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Mission to Seafarers Victoria
Artwork, other - Art installation, Dagmar Udhe, Leap of the Heart: Ultramarine perspex oval shape by Dagmar Udhe, 1998
... Art installation...art installation... of art practices and the dissolution of communism... in docklands." art installation dagmar udhe cultural events artwork ...See document 1507Information for the brochure (http://www.artdes.monash.edu.au/globe/issue8/tbtitle.html) Construction in Process VI The Bridge, Melbourne Event: March 21-31 1998 Exhibition April 1-30 1998 During Construction in Process (CIP) III at Lodz, Poland in 1991, Emmett Williams and other participating artists initiated the idea of a biannual "performance" of their project in different cities and sites around the world. In the first instance, CIP was a response to the strictures of museum contained commodification of art practices and the dissolution of communism. And with this agenda in mind, their events affirm the active participation of international artists with local infrastructure and site specific materials. The organisation of the 1998 CIP in Melbourne, titled "The Bridge", took Richard Thomas, Katherine Armstrong, Gail Davidson and the legion of others over two years of dedication. And they brought off one of the most open-ended, logistically challenging conceptual events this metropolis has witnessed. The following photo essay provides a personal survey of the "The Bridge", as I saw it transpire around me. German artist Dagmar Udhe created several art installation in Swanson Dock and the Mission. This plaque was placed either in the dome or outside the dome. It may have been forgotten or left intentionally by the artist.PerformanceUltramarine ovoid shaped perspex plaque attached to the wall in the entrance of the Mission (Flinders Street).art installation, dagmar udhe, cultural events, artwork-paintings -
Mission to Seafarers Victoria
Booklet - Catalogue, Margaret Woodward, The Sea is All Around us, 2015
... art installation...Small flyer in PDf for the art installation by artist... in PDf for the art installation by artist Margaret Woodward ...Margaret Woodward is a an artist and an an associate professor of design at Charles Sturt University. Artist statement: "The Sea is All Around us is a multi-layered event which creates a memorable experience for those visiting the Dome Gallery and the Mission to Seafarers in Melbourne’s Docklands. The event acknowledges and raises awareness of the often difficult and dangerous working lives and journeys of seafarers by making visible their role in transporting commodities, materials and objects to and from Australia’s shores. This installation at the Dome Gallery in the Mission to Seafarers in Melbourne’s Docklands marks the third stage of an ongoing research project which seeks to reveal the ‘social life’ of souvenirs. Beyond their representational role souvenirs also trigger intangible, affective qualities – reminders of journeys and places, new associations with tastes, sounds and people, and thereby becoming objects which focus and hold memories. This installation invites seafarers and visitors to participate in a global project which aims to witness sea journeys and trace the mobile life of seafarers and souvenirs. For a fortnight in May 2015, the Dome Gallery became an architectural large scale compass, with the circular floor marking the intersection of its latitude and longitude (37 º 49'21" S 144º 57'03"E). Over these two weeks the Dome Gallery was inscribed with marks recording journeys made by seafarers, recording destination and departure ports, home lands and waterways, and in doing so making visible a small segment of the global patterns of seafaring. Custom-made souvenirs designed for the installation are given to seafarers as gestures of welcome and a memento of their visit. The souvenirs originating in Poland continue their journey by sea, to destinations beyond the Dome becoming part of the global network of seafaring, with an invitation for seafarers to record their future journeys using QR code scanning technologies. It is hoped that by releasing the 200 limited edition souvenirs accompanying the seafarers the mobile life of souvenirs and seafarers will also become visible. Like messages in bottles they leave our shores, becoming ambassadors, representing the Dome Gallery at the Mission to Seafarers, the waters of Port Phillip Bay, Australia’s red soil and vegetation, and carrying memories of visiting Melbourne." The Mission has always been open to the community and has a tradition of hosting cultural events: shows, concerts, exhibitions, festivals.Small flyer in PDf for the art installation by artist Margaret Woodward at the Mission to Seafarerscultural events, norla dome, mso, 2015, art installation, margaret woodward -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, Patrick Jones, 'Poemscape: a physical anthology' - Patrick Jones. 1999, 1999
