Looking down Pryor Street towards the intersection with Main Road, Mac's Liquor on left. Shows upgraded footpath area with new paving and planter boxes. Date based on other similar display panels visible in images of the Shire of Eltham display at the Eltham Community Festival, 7 November 1987.Colour photographeltham, main road, shire of eltham, infrastructure development, commercial place, display panel, eltham festival, mac's liquor, pryor street

Looking down Pryor Street towards the intersection with Main Road, Mac's Liquor on left. Shows upgraded footpath area with new paving and planter boxesColour photographeltham, main road, shire of eltham, infrastructure development

Printed annual report comprising paper text pages with colour printed paper cover. The front cover depicts a municipal street-sweeping vehicle and a municipal works employee standing with a long-handled broom. The title "CITY OF BROADMEADOWS" appears at the top of the cover, with the municipal logo and slogan "Building a better future". The publication bears evidence of former ownership by Moreland City Libraries, including labels and classification markings. Softcover publication; paper and paperboard construction.non-fictionOfficial annual report of the City of Broadmeadows for 1994. Includes reports on council operations, administration, finance, infrastructure, community services, planning activities and municipal achievements. The publication serves as a primary source documenting local government functions and community development within Broadmeadows during 1994.city of broadmeadows, local government, municipal administration, annual reports, community services, infrastructure, urban development, council governance, broadmeadows history, hume region.

Stapled booklet comprising 16 pages, printed on semi gloss paper. The publication measures approximately 138 mm high × 222 mm wide (landscape format). Bound at the centre with two metal staples. Rust staining is present around both staples. The cover is worn and beginning to split along the spine, with loss to the lower centre section. Corresponding loss and chipping is evident on pages 3–4 in the same area. General wear consistent with age and handling.non-fictionA commemorative booklet issued for the opening of the Broadmeadows Town Hall, providing historical background, civic information, and promotional content celebrating the municipality and its development.broadmeadows town hall, municipal government, local history, urban development, commemorative publications

Eureka Circle marks the 150th anniversary of the Eureka Rebellion, and captures its sacrifices, sense of noble cause and spirit of unity. Commissioned by the City of Ballarat and the Victorian Government's Regional Infrastructure Development Fund. Unveiled by Premier Steve Bracks 26th November 2004.Colour photographs of a sculpture in the Eureka Stockade Memorial Gardens.eureka stockade memorial gardens, eureka circle, eureka stockade, sculpture, anton hassell

Eureka Circle marks the 150th anniversary of the Eureka Rebellion, and captures its sacrifices, sense of noble cause and spirit of unity. Commissioned by the City of Ballarat and the Victorian Government's Regional Infrastructure Development Fund. Unveiled by Premier Steve Bracks 26th November 2004.Colour photographs of a panel from sculpture in the Eureka Stockade Memorial Gardens.eureka stockade memorial gardens, eureka circle, eureka stockade, sculpture, miltary, soldier

Eureka Circle marks the 150th anniversary of the Eureka Rebellion, and captures its sacrifices, sense of noble cause and spirit of unity. Commissioned by the City of Ballarat and the Victorian Government's Regional Infrastructure Development Fund. Unveiled by Premier Steve Bracks 26th November 2004.Colour photographs of a panel from sculpture in the Eureka Stockade Memorial Gardens.eureka stockade memorial gardens, eureka circle, eureka stockade, sculpture, miltary, soldier

Eureka Circle marks the 150th anniversary of the Eureka Rebellion, and captures its sacrifices, sense of noble cause and spirit of unity. Commissioned by the City of Ballarat and the Victorian Government's Regional Infrastructure Development Fund. Unveiled by Premier Steve Bracks 26th November 2004.Colour photographs of a panel from sculpture in the Eureka Stockade Memorial Gardens.eureka stockade memorial gardens, eureka circle, eureka stockade, sculpture, digger

Eureka Circle marks the 150th anniversary of the Eureka Rebellion, and captures its sacrifices, sense of noble cause and spirit of unity. Commissioned by the City of Ballarat and the Victorian Government's Regional Infrastructure Development Fund. Unveiled by Premier Steve Bracks 26th November 2004.Colour photographs of a panel from sculpture in the Eureka Stockade Memorial Gardens.eureka stockade memorial gardens, eureka circle, eureka stockade, sculpture, digger

