ill, maps, p.94.non-fictionA history of diesel locomotives on the Australian National network in South Australia in the 1980s.locomotives - south australia - history, diesel locomotives - commonwealth railways - australia

The Programme was made on the occasion of the Civic Service to mark the granting of Armorial Ensigns and City Banner to the City of Caulfield. The cover states that the Ensigns were presented by J.P. Brooke - Little, Esq., Richmond Herald of Arms. There are three other known copies of the this Programme.Programme, white paper card cover with a representation of the City of Caulfield Coat of Arms, 4 paper pages inside with printed text on the front and back of each page and a colour representation of the City of Caulfield Coat of Arms on Page 3. The pages have been stapled to the cover with two staples.

The Programme was made on the occassion of the Civic Service to mark the granting of Armorial Ensigns and City Banner to the City of Caulfield. The cover states that the Ensigns were presented by J.P. Brooke - Little, Esq., Richmond Herald of Arms. There are three other known copies of the this Programme. Programme, white paper card cover with a representation of the City of Caulfield Coat of Arms, 4 paper pages inside with printed text on the front and back of each page and a colour representation of the City of Caulfield Coat of Arms on Page 3. The pages have been stapled to the cover with two staples. The cover has a City of Caulfield Library stamp and a red sticky dot in the upper corner, rhs.Stamped on front cover in black ink: "CITY OF CAULFIELD / LIBRARY"

The Programme was made on the occassion of the Civic Service to mark the granting of Armorial Ensigns and City Banner to the City of Caulfield. The cover states that the Ensigns were presented by J.P. Brooke - Little, Esq., Richmond Herald of Arms. There are three other known copies of the this Programme.Programme, white paper card cover with a representation of the City of Caulfield Coat of Arms, 4 paper pages inside with printed text on the front and back of each page and a colour representation of the City of Caulfield Coat of Arms on Page 3. The pages have been stapled to the cover with two staples. This copy of the Programme has been covered with transparent contact, has a sticker with a Caulfield Library Reference number on the front cover and a Glen Eira Library Service stamp on the inner cover.

The Programme was made on the occasion of the Civic Service to mark the granting of Armorial Ensigns and City Banner to the City of Caulfield. The cover states that the Ensigns were presented by J.P. Brooke - Little, Esq., Richmond Herald of Arms. There are three other known copies of the this Programme. Programme with white cardboard cover with the City of Caulfield Coat of Arms in black and white on the front. Four double sided pages and a colour representation of the City of Caulfield Coat of Arms on Page 3.

A proposal letter written by Mark Strizic for a grant from the Commonwealth Art Advisory Board to fund a series of art books. Strizic proposes a series of books illustrated by Strizic's own photography, under the series title Expressions. Strizic seeks a grant of $4900 from the board for the publication of two books, one of furniture maker Schulim Krimper, another on John Perceval's Cherubs. Budgets for these books are included, proposing to use the profit from sales to fund subsequent books, including one on the Centre 5 group of sculptors and one with Australian poets with graphics by artist Stan Ostoja-Kotkowski.Typewritten, carbon copy, foolscap, 4 pagesRobin Boyd pencil noterobin boyd, meriel wilmot-wright, myer foundation, mark strizic, schulim krimper, brian lewis, margaret garlick, inge king, clifford last, lenton parr, teisutis zikaras, julius kane, centre 5, time riders, john perceval, vincas jomantas, stan ostoja kotkowski, judith wright, roland robinson, kenneth slessor, max harris, claude wischik, commonwealth art advisory board, andrew grimwade, national gallery of victoria, joseph brown, brian stonier