... installation art...Public Art Environmental installation work installed near... brennan hepburn shire daylesford library public art installation ...The work was installed at the cnr of Bridgport St and the Midland Hwy, adjacent to the Daylesford Library, in 1999. The work was commissioned by the Friends of the Library, Daylesford and funded by Arts Victoria and the Australia Council. Poemscape: a physical anthology is a much loved site specific installation work commissioned by the Friends of the Library, funded by Arts Victoria and the Australia Council, made by Daylesford resident Patrick Jones in response to his interests in the provision of public food, the development of locavore sensibilities and the rethinking of economies of material accountability and regard. Patrick Jones is a poet and non-fiction writer, a visual artist and ecological thinker. In 2013 Patrick Jones was awarded the degree of Doctor in Creative Arts from the University of Western Sydney for his thesis, 'Walking for food. Regaining permapoesis.'Public Art Environmental installation work installed near the Daylesford Library. Poemscape: a physical anthology comprises of 19 apple trees (18 Fuji apple trees and 1 Granny Smith apple tree) planted on the corner of Bridgport St and the Midland Hwy, adjacent to the library. Adjacent to each tree is a hardwood plinth at topped with a laser engraved brass plate that has been screwed in place. The text of each plate is by 19 poets including the artist and Daylesford resident Patrick Jones, local poets Peter O'Mara, Toby Sime and Robert Campbell, Australian poets Geoff Page, Kath Walker, D T Sime, Judith Wright, Ramona Barry, Jack Davis, Robert Campbell, Christopher Brennan and International Poets Dylan Thomas - Welsh, Sylvia Plath - American, Choku Kanai - Japanese, William Blake - English, Duo Duo - Chinese (translated from the Chinese by John Rosenwald), Yannis Ritsos- Greek (translated from the Greek by Kimon Friar & Kostas Myrsiades), Michel Deguy - French (translated from the French by Clayton Eshleman), Seamus Heaney - Irish and Rainer Maria Rilke - German. The title plate adjacent to the Granny Smith apple tree is by the artist/poet - Patrick Jones. See photographs with images of each of the laser engraved brass plates. permapoesis, artist as family, patrick jones, william blake, kath walker, chaku kanai, peter o'mara, sylvia plath, dylan thomas, geoff page, duo duo, d.t. sime, judith wright, yannis ritsos, michel deguy, ramona barry, seamus heaney, jack davis, rainer maria rilke, robert campbell, christopher brennan, hepburn shire, daylesford library, public art, installation art, environmental art, hepburn shire public art collection -
Greensborough Historical Society
Photograph - Digital Image, Marilyn Smith et al, Art at WaterMarc,GHS participation, July 2017, 22/07/2017
... Photographs of GHS members supporting an art installation...Digital photographs of GHS members at art installation.... members at art installation. Photographs of GHS members supporting ...Photographs of GHS members supporting an art installation by Jessie Stanley at WaterMarc Greensborough on 22/07/2017. Greensborough Historical Society participating in community events.Digital photographs of GHS members at art installation.jessie stanley, watermarc, greensborough historical society -
Hepburn Shire Council Art and Heritage Collection
Installation work at Hepburn Sound Shell, Hepburn, Victoria, 'Flight of Fancy', Petrus Spronk. 2014, 2014
... installation art... spronk art sculpture hepburn shire installation art contemporary ...Petrus Spronk is an artist of national and international significance who lives in the Hepburn Shire. He is a well loved member of the Daylesford community and gifted this work to the community as thanks for the support he received during his cancer treatment in 2013. Installation work installed at the Hepburn Sound Shell in 2014. The work comprises ceramic tiles joined/cut into 67 full bird shapes and 3 partial bird shapes.petrus spronk, art, sculpture, hepburn shire, installation art, contemporary art, hepburn sound shell, hepburn, daylesford, public art -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, 'Bunjil' - Russell Petherbridge. 2012, 2012
... installation art... 2015 art public art sculpture installation art aboriginal art ...'Hepburn Pool is a forgotten treasure which many visitors to Hepburn Springs would never be aware of. The owners of the Bellinzona Grange hotel explained that it was once the hotel pool and was built in the 1930's. You can find it behind this hotel, downhill at a street called The Pool Way. Steps and a ramp continue down to the pool itself and the secluded park around it. It was built into Spring Creek and became a competition pool for state swimming championships. A concrete weir separates a shallow children's pool from the main pool. You can still see the numbers of each lane painted on the walls at the deep end. There are plenty of seats and a barbeque area. A sign says this is a sacred aboriginal spot and you can certainly feel something magical about the place. I wouldn't suggest swimming in the former pool, it looks rather murky now.' Review of Hepburn Pool by 'Jolyon67' on 'Tripadvisor', 3 June 2015'The Bunji: The Bunjil