Showing 269 items matching "karl"
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Duldig Studio museum + sculpture gardenDrawing, Karl Duldig, The Buddhist Monk, Guangqia by Karl Duldig 1940, 1940
... The Buddhist Monk, Guangqia by Karl Duldig 1940...The Buddhist monk Guangqia visited Karl Duldig’s studio on two consecutive days, in the company of the noted Chinese writer, Professor Yu Dafu, a friend of Karl’s. ...Signed Karl Duldig in l.r. corner. Dated Singapore 1940 in l.l. corner....Karl Duldig...Duldig Studio museum + sculpture garden 92 Burke Road East Malvern melbourne The Buddhist monk Guangqia visited Karl Duldig’s studio on two consecutive days, in the company of the noted Chinese writer, Professor Yu Dafu, a friend of Karl’s. ...The Buddhist monk Guangqia visited Karl Duldig’s studio on two consecutive days, in the company of the noted Chinese writer, Professor Yu Dafu, a friend of Karl’s. Karl made two portraits of the monk, the first depicting him sitting, and the second in a standing pose. The portraits were drawn using a Chinese brush and Indian ink. Surviving sketches in the Studio’s collection indicate that Karl thought about creating a life-size sculpture later on, but this was not realised. Guangqia added inscriptions in his own hand to both drawings and stamped them with a red seal. The seated drawing has an inscription in which he quoted from a Buddhist poem, ‘A Contented Mind’ by the scholar Lingfeng of Mt Tiantai. In the summer I went to visit the Austrian sculptor Duldig with Professor Yu Da Fu. My virtue is slight – I cannot accept your offerings and gifts; I am amply rewarded by the clouds and springs. Rather than a table laden with pearl-like rice, I prefer the wind and leaves falling on my bed. Sitting quietly on my meditation cushion Is sweeter than the wheat offered by a thousand families. The pity is that I am gradually growing old; My bitter journey is not worthy of your offerings. The second drawing has a quote from a Buddhist poem on the study of Chán (Zen) Buddhism, by the famed Chán master, Dàjiàn Huìnéng (638–713): The portrait, with its figure positioned on a scroll-like ground and inscription is reminiscent of traditional Zen Buddhist portraiture. In this school of portraiture, which stretched back to at least the thirteenth century, monks were depicted sitting or standing facing the viewer, and typically the monk added an autographic inscription to the portrait. The portraits were often passed from master to disciple, continuing the disciples’ journey of spiritual enlightenment and were revered for their association with remarkable or holy priests. The Buddhist monk, Guangqai who added his inscription and stamp to the drawings would most certainly have been aware of this tradition. It is likely that Karl was aware of this tradition, one of the points where the studio’s collections of art works from Singapore intersect with the earlier Viennese collections can be found in the Library where a catalogue of an exhibition, 'Ausstellung Ostasiatischer Malerie und Graphik' is held. The Viennese Friends of Asian Art and Culture and the Albertina Museum staged this exhibition of East Asian painting and graphic works in 1932. Such was the internationalism of Duldig’s education in Vienna, that adaption to a new environment and culture in the Straits Settlement was swift, and he was able to interpret the artistic traditions of the place, and make them his own. It is part of the strength of the collection, that in many cases contemporary supporting documentation for the works of art is available. In this case there is a photograph of the Monk with Yu Ta-fu, and Karl and Eva Duldig, outside the studio at the time the drawings were made. Ann Carew 2016The portraits of Guangqai have national and international aesthetic significance. The works of art demonstrate the artist’s skill in capturing the physical appearance and demeanour of his subject, and his ability to adapt his working methods to incorporate traditional Asian materials and cultural practices. The portrait is one of few examples in Melbourne of a central European modernist artists working in, and engaging with Asia, during this period and it is culturally and aesthetically significant for this reason. The portraits are also historically interesting in documenting the life and experiences of Karl Duldig in the Straits Settlement (Singapore). Ann Carew 2016Brush drawing in chinese ink on paper. Seated Buddhist Monk. Chinese calligraphy hand written in black ink. Two red stamps under calligraphy.Signed Karl Duldig in l.r. corner. Dated Singapore 1940 in l.l. corner. -