This document is a receipt detailing the transfer of five documents from the Bank of Australasia Warrnambool to the security of the Solicitor E L Ardile (and W M Ardlie) of Kepler Street Warrnambool. The documents include a Title and are concerned with the bank's customer, W J Bell, deceased. They refer to Jas Bell and Mark Nicholson. The dates mentioned are from 1883 to 1885 and the receipt is dated 10 August 1890. The Bank of Australasia was incorporated by the Royal Charter of England in March 1834. The bank began in Australia on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank later bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The Receipt from E L Ardlie documents names of local families and are of historical significance. The movement of the documents from the Bank of Australasia, to the security of the Solicitor, shows that the bank was relied on for more than just financial services. The document is significant for its association with the Bank of Australasia in Warrnambool, the first bank in Warrnambool, established in 1854. The bank continued to operate until its merger in 1951 when it became the ANZ Bank, which is still in operation today. The Bank was an integral part of the establishment and growth of commerce in Colonial Warrnambool and throughout Australia.Receipt, printed on pale yellow paper, an official form titled Solicitor's Accountable Receipt, with handwritten details. DATE 10th August 1898 FROM E L Ardlie, Solicitor, TO Bank of Australasia Warrnambool FOR CUSTOMER W J Bell decd. DOCUMENTS five (5) on loan, held for security.DATE: "10 August 1898" SOLICITOR: "E L Ardlie" CUSTOMER: "W J Bell, decd." TEXT: "... RECEIVED on loan from the BANK OF AUSTRALASIA ...documents held in security ... " DOCUMENTS: "Certificate of title to W J Bell" " Grant ... Mark Nicholson" "Conveyance .. Mark Nicholson to ... W J and J Bell dated 16th January 1883" " W J and J Bell to Mark Nicholson 17 January 1883 ..." "Conveyance Jas Bell to W J Bell dated 16 March 1885"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, commerce, banking, bank of australasia, david charters mcarthur, e l ardlie, solicitor, convenancer, w j bell, jas bell, mark nicholson, document security

Glen Eira has a long history of association with various heraldic forms. From its early years the municipality of Caulfield had used the armorial bearings of the Caulfield Family (the Charlemonts of Castle Caulfield) to represent the roads board and later the town and city. In 1969 Caulfield City Council began planning to apply for an official coat of arms for the City. In 1974 Horace Hall, a Balwyn North resident and member of the Heraldry Society in London advised Council that the current usage was illegal, and that the Houston family, current owners of the Caulfield Arms could take legal action against Council for 'usurping their arms'. Mr Hall was commissioned to develop new heraldry for the City, and in conjunction with J. P. Brooke Little at the College of Arms, London, he prepared an acceptable design for Caulfield's Coat of Arms. The Council paid an additional sum to have a standard painted on the Letters Patent and the municipality's new coat of arms was drawn up in June 1975. The Coat of Arms retains a number of heraldic elements from the original Caulfield family insignia, including the dragons, the colours and the elements of the shield. The newly registered coat of arms and Letters Patent document for the granting of arms was presented at a civic service to mark the granting of armorial ensigns and the city banner to the City of Caulfield on the 1st May 1977. Significant elements of the coat of arms granted by these Letters Patent are as follows: The motto 'Labore Vinces' translates to 'By our labours we will conquer'. The helmet represents the rank of the owner. Public authorities are granted an esquire's helmet. The brickwork on the crest is a recognised emblem of local government. The Letters Patent also display a banner and a badge, both official symbols of the City of Caulfield. The badge, which is displayed on the banner as well as on its own, features a bridled horse. This represents the importance of racing, the Caulfield racecourse and the Caulfield cup to the municipality. These letters patent officially proclaim the granting of the coat of arms to the City of Caulfield. They are highly significant to the City of Glen Eira as they are the primary document that signifies the official and ceremonial heraldic powers of the Coat of Arms of the City of Caulfield. Mounted Letters Patent illuminated document for the Grant of Arms to the City of Caulfield presented on 1st May, 1977. Hand written and hand painted on cream coloured parchment using different coloured inks, mainly black, blue, red and gouache and gold paint. The bottom edge is folded up over itself approx. 45mm revealing the flesh side of the parchment, which displays black ink signatures and three sets of two horizontal slits that hold three blue ribbon. The ribbons support three wax seals in round, gold coloured metal cases held by the wax through slots in the casing. Although covered by the cap top, each wax seal within displays a different flag emblem with a crown on top, surrounded by a ring of text (difficult to read), noted when the cases were opened during conservation treatment. See attached transcription.arms, symbol, heraldry, glen eira, council, caulfield

