Round bottle of Indian Ink. Screw top lid made of bakelite type material.Reeves Indian Ink|Reeves & Sons Ltd Enfielddomestic items, writing equipment

Five Indian ink sketches, illustrations and poems on fine cotton. 1. Hilaire Belloc verse with 2 illustrations. 2. 'My Darling Dolly' poem with illustrations. 3. Girl on beach with crab and insects on see-saw. 4. Goose and witch and Birds and Fairies. 5. Fairies and Girl and Stork.By Courtesy of Miss M Bostock (Foundation member of the EGV. )cotton lawn, drawings

Found in Drawer 1Collection of Indian ink sketches on Fine white linen. 1. 2 drawings with verse by Hilaire Belloc - (linen 50 cm x 29 cm) 1. There Was A Man - 4 verse poem with 2 illustrations of young couple and rural scenery. 2.2 drawings - (linen 45 cm x 28 cm) 1. My Darling Dolly poem - 4 verses with illustrations and 2 shields 'Aquarius' & 'Taurus'. 3.2 drawings - (linen 34 cm x 12 cm) -1. Girl on beach with crab "Sir Crab where are you going?" 2. Grasshopper & butterfly on mushroom "See-saw". 4.2 drawings - (linen 34.5 cm x 14. 5 cm) 1. Flying goose pulling witch on broomstick. 2. Framed picture of owl and bird sheltering fairies 'Cold night'. 5. 2 drawings - (linen 32 cm x 14 cm) - 1. 3 fairies - 2 as students at a desk. 2.Girl & stork looking at their feet ' "They are entirely different from mine anyhow" said the stork.' Reverse of #1 - 'By courtesy of Miss M Bostock'linen, pictures, drawings, poetry

Five Invoices directed to the Ballarat School of Mines in 1900ballarat school of mines, ballarat courier, invoices, robert clark, j. ewins, frederick martell, indian ink, cumming, smith and co., letterhead, henry markwald, borax, c.c. shoppee's crytal palace, daniel walker, john slater and co.

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. These works include commercial art, advertising and catalogue illustrations as well as figure construction and fashion-plate designs. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. Commercial artA folio of Fashion Drawing by Edith Alice Watson of the Ballarat Technical Art School. .1) Two women dressed in fashionable clothing- lhs tan ensemble and hat; rhs fuschia ensemble with black and white accessories plus fur stole. Signed lrs A.Watson. 1933. .26) The image with three women wearing a hats. This appears to be an example of ticket writing. Signed lrs "A Watson- 2nd term. 1932." .35) The image with a woman wearing a hat appears to be an example of ticket writing. Signed lrs "A Watson--11th-7-32." .23) female figure drawing. Signed lrs A.Watson. 1st Term. 1932 .21) female figure drawing. Signed lrs A.Watson. 2nd Term. 1932 .17) drawing of lips, side view. Signed lrs A. Watson. 1931 .18) drawing of lips,three-quarter view. Signed lrs A. Watson .37) Paper is embossed with 'Windsor & Newtons Bristol Board' stamp.(Griffin depicted in centre)alice watson, ballarat technical art school, art, drawing, figure drawing, alumni, costume drawing, fashion drawing, ticket writing, 1930's fashion, indian ink, edith alice watson, figure construction, advertising, commercial art

Fine white cotton with bold flower displays and decorative pulled bands around the edge. Edged with buttonholed scallops and rounded corners,.An indistinct Indian ink name.embroidery, ayrshire, handkerchief, mid 20th century, scotland

Two sketches back to back one sheet in a cardboard frame a. Eaglehawk Town Hall, an Indian ink sketch. b, Stone Cottage, James St, Harvey Town. Indian ink sketch of a cottage with a stone fence in front and steps leading up to the front door.drawing, ink, building, eaglehawk town hall, stone cottage, james street, harvey town

Vegetable ivory became a popular substance to use for needlework tools c 1860, it was very suitable for lathe turning and cheaper than ivory. Combining the cotton reel with a pincushion created a convenient tool to display and use. Presence of the wooden cotton reel dated 1863 tells of an early cotton reel, and that the piece was used.Vegetable ivory was a substitute for elephant ivory, this standing compendium was an useful item for display. Unusual to have a wooden cotton reel with a name and date. Standing thistle shaped carved vegetable ivory combined cotton reel holder and pincushion with bone spindle and worn red velvet pincushion. Cotton reel on it is a replacement and has cotton on it. Base of cotton reel in indian ink: "Gina Pipe, May 15th, 1863"reel, vegetable ivory