Duldig Studio museum + sculpture gardenSculpture, Karl Duldig, Mask by Karl Duldig 1921, 1921
... Mask by Karl Duldig 1921...Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. ...Karl Duldig 1921 incised on back...Karl Duldig...Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Mask by Karl Duldig 1921 Sculpture Karl Duldig ...Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. His teacher, Anton Hanak, the Professor of Sculpture at the School, encouraged him to carve directly into the stone. It was an accomplished work for the 19 year-old student and was selected by Hanak to represent the students of the School at the Deutschen Gewerbeschau (German Applied Art exhibition) in Munich in 1922, an early accolade for the young artist. The sculpture and another Kneeling Nude were reproduced in the journal Deustche Kunst and Dekoration in 1923-24 in an article on the Hanak-Klasse. In 2011 Mask was exhibited in the National Gallery of Victoria exhibition Vienna: Art and Design. The sculpture is one of ten substantial sculptures in marble and stone, and a larger group terracotta sculptures and masks, portrait busts and small stone sculptures created by Karl Duldig in Vienna that are held in the Museum collection. These art works are complemented by an archive of contemporary documents including letters, photographs, documents and ephemera. In 1938 Duldig’s Viennese sculptures were sent to Paris in 1938 for a proposed exhibition, and were hidden in Paris by Slawa Duldig’s sister Rella, throughout the Second World War, and arrived in Australia post-war over 5 decades. Karl Duldig was a student of the Kunstgewerbeschule from 1921 until 1925, and then attended the Akademie Der Bildenden Künste (Academy of Fine Arts) from 1929 until 1933. He was accepted into the Professor Josef Mullner’s “Meisterschule” at the Academy of Fine Arts from 1929 until 1933. His teacher at the Kunstgwerebeschule was Austria’s foremost contemporary sculptor Anton Hanak, and he was a formative influence on Duldig’s work. Hanak had been a member of Viennese Secession, and worked with Josef Hoffman on architectural commissions prior to the First World War. Hanak shared both his love of the expressive quality of materials and a humanist vision with his students. Various writers have written about Duldig’s interest in masks. His interest may have been stimulated by his classical education, the Greek and Roman antiquities in the Kunsthistoriches Museum in Vienna, or the ethnological collections in Vienna’s Museum of Ethnology (now known as the Weltmuseum). The mask was a motif explored by expressionist and cubist artists whose work was exhibited at the Vienna Secession. Duldig would have been familiar with the psychological investigations of the neurologist and founder of psychoanalysis Sigmund Freud, who established his practice in Vienna. In the Duldig Studio library, Duldig’s keen interest in the arts of a myriad of visual cultures is apparent. Of particular note are two well-thumbed copies Rudolf Utzinger’s, Masken, published by Ernst Wasmuth in Berlin in 1923, depicting masks from around the world. It is likely that a multitude of influences were at play. Slawa Duldig also worked with this motif, and also carved a smaller mask in Salzburg marble as well as a remarkable mask in clay, and these are held in the collection. Ann Carew 2016The Mask has national and international aesthetic significance. It is one of the earliest works by Karl Duldig in the Studio collection, and is a subject that he would continue to explore throughout his working life. The sculpture demonstrates a high degree of technical skill and mastery at an early age. It is evidence of Duldig’s engagement with the art of his peers during this period – the mask is a motif that inspired contemporary expressionist and cubist artists. It also demonstrates his interests in portraiture, human psychology, and the creation of identity and transformation of personalities. The Mask also provides an important link to the studio practice in the Vienna Kunstgwerbeschule, the teaching of Anton Hanak, and the program of international art exhibitions in Europe during the period. It is also of historical significance: the story of its survival and eventual recovery provides a counterpoint to the story of the Nazis’ confiscation of art during the Second World War. Ann Carew 2016Carving in Salzburg Marble. Holes for eyes and mouth cut through the block. Highly polished finish at front contrasting with rough finish at back and stylised curled hair. Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Karl Duldig 1921 incised on back -