Eureka Circle marks the 150th anniversary of the Eureka Rebellion, and captures its sacrifices, sense of noble cause and spirit of unity. Commissioned by the City of Ballarat and the Victorian Government's Regional Infrastructure Development Fund. Unveiled by Premier Steve Bracks 26th November 2004.Colour photographs of a sculpture in the Eureka Stockade Memorial Gardens.eureka stockade memorial gardens, eureka circle, eureka stockade, sculpture

Commissioned by Nillumbik Shire Council - 1997 The selection panel in the commissioning process to this 'extraordinary acquisition' was Rhonda Noble, Director of La Trobe University Museum of Art, Jeph Neale, Eltham Roundabout Advisory Group, Chris Marks, NSC Curator of Collections, Geoff Glynn, NSC Manager of Infrastructure Development.'Nest' highlights the indigenous flora and fauna of the Shire. The stiff, coarse grass used to create the nest is indigenous to the area and the eggs are like those of the spotted quail thrush, a ground-nesting bird of the Shire. The circular flow or placement of the eggs recalls the revolution of the seasons and nesting cycles. There is a tall light pole above the eggs, shining down at night. The effect is of a giant incubator. Enrichment and nurturing of the larger environment can be associated with this sculpture. This work resembles a large bird's nest, with three egg-like forms of fibreglass covered in a pebble render, set on sand. The nest is positioned within the paved boundary of the roundabout. The nest shape has been created out of stiff, coarse indigenous grass, periodically trimmed so the view is not obstructed. The eggs are a brown-speckled, creamy yellow colour. The three eggs are arranged in a ring, with the narrow end of each pointing to the large end of the next, in a circle that mimics the flow of traffic. N/Apublic art, nest, eggs, eltham, ekphrasis2017, mosaic, pebbles, roundabout, spotted quail thrush

Conference to empower rural women. Sponsors Victorian Farmers Federation, Agriculture Victoria, Rabo Bank, Chandler Agribusiness, Department of Infrastructure and Regional Development. What can we do to make a difference in the life of others. Digital imagesagriculture, rural women, victoria, minister for agriculture, jaala pulford, victorian farmers federation, rural women uncovered, rabo bank, agriculture victoria, chandler agribusiness

The newsletter highlights local council initiatives, community events, environmental programs, and infrastructure developments occurring across the Nillumbik Shire during late 2001. It focuses on community engagement, sustainability, local culture, and service improvements for residents. Christmas 2001 articles include: Governor of Victoria re-dedicates Kangaroo Ground War Memorial Tower [Shire of Eltham War Memorial] Election details (2002) Summer at the Diamond Creek Pool Community Safety Expo Nillumbik Festival of the Arts: ‘art, caught in the act’ 22 Feb to 3 Mar 2002 Neighbourhood Character Study out for comment Plans to revive St Andrews Market site Integrated Transport Strategy seeks less car usage Eltham Festival Album Rural connector roads strategy Rural Collector Roads to be Sealed Roundabout funding for Diamond Creek Community Fireguard helps prepare for fire Planning for bush fire this summer Capital Works projects on track for 2001-2002 Eltham Town Square opens council newsletters, nillumbik news, nillumbik shire council, alistair knox, andre haermeyer, andrea roberts, andy griffiths, barry dickens, brett wood, brooke ryan, david holmgren, deborah halpern, emma sam, erin monagle, jenny bourke, john butler, nick carson, robert doyle, sigmund jorgensen, tony fitzgerald, wendy evans, harry gilham, sally crew, matthew hall, diamond creek pool, edendale farm, peter perkins, norman golgerth, coco's lunch, sebastian jorgensen, judy jacques, invention in time, leslie avril, lola's delight, robbie grieg, chocolate lilies choir, st andrews market, neighbourhood character, eltham festival, frank lynch, eltham town square, ross mather, wendy mather, vince jones, rural road, plenty valley 88.6 fm, tony raunic, shire of eltham war memorial, jacinda brown

