St Peter's Memorial Church Kinglake was destroyed in the 2009 bushfires and rebuilt and re-consecrated in 2014. The author, Jillian Durance, is a grand daughter of Charles and Ivy Partington.160 p., illus. (some col.) paperback."To the Greensborough Historical Society, best wishes - Jillian Durance 2017"st peters memorial church kinglake, bushfire, kinglake

Rosie Bray and Jillian Riley at the launch of the new Greensborough Historical Society publication "Do You Recall?" in October 2017. Both Rosie and Jillian have stories included in the book.Digital copy of colour photographdo you recall, greensborough historical society, rosie bray, jillian riley

This dress belonged to Bernice Overend, a longtime Brighton resident. Bernice Adelaide Emily Lawn was born in Ballarat in 1911. In 1938 she married Acheson Best Overend (1909-1977), an early modernist architect in Melbourne whose notable designs include the heritage-listed Cairo Flats apartment building in Fitzroy. Bernice and Best made a home together in Brighton, raising their family at 80 Were Street. Their son Darren followed in Best's footsteps, becoming an architect, and in 1979 he and his wife Jenny bought a property just down the road from his childhood home - the heritage-listed 1881 Victorian mansion 'Chevy Chase' at 203 Were Street. Bernice lived in the house with with Darren, Jenny and their three children.White cotton high-waisted maxi dress printed with black spots and trimmed with red rickrack. Elbow length sleeves. Fastens with centre back zip.Label, printed black on white acetate, centre back: JILLIAN / OF / MELBOURNE1970s fashion, maxi dress, bernice overend, overend family, chevy chase, brighton, melbourne designers, jillian of melbourne

Lou Riley ran the Ashril Cinema in Main Street Greensborough from 1949 to 1974. He leased the former Victory Theatre, formerly the Rechabite Hall and Masonic Lodge and purchased it in 1958. It was sold in 1974 and demolished. Photographs are of Jillian Riley, with Rosie Bray and Noel Withers when Jill Riley visited Greensborough to view the Main Street plaque on the site of her father's theatre.2 p. text and col. photographs, with 5 col. photographs ashril theatre, jillian riley

The play was presented Next Wave Festival, Elston, Hocking and Woods and Patch Theatre Co. production reviews on the back of the paperspace demons, athenaeum theatre, program, programme, next wave festival, patch theatre, ariette taylor, richard tulloch, gillian rubinstein

MEDIUM: Photograph / Silver bromide DESCRIPTION: Black and white photograph, silver bromide Black outer frame with glass front Image and white board inner frame under glassSigned and dated on on white board inner frame, proper left corner - under photographphotograph, silver, gibb, stone, angel, carlton, bromide

Hard covered children's book called "Adrian's Panda". Inside cover - handwritten "Anglesea Presbyterian Sunday School". AWARDED TO "Jillian Murch - Junior class 1960." "Miss Heather Watruff (teacher)".Front: ADRIAN'S PANDA / JOY PARKER WHITE / CLOVER BOOKS Back: 3 leafed cloverchildren's fiction, sunday school, jillian murch, heather watruff

Framed collage of 3 pictures. Jillian Smith performs on stage at the "Phan Rang Opera house of No2 Sqn RAAf at Phan Rang Air Base. Small structure at the rear of stage is the dressing roomjillian smith, no2 sqn raaf, phan rang, photograph

Owner: Robert Sutherland Peden (painter) and Jillian Leceister Peden (nurse)The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 10 stripsFuji 200eltham, houses, streets, margaret ball (pre 1960s houses) collection, luck street

At guide hall on corner of Layzell and Patrick Streets One on right Jillian PertBrownies with ballonnA Marshall Studios Quality Prints guides

Article from the Bendigo Advertiser dated Thursday, December 27, 1990. ''Municipal band raises funds''. Two pictures of some of the members of the brass band performing: Russell Bovaird, Jillian Boivard, Mark Ford and Tracy Garrett.entertainment, music, strathfieldsaye brass

1962-1963 Pam Evans, Jillian Henderson, Kerry Heale, Robin (O'Sullivan) Williams, Pam PalmerFive girl Guides in uniform in Hall with portrait on queen in background .Marshall Studios Stawellguides