Tatura Irrigation & Wartime Camps MuseumDocument - Folder, Karl Hilgenfeldt, Internee Recollections: Karl Hilgenfeldt, May and June 1994
... Internee Recollections: Karl Hilgenfeldt ...Karl Hilgenfeldt was a German national working in Persia (Iran) in 1930's, interned by British, transported to Australia in 1941, interned Loveday Camp until January 1944, transferred to Camp 1 Tatura and released in late 1946. ...Karl Hillgenfeldt of Sydney returned to camp 1 Tatura The Museum and German war graves May 1994...Karl Hilgenfeldt...Internee Recollections: Karl Hilgenfeldt Document Folder Karl Hilgenfeldt ...Karl Hilgenfeldt was a German national working in Persia (Iran) in 1930's, interned by British, transported to Australia in 1941, interned Loveday Camp until January 1944, transferred to Camp 1 Tatura and released in late 1946. Return visit to Tatura in May 1994. News journalist interview/personal recollections.Photos and articles re return visit to WW2 internment camp Tatura Museum German War Cemetery.Karl Hillgenfeldt of Sydney returned to camp 1 Tatura The Museum and German war graves May 1994karl hilgenfeldt, camp 1 internees, ww2 internment camps -
Duldig Studio museum + sculpture gardenSculpture, Karl Duldig, Moses by Karl Duldig 1956 (Bronze Cast 1979), 1956 / 1979
... Moses by Karl Duldig 1956 (Bronze Cast 1979)...This sculpture is a bronze cast of Karl Duldig’s 1956 terracotta sculpture titled 'Moses'. ...Karl Duldig...Duldig Studio museum + sculpture garden 92 Burke Road East Malvern melbourne This sculpture is a bronze cast of Karl Duldig’s 1956 terracotta sculpture titled 'Moses'. ...This sculpture is a bronze cast of Karl Duldig’s 1956 terracotta sculpture titled 'Moses'. The terracotta sculpture won the 1956 Victorian Sculptor of the Year award, an honor given by the Victorian Society of Sculptors. The National Gallery of Victoria purchased the original terracotta sculpture for the Gallery’s collection in 1956. In 1979 the NGV allowed Karl to cast the original terracotta sculpture in bronze (to a limited edition of 5). The National Gallery of Victoria holds one of these casts and one is in Duldig Studio collection. The original terracotta sculpture was exhibited in 1956 at the Olympic Arts Exhibition in Wilson Hall at the University of Melbourne. Two other works by Karl were also exhibited, a sandstone titled 'Adam and Eve' and a work titled 'Fountain'. The catalogue for the Olympic exhibition, which promoted modernism across a variety of disciplines, noted that Australia’s post war immigration program had given ‘further momentum to the modernist cause’. The identification of émigré artists, such as Karl Duldig, with the acceptance of modernism in Australia became a major theme in any discussion of art and design in the post war period. Ann Carew 2016The subject Moses and the tablets of law is an important theme in the history of art. For example the National Gallery of Victoria collection includes paintings on this topic by the Australian Aboriginal artist, Queenie McKenzie (1991), prints by the Russian-French modernist artist, Marc Chagall (1956), and a painting by 19th century British academic painter, John Rogers Herbert (1870s). Michelangelo’s sculpture of Moses is perhaps the most famous sculptural interpretation of the subject. In Karl’s hands we have a modern interpretation of the theme. His simplification and abstraction of form and attention to surface modeling is masterly. The figure has an emotional intensity and despite its relatively small scale, a ‘forceful monumentality’. The sculpture is aesthetically significant for its craftsmanship, expressive qualities and modernity. It is historically significant because of its associations with the 1956 Olympic Arts Festival. The Duldig Studio’s bronze cast of the sculpture was exhibited in the exhibition '1956: Melbourne, modernity and the XVI Olympiad, Museum of Modern Art at Heide.' Apart from the formal qualities of a work like Moses, its relevance as a motif in Judaism and Christian faiths ensures its place as a work of spiritual significance. Ann Carew 2016Bronze cast from terracotta sculpture. Depicts Moses as in Exodus 32 when he returns from Sinai with the tablets of the law to find his people worshipping the golden calf, in his fury he holds the tablets aloft above his head before crashing them down on the ground. -
Duldig Studio museum + sculpture gardenCeramic, Karl Duldig, Gumnut Bowl by Karl Duldig c.1948, c. 1948