Digital image by Patricia Cameron at the time of the launch or opening of the relaid or replaced track in Wendouree Parade and depot extension. Has Sam Boon, Cr Daniel Maloney, BTM President Paul Mong, Catherine King MP, Juliana Addison MP and Len Millar - standing in front of tram 13. Catherine King - Minister for Infrastructure, Transport, Regional Development and Local GovernmentProvides information on the people involved at the time of the launch of the new replaced trackwork.Digital Image of the cutting of the ribbon to open the new track - 10 September 2022 btm, trackwork, opening, launch, tram 13, museum, depot

The workshops were opened in November 1917 by the Victorian Railways. It opened in response to political pressures from provincial groups for decentralisation, with the Victorian Railways preferring the cheaper option of expanding the existing Newport Workshops in suburban Melbourne. Furthermore, unemployment had risen in both Bendigo and Ballarat due to a decline in mining operations. The main work carried out was repairs and maintenance of existing wagons and locomotives, however during 1919-22 thirteen new steam locomotives were also built - eight DD class (1033 - 1037, 1047 - 1049) and five A2 class (1078 - 1082). From the 1950s onwards, numerous steam locomotives were scrapped at the workshops. During the years immediately following nominal dieselisation in 1968, they were, at times, cutting up locomotives at the rate of one every two to three weeks. The workshops were also the site of the first VR brass foundry, which was transferred to Newport by the 1960s. Also, throughout 1965, VLX louvred vans were constructed at the workshops, at a rate of one a week. Other tasks included spring manufacture, construction of stainless steel footwarmers, and assembly of pantographs for electric trains, with a staff of 720 employed during 1966. By the 1980s, refurbishment work was also being carried out on Melbourne suburban electric multiple units. The 1980s were also a time of restructuring, and on the breakup of the Victorian Railways the workshops passed to the State Transport Authority and then the Public Transport Corporation. With privatisation the workshops were closed, with the loss of 262 jobs. In February 1996, the workshops were taken over by A Goninan & Co. In October 1999 the workshops were purchased by Great Northern Rail Services, with A Goninan & Co remaining as a tenant. In February 2001 A Goninan & Co vacated the site. The workshops were redeveloped in 2002 at a cost of $6.5 million - $4 million from VicTrack, $2 million from the State Government Regional Infrastructure Development Fund and $500,000 by the City of Greater Bendigo. The Bendigo Rail Workshops at North Bendigo are currently used by Southern Shorthaul Railroad to maintain broad gauge rolling stock for Pacific National, V/Line, Metro Trains Melbourne and CFCLA.Typed document. A4 page folded in half. On tan paper. Document pertaining to Bendigo V/Line workshops open day. Map on inside of folded page. Undated document.train, v/line, workshops, open day

Digital image by Benjamin Boehle-Mitchell at the time of the launch or opening of the relaid or replaced track in Wendouree Parade and depot extension. Image 1 - Has Sam Boon, Cr Daniel Maloney, BTM President Catherine King MP, Juliana Addison MP and Len Millar - standing in front of tram 13. Catherine King - Minister for Infrastructure, Transport, Regional Development and Local Government 2 - Listening to the speaches. 3 - Trams 13 and 33 at depot junction. 4 - Tram 13 at Carlton St 5 - Trams 13 and 33 at St Aidans Drive 6 - Another group photo - Daniel Maloney, Paul Mong, Catherine King, Peter Waugh and Juliania Addison.Provides information on the people involved at the time of the launch of the new replaced trackwork and the first public services.Set of six Digital Images of the cutting of the ribbon to open the new track and other associated images - 10 September 2022 btm, trackwork, opening, launch, tram 13, museum, depot, wednouree parade

28 pages including covers; colour printed publication with card cover and stapled binding. Front cover features the title City of Broadmeadows Annual Report 1993, municipal logo and slogan "Building a Better Future", and a series of colour photographs depicting community facilities, recreation spaces, commercial development and civic infrastructure.non-fictionThe annual report presents an overview of municipal operations and achievements for 1993. Content typically includes reports from the Mayor and Chief Executive Officer, financial statements, departmental reports, community services, engineering and works programs, planning activities, recreation services, economic development initiatives, staffing information and statistical data relating to municipal governance and service delivery.city of broadmeadows, local government, municipal administration, annual reports, civic governance, community services, urban development, municipal finance, recreation facilities, infrastructure, broadmeadows, hume region, victoria, local history, municipal reform.