Original drawing was Indian ink on paper by Alfred George Reynolds (1906-1996) who was Vicar of St Lukes Vermont from 1947-1952. Alfred George Reynolds was a noted Australian artist in the mediums of oil painting, etching and pen and ink drawing.Black and white cutting from a newspaper of St. Lukes Anglican Church, VermontA G Reynoldsst. lukes anglican church, vermont

The Advocate (Melbourne, Vic. : 1868 - 1954) Thursday 12 January 1939 p 31 Advertising ANGUS & CO PTY LTD MANUFACTURERS OF CLAG THE BEST HOME AND OFFICE PASTE AND WRITING INKS SHOWCARD COLOURS INDIAN INKS RUBBER STAMP PAD INKS MUCILAGE, GUMS, ETC. ANGUS & CO. PTY. LTD. MELBOURNE AND SYDNEY. Round thick clear glass ink bottle with text and monogram embossed on base.'154', 'ANGUS & CO PTY LTD', '3M'. Monogram 'A' with flat top enclosing 'G' over 'M'.ink bottle

Black and white photograph of Women's Sewing Group manufacturing clothing for Boer War Military (Australian). Packages, sewing machines, chairs in foreground, ladies in middle ground, materials against panelled walls in background. Mounted on fawn board. Inscriptions: GP12 at top corners in Indian ink. In blue/black ink, on top front of board. 'Bendigo Women's Sewing Circle During the Boer War'. On back - stamped in green ink, in circle 'Royal Historical Society of Victoria, Bendigo Branch'. In Indian ink '1137'. In grey lead 'Boer War', 'Bendigo Women Making clothing for Boer Australian contingent'.person, group, women

Sepia photographs showing thirteen nurses, matron? (in centre), six males on mats on lawn with building in background. Mounted on fawn board. Inscriptions: on front - in top corners in Indian ink 'GPI'. On back - stamped in circle in ink 'Royal Historical society of Victoria, Bendigo Branch'.cottage, miners

Framed set of photographs of Melbourne W1 421decorated as an "illuminated" tramcar for the visit of the Duke and Duchess of York to Victoria April 21 to May 12, 1927 and the opening of Canberra on May 9, 1927. Tram identified in the 4th edition of Destination City. Note Tasmania is missing from the map on the side of the tram. Two photographs of the tram, a three quarter front on view and a side on view have been framed within a black wooden frame, protected by a glass sheet, with an off white cardboard sheet cut out for the photographs to frame them, cardboard backing sheets with an ink inscription under the two photographs. The rear backing sheet has been tacked onto the wooden frame. Images show the overall object, the two photographs, the text and the rear of the object. Images i2 and i3 updated for scan of the actual negs. Page 43 of Destination City 4th EditionIn Indian ink "Melbourne and Metropolitan Tramway Board's / illuminated Tram Car, during the visit / of the Duke and Duchess of York to Victoria, / April 21st to May 12th 1927 / and the opening of Canberra on May 9th 1927".trams, tramways, illuminated trams, decorated trams, royal visit, melbourne, duke of york, preston workshops, w1 class

This image was one of a series taken by Harold Millane in the late 1940's. They were printed onto post cards. Mary Millane, Harold's wife, printed captions on each negative with Indian ink. The series includes a variety of views of Mitcham, Vermont, Nunawading, Park Orchards and Doncaster East. The post cards were sold as souvenirs in the Millane shop on the N-E corner of Station Street and Whitehorse Road, Mitcham (originally the Mitcham Post Office).Clear photograph showing details of shops, vehicles, streetscape, lighting.Celluloid half plate B + W negative.Whitehorse Road Mitcham, Vic. hardy scott, h. s .beckwith, richards drapers, d. g. williamson, r. gracie, s. kelly, cenotaph, mitcham memorial hall