... Gumnut Bowl by Karl Duldig c.1948...Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. ...Karl Duldig...Duldig Studio museum + sculpture garden 92 Burke Road East Malvern melbourne Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. ...Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under. -
Vision AustraliaPhotograph - Image, Karl Hughes at his desk in BTBL, mid 1992-1998
... Karl Hughes at his desk in BTBL...Audio manager Karl Hughes sits at his desk, answering the phone as he acknowledges the photographer with a smile. ...Karl Hughes on the phone surrounded by audio reels and tapes...Braille & Talking Book Library Robert de Graauw Karl Hughes Karl Hughes on the phone surrounded by audio reels and tapes Karl Hughes at his desk in BTBL Photograph Image Robert Degraauw ...Audio manager Karl Hughes sits at his desk, answering the phone as he acknowledges the photographer with a smile. Behind him are bookcases filled with audio reels and cassettes. To his left, a glass wall is covered with photographs and news clippings of audio book award success. On his desk sits a computer, some DAT tapes and piles of paperwork.Karl Hughes on the phone surrounded by audio reels and tapesbraille & talking book library, robert de graauw, karl hughes -
Melbourne LegacyDocument - Article, Legatee E K (Karl) Robertson, President 1980
... Legatee E K (Karl) Robertson, President 1980...A cutting from from a Melbourne Legacy President's report showing a photo of Legatee Karl Robertson (President of Melbourne Legacy in 1980). ...Article with a black and white photo of Legatee Karl Robertson - President 1980....A record of Legatee Karl Robertson a past president of Legacy. ...A cutting from from a Melbourne Legacy President's report showing a photo of Legatee Karl Robertson (President of Melbourne Legacy in 1980). It was collected to be a record of a photo of past presidents. Legatee Karl Robertson served in the AIF in World War 2, his original unit was 2/1 Survey Regt. RAA with which he served in the Middle East and he later served with 2/1 Flash Spotting Battery R A A and 3 P W and I Unit in Borneo. He was inducted into Melbourne Legacy in 1954 on the nomination of Legatee Ron Foskett. He stepped down between 1967 and 1972 when he was re-inducted. The article was part of an album of past presidents from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.A record of Legatee Karl Robertson a past president of Legacy. The information was collected to record the lives of prominent legatees in a folder.Article with a black and white photo of Legatee Karl Robertson - President 1980.past presidents, karl robertson -
Federation University Art CollectionWork on paper - Artwork - watercolour, Karl H. Hofman, 'Sturt Street: The big candleabrum monuments in Ballarat' by Karl H. Hofman, 19/10/2002
... 'Sturt Street: The big candleabrum monuments in Ballarat' by Karl H. Hofman...Karl H. Hofman...'Sturt Street: The big candleabrum monuments in Ballarat' by Karl H. Hofman Work on paper Artwork - watercolour Karl H. ...Framed watercolour of a Ballarat street scene painted from Lydiard Street North looking towards Craig's Royal Hotel.karl h hofman, ballarat, craig's royal hotel, lamp, burke and wills fountain -
Federation University Art CollectionWork on paper - Artwork - watercolour, Karl H. Hofman, 'University of Ballarat' by Karl H. Hofman, 27/10/2002
... 'University of Ballarat' by Karl H. Hofman...Karl H. Hofman...'University of Ballarat' by Karl H. Hofman Work on paper Artwork - watercolour Karl H. ...Framed watercolour showing aspects of the Mount Helen campus of the University of Ballarat (later Federation University). The painting highlights the Peter Blizzard scuplture. karl h. hofman, university of ballarat, mount helen campus, peter blizzard -
Tatura Irrigation & Wartime Camps MuseumBook, Karl Pollak, Words U. Phrases, 27 November 1941
... German-English phrase book, compiled by Karl Pollak, POW at Camp 13 Murchison....27.11.41 Tatura Camp Australia Pollak Karl....Karl Pollak...Tatura Irrigation & Wartime Camps Museum 49 Hogan Street Tatura the-murray German-English phrase book, compiled by Karl Pollak, POW at Camp 13 Murchison. Karl Pollak POW phrase books Camp 13 phrase books German-English phrase book 27.11.41 Tatura Camp Australia Pollak Karl. ...German-English phrase book, compiled by Karl Pollak, POW at Camp 13 Murchison.Hard card covered handmade book. Consisting of pale green coloured folded sheets held together with a piece of string. Entries made in ink.27.11.41 Tatura Camp Australia Pollak Karl.karl pollak, pow phrase books, camp 13 phrase books, german-english phrase book -