A pictorial history of the Australian goldrush. In 1851 Australia's gold rush had begun, and the focus of the world suddenly turned to the hills, gullies and creeks of New South Wales and Victoria as people from all over the world rushed to the diggings. Gold mining in Australia has a rich history that began in the early 19th century, leading to significant economic growth and population influx during the gold rushes of the 1850s. The first documented discovery of gold in Australia occurred in 1823 near Bathurst, New South Wales. However, it wasn't until 1851 that significant gold deposits were found at Ophir, which triggered the first major gold rush. The discovery of payable gold led to a massive influx of prospectors and miners from around the world, particularly during the Victorian Gold Rush. By the mid-1850s, Australia was producing nearly 40% of the world's gold. The gold rushes significantly increased Australia's population, with estimates suggesting that the population tripled from 1851 to 1860 due to the influx of miners and their families. Economic Contributions: Gold mining became a cornerstone of the Australian economy, contributing to export income and the development of infrastructure. The wealth generated from gold mining helped finance the young colonies and led to the establishment of new towns and services."Gold! Off to the Diggings" by Geoff Hocking. Published by New Chum Press in 2010. Hard cover book which is black fabric. Title and author's name in gold on spine. Dust jacket is multi-colored, with different gold mining scenes on front and back. Title written on gold and black on front cover and spine. Printed in Castlemaine, Australia. 320 pp. Glossy pages. Contains both text and black and white images. Has index. ISBN 9780957897236. gold, mining, miners

Bendigo TAFE is made up of many prior entities, including Bendigo Regional Institute of TAFE, Bendigo School of Mines, Bendigo Technical College, Bendigo Junior Technical School and Loddon Campaspe College of TAFE, just to name a few. Over 150 years, the Bendigo TAFE campus has played the pivotal role of a technical secondary school, a technical college and, as the regional university sector strengthened in more recent decades, a key provider of vocational education and apprenticeship training. With Bendigo's rich mining history, the Bendigo School of Mines played a critical role in providing the training and skills to many engineers and mining industry workers throughout the 19th and 20th centuries. Commencing with the Bendigo School of Mines in 1873, La Trobe University is proud to continue the legacy of offering high quality, accessible education to the Bendigo Community. The 150 Years of Tertiary Education in Bendigo celebration focuses on our past achievements and successes and celebrates our antecedent organisations. As we reflect on our history, we also aim to explore and celebrate the transformational impacts on workforce capability, culture, infrastructure and ecomomic development through education and research, industry, social institutions, and regional development now and into the future. As Victoria’s only statewide university, La Trobe University is deeply committed to its regional campuses and has played a pivotal role in the transformational impact of education on the communities in which it is located. The history of La Trobe University in Bendigo is intertwined with TAFE and antecedent institutions, and has been an integral part of La Trobe since 1991. Key Milestones in Bendigo's Tertiary History: • 1873: The Bendigo School of Mines opens on McCrae Street, marking the start of higher education in the region. • 1883: Renamed the Bendigo School of Mines and Industries. • 1926–1959: The Bendigo Teachers' College launches (1926), re-opens post-war (1945), and relocates to Osborne Street (1959). • 1950: The Northern District School of Nursing is established. • 1959–1967: The School of Mines becomes the Bendigo Technical College (1959) and then the Bendigo Institute of Technology (1967). • 1970: The Edwards Road campus opens in Flora Hill. • 1976: Amalgamates into the Bendigo College of Advanced Education (BCAE). • 1991: Affiliates with La Trobe University following the federal Dawkins higher education reforms, becoming the La Trobe University College of Northern Victoria (LUCNV). • 2004: Fully integrates into La Trobe University as the official Bendigo Campus.Hard cover. 205 pages. Black and white and color images throughout book. Front cover has image of the then Bendigo Institute of Technology, taken May, 1952 - black and white image. 'The 150 years book' faintly embost on front cover. Back cover has a color image of La Trobe University , Bendigo, in 2023. Title in white and green towards the bottom of the front cover. Spine black in color with title in white and green. La Trobe logo on both spine and back cover. Contents page, but no index. ISBN: 978-0-64846881-8-9. Published in Australia by La Trobe University Library, 2023. Lead Writer: Lauren Mitchell. Contributors: Dr Michael Angove, et al. education, la trobe university, tafe, bendigo education