A map of Bungal in the 1920's showing the allotments, and the size, with the names of the residents. It shows the roads and the Western and Eastern Moorarbool River, and the Whipstick State Forest.Cream coloured map of Bungal in the County of Grant, bounded by the the East Moorarbool River on the East, and the State Forest on the South. It is marked with the scale of chains and the number L.358. Lithographed at the Department of Lands and Survey. Melbourne by W. J. Butson on 9.9.1926. It shows the land allotments with names of owners.Coloured pen marks and circled numbers on various areas. Price 2 shillings marked on bottom right hand edge.bungal, kerrit bareet, egerton, lal lal, borhoneyghurk, bungeeltap, ballark, yaloak, gorong, moorarbool west

The design of this set of four lightweight chairs is based on Thonet’s bentwood designs, which are still some of the best-selling designs for café and restaurant owners. It is elegant, sophisticated and durable. Some of these chairs still have their original seat, under which the letters “TH” or “RSL” are hand written. Flagstaff Hill has several bentwood chairs with these letters on them, in either chalk, black paint, or both. It is believed that the chairs were used in the original Warrnambool Town Hall, and later the RSL. The Town Hall was completed in 1891, built on the corners of Timor and Liebig Streets. (In 1977 the Town Hall was declared unsafe and was later replaced by the Warrnambool Performing Arts Centre.) Some of the chairs have marks, paper labels and symbols on them that show that the maker was Josef Jaworek, who had a small furniture factory in east Sinensia, which was at that time in Austria, from 1907 - 1914. Bentwood chairs are made by a process of wetting wood in water, bending it into curved shapes, then allowing it to dry so that the shape becomes permanent. This process originated by Michael Thonet, who had been given the right to bend wood into desired curves by the Austrian Courts in 1842. In 1856 he was granted a 13 year patent to manufacture chairs and table legs of bent wood treated by steam or boiling water. In 1859 his company Gebruder Thonet produced his original design. Thonet’s early designs also featured hand carved or laminated wooden seats. His Model No. 14 was produced in the 1850’s and his most popular design. After Michael’s death in 1871 the family went on designing and producing chairs. These bentwood chairs are believed to be associated with the original Warrnambool Town Hall. The Warrnambool Town Hall played a significant role in the both the local government and the social events of local and district areas. It was a place for Council meetings, community events and entertainment, theatrical and musical.Bentwood chair (4 of 4), painted black, inner back is curled loop, seat has leather cover attached with studs, ventilation holes under seat, legs are splayed and have a bracing ring. Marks: under seat, handwritten and stamped into wood.Marked with handwritten "TH", in both black paint & white chalk. Under rim is label printed "65" Stamped into wood on rim under chair "95".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bentwood chair, café chair, restaurant chair, josef jaworek, austrian chairs, furniture

The design of this set of four lightweight chairs is based on Thonet’s bentwood designs, which are still some of the best-selling designs for café and restaurant owners. It is elegant, sophisticated and durable. Some of these chairs still have their original seat, under which the letters “TH” or “RSL” are hand written. Flagstaff Hill has several bentwood chairs with these letters on them, in either chalk, black paint, or both. It is believed that the chairs were used in the original Warrnambool Town Hall, and later the RSL. The Town Hall was completed in 1891, built on the corners of Timor and Liebig Streets. (In 1977 the Town Hall was declared unsafe and was later replaced by the Warrnambool Performing Arts Centre.) Some of the chairs have marks, paper labels and symbols on them that show that the maker was Josef Jaworek, who had a small furniture factory in east Sinensia, which was at that time in Austria, from 1907 - 1914. Bentwood chairs are made by a process of wetting wood in water, bending it into curved shapes, then allowing it to dry so that the shape becomes permanent. This process originated by Michael Thonet, who had been given the right to bend wood into desired curves by the Austrian Courts in 1842. In 1856 he was granted a 13 year patent to manufacture chairs and table legs of bent wood treated by steam or boiling water. In 1859 his company Gebruder Thonet produced his original design. Thonet’s early designs also featured hand carved or laminated wooden seats. His Model No. 14 was produced in the 1850’s and his most popular design. After Michael’s death in 1871 the family went on designing and producing chairs. These bentwood chairs are believed to be associated with the original Warrnambool Town Hall. The Warrnambool Town Hall played a significant role in the both the local government and the social events of local and district areas. It was a place for Council meetings, community events and entertainment, theatrical and musical.Bentwood chair (1 of 4), painted black, inner back is curled loop. Seat is padded leather, attached by studs. Splayed legs. Patterned ventilation holes under seat. Under seat are various Marks; hand painted, printed on small piece of paper, stamped in wood.Under seat are various Marks; hand painted in black "TH", printed on small piece of paper "400", stamped in wood "400" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bentwood chair, café chair, restaurant chair, josef jaworek, austrian chairs

