) above. .3) Hat, floppy with firm front peak, cotton, camouflaged desert pattern. Top of the hat flows down to the shoulder for all round protection. Has elastic headband & valcro strips on the sides..1) & .2) 280/100 [up arrow] MONDO POINTuniforms - army, costume-male footwear, uniforms - headwear, trades - bootmaking

This hat belonged to Mrs Moyra Rasmussen, who lived at 389 St Kilda Street, Brighton for over 50 years with her husband Rae Rasmussen, a bank manager with the State Bank of Victoria. The Mooney sisters, Nell and Ida, were situated beside the Regent Theatre in Collins Street, Melbourne and were well respected milliners and dressmakers. The hat's style is typical of the 1960s. Woven turquoise silk taffeta turban style ladies hat with half bow, circa 1960s. White mesh interior with teal grosgrain binding, thin black elastic band.Label, woven black on white: MISSES MOONEY / OF MELBOURNEhat, turban, rae rasmussen, brighton, misses mooney, millinery, melbourne designers, moyra rasmussen

Joseph William Cairnduff (1876-1929) was born in Hobart, Tasmania. He married Ann Walker in 1900. When he enlisted on 19 August 1914 he was given SERN 4. At the time he was living at 'Tyne', 96 Guildford Road, Surrey Hills. He was 5'5", 38 years old and employed as a civil servant. He had served for 5 years in the Senior Cadets and 3 years in the Australian Signallers. He was given the rank of sergeant in the Divisional Signal Company 1 and embarked for Egypt from Melbourne on board HMAT A10 Karroo on 20 October 1914. Joseph was in Egypt from 24/10/1915 to 17/6/1916, but only in Giza from 21/02/1916 to 6/03/1916. Surviving service on Gallipoli and the Western Front, he returned to Melbourne leaving on board HT 'Wiltshire', 12 November 1916. He was discharged medically unfit. Joseph and Ann had a large family before he left for WW1: Ann Mary b.1901; James William Cotter b. 1903; Mathew Norman Banks b. 1904; Doris Jean b.1906; Claude James b, 1908; Elsie Edna b. 1910; Clive Bruce b. 1912 and Gladys Janet b. 1914. After his return he and Ann had more 2 daughters - Sylvia McLaren b. 1917 and Mavis Morley b. 1918, who commenced at Chatham Primary School in 1927 and 1928 respectively. Joseph and Ann are buried in Box Hill Cemetery (M-NS-0492). Joseph's twin brother, James Banks Cairnduff (SERN 571) also served in the AIF and is also buried in Box Hill Cemetery (M-NS-0003). A black and white photo of a group of 7 Australian soldiers and 2 Egyptians gathered around a pole. The context is not able to be discerned. One of the soldiers is marked with an 'X' and is smoking a pipe. He has a cap-like object on his head. The other soldiers are wearing slouch hats. The Egyptians are dressed in long white garments and are wearing turbans.On the rear in the hand of the donor: "Dad had written on the original (photo) / "The 1st and only Telegraph ffice / erected on the top of the Pyramids, / it was erected by me during our / sojourn in Egypt"joseph william cairnduff, first world war, egypt, signals company, telegraph office, pyramids

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Woman’s hat made of stiffened patterned fabric in shades of blue, gold and white.Nilhats, australian fashion, women's clothing

A puggaree, usually of pleated cloth, has been worn on the Australian slouch hat since it was adopted in 1903. During WWI (1914-1918) it was frequently a plain woollen band made from puttee material. Different coloured bands denoting Corps were incorporated into the puggaree worn by militia units shortly before WWI and again in the period between the wars. The word puggaree comes from Hindi meaning turban and is thought to have referred to a piece of cloth worn on the British officer’s sun helmet to protect his neck from the sun.Good example of distinctive headwear worn by light horse soldiers.Seven fold puggaree with white band denoting Light Horse of the pre WWI (1914-1918) period and possible for a time following the war until superseded by the red band.puggaree, headwear, light horse, uniform

