Harold HERBERT (1891–1945) A well known watercolour painter who was principal of the Ballarat Technical Art School. It is also known as Lime Kiln Cottage. A framed watercolour by Harold B. Herbert.Lower right corner - Harold Herbert for the Old Colonists' Club 1931harold herbert, old colonists' club ballarat, agriculture, farm

Joan Kirner was Deputy Premier and Minister for Education in Victoria. Joan Kirner (Hood) taught at Ballarat Girls' Technical School.Typed A4 page on Ministry of Education Letterhead. Signed by Joan E. Kirnereducation, minster for education, joan kirner, deputy premier, letterhead, margaret evans, ocean grove, barwon heads, primary school, marj fisher, joan hood, ballarat girls' technical school

Harold HERBERT (1891–1945) A well known watercolour painter who was principal of the Ballarat Technical Art School.A framed etching showing a farmer with a plough which is being pulled by a team of horses.Lower right corner - Harold Herbert for the Old Colonists' Club 1931harold herbert, old colonists' club ballarat, agriculture, farming, horses, animals, plough

Harold HERBERT (1891–1945) A well known watercolour painter who was principal of the Ballarat Technical Art School. It is also known as Lime Kiln Cottage. A framed etching showing cottage in Cornwall. A proof was exhibited in London at the Fine Art Society in 1923.Lower right corner - Harold Herbert for the Old Colonists' Club 1931harold herbert, old colonists' club ballarat, agriculture, farming, horses, animals, plough, lime kiln cottage

Joan Jessup was born on the 17th November, 1926 at at Nurse Longmore's in High Street, Beechworth. In this recording, Joan recounts her childhood in Beechworth, her personal and working life as a young unmarried woman, and then later her marriage to Albert Jessup and her family life at Murmungee and Beechworth. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the BurkeThis recording of Joan Jessup's life in Beechworth and the local area during the 20th century is historically and socially significant to the cultural, historical, social, and religious heritage of the region. She details important historical events, local life, religious matters, and schooling in the region's history that had a lasting local, regional and national impact, including Australia during war time, economic struggles, and women's societal and working roles in a rural area. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preservedThis is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Joan Jessuplisten to what they say, joan jessup, beechworth, burke museum, jessup

A transcript of an interview with David and Joan Ikin of 5 Jeffery Street, Blackburn on the 24 February 2020. The interview was conducted by Louise Williams of WHS. It includes descriptions of wildlife, fauna and streetscapes from 1965 onwards.non-fictionA transcript of an interview with David and Joan Ikin of 5 Jeffery Street, Blackburn on the 24 February 2020. the interview was conducted by Louise Williams of WHS. It includes descriptions of wildlife, fauna and streetscapes from 1965 onwards.williams louise, savage janet, ikin david and joan, satchwell, jeffery street blackburn, clayton ann, huntsman keith, huntsman robin, blackburn lake

Hardcover w/ Dust Jacket"For Patricia Founders wishes Joan Sutherland" inside front coverwalsh st library

Hardcover book, 189 pages. Book has a brown cover with a colour image of a woman wearing a green dress on a purple chaise. A man is standing behind her with his arms crossed.fictionRomance novel.joan blair, romance, fiction

Harold HERBERT (1891-1945) Born Australia This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Small unframed drawingart, artwork, harold herbert, herbert, needs framing

Ballarat born Herbert L. Coburn grew up to be a renowned Ballarat architect, practising from 1905 to 1956. He taught Architecture and Building Construction at the Ballarat School of Mines (SMB) from 1918, resigning in 1948 due to ill health. Copy of a plan for a Catholic primary school at Camperdown by H.L. Coburn. The plan includes front elevation, ground floor and block plan.coburn, h.l. coburn, herbert l. coburn, architecture, camperdown, architectural plan

Ballarat born Herbert L. Coburn grew up to be a renowned Ballarat architect, practising from 1905 to 1956. He taught Architecture and Building Construction at the Ballarat School of Mines (SMB) from 1918, resigning in 1948 due to ill health.Photocopy of a plan by architect H. L. Coburnherbert l. coburn, coburn, h.l. coburn, k. price, architectural plan, russell street, ballarat