Black and white photograph with student names"Attached to photograph" Back Row- L to R: Gary Chappell, Stephen Foster, ?, Russell Paine, Craig Rawson, Gary Ladiges, Gary Davies, Mark Dash. 2nd Row- L to R: ?, Judy Littlepage, Grace King, Barbara McDonald, Anne Joyce, Meg Flowers, Anne Downey, Vicki Munro, Laura Simpson, Christine Schruum, Jennifer Johnson, John Grayling. 3rd Row- L to R: Robin Hagar, Grant (?), Lynette Milne, Anne Dowling, Julie Cook, ?, Rosilyn Scully, Janet Quinn, Cheryl McLaughlin, ?, ?, Michael Thwaites. Front Row- L to R: Greg Jacobs, Michael Craddock, Gary McCubbin, Terry Bacon, ?, ?, ?, Kevin Brown, Craig Austin, Ian Llewelyn. Teacher: Miss Robinson

This set of 13 colour photographs of a contingent of 38 personnel from the Army Survey Regiment, Bendigo sent to Castlemaine on the 13th of August 1995 to support a parade held commemorating the 50th anniversary of the Allied Victory in the Pacific. Army Survey Regiment Administrative Instruction 33/95 is stored with the photos, providing a nominal roll of the contingent involved in the parade. Refer to item 6299.11P for information and photos of an Army Survey Regiment Guard of Honour contingent sent to Canberra that year to support the Australia Remembers 1945-1995 event, one of many activities designed to commemorate and celebrate the 50th anniversary of the end of the Second World War on 15 August 1945.This set of 13 colour photographs of a contingent of 38 personnel from the Army Survey Regiment, Bendigo sent to Castlemaine on the 13th of August 1995 to support a parade commemorating the 50th anniversary of the Allied Victory in the Pacific. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour, 1995. No personnel identified. .2) - Photo, colour, 1995. Rear row L to R: SGT Ian Read, SPR Andrew Arman, unidentified (x2), LCPL Mark Fedden, SPR Glen Norrell, unidentified (x2), LCPL Grant Lloyd, SGT Stuart Ridge, SGT Dale Hudson. Centre row L to R: SSGT Peter Coles, SPR Derek Percival, SPR Mick Muzeen, unidentified, SGT Steve Gloster, CPL Darren Maher, SPR Katie Butterworth, unidentified (x2), CPL Trevor King, SGT Brian Paul, Parade Commander LT David Sapparth. Front row L to R: SPR Allison Ottaway, unidentified, SPR Spencer Rigby, unidentified (x2), CPL Dave Scott, unidentified (x2), CPL John ‘Doc’ Commons, unidentified, SGT Jim Ash. .3) - Photo, colour, 1995. Background L to R: unidentified (x2), SPR Allison Ottaway, unidentified. Foreground L to R: unidentified (x2), CPL Paul Einam, CPL John ‘Doc’ Commons, SGT Jim Ash, unidentified, Parade Commander LT David Sapparth (facing away), unidentified (x2), SGT Stuart Ridge, unidentified, SSGT Peter Coles. .4) - Photo, colour, 1995. Unidentified parade participants. .5) - Photo, colour, 1995. Right file L to R: SGT Jim Ash (partially obscured), remainder unidentified. Centre file L to R: LT David Sapparth, unidentified, SGT Brian Paul, remainder unidentified. Left file L to R: SGT Dale Hudson, SGT Stuart Ridge, LCPL Grant Lloyd, SPR Glen Norrell, LCPL Mark Fedden, CPL Geoff Webb, unidentified, SPR Andrew Arman. At rear L to R: SPR Derek Percival, SPR Mick Muzeen. .6) - Photo, colour, 1995. Background: SPR Allison Ottaway, Right file L to R: SGT Brian Johnson, SPR Spencer Rigby, unidentified (x2), CPL Dave Scott, unidentified, CPL Paul Einam, CPL John ‘Doc’ Commons, SGT Jim Ash. Centre file L to R: SGT Brian Paul, unidentified, Parade Commander LT David Sapparth. Left file L to R: SGT Stuart Ridge, SGT Dale Hudson (partially obscured). .7) - Photo, colour, 1995. L to R: SGT Ian Read, CPL Terry Purdey, SPR Derek Percival, SPR Andrew Arman, unidentified (x2), SSGT Peter Coles, SPR Allison Ottaway, SGT Brian Johnson, remainder unidentified. Parade Commander LT David Sapparth at front. 8.) - Photo, colour, 1995. Unidentified Corporal at Flag mast. 9.) - Photo, colour, 1995. Cenotaph ceremony L to R: SPR Allison Ottaway, SPR Andrew Arman, unidentified, SGT Ian Read. 10.) - Photo, colour, 1995. Cenotaph ceremony L to R: SPR Derek Percival, COL COMDT COL Don Swiney MBE, SGT Ian Read, SPR Andrew Arman (facing away), SPR Allison Ottaway. .11) - Photo, colour, 1995. Unidentified parade participants. .12) - Photo, colour, 1995. Unveiling commemorative plaque. L to R: COL COMDT COL Don Swiney MBE, Mr Bruce Reid MHR Bendigo. .13) - Photo, colour, 1995. Army Svy Regt personnel enjoying the BBQ lunch. L to R: SPR Dave Rossiter, SPR Allison Ottaway, SPR Dik Brierley, unidentified, SPR Katie Butterworth, CPL Trevor King, SGT Stuart Ridge, LCPL Grant Lloyd, CPL John ‘Doc’ Commons, CPL Darren ‘Barney’ Maher, CPL Paul Einam, unidentified, CPL Nick Vanderzwan.Identification label ‘VP Day Castlemaine (no negs)’. No personnel are identified; however they are named in the Administrative Instruction stored with the photos.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