Sepia photograph of Christ Church, Swan Hill showing construction materials. Group of eight women, two men, two men on scaffold. Larger building in background. On back: stamped in circle 'Royal Hiostorical Society of Victoria, Bendigo Branch', Indian ink: 'Church, Swan Hill, May 3rd, 1892. IG Alexandra Harris Incumbent'. Black ink' 'MP 268'. Previous Acc. No. 'MP 268'buildings, church, christ church, swan hill

black and white photo of underground mining, showing 8 miners in a stope with their Bendigo bucket carbide lights. A large quartz spur formation is visible in the foreground. A wooden ladder gives a good scale in relation to the stope size. Photograph taken in the Central Nell Gwynne at the 265 m. level C 1939. On back MNc4 ( in indian ink ) ? Hercules and Energetic ( in ball point pen ) RHSV of Vic. Stamp.organization, business, hercules and energetic mine

Copy of black and white photograph showing view of weatherboard double-fronted house, decorative ? Boards, verandah lacework, decorative brick chimneys ??. Roof, double-hung windows. Brick church adjacent, vented slate roof, buttressed walls, Gothic windows. Picket fence along footpath. SEC? pole. Trees in background. Inscriptions: on front in Indian ink written across bottom of image 'St Luke's Church and vicarage, White Hills Bendigo'.buildings, church, st lukes, white hills

The remains of the 180 mine battery as painted by Alfred Perry in 1959. This is a watercolour and indian ink sketch on card. Yellow card attached with painting states: ' George Lansell Exhibit No 4. The remains of the 180 mine battery as painted by Alfred Perry in 1959. It was from the 180 that George Lansell laid the foundations of his fortune and indeed the fortunes of the district. With his capital behind the field mining flourished for nearly one hundred years and ensured employment for the many miners in the district.'Alfred Perryartwork, print, mining heritage, alfred perry, mining battery, 180 mine, victoria hill

Nettleton creates an image of peace and tranquility after the violence felt from the 2009 Black Saturday bush fires / At the Arthurs Creek cemetery Nettleton found the grave of Reg Evans and Angela Brunton, friends who had perished in the fires / Nettleton sat on the edge of their joint grave and photographed their view / It was only after examining the photos more closely that she realized Mount Sugarloaf had burnt almost to the valley / Sugarloaf is always in an indigo haze. This work is by a local contemporary artist and encompasses themes dealing with the 2009 Black Saturday bushfires. Mixed media (acrylic paint, acrylic ink and indian ink) on board / Landscape painting of Mount Sugarloaf and green pastures after the 2009 Black Saturday bushfires / Mount Sugarloaf is depicted in an indigo haze in the background / A line of trees bathed in light border the mountain's edge / Lines of trees parallel to each other jut out diagonally in the foreground / Framing this view of the landscape is a pattern (topographical maps of the Nillumbik area), which suggest the vast extent of the devastated area of landscape. In black marker 'LIZ NETTLETON' + artist signature '2011' on back - middle right side nettleton, respite and repose, landscape, painting, mixed media, black saturday, mount sugarloaf

Contour map (copy) of the Government Camp Sandhurst, 1854. Map is mounted on coreflute and laminated. Written in bottom righthand corner 'Contour Plan of the Government Camp, Sandhurst. Dec 1854. Signed by Richard Larritt, Assistant Surveyor, 11th December 1854.' Shown on map: Pall Mall, Bendigo Creek, Commissioner's Gully, View Place (now View Street), Post Office, Bank of Victoria, District Surgeon, Sandhurst Fire Brigade, Police Hospital, Flagstaff, Gold Office, License Shed, Military Barracks, Stables, Commissioner's Buildings, Police Office. Old Cemetery, Garden. Reference on righthand side: 'Stone or brick buildings are tinted in crimson. Wooden buildings tinted in Indian Ink. Tents and other temporary structures tinted in Burnt Sienna.' Scale of Chains, on bottom of map. Sticker on bottom left hand corner and back of map ' Presented by Survey and Mapping, Victoria, 7th Octber, 1994'.map, bendigo, government camp, pall mall, bendigo creek, commissioner's gully, view place (now view street), post office, bank of victoria, district surgeon, sandhurst fire brigade, police hospital, flagstaff, gold office, license shed, military barracks, stables, commissioner's buildings, police office. old cemetery, garden. , survey and mapping victoria. sandhurst, bendigo.