This is a collection of photographs of former Shire / City secretaries and town clerks of the former Shire of Braybrook and City of Sunshine. Before modern CEOs existed in Victorian local government, the Shire / City Secretary or Clerk was the most senior administrative officer in a shire or city. They were effectively the chief executive, chief financial officer, and chief governance officer rolled into one. Below is a detailed breakdown of what a Shire / City Secretary traditionally did. 1. Chief Administrative Office The Shire Secretary managed the entire day‑to‑day operation of the shire, including: - Supervising all council staff - Implementing council decisions - Managing correspondence, records, and official documents - Ensuring services were delivered (roads, drainage, health, building, etc.) This is the historical equivalent of the CEO role described in modern council structures. 2. Governance and Council Support The Shire Secretary was responsible for: - Preparing agendas and minutes for council meetings - Advising councillors on legislation and procedures - Ensuring compliance with the Local Government Act - Managing elections and public notices This aligns with the governance responsibilities now embedded in the Local Government Act 2020. 3. Financial Management The Shire Secretary was also the shire’s chief financial officer: - Preparing budgets - Managing rates and revenue - Overseeing expenditure - Producing annual financial statements In many small shires, the Secretary also acted as Treasurer. 4. Public Interface The Shire Secretary was the main point of contact for the community: - Handling complaints and enquiries - Issuing permits and licences - Coordinating public works requests - Communicating council decisions to residents They were often the most recognisable council official in the district. 5. Strategic and Long‑Term Planning Although less formalised than today, the Secretary played a key role in: - Planning infrastructure - Advising on township development - Managing land records and valuations - Coordinating with state government departments This mirrors the strategic functions now assigned to CEOs under the Local Government Act.This collection of photographs shown all the men who served as the Shire Secretary, Town Clerk or CEO for the Shire of Braybrook or for the City of Sunshine.Sunshine Council July 2007 5452.01 - Shire of Braybrook Shire Secretary William 'Bill' Pullar 1860 - 1907.jpg 5452.02 - Shire of Braybrook Shire Secretary D. Lingford 1908 - 1911.jpg 5452.03 - Shire of Braybrook Shire Secretary Walter John Andrew 1911 - 1927.jpg 5452.04 - Shire of Braybrook Shire Town Clerk Edgar Hargreaves 1927 - 1954.jpg 5452.05 - City of Sunshine Town Clerk Thomas William 'Bill' Deutschmann 1954 - 1984.jpg 5452.06 - City of Sunshine Town Clerk G. S. Pearson 1984 - 1987.jpg 5452.07 - City of Sunshine CEO And Town Clerk J. James 1987 - 1992.jpg 5452.08 - City of Sunshine Town Clerk John Noble Willaton 1992 - 1994.jpg 5452.09 - Shire of Braybrook Shire Secretaries and Town Clerks 1860 - 1954.jpg 5452.10 - City of Sunshine Town Clerks 1954 - 1994.jpg shire of braybrook, city of sunshine, town clerk, shire secetary, william "bill" pullar, d. lingford, walter john andrew, edgar hargreaves, thomas william "bill" deutschmann, g. s. pearson, j. james, john noble willaton