This is a set of 17 photographs of technicians from the Royal Australian Survey Corps undertaking technical tasks circa 1990s. Photos .1P to .9P were taken at the Army Survey Regiment, Fortuna, Bendigo. Photos .10P to .15P and .17P of students operating survey equipment, were taken at the School of Military Survey, Bonegilla and survey stations surrounding Lake Hume. The base camp at photo .16P was probably taken at Sandy Creek, near Tallangatta Victoria, during the field phase of a basic or advanced RA Svy training course. CPL Steve Nokes appearing in photo .17P was attending the 1/90 Map Control Survey Course.This is a set of 17 photographs of technicians from the Royal Australian Survey Corps undertaking technical tasks at the Army Survey Regiment, Fortuna, Bendigo, and the School of Military Survey, Bonegilla c1992. Colour photos are on 35mm slide film and were scanned at 96 dpi. Photo .17P is in black & white, printed on photographic paper and scanned at 300 dpi. The photos are part of the Army Survey Regiment’s Collection. .1) – Photo, colour, c1992, Aerial photography Assessment, SGT Tony Grivell. .2) – Photo, colour, c1992, Aerial photography Assessment, L to R: WO2 Noel McNamara and LCPL Grant Lloyd. .3) – Photo, colour, c1992, Wild PUG4 point transfer device, LCPL Mark Fedden. .4) – Photo, colour, c1992, AUTOMAP 2 Graphic Edit Workstation, unidentified technician. .5) – Photo, colour, c1992, Heidelberg Speedmaster 102 computer-controlled five colour lithographic offset printing press, CPL Nick Vanderzwan. .6) – Photo, colour, c1992, Daylight film contact frame, SPR Ken Labourchardiere. .7) – Photo, colour, c1992, Heidelberg Speedmaster 102 Map Colour Evaluation Workstation, SGT Stuart Ridge. .8) – Photo, colour, c1992, Map proof evaluation, CPL John Bragg. .9) – Photo, colour, c1992, Wohlenberg MCS-2 guillotine, unidentified technician. .10) – Photo, colour, c1992, Wild T2 Theodolite, L to R: SPR Matt Arnold, SPR Kim Baker. .11) – Photo, colour, c1992, Wild T2 Theodolite, L to R: SSGT Bob Bright, SPR Kim Baker. .12) to .14) – Photo, colour, c1992, MRA-7 Tellurometer, CPL Mark Bourne. .15) – Photo, colour, c1992, Plane Tabling, CPL Mark Bourne. .16) – Photo, colour, c1992, School of Military Survey base camp, Sandy Creek, VIC. .17) – Photo, black & white, 1990, MRA-7 Tellurometer, CPL Steve Nokes. .1P to .16P - There are no annotations. .17P – annotated on back ‘CPL NOKES WITH MRA7 ON 1/90 MAP CONTROL COURSE’royal australian survey corps, rasvy, army survey regiment, army svy regt, school of military survey, fortuna, asr