Hardcovered children's book called "All Because of Sixpence". Inside cover (handwritten) "Anglesea Presbyterian Sunday School" AWARDED TO "Jillian Murch - Junior Class 1961 - Heather Watmuff (teacher). Golden Way Series No. 10, 80 pages.Front: ALL BECAUSE OF SIXPENCE / CONSTANCE SAVERY / THE GOLDEN WAY SERIES.children's fiction, sunday school, jillian murch, heather watmuff

School project by Jillian Bovaird in four parts. First part document titled ''Bendigo railway workshops - A short history''. The second Bendigo workshops ''News and Views'' newsletter from 5 March 1987. the third Seven - O - seven operations Inc. The fourth Brochure of V/Line Bendigo workshops open day.bendigo, railways, bendigo railways

In 2018, Greensborough Historical Society placed plaques in the Main Street area of Greensborough. In these photographs, Jillian Riley is shown the plaque of the Ashril Theatre, which belonged to her father Stan Riley. Jill is accompanied by Rosie Bray and GHS President Noel Withers.The Main Street Plaques Project placed historical information about original Greensborough buildings as close to the original site as possible. Further information available on the GHS website. The Plaques were made possible through a Greensborough RSL Grant.Digital copy of 3 colour photographs.main street plaques project, ashril theatre

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library. Display of seven costumes from the Weir collection dating from the 1910s, 1920s and 1930s used as a display at the 11 April 2018 monthly meeting at which the speakers were Jillian Rigby, Robert Baker and Suzanne McWha. The topic was the Weirs of Princess Street (Kew). The dresses form part of the Kew Historical Society Australian fashion collection and are catalogued individually.weir collection, women's clothing, kew historical society - meetings, australian fashion - 19100s - 1910s - 1920s - 1930s

Books used by Joan Rivis when teaching between 1940s -1960sBook 1 Title - Now I'm Ready - A Jillian book for Mother to read to her 4 year old daughter. Story by Kathleen Mellow - Illustrations by Marjorie Hann. Soft cover 22 page book with hidden 'flaps' to reveal 'answers' to pages. Book 2 Title - Lets Go to the Beach - same authors. Book 3 Title - Stop, Look, Listen - same authors.Georgian House (publisher) Melbournebooks, school/educational

Black and white photograph of the Golden Square Primary School Girls Marching Team, dated Nov. 2nd 1970. Photograph taken under a tree. The girls names are: Ruth Magee, Yvonne Wardell, Andrea Kinsman, Leanne Delmonico, Christine Mangan, Kaye Hopgood, Janet Alcock, Debbie Stewart, Kerry Chapman, Leanne Murray, Pam Smith, Heather Henderson, Julie Schache, Jillian Varker, Lucy-Ann Hill, Janet Symons, Elizabeth Hangar, Linley Richards, Karen Nicholls, Ann-Marie Kelly, Vicki Bell, Jenny Pocock,education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph girls marching team, ruth magee, yvonne wardell, amdrea kinsman, leanne delmonico, christine mangan, kaye hopgood, janet alcock, debbie stewart, kerry chapman, leanne murray, pam smith, heather henderson, julie schache, jillian varker, lucy-ann hill, janet symons, elizabeth hangar, linley richards, karen nicholls, ann-marie kelly, vicki bell, jenny pocock

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.The eastern part of Collins Street. Coloured postcard of early Melbourne. Weir collection."Collins Street East, Melbourne"postcards, collins street - melbourne, george and edith weir, weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Parliament House and Treasury, Spring Street, Melbourne. Coloured postcard of early Melbourne. Weir collection."Parliament House and Treasury, Melbourne"postcards, george and edith weir, parliament house - melbourne, treasury building - melbourne, weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Parliament House and Treasury, Spring Street, Melbourne. Coloured postcard of early Melbourne. Weir collection."Parliament House and Treasury, Melbourne"postcards, george and edith weir, parliament house - melbourne, treasury building - melbourne, weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Bird's eye view of Melbourne looking across a park to the Princess Theatre. Coloured postcard. Weir collection."Bird's Eye View of Melbourne"postcards, george and edith weir, princess theatre, eastern hill - melbourne, weir collection