The subject of this photograph, David Charteris McArthur, was the founding manager of the Bank of Australasia in Port Phillip (Melbourne). McArthur was born in 1808 in Gloucester, England, and educated in Scotland. He worked for an insurance firm in Edinburgh, where in 1835 he married Caroline, nee Wright. McArthur and his family party sailed from the U.K. to arrive in Sydney in October 1835, where he joined the Bank of Australasia when it opened in Sydney in December. McArthur sailed to Melbourne in August 1838 with 3000 pounds in coins, protected by armed guards and two bulldogs, to open the Melbourne branch of the Bank of Australasia. The branch grew quickly, servicing both private and government customers. He opened many branches in the goldfields during the 1850s. In 1862, he was appointed as general inspector of branches. He spent time with the bank in New Zealand. On his return to Melbourne, at age 57, he was put in charge of the entire bank. McArthur lived in the hills of Heidelberg, Melbourne. He was the first chairman of Associated Banks and was an advisor to politicians and merchants. He was retired in October 1876 by the London directors and given a free trip to London, an annuity and a seat on the bank’s Advisory Board. McArthur was active in the community, being a member of the Mechanics’ Institute, on the committee that advised Governor Hotham on the Colony’s finances, chairman of the Heidelberg Road Board, one of the original trustees of the Library of Victoria in 1853 and president of the trustees of the Public Library, Museums and National Gallery of Victoria in 1880-83. He was also on many other community organisations. He died in his home “Charterisville” in East Ivanhoe in 1887. He and Caroline had no children. The Melbourne branch of Australia and New Zealand Bank has a portrait of McArthur in its boardroom. St John's Church, Heidelberg, commemorates him with a stained-glass window entitled 'King David'. The McArthur Gallery in the National Gallery of Victoria is also named after him. (David's brother, Donald, moved from Sydney to Melbourne in 1836 with the first government survey team.) ABOUT THE BANK OF AUSTRALASIA In 1836 the Bank of Australasia was established in London by Royal Charter. In 1951 the bank merged with the Union Bank of Australia, to form ANZ Bank Limited. In 1970 it merged with the English, Scottish and Australian Bank to become Australia and New Zealand Banking Group Limited. Since that time the ANZ has acquired other banks and introduced Internet banking and mobile banking. BANK OF AUSTRALASIA IN WARRNAMBOOL The Bank of Australasia first opened in Warrnambool in July 1854 in a building on Merri Street. The manager was Mr Samuel Hannaford. The bank then purchased and moved to a stone building on the corner of Timor and Gibson Streets, previously owned by Cramond and Dickson and almost opposite the Examiner’s office. In January 1957 Mr W.H. Palmer became the new manager and was there until November 1869. The bank then built its own building on the corner of Timor and Kepler Streets in 1859. Mr Basil Spence, the teller, was appointed acting manager in 1869 and Mr H.B. Chomley was the next appointed manager, in April 1873 and was still manager in 1886. The municipality of Warrnambool first banked with the Bank of Australasia from 1856 to April 1857. David Charteris McArthur served as the founding manager of the Bank of Australasia. His leadership marked a significant chapter in Warrnambool's early commercial development. The municipality of Warrnambool relied on the Bank of Australasia as its official bank from 1856 until April 1857. This period is symbolised by a photograph of McArthur, which represents the origins of Warrnambool's commercial history and its early financial infrastructure.Photograph; portrait of David Charteris McArthur. Heavily retouched black and white print in plain brown varnished frame, behind glass, with plaque on lower edge and inscription lower left corner.Lower left corner "A-H 1-9". Engraved on plaque "DAVID CHARTERS MCARTHUR \ SUPERINTENDENT \ BANK OF AUSTRALASIA \ 1867-1876"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bank of australasia, david charteris mcarthur, superintendent bank of australasia, colonial commerce, manager bank of australasia melbourne, colonial bank, warrnambool bank of australasia, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, boa, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur

This plan is of great significance to the local history of Warrnambool, in particular the Breakwater and its impact on Warrnambool's maritime and trade history. The plan shows the existing jetties at the Port of Warrnambool, plus the partially erected Breakwater and proposed works to the Breakwater by both the Borough of Warrnambool Surveyor and Sir John Coode. The plan was signed 28th February 1879 by Sir John Coode. The legend at the bottom left describes the existing works and the proposed works. The Warrnambool Breakwater Sir John Coode was a British harbour engineer. He was brought to Melbourne by the Melbourne Harbour Trust to advise on works to improve the Port of Melbourne. The Victorian Government commissioned him to present a plan to complete the Warrnambool Breakwater. His original plan was too expensive so he prepared a revised plan for a shorter structure. The work was completed in 1890. The construction proved to be too short to protect adequately from the weather and didn't allow enough depth for larger vessels to come into port. The decreasing trade was further affected by siltation in the bay due to the breakwater, and the completion of the railway line. The situation of the harbour became a real problem that, by 1910, required continuous dredging. In 1914 the Breakwater was extended but proved to be a failure because the work began to subside and by 1920 about two thirds of the harbour was silted up. Alterations made in the 1920's increased the silting problem and by the 1940's the harbour was no longer used. More alterations were made in the 1950's and 1960's. The Warrnambool Breakwater is registered as a place of significance on the Victorian Heritage Database. This plan of the proposed works for the existing Warrnambool Breakwater is of great significance to the local history of Warrnambool, in particular the Breakwater and its impact on Warrnambool's maritime and trade history. The Warrnambool Breakwater is registered as a place of significance on the Victorian Heritage Database (VHR H2024). It is historically significant to Victoria as one of the most important maritime engineering projects in Victoria in the late 19th century. The Warrnambool Breakwater is of historical significance as one of the most important maritime engineering projects in Victoria in the late nineteenth century. It is evidence of Victoria's nineteenth century investment in regional port infrastructure and the development of Victorian coastal shipping. It is of significance for its association with the English civil engineer Sir John Coode, the most distinguished harbour engineer of the nineteenth century, who was brought to Victoria to advise on works to improve the Port of Melbourne, but was retained by the Government to advise on improvements to the harbours at Portland, Geelong, Port Fairy, and Lakes Entrance, as well as Warrnambool. His projects for Melbourne, Lakes Entrance and Warrnambool were major engineering projects of the nineteenth century. The breakwater is historically significant as a reminder of Warrnambool's early maritime history as a Western District port, and as one of Victoria's major 'outer ports'. While the Warrnambool Breakwater is a demonstration of the engineering skills of the nineteenth century, it also demonstrates the limitations of knowledge relating to sedimentology at the time and the confidence apparent in a number of nineteenth century plans which assumed that natural forces could be overcome or contained by engineering.Plan of Warrnambool Harbour, Port of Warrnambool, dated 28 Feb 1879. Plan shows existing Breakwater and work proposed by both Warrnambool Borough Surveyor and Sir John Coode. Plan has gold coloured quarter-dowel rods top and bottom and a metal ring at the top. Stamped with title. Signed by Sir John Coode.Stamped "VICTORIAN HARBOURS / WARRNAMBOOL / PLAN / to accompany / SIR JOHN GOODE'S REPORT / DATED 28 FEB 1879" Signature "John Coode"flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, sir john coode, borough of warrnambool surveyor, plan of warrnambool, victorian harbours, warrnambool harbour, warrnambool breakwater, port of warrnambool, vhd vhr h2024, flagstaff hill maritime museum & village, maritime village, map, chart, plan, lady bay, breakwater, jetty, pier, vhr h2024, proposed works, 1879

Beechworth's Anglican Church, Christ Church St Peter and St Paul, has served the Beechworth community since 1858 in its present form, following its beginnings in a tent in 1855. The Victorian branch of the National Trust classified the building as regionally significant in 1959 and the organ as of significance to the nation in 1992. Building a place for Anglican worship was a priority in the early days of Beechworth's settlement as the town was a site of regional administration due to its association with the economic and social expansion of Victoria during the Gold Rush period. The Church garden features several significant trees monitored by the Beechworth Treescape Group, including a cork oak growing near the Ford Street entrance, an Atlantic cedar, a bunya or bunya-bunya pine and two kurrajongs. Some of these long-established trees may be visible in this lantern-slide image. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's social amenities and religious infrastructure in the late Nineteenth Century. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.Obverse: 1 /beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, christ church, indigo shire, north-east victoria, churches, architecture, anglican, religion, atlantic cedar, organ, magic lantern, christ church st peter and st paul, beechworth treescape group, cork oak, bunya pine, bunya bunya, kurrajong, quercus suber, cedrus atlantica f. glauca, araucaria bidwillii, brachychiton populneus