black and white photograph of the Great Extended Hustlers Quartz Mining claim. Photograph shows five weatherboard clad buildings with corrugated iron roofing. Poppet legs and cable support trestles. Bush logs in foregound at right. Office at left, battery house centre background. Main shaft right. Copy of original photo. On face of photo in indian ink: area of 24 acres, has 6 shafts, equals 4000 feet of sinking. No less than 13 levels and 16 x cuts making a total of 12000 feet. Amount spent in labour 228,000 ( pounds stg. ) Quartz raised 144,5000 tons and yields to date 188,000 ozs of gold. Dividends 585,000 ( pounts st.) nearly 20/-/ a share. Employment to nearly 200 men. It is stated this rich mine changed hands the early days for only 30/-/-. On back in black ink ' Gr. Extended Hustlers. Bottom right corner : A. Richardson/29 Harrison Street/Bendigo.N.J. Caireorganization, business, great extended hustlers mine

The Buddhist monk Guangqia visited Karl Duldig’s studio on two consecutive days, in the company of the noted Chinese writer, Professor Yu Dafu, a friend of Karl’s. Karl made two portraits of the monk, the first depicting him sitting, and the second in a standing pose. The portraits were drawn using a Chinese brush and Indian ink. Surviving sketches in the Studio’s collection indicate that Karl thought about creating a life-size sculpture later on, but this was not realised. Guangqia added inscriptions in his own hand to both drawings and stamped them with a red seal. The seated drawing has an inscription in which he quoted from a Buddhist poem, ‘A Contented Mind’ by the scholar Lingfeng of Mt Tiantai. In the summer I went to visit the Austrian sculptor Duldig with Professor Yu Da Fu. My virtue is slight – I cannot accept your offerings and gifts; I am amply rewarded by the clouds and springs. Rather than a table laden with pearl-like rice, I prefer the wind and leaves falling on my bed. Sitting quietly on my meditation cushion Is sweeter than the wheat offered by a thousand families. The pity is that I am gradually growing old; My bitter journey is not worthy of your offerings. The second drawing has a quote from a Buddhist poem on the study of Chán (Zen) Buddhism, by the famed Chán master, Dàjiàn Huìnéng (638–713): The portrait, with its figure positioned on a scroll-like ground and inscription is reminiscent of traditional Zen Buddhist portraiture. In this school of portraiture, which stretched back to at least the thirteenth century, monks were depicted sitting or standing facing the viewer, and typically the monk added an autographic inscription to the portrait. The portraits were often passed from master to disciple, continuing the disciples’ journey of spiritual enlightenment and were revered for their association with remarkable or holy priests. The Buddhist monk, Guangqai who added his inscription and stamp to the drawings would most certainly have been aware of this tradition. It is likely that Karl was aware of this tradition, one of the points where the studio’s collections of art works from Singapore intersect with the earlier Viennese collections can be found in the Library where a catalogue of an exhibition, 'Ausstellung Ostasiatischer Malerie und Graphik' is held. The Viennese Friends of Asian Art and Culture and the Albertina Museum staged this exhibition of East Asian painting and graphic works in 1932. Such was the internationalism of Duldig’s education in Vienna, that adaption to a new environment and culture in the Straits Settlement was swift, and he was able to interpret the artistic traditions of the place, and make them his own. It is part of the strength of the collection, that in many cases contemporary supporting documentation for the works of art is available. In this case there is a photograph of the Monk with Yu Ta-fu, and Karl and Eva Duldig, outside the studio at the time the drawings were made. Ann Carew 2016The portraits of Guangqai have national and international aesthetic significance. The works of art demonstrate the artist’s skill in capturing the physical appearance and demeanour of his subject, and his ability to adapt his working methods to incorporate traditional Asian materials and cultural practices. The portrait is one of few examples in Melbourne of a central European modernist artists working in, and engaging with Asia, during this period and it is culturally and aesthetically significant for this reason. The portraits are also historically interesting in documenting the life and experiences of Karl Duldig in the Straits Settlement (Singapore). Ann Carew 2016Brush drawing in chinese ink on paper. Seated Buddhist Monk. Chinese calligraphy hand written in black ink. Two red stamps under calligraphy.Signed Karl Duldig in l.r. corner. Dated Singapore 1940 in l.l. corner.