Series consists of one page of 39 black and white negatives, most of which were taken on the night of Cr Mary Grant's receiving the Shire President's chain. Includes 13 shots ofa council meeting and a number of shots of Cr Grant with her family, including her partner Doug Owens. A second page of 17 black and white negatives (of Shire Scenes and Council Stall) includes a number of shots of Cr Mary Grant and her family.shire of eltham archives, series listing

Series consists of 16 colour photographs of contractors at work inside the Shire Offices. Includes photographs of CEO Rodney Roscholler and Cr Mary Grant.shire of eltham archives, series listing

This file contains five items: 1/Item one is a newspaper article describing the plans for the restoration and development of the new pavilion. It includes figures, benefits and potential uses of the pavilion. Dated August 2012. 2/ An article from the Caulfield/Port Phillip Leader describing the new pavilion. Dated 21/08/2012. 3/A report from the Caulfield Contact detailing the history of Duncan MacKinnon Reserve. It also includes funding and planning for the upgrade to a park status, with new facilities. Dated December 1991. 4/Report by Caulfield Historical Society, with the original typed copy, describing historical changes from 1874 to 1976, and its transformation from a swamp to sporting ground. Includes figures, grants, and its changing uses by the community. Undated. Three copies in file. 5/Two photographs, an original and a smaller copy of the original, of children playing at the reserve. Undated.duncan mackinnon reserve, glen eira, murrumbeena, caulfield, north road, crosbie road, murrumbeena road, caulfield historical society, caulfield council, caulfield contact, caulfield little athletics, judge mark, hyams jamie cr, glenhuntly athletics club, caulfield district netball association, stanish jane, biggs ed cr, dixon brian, taylor sam cr, crosbie thomas mahoney, mackinnon duncan cornelius, sports establishments, pavilion, sporting clubs, athletics, competitions, swamps, playgrounds, barbeques, warren reserve, councillors, paddy’s swamp, glen eira council, sports equipment, recreations equipment, victorian masters athletics, maccabi athletics club, washington park cricket club, sports grounds, ovals, playing fields, stadiums, duncan mackinnon park, caulfield’s east ward, victorian veterans cricket club, caulfield south, crosbie swamp, caulfield park, football clubs, cricket clubs, athletic clubs, caulfield/port phillip leader, mantric architecture, parks, reserves, martens veronika cr, caulfield historical society

The monument with time capsule was established by the Shire of Eltham Historical Society to commemorate Victoria’s 150th anniversary and mark the former location of the Eltham Town Centre, which existed along this section of Main Road, then known as Maria Street. The unveiling was conducted 10 November 1985 by Cr. Mary Grant (Shire President). The monument was constructed with a concrete base and the main feature is an old tyring plate or disc. The Time Capsule Ceremony involved lowering the sealed time capsule into place, bolting down its container lid and then concreting over the lid. The capsule contains items relating to present day (1985) Eltham and its people including a video film made by Joh Ebeli and also details of families and organizations who have contributed to construction of the monument. It is to be opened in the year 2035. The Society received an excellent response from local people, firms and organizations by way of assistance with this project. Graham Beyer, who originated the project, arranged many of the donations. He and his firm, Package Handling Equipment, donated the time capsule itself and carried out fabrication of sections of the monument. The design of the monument was adapted by Graham Beyer from drawings by Joh Ebeli. Charmac Industries donated the container for the time capsule and a cast gun metal name plate for the monument. BMG Concrete donated concrete for the base which was constructed by Caridi Construction Company. Northbourne Garden Supplies donated materials for the paving around the monument. Robert Becker from Eltham Apex directed construction of the paving by Society members. Terry Hutchinson donated the use of his crane to lift the tyring disc into place. Financial contributions were also made by the Eltham Chamber of Commerce and the Rotary Club of Eltham. In 1987 in commemoration of the Society’s 20th Anniversary, Joh Ebeli suggested the commissioning of a plaque to be added which explains the functions of the various items used in the Society’s Victorian 150th Anniversary Monument and this was unveiled by its designer, Joh Ebeli, on October 10, 1987. Circa 2010-2012 the monument was damaged through vandalism. The mounts for the ring had been broken. At the time of this photo the ring had been removed by Jim Connor, President of the Eltham District Historical Society and placed in safe storage whilst arrangements were made with Neil Carter of Carter Art, Research to undertake the repairs.Colour printeltham, eltham community centre, monument, public art, time capsule, carter art, neil carter