sculpture emerged from discussions with local indigneous Elders, as a dreamtime totem to the Sacred Pool at Hepburn Springs. The original idea was to create the 3 totems of the area...the Bunjil, The Crow and The Bat. Russell applied for, a council grant of $3,000 to design, create and install the Bunjil Sculpture to overlook the pool and reflect its powerful image in the water.' Information provided by Russell Petherbridge, December 2015Large scale steel sculpture depicting 'Bunjil', the dreamtime totem of the Hepburn Pool, an eagle in flight.art, public art, sculpture, installation art, aboriginal art, site specific art, hepburn shire, hepburn shire public art collection, russell petherbridge, bunjil, hepburn, hepburn pool, aboriginal significance, steel sculpture -
Women's Art Register
Book, Toby Clark, Art and Propaganda in the Twentieth Century. The Political Image in the Age of Mass Culture, 1997
... installation art... installation art Using paintings, posters, photographs, film stills ...Using paintings, posters, photographs, film stills and sculpture the author explores how propaganda art can be determined and defined.Booknon-fictionUsing paintings, posters, photographs, film stills and sculpture the author explores how propaganda art can be determined and defined.war, feminism, installation art -
Mission to Seafarers Victoria
Souvenir - Cup, Margaret Woodward, 2015
... art installation...Orange enamel and teal mug created for the art installation.... cultural events norla dome mso 2015 art installation margaret ...Margaret Woodward is a an artist and an an associate professor of design at Charles Sturt University. Artist statement: "The Sea is All Around us is a multi-layered event which creates a memorable experience for those visiting the Dome Gallery and the Mission to Seafarers in Melbourne’s Docklands. The event acknowledges and raises awareness of the often difficult and dangerous working lives and journeys of seafarers by making visible their role in transporting commodities, materials and objects to and from Australia’s shores. This installation at the Dome Gallery in the Mission to Seafarers in Melbourne’s Docklands marks the third stage of an ongoing research project which seeks to reveal the ‘social life’ of souvenirs. Beyond their representational role souvenirs also trigger intangible, affective qualities – reminders of journeys and places, new associations with tastes, sounds and people, and thereby becoming objects which focus and hold memories. This installation invites seafarers and visitors to participate in a global project which aims to witness sea journeys and trace the mobile life of seafarers and souvenirs. For a fortnight in May 2015, the Dome Gallery became an architectural large scale compass, with the circular floor marking the intersection of its latitude and longitude (37 º 49'21" S 144º 57'03"E). Over these two weeks the Dome Gallery was inscribed with marks recording journeys made by seafarers, recording destination and departure ports, home lands and waterways, and in doing so making visible a small segment of the global patterns of seafaring. Custom-made souvenirs designed for the installation are given to seafarers as gestures of welcome and a memento of their visit. The souvenirs originating in Poland continue their journey by sea, to destinations beyond the Dome becoming part of the global network of seafaring, with an invitation for seafarers to record their future journeys using QR code scanning technologies. It is hoped that by releasing the 200 limited edition souvenirs accompanying the seafarers the mobile life of souvenirs and seafarers will also become visible. Like messages in bottles they leave our shores, becoming ambassadors, representing the Dome Gallery at the Mission to Seafarers, the waters of Port Phillip Bay, Australia’s red soil and vegetation, and carrying memories of visiting Melbourne." The Mission has always been open to the community and has a tradition of hosting cultural events: shows, concerts, exhibitions, festivals.Orange enamel and teal mug created for the art installation by artist Margaret Woodward at the Mission to Seafarers. On one side it is decorated with a compass and a latitude and longitude; on the opposite side, a leaf, a QR code on the bottom takes you to the website.Written at the bottom of the mug: Please scan to map the journey of this souvenir * www.sensingtheremote.net *2015cultural events, norla dome, mso, 2015, art installation, margaret woodward -
Greensborough Historical Society
Photograph - Digital Image, Art at WaterMarc, July 2017, 22/07/2017