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a motorbike standing on the grass outside a picket fence. The bike belonged to Frank Wright and the place was "Laura Villa".Written in ink on back - My Indian Scout. Taken in front of "laura Villa", Smeaton. 1/1/24frank wright, cornet, conductor, ballarat, laura villa, smeaton, indian motorbike, motorbike, motorcycle, transport

Commander Samuel Stanley Laurie served with the British Royal Navy in five different air squadrons flying from nine different ships and airfields. He saw action in the Mediterranean, Red, and Arabian Seas as well as in the Atlantic, Arctic, Indian, and Pacific Oceans.This album reveals the passion for the Sea and ships.Large stamps album with purple cover and stamps decoration.Written in black ink inside: The stamps in this Stamp Album were collected by Commander Stan Laurie R.N. and donated in 2022 by his family.samuel stanley laurie (1921-2015), royal navy, ww2, stan laurie

Pyott's Ltd., was an merchant and novelty shop in Vancouver, Canada during the early-20th century. An advertisement for the shop was published on February 9, 1922 in the Ubyssey News (issued Weekly by the Publications Board of the University of British Columbia. It reads: 'We carry one of the largest lines of Indian Burnt Leather Goods, Moccasins and Baskets in the city; also Beads, Purses and Hand Bags; View Books, Post Cards and Novelties of all kinds. Your inspection invited, 524 Granville St. Vancouver B.C'. History of shopping bags: Before the late 1800s, shopping bags didn’t exist. Shoppers would either carry their goods home in baskets, or have the merchant deliver them to people's homes, until 1852 when Francis Wolle, a schoolteacher in Pennsylvania, invented a machine to produce paper shopping bags. This invention would allow customers to carry items home in disposable paper bags. Soon after, owners of department stores and retailers began to realise that paper shopping bags could be used to help market their brands, and as such custom shopping bags with printed logos became common place. Carrying a shopping bag from certain shops became a type of status symbol for consumers, providing evidence that one was well-off, had good taste, or both. The paper shopping bag is a rare survival of ephemera related to a retail store that existed in Vancouver, Canada during the early-20th century. The arrival of waves of more than ten million migrants by boat is one of the major themes in Australia’s history. The paper shopping bag is representative of personal items purchased for migrant journeys as markers of domesticity, warmth and making oneself at home in a new land that speaks of the transnational lives embedded in threads of migration. A brown paper shopping bag with a printed logo and store information in black inkPyott's, Indian Souvenirs & Novelies. 524 Granville St, Vancouver- B.C. On the reverse side in handwriting: 'Red + dark red beadsshopping bag, marketing, ephemera, pyott's, vancouver, canada, migration, flagstaff hill, merchant

This is a souvenir program made for the musical event, Hiawatha, presented by Orbost Rotary Club on November 28,29 1949. Miss Elsie Lambert was a teacher at Orbost State School for 25 year.This is representative of the entertainment popular in Orbost in the 1940's-1950's.Two small 12 pp cream coloured books with brown print and the head of an American Indian chief in head-dress on the cover. It is titled"Hiawatha" prod. and directed by F.C. Herbert. a musical event presented in Orbost 1949, performed and sponsored by the Orbost Rotary Club. This was a souvenir program.On the back cover 657.1 in ink - E. Lambert.souvenir-program hiawatha musical orbost-rotary