This image appears to show nurses at what is now the Mayday Hills Mental Asylum arriving for work in approximately 1900. These individuals are part of a long history of nursing in Beechworth. Three medical or social welfare facilities opened in the mid-1800s as part of a push by the township to become a regional centre for Government services. These were the Ovens District Hospital (opened in 1857), the Ovens Benevolent Asylum (opened in 1863), and the Beechworth Mental Hospital (opened in 1867 and renamed Mayday Hills Hospital at Centenary celebrations in 1967). It was recognised that the unsettled living conditions, poverty and relative isolation of the Goldfields environment could produce 'mental disturbances' which required local treatment facilities as services in Melbourne were too far away. Carole Woods' publication 'A Titan's Field' describes activities undertaken by patients at Beechworth Mental Hospital as including monthly balls and occasional concerts as well as work to make the facility self-supporting such as farm work and making clothes. She mentions a report in 1870 that the approximately 300 patients were clean and neat with 'no-one in restraint or seclusion' but that by 1905 the organisation had 623 patients which placed strain on building infrastructure such as heating and water supplies, leading to high turnover of nurses and other issues. A program of building works to extend and improve facilities followed over subsequent decades. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques This glass slide is significant because it provides insight into Beechworth's social and medical amenities in the early Twentieth Century, around the time of Australia's Federation into one nation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a rectangular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.Obverse: i /burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides, nursing, nurses, mental hospitals, lunatic asylums, asylums, social services, social welfare, insane asylums, mental health, infrastructure

This image shows a semi-aerial view of commercial and official properties lining Ford Street, Beechworth, in approximately 1900. The tower of Christ Church of St Peter and St Paul can be seen in the middle section of the photograph, on the left-hand side of the street. The Church was constructed in 1858 with the tower added to the structure in 1864. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and commercial and official infrastructure in the early Twentieth Century, around the time of Australia's Federation into one nation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, ford street, christ church of st peter and st paul, church tower, landmarks, 1900, shopping facilities, public buildings, 1900s, built environment, streetscape

This image appears to show nurses at what is now the Mayday Hills Mental Asylum in approximately 1900. These individuals are part of a long history of nursing in Beechworth. Three medical or social welfare facilities opened in the mid-1800s as part of a push by the township to become a regional centre for Government services. These were the Ovens District Hospital (opened in 1857), the Ovens Benevolent Asylum (opened in 1863), and the Beechworth Mental Hospital (opened in 1867 and renamed Mayday Hills Hospital at Centenary celebrations in 1967). It was recognised that the unsettled living conditions, poverty and relative isolation of the Goldfields environment could produce 'mental disturbances' which required local treatment facilities as services in Melbourne were too far away. Carole Woods' publication 'A Titan's Field' describes activities undertaken by patients at Beechworth Mental Hospital as including monthly balls and occasional concerts as well as work to make the facility self-supporting such as farm work and making clothes. She mentions a report in 1870 that the approximately 300 patients were clean and neat with 'no-one in restraint or seclusion' but that by 1905 the organisation had 623 patients which placed strain on building infrastructure such as heating and water supplies, leading to high turnover of nurses and other issues. A program of building works to extend and improve facilities followed over subsequent decades. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's social and medical amenities in the early Twentieth Century, around the time of Australia's Federation into one nation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides, nursing, nurses, mental hospitals, lunatic asylums, asylums, social services, social welfare, insane asylums, mental health, infrastructure

This slide shows a train proceeding along the Beechworth rail trail in approximately 1900. The rail line to Beechworth was the subject of significant lobbying by local officials such as John Orr and G.B. Kerferd in the 1860s, as it was recognised that the poor quality of roads to Melbourne and Albury hindered trade and formed a barrier to the social development of the town. The subsequent positioning of Beechworth on a branch rather than a main line was not considered ideal to achieve these aims, but the Everton-to-Beechworth and Beechworth-to-Yackandandah components of the line cost an average of £7,277 per mile and State Government officials felt the need in the area did not justify the cost of a direct line. The Beechworth Railway Station was officially opened on the 29th of September 1876 and ran services twice daily to Melbourne, transporting nearly 12,000 passengers and around 6,500 tons of cargo in 1900. It closed in 1976 and is today used as a cycling trail used by locals and promoted as a feature of the area to tourists. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's social amenities and transport infrastructure in the late Nineteenth Century. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metal strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, indigo shire, north-east victoria, rail trail, beechworth rail trail, beechworth station, everton, wangaratta, wodonga, albury, rail transport, cargo transport, g.b. kerferd, john orr, murray to mountains rail trail, cycling, biking, railway