Federation University Historical CollectionPhotograph, Karl McCann Holding the R.W. Richards Medla Honour Board, 1996, 1996
... Karl McCann Holding the R.W. Richards Medla Honour Board, 1996...Karl McCann Holding hte R.W. Richards Medla Honour Board...Barker Library (top floor) Mount Helen goldfields r.w. richards medal honour bard karl mccann Karl McCann Holding hte R.W. Richards Medla Honour Board Karl McCann Holding the R.W. ...Karl McCann Holding hte R.W. Richards Medla Honour Boardr.w. richards medal, honour bard, karl mccann -
Glenelg Shire Council Cultural CollectionUniform - Glenelg Shire Council Name Badge - Karl Hatton, Glenelg Shire Council badge, 1995
... In use by Council 1995-March 2006 Karl Hatton used to manage the Portland Arts Centre and is now part of the Portland CEMA group...Glenelg Shire Council badge bearing the name "Karl Hatton"...Front: KARL HATTON Glenelg Shire Council Back: (no inscriptions)...Glenelg Shire Council Cultural Collection History House Cliff Street Portland great-ocean-road In use by Council 1995-March 2006 Karl Hatton used to manage the Portland Arts Centre and is now part of the Portland CEMA group Front: KARL HATTON Glenelg Shire Council Back: (no inscriptions) Glenelg Shire Council badge bearing the name "Karl Hatton" Glenelg Shire Council badge Uniform Glenelg Shire Council Name Badge - Karl Hatton Glenelg Shire Council n/a ...In use by Council 1995-March 2006 Karl Hatton used to manage the Portland Arts Centre and is now part of the Portland CEMA groupGlenelg Shire Council badge bearing the name "Karl Hatton"Front: KARL HATTON Glenelg Shire Council Back: (no inscriptions) -
Tatura Irrigation & Wartime Camps MuseumRecord - gramaphone, Titanin-Marsh by composer Karl Stork, 1941
... Titanin-Marsh by composer Karl Stork...Circular 78 musical record (German) WW2 on label in centre is written: Grossdeutscher Rundfunk above logo (Eagle over swastika), dated 13.3.41,"Titanin-Marsh" by composer Karl Stork. In brown paper sleeve. Recorddetails on separate paper slip...Title translates to "March of the Titans". tatura musical instruments accessory 64104R Circular 78 musical record (German) WW2 on label in centre is written: Grossdeutscher Rundfunk above logo (Eagle over swastika), dated 13.3.41,"Titanin-Marsh" by composer Karl Stork. In brown paper sleeve. Recorddetails on separate paper slip Titanin-Marsh by composer Karl Stork Record - gramaphone ...Possession of POW in Camp13 Murchison. Recording of Nazi wartime march. Title translates to "March of the Titans".Circular 78 musical record (German) WW2 on label in centre is written: Grossdeutscher Rundfunk above logo (Eagle over swastika), dated 13.3.41,"Titanin-Marsh" by composer Karl Stork. In brown paper sleeve. Recorddetails on separate paper slip64104Rtatura, musical, instruments, accessory -
Tatura Irrigation & Wartime Camps MuseumPhotograph, Karl Duldig, 1941
... Karl Duldig...Top left - Karl Duldig, 8th Employment, with daughter Eva in front of him; Top right: The Duldig family in front of their hut in Camp 3. ...Released with other families in 1942. Karl served in the 8th Employment Company. ...Top left - Karl Duldig, 8th Employment, with daughter Eva in front of him; Top right: The Duldig family in front of their hut in Camp 3. Slawa, Eva and Karl Bottom left: Army nurse and children: back row (left to right): Italian, Italian, Harry Bader 2nd back row: Italian, Dolly Seefeld, Dora Seefeld, Indonesian 3rd back row: ? Eva Jacoby, Mariesa ?, Indonesian 2nd front row: Ruth Gottlieb, Lisa Bader, Gracie Kouner, George Fink Front row: Lilliana Dellanoll, George Huppert, Eva Duldig and Gerald Seefeld Bottom right: bronze sculpture of Captain Edward Renata Broughton (NZ) O.C. 8th Employment Co. Refugees from Singapore. Slawa and Karl Duldig, Bauhaus artists from Vienna, Austria, fled to Singapore 1938, arrested in 1939 by British officials. Sent to Australia on Queen Mary to Tatura Group Internment Camp 3 compound D. Released with other families in 1942. Karl served in the 8th Employment Company. He and his wife taught in Melbourne schools (Mentone Grammar and St Catherine's Girls School). Daughter Eva (photo) donated the photos.4 black and white photographs of the Duldig family. One is father and daughter; one is mum, dad and daughter in front of hut; third is a group photograph of a nurse and a group of children and the third is of a bust of Captain Edward Renata Broughton. Photographs are mounted and in a fawn coloured frame. singapore refugee, captain edward kenate broughton, karl duldig, eva duldig, harry bader, dolly seefeld, dora seefelt, eva jacoby, mariesa ?, ruth gottlieb, lisa bader, gracie kouner, george fink, lilliana dellanol, george huppert, george seefeld -