... Photographs of an art installation by Jessie Stanley...Digital photographs of art installation.... at WaterMarc, July 2017 Digital photographs of art installation ...Photographs of an art installation by Jessie Stanley at WaterMarc Greensborough on 22/07/2017. From Jessie Stanley's FaceBook page :Dust to Dust is complete... It's an ephemeral site-specific work about how the Melbourne suburb of Greensborough has transformed over time. This area's exceptionally fertile soil [used by] by white settlers for farms, market gardens and orchards reshaped the Wurundjeri's traditional lands - and today the private sale and division of these farms informs the streetscape and town plan. With soil sourced locally this work reveals some of the area’s history - the text running around the perimeter was written by former resident Val Wilson, a snippet of her recollections of growing up in the area in the 1950s. The arrows and text act like a compass to orientate this site with greater Melbourne. On display in the lobby of Banyule Council until chance, time (or a broom) sweeps it away, Many thanks to Banyule City Council, Greensborough Historical Society and Valerie Wilson. "An artistic representation of Greensborough's history.Digital photographs of art installation.jessie stanley, watermarc, greensborough historical society, banyule council -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Artwork, other - light installation, Peter Kennedy, Light as a feather, 2017
... . sculpture public art installation feather neon lights peter kennedy ...LED light, laser cut metal Located in the entrance to Bayside Gallery, Corner Wilson and Carpenter Streets, Brighton, Victoria 3186.sculpture, public art, installation, feather, neon, lights, peter kennedy, play on words, light as a feather -
Mission to Seafarers Victoria
Document - Statement, Photocopy, Dagmar Udhe, 1998
... art installation... of the Mission with artists since its beginning. dagmar udhe art ...The organisation of the 1998 CIP , 6th edition in Melbourne was titled "The Bridge", and took Richard Thomas, Katherine Armstrong, Gail Davidson and the legion of others like Dgamar Udhe, a German artist, over two years of dedication. One of the oval was left at the Mission since.The item demonstrates the ongoing relation of the Mission with artists since its beginning. http://www.artdes.monash.edu.au/globe/issue8/tbtitle.html The oval ultramarine perspex is still exhibited in the entrance hall: See item 1493 dagmar udhe, art installation, dome, exhibition, cultural events -
Port Melbourne Historical & Preservation Society
Archive - File, Port Melbourne Leading Lights, c. 1995
... for commissioning public art installation re the Leading Lights - - extracts... for commissioning public art installation re the Leading Lights - - extracts ...Found in Pat Grainger's archivesFile of photocopies prepared for Angela Wallace in the early days of the City of Port Phillip, as reference for commissioning public art installation re the Leading Lights - - extracts from heritage study done about 1990 ;letter to Angela;piers and wharves, leading lights, arts and entertainment, beacons, angela wallace, leading lights -
Greensborough Historical Society
Article, Rosalie Bray et al, WaterMarc, July 22 2017, 22/07/2017
... was invited to attend as a local artist completed an art installation.... to attend as a local artist completed an art installation ...A short report by Rosie Bray on a Community promotion at WaterMarc on July 22, 2017. Greensborough Historical Society was invited to attend as a local artist completed an art installation.One page, text and colour photographs; 2 printed photos.greensborough historical society, watermarc -
Port Melbourne Historical & Preservation Society
Photograph - Installation, heavily pink, at exhibition, Mission Arts Centre, Missions to Seamen buiding, Port Melbourne, Alison Kelly, c. 1988
... have copies already in collection. Installation, heavily pink... Street) Port Melbourne melbourne Installation, heavily pink ...One of thirty photos taken by Alison Kelly at the Mission Arts Centre, late 1980s, early 1990s. Some with captions. Many have copies already in collection. Installation, heavily pink, at art exhibition.missions to seamen, arts and entertainment, celebrations fetes and exhibitions, mission arts centre -
Eltham District Historical Society Inc
Photograph, Peter Pidgeon, Eltham Cemetery, 5 Mar 2016
... Heritage Excursion - finding out about the proposed art... Heritage Excursion - finding out about the proposed art ...Heritage Excursion - finding out about the proposed art installation "Our Eltham: Artistic Recollections"; 31 panels to be created by artist Nerina Lascelles and ceramicist Linda Detoma featuring historical images and flora in a celebration of life in the Shire for over 150 years; a project designed and constructed by Leigh Wykes with Australian stone and ironwork by Neil Carter.Born Digitalactivities, art in public places, artists, eltham cemetery, eltham district historical society, geoff watt, heritage excursion, linda detoma, nerina lascelles, eltham cemetery trust -
Federation University Art Collection
Drawing, Julie Heron, 'Beauty, quietly determined, picked up the Secateurs' by Julie Heron, 1998
