Showing 22 items
matching musical bells
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Melbourne Athenaeum Archives
Theatre Program, Deep Bells Ring (musical) by Nancy Wills with the Songs of Paul Robeson performed at the Athenaeum Theatre commencing 21 March 1988
... Deep Bells Ring (musical) by Nancy Wills with the Songs of... melbourne Theatre Program Deep Bells Ring (musical) by Nancy Wills ...Study of the Life and Times of Paul Robeson Margaret RoadKnight, Jeannie Lewis and Mark PenmanFlyerdeep bells ring, program, programme, the life and songs of paul robeson, nancy wills, athenaeum theatre -
Mont De Lancey
Cow bell
... musical bells... musical bells ...Brass cow bell.cow bell, animal bells, musical bells -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Musical Equipment, Gramaphone Edison c1900, late 19C / early 20C
A Gramophone / Phonogram is a device for the mechanical recording and reproduction of sound. The phonograph was invented in 1877 by Thomas Edison. in USA and Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s and introduced the graphophone, This Edison was donated to CMHs by the family of John Box 1841-1913This gramophone belonged to John Box 1841-1913 an early settler in the area of Henry Dendy's Special Survey Brighton 1841A wooden cabinet with a lift up lid enclosing a turntable , record , trumpet and handle . This cabinet stands on another storage cabinet with shelf and doorEDISONmanufactured objects, music, musical records, long playing records, gramophone, phonogram, wireless, edison thomas, edison pty ltd, electric lights; -
Montmorency/Eltham RSL Sub Branch
Instrument - Military Bugle
Unlike most regimental bugles made in England, this bugle does not bear a crest or evidence of manufacturer. This bugle is therefore believed to be manufactured in India.This bugle has representational significance as a standard issue item of the British Commonwealth Forces.Brass bugle, damaged/buckled bell, two pipes, chrome mouth piece. Missing original mouthpiece and chain.empire made, bugle, instrument, musical instrument, india -
Australian Jazz Museum
Musical Instrument, Circa 1920s
Restored by Tony Newstead. Played by Dr Phil Law during the 1930s, "for dances and other functions, while teaching at Clunes, Talbot, Creswick, Learmonth, Newtown, Smeaton, and while teaching at Elwood (at Eltham, Gisborne and Sunbury." including on many of his expeditions to the Antarctic. Phil Law was a dedicated jazz reed player and band leader in his early years as a country school teacher. His brothers also played. Gift of Dr Phil Law - 1999. Dr Law died in Melbourne on 28 February 2010 at the age of 97.Owned and played by Dr Phillip Garth (Phil) Law AC, CBE, for dances and other functions, while teaching during the 1930s, and on many of his 28 expeditions to the Antarctic. Metal Silver B flat soprano saxophone made by V. Kohlert and Sons, Graslitz, Czechoslovakia. Circa 1920s. Mother of pearl keys, slight denting. Additional mouth piece. On bell of saxophone "Kohlert Sons / Graslitz / Czechoslovakia" framed by flower and leaf motifdr phil law, dr phillip law, soprano saxophone, kohlert and sons, kohlert sons, antarctic explorer, b flat soprano saxophone, silver instrument, reed instrument -
Australian Jazz Museum
Musical instrument, Grafton Saxophone Company, Circa 1951
Given to Ade Monsbourgh by the Grafton Saxophone Company UK, during the Bell Second Tour C1951-1952. Ade Monsbourgh is considered one of Australia's most original and influential jazz musicians and composers. Rare Grafton acrylic plastic alto saxophone donated by the Grafton Saxophone Company UK, to Ade Monsbourgh during the Bell Second Tour C1951-1952 Rare cream-coloured Grafton acrylic plastic alto saxophone belonging Ade Monsbourgh together with mouthpiece Embossed Made in England Patent # 604 407 604 418 John E. Dallas & Son Ltd Sole distributors. # 10147ade monsbourgh, grafton saxophone, acrylic plastic saxophone -
Australian Jazz Museum
Musical instrument, Henry Selmer, Mid 20th century
Trumpet which belonged to Roger Emerson Bell leading jazz trumpeter and composer who was a major influence on the development of a uniquely Australian Jazz form. He played with his brother Graeme Bell and also led his own groups.Trumpet played by Australian Jazz musician Roger Bell through the mid to late 20th centurySilvered brass trumpet and mouthpiece with slight dent on rearEngraved "Made by Henry Selmer - Paris Depose Grand Prix Geneve 1927 Liege 1930 Signed by maker Henry Selmer Place Dancourt, Paris Made in France" "Silver on Brass Serial # 6697 (engraved on second valve)" roger bell, silver trumpet, henry selmer -
Australian Jazz Museum
Musical Instrument, 1930 (estimated); "circa 1930s"