Stawell Historical Society IncBook, Karl Bader, Family Matters - Tracing the Ancestry of Alexander and Elizabeth Sarah Graham, 1994
... Family Matters Tracing the Ancestry of Alexander and Sarah Elizabeth Graham By Karl Bader...Karl Bader...Stawell Historical Society Inc 46 Longfield St Stawell grampians Tracing the Family History of Alexander and Elizabeth Sarah Graham stawell Family Matters Tracing the Ancestry of Alexander and Sarah Elizabeth Graham By Karl Bader Yellow card cover with green print and two shaded boxes with print Family Matters - Tracing the Ancestry of Alexander and Elizabeth Sarah Graham Book Karl Bader Copy Master ...Tracing the Family History of Alexander and Elizabeth Sarah GrahamYellow card cover with green print and two shaded boxes with printFamily Matters Tracing the Ancestry of Alexander and Sarah Elizabeth Graham By Karl Baderstawell -
Federation University Historical CollectionDocument - Certificate, Chatham-Holmes Collection: Marriage Certificate, Karl Aumuller and Frances Harriet Holmes, 1876, 20 July 1876
... Chatham-Holmes Collection: Marriage Certificate, Karl Aumuller and Frances Harriet Holmes, 1876...Karl Aumuller and Frances Harriet Holmes were married on 20 July 1876 at the home of her uncle, "Echo Hills" Station, Queensland Frances' parent were Edward Carter Holmes and Sarah Holmes, nee Kitching, of Ascot Victoria. ...Chatham-Holmes Collection: Marriage Certificate, Karl Aumuller and Frances Harriet Holmes, 1876 Document Certificate ...Karl Aumuller and Frances Harriet Holmes were married on 20 July 1876 at the home of her uncle, "Echo Hills" Station, Queensland Frances' parent were Edward Carter Holmes and Sarah Holmes, nee Kitching, of Ascot Victoria. On the certificate it indicates that Frances lived on "Echo Hills" Station doing home duties.Very poor condition - writing badly faded.karl aumuller, frances holmes, "echo hills", queensland, ascot, edward carter holmes, sarah holmes, kitching, family history, genealogy -
Duldig Studio museum + sculpture gardenPhotograph, Karl Duldig, Slawa and her sister Rella, Paris, 1968, 1968
... This photograph was taken by Karl Duldig when he and Slawa visited Slawa's sister Rella Laisne in Paris in 1968. ...Karl Duldig...Slawa and her sister Rella, Paris, 1968 Photograph Karl Duldig ...This photograph was taken by Karl Duldig when he and Slawa visited Slawa's sister Rella Laisne in Paris in 1968. They went to Paris as part of a world trip on the occasion of the unveiling of Karl's sculptural monument, Dawn, at the Maccabiah Village, Ram Gat, Israel. Commissioned by Hakoah and World Maccabi Union his monument commemorates the sportsmen and women of Hakoah Sports Club who were among the victims in the Holocaust. Karl had played for Hakoah in his youth. This is one of a large collection of photographs taken by sculptor Karl Duldig, documenting his art, life and family. The collection is of historical and aesthetic significance as a personal record of the work, cultural and social milieu of an Austro- Australian sculptor and his family from the early to late 20th century. it is also a record and representative of the experience of those people who came to Australia at this time, displaced by the upheavals of the Second World War. -
Mentone Grammar SchoolKarl Duldig, Art Master (1945-1967)
... Karl Duldig, Art Master (1945-1967)...In 1945, after feeling Nazi Germany in 1939, Karl Duldig and his wife, Slawa, were finally granted ‘landing permits’ in Australia, after six years living in refugee camps, both here and Singapore. ...Mentone Grammar School 63 Venice Street Mentone, 3194 In 1945, after feeling Nazi Germany in 1939, Karl Duldig and his wife, Slawa, were finally granted ‘landing permits’ in Australia, after six years living in refugee camps, both here and Singapore. ...In 1945, after feeling Nazi Germany in 1939, Karl Duldig and his wife, Slawa, were finally granted ‘landing permits’ in Australia, after six years living in refugee camps, both here and Singapore. Duldig was appointed art master at Mentone Grammar in 1945, while also establishing a small ceramics business with his artist-inventor wife, Slawa. His work was prolific across several mediums. Our School Archives holds a large collection of sketches, as well as several bronze busts which he made, depicting life, students, and staff at Mentone Grammar during his time at the School from 1945 to 1967. -
Tatura Irrigation & Wartime Camps MuseumDecorative object - Boy Doll, Alfons Konig, "Karl", 1940-1945