... research were made evident through an art installation... made evident through an art installation and accompanying ...Dr Julie HERON Julie Heron lectured in Art Education at Federation University from 2006-2011. She was awarded a Doctor of Philosophy (PhD)Visual Arts in 2011. Her doctorate is a practice-based autoethnography entitled ‘Performing in the spaces between: an a/r/tographic inquiry into practice’. This research involved questioning and representing her practices, processes and positions as artist, researcher, teacher-educator and the outcomes of her research were made evident through an art installation and accompanying thesis. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed charcoal drawing.art, artwork, heron, julie heron, gippsland campus, drawing, charcoal, david pratt award -
Federation University Art Collection
Drawing, Heron, Julie, "Two for Joy"; "Circling"; "Moondance" by Julie Heron, 2002
... research were made evident through an art installation... made evident through an art installation and accompanying ...Dr Julie HERON Julie Heron lectured in Art Education at Federation University from 2006-2011. She was awarded a Doctor of Philosophy (PhD)Visual Arts in 2011. Her doctorate is a practice-based autoethnography entitled ‘Performing in the spaces between: an a/r/tographic inquiry into practice’. This research involved questioning and representing her practices, processes and positions as artist, researcher, teacher-educator and the outcomes of her research were made evident through an art installation and accompanying thesis. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Three drawings framed together. art, artwork, julie heron, drawing, charcoal, charcoal on paper, alumni, available -
Melton City Libraries
Artwork, other, Edna Barrie: Collo Character, 2001
... in Canberra, the city that Federation created. The public art... in Canberra, the city that Federation created. The public art ...Part of the PeopleScape Federation Celebration An initiative of the National Council for the Centenary of Federation, celebrating the contribution of Australians to their community and country. The final event of the year long celebrations, held in Canberra, the city that Federation created. The public art installation told the individual stories of Australians from all walks of life, from those living and those who had died. The massive sculpture depicted the life of the nation. The figures were nominated and decorated by individuals, groups of individuals and organisations from across Australia with every state, territory and region represented with approx. half from regional and the remote areas of Australia. The sculpture was installed in alphabtical order, each with a plaque at its base outlining the individual's achivement. The yellow colour of the figures against the green grass represented the colours of Australia.Close ups of Edna's Collo Characterlocal identities -
National Wool Museum
Sculpture - Bollard, Jan Mitchell, The Lost Bollards, 1999
... most iconic art installations. From the first sheep showing... most iconic art installations. From the first sheep showing ...Geelong is famous for its bollards. Created by local artist Jan Mitchell, the colourful bollards spot the foreshore, representing a fascinating and fun chronicle of the city’s past. Few people know that Mitchell planned for a flock of sheep to be part of her public art project. The wool industry is an important part of Geelong’s history, so Mitchell thought what better than a flock of sheep to welcome people to the city. The flock (and a Shepard) were to be placed out on the Melbourne-Geelong highway, near Lara, to welcome travellers to the city. The sheep would then be scattered along the road as a wayfinding signal to bring people to Geelong. When traffic authorities heard the plan for bollard sheep along the road, they squashed the project as a potential distraction for drivers. Another flock was also suggested for the hills of the eastern gardens, overlooking the bay. This was also disapproved; so Mitchell only ever partially completed four sheep bollards. The bollards are remnants of Jan Mitchell’s flock of sheep. The sheep also show the evolution of one of Geelong’s most iconic art installations. From the first sheep showing the raw timber of the old Yarra Street pier, to the sheep without a face, through to the completed sheep, it is possible to trace Mitchell’s process in the preparation of the bollards. The lost bollards form part of the National Wool Museum’s unique collection. The first bollard is the least complete, still in its original timber colour. From the central cylindrical shape, an additional wedge protrudes. This unpainted wedge forms what would have been the face of the sheep, with an ear present on either side that would have been painted white. Presently they are a bare metal. No legs are present on this bollard. The second and third bollard are completed to a similar level. They have a central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms what would have been the face of the sheep, with an ear present on either side. The face and ears have been painted white but the finer details such as the eyes have not been added. These bollards bodies have also been painted white and have their legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. The fourth bollard Is complete. It has the same central cylindrical shape with an additional wedge protruding from the front of the timber. This wedge forms the completed face of the sheep, with an ear present on either side that has been painted white. The face also features completed painted eyes. This bollard has its legs attached. The legs are thin metal cylinders, approximately 50mm in diameter and 500mm long. geelong, bollards, geelong's bollards, jan mitchell -