Played by Lou Silbereisen for recordings with Graeme Bell and His Australian Jazz Band in the late 1940s and 1950s. Played by Brian Carter from 1958 to the mid 1960s.Boosey & Hawkes is a British music publisher. Until 2003, it was also a major manufacturer of brass, string and wind musical instruments. Recording Brass Bass manufactured by Boosey & Hawkes circa 1930s. Played by Lou Silbereisen for recordings with Graeme Bell and His Australian Jazz Band in the late 1940s and 1950s. Played by Brian Carter from 1958 to the mid 1960s.lou silbereisen, recording brass bass, boosey hawkes, graeme bell and his australian jazz band, brian carter -
Flagstaff Hill Maritime Museum and Village
Document - Commemorative, The Victorian Missions to Seamen, St Nicholas Seamen's Church Williamstown, circa 1944
This framed document titled "The Victorian Missions to Seamen, St Nicholas Seamen's Church Williamstown" shows a list of donors of significant items to the St Nicholas Missions to Seamen's Church in Williamstown when the new building opened in 1944. The organisation ceased in 1966 and the furnishings were later donated to Flagstaff Hill Maritime Village in Warrnambool by the Missions to Seamen Victoria. The transcription of the document is as follows: The Victoria Missions to Seamen, St Nicholas Seamen's Church, Williamstown To the Glory of God List of Gifts Altar - Mrs. and Miss J.R. Schutt Cross - Mrs. R.J. Ewart Chalice and Paten - Mr. and Mrs. Percy Taylor 1 Pair Altar Lights - Mrs. R.J. Ewart 1 Pair Altar Lights - Mrs. M. Jackson Sanctuary Lamp - Miss C. Roberts Rerebos - Miss. M. Breaks, in memoriam Miss. L.A. Breaks Sanctuary Window - Victoria Missions to Seamen Lightkeepers' Auxiliary Missal - Mrs. R.J. Ewart Missal Desk - Mrs. R. Hodgkiss Altar Vases - Mrs. R. Kaybould Bible - Mrs. R.J. Ewart Sanctuary Chairs - Mr. and Mrs. F.H. Twist Credence Table - Mrs. F. Clark Altar Dish – Mrs L. Clark Font - Mr. and Mrs. C.V. Dyble Prayer Desk - H.M.H.S. "Centaur" Reed Organ - "Joy Club for Fighters" Collection Plates - Mr. D. MacKae Hymn Board - St. David's Musical Society, Brighton Pews, Carpet and Hangings - Williamstown Lightkeepers' Auxiliary Bell - Mrs. A.L. Feenes THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This document is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857. The document is socially significant as it connects the community of Williamstown with the St Nicholas' Missions to Seamen and represents the importance of the church to the community. The items in our collection from the Missions to Seamen in Williamstown, Victoria, have historical and social significance. They show that people of the 1800s and 1900s cared about the seafarers’ religious, moral, and social welfare, no matter what the religion, social status or nationality. It had its origins in Bristol, England when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Rev. Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobson's Bay; later the Mission occupied buildings in Williamstown and Port Melbourne. Document titled "The Victorian Missions to Seamen, St Nicholas Seamen's Church Williamstown". The document is a list of gifts originally given to the St Nicholas Seaman's Church in Williamstown, Victoria. The document is mounted in a decorative wooden frame with glass cover. This is one of the original items in our ‘St Nicholas Seamen's Church Williamstown Collection’.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, framed document, donations to st nicholas seamen's church williamstown, 139 nelson place williamstown, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, mission to seafarers, st nicholas seaman’s church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, flying angel club, mrs. and miss j.r. schutt, mrs. r.j. ewart, mr. and mrs. percy taylor, mrs. m. jackson, miss c. roberts, miss. l.a. breaks, miss. m. breaks, victoria missions to seamen lightkeepers' auxiliary, mrs. r. hodgkiss, mrs. r. kaybould, mr. and mrs. f.h. twist, mrs. f. clark, mrs l. clark, mr. and mrs. c.v. dyble, h.m.h.s. "centaur", "joy club for fighters", mr. d. mackae, williamstown lightkeepers' auxiliary, mrs. a.l. feenes, st. david's musical society brighton -
Orbost & District Historical Society
musical instrument
Used by members of the Orbost Municipal Band from 1964.The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members. A brass musical instrument - a tenor horn - in a blue felt-lined case. The leatherette is peeling off the cardboard case and it has been taped with black plastic tape. There is a music holder clip and a brass spare piece.Presented by Ladies Auxilliary June 1964 On centre valve 51454 Below bell ORPHEUSmusical-instrument orbost-municipal-band -
Flagstaff Hill Maritime Museum and Village
Functional object - Cow Bell, James Barwell, 1860s-1878