... "Karl"...Her husband was not interned as he was on a business trip to Germany when war broke out. The doll, named Karl by Else-Lore, was hand-carved by internee Alfons Koenig. ...White socks and brown leather sandals. "Karl" Decorative object Boy Doll Alfons Konig Friedel Dehnel ...Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. The doll, named Karl by Else-Lore, was hand-carved by internee Alfons Koenig. Friedel Dehnel "Tante Fiffi" made the authentic Bavarian clothes. Friedel, wife of Walter Dehnel, arrived as a young woman from Austria, working in the Victorian snowfields as a chef and was a champion skier. She then became a dressmaker for Melbourne society and insisted that she be interned to be with her husband. She made costumes for the internment camp plays and took over her husband's duties as a cook for Camp A when he was locked up for "insubordination". She was deported with her husband back to Germany after the war and cared for her orphaned nephews and nieces in Garmisch-Partenkirchen. Body, head, arms and legs carved from wood. Blue eyes, yellow hair, pink lips and skin all hand painted. Wearing a grey crochet hat with orange feather and grey crochet jacket with two metal buttons. Jacket and hat have green trim. Grey felt shorts with leather braces and green trim. White shirt and tan color tie. White socks and brown leather sandals.doll, alfons koenig, camp 3, internee, oertel family, else oertel, friedel dehnel, else-lore hukins, dressmaker, costumes, plays, chef -
Tatura Irrigation & Wartime Camps MuseumChair - deck, Karl Wied, 1940-1946
... Made in Camp 3 by Karl Wied. Frame mostly 5 cm x 1.5 cm varnished timber held with bolts and nuts and steel plates....Karl Wied...Chair - deck Karl Wied ...Two deck chairs (1 minus canvas). The other one has orange, green, cream and black striped canvas. Made in Camp 3 by Karl Wied. Frame mostly 5 cm x 1.5 cm varnished timber held with bolts and nuts and steel plates.deck chair, hand made, karl wied, camp 3, tatura, internee, woodwork -
Tatura Irrigation & Wartime Camps MuseumDocument - Austrian Jewish refugees - Singapore, 06/08/1941 with additions later
... An outstanding collection of memorabilia of Karl Duldig, Ludwig Mielich, Helmut Seefeld and all those who arrived in Australia on the Queen Mary 26th September 1940......Karl Duldig...The heading of the text is "Press release- reluctant passengers on the Queen Mary" and concludes Authorised by Eva de Jong - Duldig Document - Austrian Jewish refugees - Singapore Eva de jong-Duldig Karl Duldig Mr H. Seefeld ...An outstanding collection of memorabilia of Karl Duldig, Ludwig Mielich, Helmut Seefeld and all those who arrived in Australia on the Queen Mary 26th September 1940A clear plastic folder with a black margin with a white paper insert, on which is written "Memorabilia from Austrian Jewish refugees interned in Singapore and camp 3 1940'. The heading of the text is "Press release- reluctant passengers on the Queen Mary" and concludes Authorised by Eva de Jong - Duldig As above -
Emerald Museum & Nobelius Heritage ParkPostcard - Postcard of West Gembrook Road, Emerald, Rose Stereograph Company, West Gembrook Road, Emerald, Vic, Circa 1930s-45
... It may have been taken by Karl Visser.......Karl Visser...It may have been taken by Karl Visser. The photograph depicts part of Emerald as it was in the 1930s. ...This photograph was taken as a postcard in the Rose Stereograph Company's Rose Series. It was number P. 1463 in the series, meaning it was likely taken in the 1930s or early 40s. It depicts 'West Gembrook Road' - likely now Old Gembrook Road or Belgrave-Gembrook Road - surrounded by fields on one side and small home on the other. Over 14000 Rose Series postcards were produced over the lifetime of the Company, capturing everything from major landmarks to quiet scenic roads like this. It may have been taken by Karl Visser.The photograph depicts part of Emerald as it was in the 1930s. At the time, it was considered representative of the area, enough to be published as a postcard.Black and white photograph (copy) on gloss photographic paper. Below the photo is a label describing its location and denoting it as part of the Rose Series. The photo looks down at a road with hills in the background, a field in the foreground and occasional building along the roadside. The rear has writing in pencil and some pen scribbles, and there is a pen scribble on the upper left of the photograph.Front, Left, Below Photograph: "THE ROSE SERIES P. 1463" Front, Centre, Below Photograph: "WEST GEMBROOK ROAD, EMERALD, VIC." Rear: "KAPL VISSER / 600 511"emerald, photography, 1930s, 1940s -