The monument with time capsule was established by the Shire of Eltham Historical Society to commemorate Victoria’s 150th anniversary and mark the former location of the Eltham Town Centre, which existed along this section of Main Road, then known as Maria Street. The unveiling was conducted 10 November 1985 by Cr. Mary Grant (Shire President). The monument was constructed with a concrete base and the main feature is an old tyring plate or disc. The Time Capsule Ceremony involved lowering the sealed time capsule into place, bolting down its container lid and then concreting over the lid. The capsule contains items relating to present day (1985) Eltham and its people including a video film made by Joh Ebeli and also details of families and organizations who have contributed to construction of the monument. It is to be opened in the year 2035. The Society received an excellent response from local people, firms and organizations by way of assistance with this project. Graham Beyer, who originated the project, arranged many of the donations. He and his firm, Package Handling Equipment, donated the time capsule itself and carried out fabrication of sections of the monument. The design of the monument was adapted by Graham Beyer from drawings by Joh Ebeli. Charmac Industries donated the container for the time capsule and a cast gun metal name plate for the monument. BMG Concrete donated concrete for the base which was constructed by Caridi Construction Company. Northbourne Garden Supplies donated materials for the paving around the monument. Robert Becker from Eltham Apex directed construction of the paving by Society members. Terry Hutchinson donated the use of his crane to lift the tyring disc into place. Financial contributions were also made by the Eltham Chamber of Commerce and the Rotary Club of Eltham. In 1987 in commemoration of the Society’s 20th Anniversary, Joh Ebeli suggested the commissioning of a plaque to be added which explains the functions of the various items used in the Society’s Victorian 150th Anniversary Monument and this was unveiled by its designer, Joh Ebeli, on October 10, 1987.35mm colour positive transparency (1 of 28) Mount - Kodak KodachromeProcess Date MAR 89Meltham, eltham community centre, monument, time capsule

The monument with time capsule was established by the Shire of Eltham Historical Society to commemorate Victoria’s 150th anniversary and mark the former location of the Eltham Town Centre, which existed along this section of Main Road, then known as Maria Street. The unveiling was conducted 10 November 1985 by Cr. Mary Grant (Shire President). The monument was constructed with a concrete base and the main feature is an old tyring plate or disc. The Time Capsule Ceremony involved lowering the sealed time capsule into place, bolting down its container lid and then concreting over the lid. The capsule contains items relating to present day (1985) Eltham and its people including a video film made by Joh Ebeli and also details of families and organizations who have contributed to construction of the monument. It is to be opened in the year 2035. The Society received an excellent response from local people, firms and organizations by way of assistance with this project. Graham Beyer, who originated the project, arranged many of the donations. He and his firm, Package Handling Equipment, donated the time capsule itself and carried out fabrication of sections of the monument. The design of the monument was adapted by Graham Beyer from drawings by Joh Ebeli. Charmac Industries donated the container for the time capsule and a cast gun metal name plate for the monument. BMG Concrete donated concrete for the base which was constructed by Caridi Construction Company. Northbourne Garden Supplies donated materials for the paving around the monument. Robert Becker from Eltham Apex directed construction of the paving by Society members. Terry Hutchinson donated the use of his crane to lift the tyring disc into place. Financial contributions were also made by the Eltham Chamber of Commerce and the Rotary Club of Eltham. In 1987 in commemoration of the Society’s 20th Anniversary, Joh Ebeli suggested the commissioning of a plaque to be added which explains the functions of the various items used in the Society’s Victorian 150th Anniversary Monument and this was unveiled by its designer, Joh Ebeli, on October 10, 1987.35mm colour positive transparency Mount - Black and Whiteeltham, eltham community centre, monument, public art, time capsule