Ballarat born Herbert L. Coburn grew up to be a renowned Ballarat architect, practising from 1905 to 1956. He taught Architecture and Building Construction at the Ballarat School of Mines (SMB) from 1918, resigning in 1948 due to ill health.Copy of 2 plans for a proposed double storey building at Horsham for Paterson's Furniture Pty Ltd.: .1) Ground and first floor plans .2) Elevationsherbert l. coburn, h.l. coburn, coburn, architecture, horsham, paterson's furniture pty ltd, architectural plan

"The banner has been with the Club since it was created in 1957. Recent research has confirmed that it was made by Joan Eddy, the wife of club member Kevin Eddy and a professional seamstress. Grace Blake’s interview notes record her conversation with Mr Eddy on 24 October 2014: Kevin confirmed that the banner was made by his wife, Joan Eddy, in time for the opening of the new shed after the Olympics (1957). Kevin was the Social Secretary at the time, and co-opted his wife, who had worked as a machinist for Harford Clothing in Carlton before they married. Her mother had also worked there as a sewing hand (hand sewing the linings for jackets). The company was later taken over by Sires. ... It was made at home (Joan had ‘retired’ from work by then)." Excerpt from the 2014 Significance Assessment, p32.Banner Celebrating Albert Park Rowing Club Olympic Representatives, 1956 Statement of significance by Margaret Birtley, October 2014 Harry Gordon, the distinguished Australian sports historian, wrote of the 1956 Melbourne Olympic Games: "When the Olympic Games moved into Melbourne ... it was as if the city had been brushed by a certain magic. Nothing before or since ... has ever evoked such sheer emotional involvement from the whole community." Gordon refers to the large crowds that massed in Melbourne with anticipation and exhilaration on the day before the official opening, ‘with little apparent motive other than just to be there, and be happy’. The hand-crafted banner celebrating Albert Park Rowing Club’s representatives at those Olympic Games seems to exude that same sense of joy and exhilaration. Made by the wife of the club’s social secretary, it testifies to the admiration felt by individuals and organisations for the success of their own on a world stage. The banner has historic significance for its accurate documentation of the great achievement of a single rowing club in contributing six outstanding athletes to the relatively small Australian rowing team. Additional historic significance derives from the fact that this is an unofficial expression of tribute and pride. The banner’s incorporation of the Olympic rings would now be likely to require licensing by the Australian Olympic Committee, a process that can dampen social engagement. While definitely a hand-made item, there is some aesthetic significance in the design and execution of the banner. Good judgement has been demonstrated in the selection of fabrics and the choice of colours. The workmanship is quite skilful. The vertical symmetry and the horizontal balance of the design are pleasing to the eye. The use of red for the heading lines and black for the Olympians names is well-chosen and aesthetically pleasing. The collection holds black and white photographs of the same oarsmen at the Olympic regatta. This banner complements their role in the collection by providing colour and a sense of connection with an affectionate and supportive community. Its social significance transcends the local context for which it was created and used, to become part of the large body of art, craft and memorabilia that are associated with the Olympic movement worldwide. A handmade embroidered banner to commemorate the Albert Park members who were part of the 1956 Olympic Rowing team.A.P.R.C. / REPRESENTATIVES OLYMPIC GAMES MELBOURNE 1956 / R. DUNCAN / R. DICKSON / K. McMAHON / R. LIBBIS / I. ALLEN / J COCKBILL coxrowing, apsm rowing club, olympic games, albert park rowing club, albert park lake, duncan, robert, dickson, bruce, allen, ian, libbis, reg, mcmahon, kevin, cockbill, john

213 p.non-fictionjoan lindsay, daryl lindsay, mulberry hill

Christmas postcard greetings and news, including envelope, from Joan Sutherland to Patricia and John Davies.Card in envelope, Envelope stamped "Bonynge Chalet Monet Route de Sonloup 1833 Les Avants", Switzerland

A Golden Celebration A Gala Tribute to Dame Joan Sutherland and Mr Richard Bonynge was held at Opera Theatre Sydney Opera House on Thursday 22 January 2004. The major patron was Australia Post who issued stamps with Joan Sutherland's image on them. Many singers took part in the Celebration Concert, including Jacqueline Dark and David Hobson both born in Ballarat. Cream card covered A4 booklet. Gold writing text on cover. Gold blue and black writing on white paper, with images throughout of Joan Sutherland and Richard Bonynge. A synopsis of the life and celebration of the works of Joan Sutherland and Richard Bonynge, the program of events of the celebratory concert, a list of performers and artists.joan sutherland, stamps, richard bonyngne, jacqueline dark, david hobson, opera, a golden celebration