A puggaree, usually of pleated cloth, has been worn on the Australian slouch hat since it was adopted in 1903. During WWI (1914-1918) it was frequently a plain woollen band often made from puttee material. Different coloured bands denoting Corps were incorporated into the puggaree worn by militia units shortly before WWI and again in the period between the wars. The word puggaree comes from Hindi meaning turban and is thought to have referred to a piece of cloth worn on the British officer’s sun helmet to protect his neck from the sun.Good example of distinctive headwear worn by light horse or veterinary corps soldiers.Seven fold puggaree with deep maroon band denoting Light Horse or Veterinary Corps in the period between the wars.puggaree, uniform, light horse, headwear

A puggaree, usually of pleated cloth, has been worn on the Australian slouch hat since it was adopted in 1903. During WWI (1914-1918) it was frequently a plain woollen band often made from puttee material. Different coloured bands denoting Corps were incorporated into the puggaree worn by militia units shortly before WWI and again in the period between the wars. The word puggaree comes from Hindi meaning turban and is thought to have referred to a piece of cloth worn on the British officer’s sun helmet to protect his neck from the sun.Good example of distinctive headwear worn by light horse soldiers.Seven fold puggaree with red band denoting Light Horse of the period between the wars.puggaree, uniform, headwear, light horse

Ann Austin of Melbourne was the name of a Melbourne millinery house. Thelma Prentice was one of the partners in the house, and the chief designer/milliner. Very little information about the millinery house and the milliner are available online but there is an interesting article, published in the Brisbane Courier Mail on 8 October 1949 which describes the influence of French style on fashion and design in Australia. The article by Lucy Gough recounts the views of Thelma Prentice who had just returned from the Paris fashion shows. "Australian millinery toes line with Paris From LUCY GOUGH LONDON, October 7 (Special) Australian hats can compare very favourably with those designed in Paris, and are considerably cheaper, says Miss Thelma Prentice, partner in a well-known Melbourne millinery firm, who has just completed six months' visit to England and the Continent. An ordinary hat, Miss Prentice said, would cost at least £15 from any of the top Paris houses. Australia could achieve the same effect for a lot less money. Miss Prentice went to all the Important dress shows as well as the millinery houses in Paris, because she believes that millinery is an accessory to fashion and to obtain the best idea of new trends hats must be shown with frocks to get a complete follow-through and tie-up between the two. At their packed shows, with standing room only, Path and Dior were selling hats they designed, faster than many well known Paris millinery houses, Fath's favourite line was the becoming 'wing treatment,' which he achieved by a profile flattering side swing of material jutting out almost 10 inches from the face. This was completely different to the side drape already seen in Australia. Dior, as a direct contrast, was specialising in skull hats, which almost followed the hair line, to show very little hair at the back of the head. His cocktail hats were heavily sequinned and beaded. Every model was designed exclusively for short hair, and Miss Prentice, whose own hair is beautifully short cut by a Paris hairdresser, said that French mannequins' hair was so abbreviated at the back it was almost a semi-shingle. Hats generally she found were plain, with sharply angled self trimming, and black one of the most popular colours." The hat was donated by Kathleen Gervasoni, a resident of Kew, and during the 1970s a Mayoress of the former City of Kew. The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.High crowned hat made of burgundy felt with decorative pink jersey turban folds attached to the side by clusters of pink beads. The hat was designed by Thelma Prentice of the ' Austin of Melbourne' millinery house. Label, inside centre crown, woven in black on white polyester: *ann austin / OF MELBOURNEmilliners, hats, ann austin of melbourne, thelma prentice, australian fashion - 1960s, kathleen gervasoni

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Small women's pillbox / toque hat, c.1960-65, in ruched two-tone olive and pale lime chiffon over a firm buckram form. Crown gathered into central swirl producing turban effect, with narrow self-band at base. No label.Nilwomen's hats, headwear, clothing

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Women's draped turban / toque of low, close-fitting form. Crown in deep royal blue velvet, the fabric wrapped and twisted diagonally across the front and around the sides to produce a soft turban effect with a pointed fold at the centre front. Low, integral rolled brim.Nilwomen's hats, headwear

The layered, shirred toque was highly fashionable in the late 1930s to early 1940sWomen's close-fitting toque of tall, rounded, pillbox / turban form. The body is constructed from horizontal bands of pleated / shirred fabric wrapped around the crown in overlapping tiers, four bands visible, each folded to form a soft, flat pleat. The form is slightly angled with a higher front. No brim, no additional trim.Nilwomen's clothing -- hats, headwear