The bearer of this ticket was George Thomas Henry Phillpot, who was only 17 years old when he sailed on the S.S. Ballarat (II), built in 1921. (The first S.S. Ballarat was built in 1911 and sunk after being hit by a torpedo in 1917 while serving during WWI). George relates his trip from England to Australia, summarised as follows: He caught a bus from Bolton to Manchester, in the north west U.K., then the train from Manchester to London and the boat train to Tilbury Docks (near Gravesend). On the morning of June 7th 1929, the ship S.S. Ballarat sailed down the Thames estuary and into the English Channel. The next port of call was Southampton, UK, to take on board some technical equipment. The S.S. Ballarat then sailed through the Bay of Biscay. Instead of taking the customary route around the Cape of Good Hope, this trip, on her maiden voyage, was through the Suez Canal. She sailed through the Straits of Gibraltar, into the Mediterranean Sea and on to Malta, where George and others paid a local boat owner to take them ashore for a short time. They then sailed to Port Said, stopping to load cargo, then at night through the Suez Canal. They woke up early the next morning to watch the locals working on the banks of the canal. The excessive heat on board the ship caused much illness. As they travelled through the Red Sea, the heat and the smell of oil also caused sickness. On they went through the Arabian Sea to Colombo, the capital of Sri Lanka (which at that time was called Ceylon). A Navigation Slip, donated together with this ticket, shows the coordinates for a location 16 miles from Colombo. They again went ashore for a meal at four-pence a head and a bottle of lemonade for a penny. George and another passenger walked to the slums area and were shocked at the state of it compared to Britain’s slums. They then sailed via the Indian Ocean to Fremantle, stopping again for goods to be unloaded. While ashore, they played a game of soccer against the ship’s crew. Then on to Port Adelaide via the Great Australian Bight. Here they shopped for suitable clothing under the advice of some Australian passengers. They then arrived at Port of Melbourne on July 20th 1929, and two days later (on George’s mother’s birthday). George left for Warrnambool. He received his Citizenship Award in 1971. He conducted an electrical retail business in Liebig Street for many years. His son William became principal of the accounting business Sinclair and Wilson, on the retirement of Bill Sinclair, and was actively involved in support of many community organisations. His daughter-in-law, Glenys Phillpot, is actively involved in the Warrnambool community and local government. George was one of 3 orphans on the S.S. Ballarat. (The daughter and son-in-law of one of the other orphans also live in Warrnambool.) Herbert B.G. Larkin, whose rubber-stamped name appears on the ticket, later migrated to Australia and passed away in NSW in 1944. Of Historical Significance, this ticket is for the ship’s maiden voyage via the Suez Canal route (previously the ship travelled via the Cape of Good Hope). It is also the only existing ticket for the "S.S. Ballarat"(3rd) in our collection. Socially, it shows the fare, luggage restrictions, conditions and weekly provisions for a third-class passenger’s voyage from London to Melbourne, which has research potential. This ticket is also of significance to the Local Community, giving the background of the ancestor of a local family. It was also of Personal Significance to the bearer as he kept and preserved it in his possession for at least 46 years before donating it to our museum, together with a Navigation Slip, a map and a summary of his journey to Australia.Third Class steerage Passenger’s Contract Ticket, accompanied by the Navigation Slip, for passage on board the P & O line’s steamer, S.S. Ballarat, to Australia via the Cape Service, from Port of London to Port of Melbourne. The ticket contract is printed on both sides of a thin paper page. The documents have been completed by hand, and the pages have creases as though they have been folded. Details include the date of sailing, amount paid, and the signature of the P & O Branch Service’s representative. The contract ticket lists weekly provisions for the voyage, a disclaimer of the shipping company, a list of dangerous goods not to be carried on board, and fines. The page has straight edges, top and bottom, and perforated edges on the sides; some perforation holes are complete. A small fleur de lies is printed along the inside of each perforation, forming a decorative left and right border. Stamps and inscriptions are on the contract ticket and navigation slip, which also has a black and white photo of a steam ship.The ticket has been stamped in black, No. ‘1040’. Handwritten details are in black pen and ink. Date of departure: ‘Seventh June [192]9’ for the cost of,’33’ [poind], and the sum of ‘33’ pounds is acknowledged as received. ‘Mr George T.H. PHILLPOT’, the age is written as ‘17’, equal to the status of ‘1’ adult, the total number of persons is ‘One’. The fare is handwritten in pen £’33’ and the total £’33’. It has a purple stamp ‘HERBT. B G LARKIN’ and a crossed out stamp ‘FREDERICK WHITE, A handwritten signature ‘_Seymore’. Under the signature, the date is stamped ‘3 JUNE 1929’.warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, s.s.ballarat, phillpot, 7 june 1929, george phillpot, george t.h. phillpot, third class passenger, steerage passenger, herbert b g larkin, ticket, voyage, p & o, australia via the cape, cape of good hope, suez canal, passengers’ contract ticket, navigation slip, s.s. ballarat, steamship, 1929, 3-6-1929, 7-6-1929, third-class, steerage, port of london, port of melboune, 33 pounds, george thomas henry phillpot, herbt. b g larkin, _seymore, bolton, manchester, english channel, southampton, bay of biscay, straits of gibraltar, maritia, port said, arabian sea, colombo, sri lanka, ceylon, indian ocean, fremantle, port adelaide, citizenship, 1971, herbert b.g. larkin, s.s. ballarat ii,

Item collected by Alva Marie Bennetts whilst deployed to BCOF, 1947-49. See Cat No. 9726P for details of service for Alva Bennetts, VFX128835.Black and white photograph of an Indian soldier in uniform on guard duty. Guard is standing in front of his sentry box. He is standing at ease with his rifle. A sign indicating camp speed limits has been erected on the right hand side of the sentry box.Handwritten in blue ink on front of photograph: “On guard at Eta Jima". Handwritten in black on back of photograph: “Indian Guard”alva bennetts, eta jima, japan, bcof