Joan JOHNS From an early age Joan Johns was interested in botanical specimens. Her are reflects this interest with a refined focus on the dynamics of colour, contrast, form and pattern. Working with an oil pastel resist technique allows for the building up of layers, chance application of inks and pastel, leading to a vibrancy of colour. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing of a rose.art, artwork, joan johns, rose, flora, horsham campus art collection

B&W head and shoulders photograph of Joan Dugdale."Joan Dugdale The Spectator September 10"dugdale, joan

Hardcover book, 287 pages. Front cover of book has a colour image of a woman wearing a brown suit standing at the top of a set of stairs leading to the front door of a building.fictionStory about 3 women running a guest house.joan kennedy, fiction

Slip in Album of 50 B&W photographs of East Ringwood, "Taken January 2000 by Joan Walker". Image 6501-001 attached to this catalogue entry 6501 is of the album. See 6501-nnn catalogue entries for individual Photographs/descriptions; C:\Master_Docs\6501-002.pdf is the Typed List inside the album; C:\Master_Docs\6501-003.xlsx is the OCR extract with jpg file names (copies of both attached)

B & W photograph of Heather Joan Watson sitting at a desk at Rolland House."Heather Joan Watson Rolland House student"watson, heather jones, roland house, deaconess

Joan Stott was one time State President of the UCAF.B&W head and shoulders photograph."Chairperson of NGAFG Joan Stott"stott, joan

White Wooden Cross with red knitted poppy with green and black centre. The name Herbert, Michael Patrick John 044310 is stenciled on in black. An Australian flag has been fixed on the back of the Cross. Rank - Flying Officer No2 Squadron - Royal Australian Airforce. He died in Vietnam Loas border on the 3rd November 1970 aged 24Herbert, Michael Patrick John 044310cross, royal australian airforce, herbert, michael patrick john

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. Herbert J. Henty, Mayor of Kew 1868-9. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Herbert J. Henty, Mayor [of Kew] 1868-9mayor of kew, cr. herbert j henty, kew (vic.) — municipal collection

Hardcover w/Dust Jacketwalsh st library

This memorial commemorates the ideas of mateship through using the legend of the Pikeman’s Dog. According to the legend, the Pikeman's Dog 'Wee Jock' stayed by his masters side during the Eureka rebellion and stood guard over his body and grave. The dog was awarded a Purple Cross by the RSPCA for service to humans in 1997 and a bronze life-size sculpture commemorating him was unveiled on December 3rd 1999 at the Anniversary of the Eureka Stockade Rebellion, in Ballarat, Victoria. The bronze Irish Terrier has an expression of his sadness with his his head turned towards the place where once his master stood. This statue was relocated from inside the Eureka Centre to a more prominent position within the Eureka Stockade Memorial Park when the Museum of Democracy at Eureka (M.A.D.E) was constructed. The new memorial was unveiled at a ceremony on December 3, 2014 - the 160th anniversary of the Eureka Stockade. The new memorial consists of 22 large golden stockade posts – representing the number of diggers killed in battle – erected in a triangle behind the statue of Wee Jock, the work could be viewed from the cafe area of the Museum of Australian Democracy at Eureka. The triangular shape of the monument is metaphorically symbolic. The V shape can be interpreted as symbolising victory, and the 22 golden posts represent the 22 diggers who were killed. At the time of awarding the building the new memorial in July, the sculpture artists Charles Smith and Joan Walsh-Smith were quoted: “This ‘new incarnation’ will be a much more significant memorial than the original, and much more accessible to the public,” they said. “We have set the golden stockade post/poles in a graphically precise angle to each other, which both leads the eye to the dog and the pike, while, at the same time, creating a sense of controlled visual ‘unease’. Essentially, the impression is one of ‘controlled collapse’ while suggestive of purpose and final victory.”The memorial is of historic and aesthetic significance to the people of BallaratA small bronze dog surrounded by gold-coloured metal polespikemans dog, eureka stockade