This brass cow bell was recovered from the wreck of the sailing ship ‘Loch Ard’ at Mutton Bird Island, near Port Campbell, Victoria, from late 1960s to early 1970s. Cow bells were listed as part of the cargo on board the Loch Ard. This bell is now part of the John Chance collection. Flagstaff Hill Maritime Village’s divers also recovered similar bells from the Loch Ard wreck in 1973. One of them was found in a sandy hole in the centre of the wreck site. All of the recovered cow bells are without their hangers. A bell of this size could have been used by horse or cattle teams. Cow bells were a common Colonial item. They were hung around the necks of grazing domestic cows and goats, bullock and horse teams, even camel teams so that they could be found again. Sheep and cattle drovers used them as a warning for night time disturbances such as wild animals. The maker of the cow bell, James Barwell, was a bell founder established in Birmingham, England, from 1784. In 1842 he acquired Fiddian’s firm of ‘Steam and Water’, keeping its name and stamping it on some of his products. According to his advertisement in the Exhibitors guide for the Church Congress of 1887, he made bells and fittings for churches and schools. He also made bells for cloches and chimes, and made tuned musical handbells. He repaired and reproduced bells, and he had a team of experienced ringers to “inspect towers and report upon the tone and condition of bells and fittings.” In 1903 he became incorporated as a Limited Company, ‘engineers’ and plumbers’ brasswork, and bell founders.’ In 1914 he advertised as ‘Cock and Bell Founders’, specialising in plumbing and engineering fittings, church bells, and “every description of hanging and hand bells.” Some of Barwell’s products were stamped with his maker’s mark (his initials J. B. either side of a cross entwined with a ‘B’ in an oval of oak leaves (for Birmingham)). James Barwell bells were no longer made after 1920. James Barwell was among makers who exported bells to the Australian colony from the 1860s. Early Australian iron animal bells were also made from the 1860s by blacksmiths such as Anthony Morgan from 1861, August Menneke from 1867, and Samuel Jones from 1868. Few brass bells were produced here in those times. This bell is historically significant as typical of a cow bell used by farmers and herdsmen in Colonial Victoria. Its significance is increased by being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late 1960s to early 1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The cow bell is also significant for being part of Flagstaff Hill’s collection of artefacts from LOCH ARD, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Cow bell; heavy brass, flat top, pyramid shape, rectangular head, shoulders flare out to rectangular mouth. The head has two same-sized tooled holes for adding the hanging yoke. Inscription on top and one side. Encrustations are on the metal in places. The hanger and clapper are missing. Made by James Barwell of Birmingham.Stamped on the head "BARWELL / - - - / - - -- ING" [Perhaps BARWELL - - - BIRMING. Could size be in centre? 3 3/4 IN?] Stamped on side [motif] (undecipherable) flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, loch ard, mutton bird island, glenample, eva carmichael, tom pearce, james barwell, cow bell, horse bell, bell founder, bell smith, vintage bell, birmingham bell foundry, farmer, shepherd, drover, stock bell -
Ithacan Historical Society
Newspaper, Heptanesian Federation Celebration, May 1999
The photograph was taken outside the Evangelismos Greek Orthodox Church East Melbourne following a celebratory eulogy marking the unification of the Heptanese (seven islands) with Greece in 1864. The Heptanese are located in Western Greece in the Ionian Sea. They include Kerkira, Zakinthos, Lefkada, Ithaca, Paxos, Kefallonia, and Kythera. The celebration is organised each year by Melbourne's Heptanesean Federation and commences with a celebratory church eulogy followed by afternoon tea and cultural activities at the host clubrooms. The women are dressed in traditional dress of each island .Ithaca (and the other islands of the Heptanese) were unified with Greece in 1864. From approx 1500 Ithaca was under centuries-long Venetian rule, which largely preserved it from becoming part of the Ottoman Empire, thus creating a distinct cultural identity with Venetian influences. Following a brief period in 1797 of French rule, Ithaca became a British protectorate from 1809 until 1864 followng which the island was reunified with the modern Greek state. Although Ithacans made up the largest number of Greek migrants who settled in Melbourne in the first half of the twentieth century, other Greeks from the neighbouring Ionian Islands also migrated to Australia during those years. In particular from Lefkada, and also from Kythera most of whom settled in regional towns in New South Wales and Queensland.A newspaper