Federation University Art Collection
Drawing - Artwork, 'Resilience' by Xersa
... , painting and sculpture installation, who studied Fine Art... and sculpture installation, who studied Fine Art at Ballarat Institute ...XERSA (1952- ) Born as Christine Limb in Daylesford, Victoria An artist with over 40 years of experience in drawing, painting and sculpture installation, who studied Fine Art at Ballarat Institute of Advanced Education (now Federation University) from 1969 to 1970, and Fine Art and Industrial Design at RMIT from 1971-1974. During the 1970s Xersa worked as a textile designer and then established a design studio in Melbourne. Xersa has been a finalist and awarded in important Australian art awards including the Dobell Prize for Drawing, and internationally exhibited contemporary artist with experience of over 20 solo and 40 group exhibitions in major galleries and Museums alongside other significant artists. My recent work is figurative, thematic of resilience and regeneration which relates to world-wide natural and non natural events that affect our health recalling our strength and determination. The allurement of drawing began before crawling and ever since then, kept vision of consistent excellence to becoming the best and to draw better than Picasso and Matisse. I hereby thank everyone for the rewarding experiences you have imparted to me so far, each mark made by my hand has the memory of you all within them. May there be much more.Drawing mounted onto perspexxersa, available, alumni, portrait -
Eltham District Historical Society Inc
Photograph, Fay Bridge, EDHS Heritage Excursion Eltham Cemetery, 5 March 2016
... and given a brief background into the Trust’s newest art project... into the Trust’s newest art project installation titled “Our Eltham ...The Eltham Cemetery Trust, established in 1858, selected the existing burial site at Mount Pleasant Road on high ground overlooking the village of Eltham. The first recorded burial took place in 1861 in the Church of England section. Headstones depict the names of many early and well known local families. On Saturday 5th March 2016 Harry Gilham again lead members and visitors on a heritage excursion through parts of the cemetery, while providing background information on selected individuals buried there. Harry’s cemetery walks have always been popular, and members and visitors were encouraged to come along and experience the tranquil surroundings of this picturesque cemetery. We were also able to view the recently installed sculpture titled ‘A Currawong Takes Flight’ by Michael Wilson located at the highest point of the fence-lined border between Montsalvat and the cemetery. It is close to the last bronze sculpture by Matcham Skipper, titled ‘Young Man Awakening’, commissioned by the Eltham Cemetery Trust to celebrate the 150th Anniversary of the cemetery in 2008. As an addition, we also met the artists and stonemason and given a brief background into the Trust’s newest art project installation titled “Our Eltham – Artistic Recollections” which will feature ceramic panels containing artwork with a local history theme. The work is the joint creation of artist Nerina Lascelles and ceramicist Linda Detoma, supported with stonework by Leigh Wykes and steelwork by Neil Carter, all skilled local Nillumbik artisans.fay bridge collection, 2016-03-05, eltham cemetery, geoff watt, jim connor, leigh wykes, linda detoma, nerina lascelles, young man awakening, harry gilham -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, Art for thought, 23/03/2016
An installation at National Gallery of Victoria encourages visitors to think about art and La Trobe University researchers measure brainwaves while looking at the art.News clipping, black text, colour image.national gallery of victoria, la trobe university -
Eltham District Historical Society Inc
Document - Folder, Magilton, Walter
Walter Magilton left school early to become a dairy farmer in Western Victoria, returned to school and became a secondary school art teacher, eventually becoming an artist full-time, a painter, sculptor and jewellery maker. His paintings are in collections overseas and Australia. He teaches art from his Stony Creek Studio in Warrandyte and married to contemporary installation artist Denise Keele-bedford. Contents Newspaper article: "Walter Magilton: More to life than Maggie", Green Valley, section of Diamond Valley News, no date, details of Walter Magilton's career, his tame blackbird Maggie. Newspaper article: "Walter Magilton - Warrandyte", Network, October 1987, details of Walter Magilton's career, achievements and painting style. Newspaper article: "A modern twist on reality", Diamond Valley Leader, no date, Walter Magilton's exhibition at Bridges Restaurant, Hurstbridge. He collaborates with his wife Denise Keele-bedford, a contemporary installation artist.Newspaper clippings, A4 photocopies, etcwalter magilton, warrandyte victoria, stony creek studio warrandyte, denise keele-bedford, bridges restaurant hurstbridge -