An Oral History Project - An Australia Remembers New Work Project funded by the Department of Employment, Education and Training. Sponsored by Northern Metropolitan College of TAFE. The Australia Remembers 1945-1995 campaign was a pageant of events commemorating the end of World War II. 34 chapters include reminiscences from 34 men and women mainly from the Watsonia Returned Servicemen's League recording their memories of the war years for the benefit of the [Shire of] Diamond Valley community. This copy is signed by Eleanor Sumner who is also a contributor.This book comprises a collection of unique and individual personal narratives of World War 2, written 50 years after the war and preserved for future generations. The collection is linked through the association of the participants living in the Diamond Valley area in Melbourne's north in 1995.roy hillard, eleanor sumner, bob campbell, dulcie cox, lancelot riky, charles nelson, reg johnson, frank collings, george armstrong, stan ware, lorna mill, ann hewett, reg angwin, ruby talbot, dion hogan, elean dansey, mary keppel, charles baker, elaine grigg, len grigg, kathleen kennedy, arthur dykes, eric wood, frances jensen, mary edwards, frank wilson, harry hewett, mick marks, audrey wass, ian wall, joyce anderson, john grant, jean gee, noel mcintyre, allan dunn, reminscences, oral history, world war 1939-1945, world war 2, ww2, australia remembers, northern metropolitan college of tafe, watsonia, personal narrative, watsonia barracks

The British Legion was founded in 1921 as a voice for the ex-Service community as a merger of four organisations: the Comrades of the Great War, the National Association of Discharged Sailors and Soldiers, the National Federation of Discharged and Demobilized Sailors and Soldiers and the Officers' Association. It was granted a Royal Charter on 29 May 1971 to mark its fiftieth anniversary which gives the Legion the privilege of the prefix 'Royal'.[1] Earl Haig, commander of the Battle of the Somme and Passchendaele was one of the founders of the Legion, and was President until his death.Wooden Plaque 15cm x 13cmRoyal British Legion

Document outlining the change of ownership of a Quartz Claim, all machinery and buildings at Spring Hill near Creswick, Victoria. This ownership transfer was between Misters Ferguson and others to Misters Lamble and McCallum. Each person mentioned signed the document. All machinery and parts thereof are listed, plus any buildings, tools, blacksmith's shop and tools, ropes and paints/tar, etcLarge cream coloured thick paper, Hand written in black ink. Twenty-four seals Signatures of owners.james ferguson, edward david, thomas barnett, edward jones, james archibald, john phelan, william innis, james collins, dick collier, charles talbot, joseph stevens, x (his mark) william thomas, x (his mark) thomas walters, john powell, thomas collier, a bach, e milligan, thomas knowles, x (his mark) john edwards, x (his mark) david davies, john evans, william lamble, james mccallum, james faulkner, evan sloyd

Design credits, james craig, nigel rowe, jacob thompson. Cover art Matt Turner, photography Jacob Thompson. Foreword by Studio coordinator, Gavin Nash. Lecturers Doug Bartlett, Sam Harmer, Luke Keys, Gavin Nash, Travis Price, Nic Wai. 21 students: Glen Bellman, Penelope Boadle, Nikhil Bora, Mark Cassells, James Craig, Chris Downey, Aiden Grant, Daniel Hatcher, Jacob Lai, Scott Matthews, Phillip McDonald, Tim McDougall, Jena Ramando, Charlie Ryan, Nigel Rowe, Saeed Salimpour, Claire Skrobalak, Elisha Sullivan, Jacob Thompson, Matt Turner, Aimee Young. Exhibition opening held Thursday 27 November, 2008 at Loop Bar, 23 Meyers Place, Melbourne.Promotional 88 page catalogue created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2008. Multi-page full colour book, uncoated brown perfect bound cover, single colour (black) deboss.university of ballarat, federation university, graphic design, multimedia, camp street campus, bachelor, degree, arts academy, glen bellman, penelope boadle, nikhil bora, mark cassells, james craig, chris downey, aiden grant, daniel hatcher, jacob lai, scott matthews, phillip mcdonald, tim mcdougall, jena ramando, charlie ryan, nigel rowe, saeed salimpour, claire skrobalak, elisha sullivan, jacob thompson, matt turner, aimee young