cutting mounted on white cardboard which includes a photograph taken in front of a brick building with a caption below in Greek. The photograph is of a celebration and features eight ladies dressed in Greek traditional dress in front of a group of people. The celebrations by the Heptanesian Federation of Melbourne for the 135th anniversary of the unification of the the seven Ionian islands with mother Greece, commence tomorrow with a celebratory eulogy at the The Holy Temple of the Evangelismos Church East Melbourne. The afternoon of the same day at the Lefkadian Brotherhood Hall, 12A Bell St; Coburg, the Federation has organised a cultural and musical afternoon dedicated to 'The Seven Diamonds of the Ionian'. The program will feature a talk, 'Angelos Sikelianos, an environmentalist, before his time', by Mr. N.Sofokleos; recitations from Stathis Raftopoulos and Thanasis Makrigeorgos; and Heptanesian melodies and songs from the choir and orchestra of the Educational Group of Florina, Melbourne. At the conclusion , savoury snacks, coffee and sweets will be served. Entry is free. In the photo, a snapshot of last year's event.eptanesian -
Linton and District Historical Society Inc
Photograph, The Wise Family at Their Property at Linton, circa 1869, 1869
Family members in this photograph are identified in the book "Dare to be Wise" - L-R: Thomas Wise, born 1858; William Bell Wise, born 1857; John Mardling Wise, born 1860; Thomas Mardling Wise holding baby Joseph James Jonah Wise, born 1868; Mary Bell Wise; Emily Rosina Wise, born 1866; Sarah Ann Wise, born 1854. The girl standing second from right is not identified but is probably Mary Wise, born 1859.Image shows the layout of what a small family holding in the second half of nineteenth century looked like. It also shows cultural and musical items important to the family along with their pets.Black and white copy of original photograph, which shows nine members of the Wise family standing in a row, at their property along Carngham Road at Linton. The photograph shows the layout of the property, with house and stables at rear, animals pens to one side, and orchard at the front. The three young boys in the photograph are holding flutes. The family's dog is lying down in front of the children to the right of the photo.wise family, houses, rural life, thomas mardling wise, mary wise (nee bell), sarah ann wise, william bell wise, thomas wise, mary wise, john mardling wise, joseph james jonah wise, emily wise -
Vision Australia
Functional object - Object, Apollo Brailler Mark II, 1979-2005
Designed by Nimoka (Nippon Moujin Youga Kaihatsu), it was produced between 1979-2005. A heavy Braille writer for its size, the Apollo provides a standard typewriter style albeit with the oblong keys sitting to the left hand side of the brailler. The design easily fits within a small musical instrument style case, and consists of a rectangular shaped structure made out of metal base with black coloured keys and a grey coloured soft plastic cover. Underneath a battery compartment (which powers a bell) is kept closed with a capped screw.Black and green metal object with covering boxApollo Brailler Mark-II (Serial number) 834400braille equipment, assistive devices -
Surrey Hills Historical Society Collection
Book, A history of Surrey Hills' sporting clubs and cultural groups, 2018
Surrey Hills is a suburb shared by the modern day cities of Boroondara and Whitehorse. The first land purchase was in 1841 when Henry Elgar, an East Indian merchant took up 5,120 acres bounded by the present Elgar, Canterbury and Burke Roads and Koonung Creek. The urban development of Surrey Hills saw the establishment of sporting clubs many being associated with the local churches. The Surrey Hills Dramatic Society and Surrey Hills Amateur Dramatic Club were both formed in 1889 as well as other social and cultural groups. Ken James researched this book for the Surrey Hills Historical Society, of which he is a member, using material and photos from the Surrey Hills Historical Society collection, material from TROVE and other sources.music, clubs - victoria - surrey hills, basketball, bowls, cricket, cycling, football, golf, gymnastics, hurling, netball, rifle shooting, swimming, table tennis, tennis, squash, walking, filed naturalists, brass bands, choral groups, debating, dramatic clubs, musical club, operatic society, surrey hills orchestra, quadrille, rose club, our holy redeemer church, holy trinity chutch of england, surrey hills church of christ, surrey hills methodist church, st stephens presbyterian church, australian natives association, balwyn combined, catholic young men's society, surrey hills baptist church, surrey hills independent order of rechabites, wyclif congregational church, surrey hills college, hockey, chatham netball club, blue bell tennis club, benson street methodist church, our ladies wattle park, surrey hills state school old scholars tennis club, surrey squash centre, surrey hills neighbourhood centre, cantrices ladies choir, surrey hills choristers, surrey hills everleigh private amateur dramatic club -