Tatura Irrigation & Wartime Camps MuseumBiscuit Cutter, 1941 - 1946
... Karl Wied...Karl Wied...Camp 3 cooking utensils rabbit biscuit cutters biscuit cutters Easter biscuits Tin biscuit cutter handmade in shape of a rabbit with flat ears - life size (for Easter bunny). Biscuit Cutter Karl Wied Karl Wied ...Made in Camp 3 for internees making Easter biscuits.Tin biscuit cutter handmade in shape of a rabbit with flat ears - life size (for Easter bunny).camp 3 cooking utensils, rabbit biscuit cutters, biscuit cutters, easter biscuits -
Warrnambool RSL Sub BranchBOB: Map - 1:13,000, YPRES, Yperen, p.40, 'Baedeker's Belgium and Holland',1905,14th Edition (English), Leipzig: Karl Baedeker, Publisher, 1905
... p.40, 'Baedeker's Belgium and Holland',1905,14th Edition (English), Leipzig: Karl Baedeker, Publisher....Snape Collection Two tone map in orange, grey and black. p.40, 'Baedeker's Belgium and Holland',1905,14th Edition (English), Leipzig: Karl Baedeker, Publisher. BOB: Map - 1:13,000, YPRES, Yperen, ...Bob Snape always included in his kit a few second hand Baedeker's guide books, as well as the 'Belgium and Holland' volume. Bob was a keen observer and commentator and used these guide books as any interested tourist. Bob's letters home often made reference to the history, culture and architecture of the countries he visited in the course of the war. Bob's English born father had lived and worked in France from 1878 to 1880 before his emigration to Australia.Two tone map in orange, grey and black. snape collection -
Tatura Irrigation & Wartime Camps MuseumBook, Letters 1941- 1942. Peter Karl Loewensberg
... Letters 1941- 1942. Peter Karl Loewensberg...Letters 1941- 1942. Peter Karl Loewensberg Book ...W.W 2 letters describing his internment in UK, voyage on the " Dunera" and his arrival in Australia, and internment in Hay. Translated by Louise KulbickiBlue hard cover. Title printed in gold lettering. High gloss pages.dunera,, internment camps in australia -
Tatura Irrigation & Wartime Camps MuseumBook, Diaries 1940 - 1942 Peter Karl Loewensberg
... Diaries 1940 - 1942 Peter Karl Loewensberg...High gloss pages Diaries 1940 - 1942 Peter Karl Loewensberg Book ...WW 2 diaries describing Peter's internment in the UK and "Dunera", his arrival in Australia and internment in Hay. Translated by Louise Kulbrick.Blue hard cover, title printed in gold lettering. High gloss pages -
Tatura Irrigation & Wartime Camps MuseumFolder, Karl Duldig
... Karl Duldig...Tatura Irrigation & Wartime Camps Museum 49 Hogan Street Tatura the-murray Karl Duldig Camp 3 Singapore Group Internee Camps "Famous Men of Malvern" and "Australian Jewish Historical Society Journal" Folder with black plastic cover, clear front containing printed articles "Famous Men of Malvern" and "Australian Jewish Historical Society Journal" Karl Duldig Folder ...Folder with black plastic cover, clear front containing printed articles "Famous Men of Malvern" and "Australian Jewish Historical Society Journal" "Famous Men of Malvern" and "Australian Jewish Historical Society Journal" karl duldig, camp 3, singapore group, internee camps -
Victorian Apiarists AssociationPublication, Bees: Their Vision, Chemical Senses, And Language (Karl von Frisch)Reissued in this format in 1983, 1983
... Bees: Their Vision, Chemical Senses, And Language (Karl von Frisch)Reissued in this format in 1983...Black inside a bright yellow outer cover with black writing 125 pages Bees: Their Vision, Chemical Senses, And Language (Karl von Frisch)Reissued in this format in 1983 Publication ...Small hardcover book. Black inside a bright yellow outer cover with black writing 125 pages -
Heidelberg Theatre Company Inc..Program Photos Poster, Snow White : The Untold Story by Karl B. Peterson directed by Christian Dell'Olio
... Snow White : The Untold Story by Karl B. Peterson directed by Christian Dell'Olio...Heidelberg Theatre Company Inc.. 36 Turnham Ave Rosanna melbourne heidelberg theatre company inc. 2012 392 Snow White : The Untold Story by Karl B. Peterson directed by Christian Dell'Olio Program Photos Poster ...heidelberg theatre company inc., 2012, 392 -
Heidelberg Theatre Company Inc..Photos Poster, Robin Hood & Maid Marian by Karl B Peterson directed by Christian Dell'Olio
... Robin Hood & Maid Marian by Karl B Peterson directed by Christian Dell'Olio...Heidelberg Theatre Company Inc.. 36 Turnham Ave Rosanna melbourne youth production 2013 398 Robin Hood & Maid Marian by Karl B Peterson directed by Christian Dell'Olio Photos Poster ...youth production, 2013, 398