Federation University Art Collection
Sculpture - Artwork, [Untitled] by Chris White, c1986
Chris WHITE Chris White is a sculptor and installation artist This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Welded metal sculture.art, artwork, sculpture -
Federation University Art Collection
Sculpture, Thomas, Kylie, 'Cultural Dedication' by Kylie Thomas, 1993
Kylie THOMAS (14 May 1973 - ) Born Creswick, Victoria A graduate of the Bachelor of Arts (Visual Arts) (1993) and Diploma of Visual Arts (1995) from Federation University (then University of Ballarat) Kylie Thomas continued her art practice after studying under distinguished sculptors Peter Blizzard and Adrian Mauriks. This work was acquired from her graduate folio. Soon after completing her studies Kylie Thomas became an artist in residence at Ballarat Grammar School building a public sculpture for the grounds conceived by one of her selected students as part of the program. She became the youngest exhibiting applicant to be awarded the City of Port Phillip, Rupert Bunny Foundation artist in residence program. After moving to Mallacoota she was absorbed into the community as a visual artist, actor, playwright and assistant publicist. Her commissioned public artwork and sculptures as part of residences collections were all lost in the 2019 bushfires that decimated Mallacoota. Moving back to her hometown of Creswick Kylie Thomas completed a Diploma in Education qualifying as a secondary teacher, always continuing her art practice while teaching. Needing to work again, but with no desire to teach, Kylie Thomas studied Building Design and Architectural Drafting, homing in on other areas which could link back to her artistic practice. Working in this field for a short time she moved to Melbourne where she exhibited paintings and sculpture installations as part of The Melbourne Fringe Festival. She also worked in set design, and as a stage manager and theatre actor. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work is a spiritual totem created in the tradition of the bricoleur, dedicated to bygone cultures, lost technology and mystery referencing nature, humanity and technology. Humanity to use technology with and for nature. The materials are symbolic, the use of bone, Perspex, computer parts, found and crafted objects constructed in a resulting harmony creating a symbiotic relationship. Tapping the 4th dimension that could lift off into space and come back again, with a feeling of weightlessness, awe and suspension captured. A sculpture which stands on a white pedestal with perspex cover. 'Cultural Dedication' is the final work in a series of sculptures influenced by the ancient cultures of Egypt. art, artwork, kylie thomas, sculpture, alumni -
Federation University Art Collection
Sculpture, Donna Marcus, 'Colour Study 36' by Donna Marcus, 1999
Donna MARCUS Featuring instantly recognisable post war kitchenware Donna Marcuus transforms them with colour and placement to create sculptural installations. The individual elements in each work, originally produced in the 1950s and 1960s, are transformed and trigger memories and personal memories through experience of the items in a different, earlier context.Annodised alumnium cookware made into a sculptural wall hanging. art, artwork, anodised aluminium, sculpture, donna marcus -
Federation University Art Collection
Sculpture - Artwork, Donna Marcus, 'Melbourne' by Donna Marcus, 1999
Donna MARCUS (1960- ) Featuring instantly recognisable kitchenware Donna Marcuus transforms them with colour and placement to create sculptural installations. The individual elements in each work, originally produced in the 1950s and 1960s, are transformed and trigger memories and personal memories through experience of the items in a different, earlier context. In 1981 Donna Marcus was awarded a Bachelor of Visual Arts from the Tasmanian School of Art, followed by A Master of Arts (Visual Arts) from the City Art Institute (University of New South Wales). In 2006 Donna Marcus received a PhD from Monash University in Melbourne, Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Anodised aluminium sculptural pieces made from old cookware. The 'Cities' that Donna Marcus depicts in anodised aluminium reflect the artist's travel and history. These urban representations draw on memories from home and more particularly, the kitchen. art, artwork, donna marcus, sculpture, annodised aluminium -
Federation University Art Collection
Sculpture (exterior), [Untitled Sculpture] by Mary Modeen, 2000
Mary MODEEN (1953- ) Born United States of America Lives Scotland Mary Modeen is an artist/printmaker and interdisciplinary academic who also works in artist books, installations, and recently, in video and sound. She is also an academic of nearly 30 years full-time experience in higher education, residing in Scotland where she convenes the Art, Philosophy and Contemporary Practices at the Duncan of Jordanstone College of Art and Design, University of Dundee. Modeen’s research has several threads: perception as a cognitive and interpretive process, and place-based research, which tends to connect cultural values, history and embodied experience. In 2000, while a Visiting Research Fellow at the University of Ballarat (later Federation University Australia), Mary Modeen was commissioned to create a sculpture in a Public Art context for the campus. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.An external sculpture commissioned in a Public Art context for the Mt Helen campus Business Building (B Building) by Scottish Artist and Visiting Research Fellow, Mary Modeen. Mary Modeen's three dimensional sculptures and installations draw on her interest in "light" relating to artworks and conceptual art. The 'plugs' in the sculpture represent students, while the blue acrylic disk represents alumni, and the spread and impact of our students throughout the community. art, artwork, sculpture, mary modeen, business school art collection -
Federation University Art Collection
Sculpture - Sculpture - Installation, 'Dead Still Standing' by Lou Hubbard, 2015
Lou HUBBARD (1957 -) Born Brisbane, Queensland After a career in the film and television, Melbourne based artist Lou Hubbard completed a Master of Fine Art at RMIT University in 2001. She works primarily with video and installation, and has exhibited widely throughout Australia and internationally, Lou Hubbard is currently the Head of Photography at the Victorian College of the Arts. In announcing the award 2015 Guiguis New Art Award the judges applauded Lou Hubbard on her compelling installation, which comprised a deflated, disembowelled latex horse collapsed over a Coalbrookdale patio chair, table and bench seat situated over a skateboard and plastic dog. “Occupying a space between the traditions of equine, assemblage and unmonumental sculpture, Lou Hubbard’s Dead Still Standing confounds and compels viewers in its uncanny play of materials and movement,” senior curator, contemporary art, National Gallery of Victoria and judge Max Delany said. “In this elaborate yet concise work, Hubbard has created a form of surprising and unsettling effect that reflects our experience of a world in translation.” The win came as a surprise for Hubbard, who said she was overwhelmed at the talent of all 15 finalists. “I was so surprised, because I was in good company with the other artists, who were all quite extraordinary,” she said. “In the nature of the competition, I feel very lucky.” With multi-layer meanings to her piece, Hubbard said it was actually Ballarat’s rich history that inspired her work. She said it was the Ballarat goldfields and the idea of what horses might have gone through during those years that gave her a concept to work with. But that wasn’t the only source of ideals portrayed in the piece – Hubbard also explored the effect training had on horses. “The horse stands in a way that portrays (how) the human exhorts the way of training,” she said. “The horse is edging like it wants to move, which is impossible, and the furniture acts in lots of ways. The chair, for example, is like the horse’s ribs, which are being ripped out.” It was these multiple meanings that also had the curator of the Post Office Gallery, Shelley Hinton, impressed with the work. “The work challenges us ethically and culturally, in a way that pleads for analysis, as we do in our complex daily lives,” she said. Lou Hubbard's 'Dead Still Standing' won the was awarded the prestigious $20,000 Guirguis New Art Prize in 2015. The Federation University Guirguis New Art Prize was a national biennial and aquisitive contemporary art prize. The $20,000 biennial acquisitive prize was sponsored by Ballarat surgeon Mark Guirguis, administered by Federation University Australia and presented in partnership with the Art Gallery of Ballarat.The genesis of the prize was to raise the profile and encourage the Art School of what was then Ballarat University. lou hubbard, guirguis, guirguis new art prize, sculpture, horse, animal, installation artwork -
Nillumbik Shire Council
Print: (archival inkjet): Jessie IMAM, Jessie Imam, Ground Cover, 2017
Imam is represented in the Nillumbik Shire Art Collection and was the winner of the 2015 Nillumbik Prize for her work "Diagram of sentiment #1" (judged by Linden New Art Director Melinda Martin). She was also a finalist in the Nillumbik Prize 2016, 2015, 2013 and 2010. Imam completed a residency at Laughing Waters in 2011. Imam works within photography, the moving image and installation to create works centred on themes of embodiment and the female perspective. In this work she participates in a dialogue between her body and the Finnish Archipelagos in order to develop a relationship with the islands as both a place and an organic body [of land] where flux and change occurs. Photograph of the artist immersed from the waist down in green moss (landscape).N/Afinnish, archipelago, inkjet, print, photographic, body, island, moss