Great Stupa of Universal Compassion
Ceremonial object - Ritual trumpets (kanglings)
A kangling is a trumpet made out of a human thighbone, used in Tibetan Buddhism for various chöd rituals. The practitioner, motivated by compassion, plays the kangling as a gesture of fearlessness, to summon hungry spirits and demons so that she or he may satisfy their hunger and thereby relieve their sufferings. It is also played as a way of "cutting off of the ego." The hip end of the thigh bone is cut off, forming a nearly circular opening in the bone’s shaft, and it becomes the mouthpiece. The large flaring at the knee is left intact except for two gouged openings through which air and sound escape. The “bell” end of a kangling is usually covered with tightly sewn skin to ensure durability. Made out of a human thighbone, reinforced with leather. tibetan buddhism, musical instruments, ceremonies, ritual implements -
St Kilda Historical Society
Ephemera - Special event program, Complimentary Smoke Social, 1927
Event at the St Kilda Town Hall in recognition of the St Kilda Cricket Club First Eleven winning the VCA Premiership in four successive seasons - 1923-24, 1924-25, 1925-26, 1926-27. Details of the matches are set out on the back of the program. A smoke social was a predominantly Australian form of male only social event in the late nineteenth and early twentieth century, until about the 1940s, where men would gather to smoke. Smoke socials were often coupled with a formal dinner, an annual general meeting or a musical revue and were run by football clubs, charitable organizations, civic organizations, trade unions, and governments.Folded cream coloured paper, printed in bluest kilda cricket club, maynard dakin, j alexander browne, norman bradshaw, fred champion, dave bell, w burrell -
Bendigo Historical Society Inc.
Photograph - PETER ELLIS COLLECTION: BAND
Black and white photo of five bandsmen and lady. (Gerversoni orchestra). The lady is holding a rolled piece of paper and she is wearing an evening dress. The men are wearing dinner suits. Their musical instruments are a violin, two wind instruments, banjo, bass drum and above the drum are five rounded bells?photo, group, bandsmen, peter ellis collection, gavasonis orchestra -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: FINANCIAL REPORT, 20th March,1998
Financial Report for the Dinki Di Ball held in the Eaglehawk Town Hall in September 1997.Listed are the expenses, income and profit. Signed by Mary Smith, Secretary. In the top right corner is the logo of two emus playing musical instruments and a koala and a wombat dancing. Underneath is a banner with Bush Dance & Music Club of Bendigo. Written on the back is Emu Creek.clubs, music, bush dance & music club of bendigo, peter ellis collection, bush dance and music club inc, greater city of bendigo, mary smith, alan russ, wilhelmina johnson, betty martin, arthur pantazis, keith bell -
Bendigo Historical Society Inc.
Instrument - JAMES NORTHCOTT COLLECTION - CORNET
a. Black wooden case, brass handle on top of lid, brass hinges and lock, lined with black ( faded) velvet. B. Cornet, engraved with leaves and flowers. Engraved on top ' F. Besson, Brevetee, 198 Euston Road, London.' On bell ' Presented by the citizens to James Northcott Bandmaster of the Sandhurst Volunteer Band in recognition of his musical abilities. Sandhurst Dec. 8 1871. Cornet box contains 7 additional parts of the Cornet. ( see photo )F. Besson, Brevetee, 198 Euston Road, Londonmusical instruments, wind, cornet ( besson ), james northcott, sandhurst, volunteer band, bendigo, music, presentation -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: MAJORIE IN WONDERLAND, 12 Aug 1916
Royal Princess Theatre - Majorie in Wonderland. Saturday, 12 August, 1916. Price of Program, One Penny. Australian Children's Pantomime. Matinee Performance. In Aid of Fruit and Vegtable Fund For Our Soldiers in The Trenches. Produced by Miss Girlie Mackay. Children's Vocal Training by Madame Rossow. Dialogue by Miss Eileen O'Keefe. Musical Director, Mr Stanley Upton. Stage Manager, Mr J Dunphy. Lighting Effects Mr W Wenborn. Theatre kindly lent by W Crowley, Esq. Hon. Sec., Norman Howell. Prologue. The curtain rises showing the flowers asleep. The fairies, summoned by daylight, entre and sing, awakening the flowers, and leave. Then Puck entres, followed by the Blue Wrens, singing, and after them the Bunnies, who are all . . . Sale of Sweets supervised by Miss Nita Weller and Assistants. Novelties by Mrs Julius Cohn. Dresses designed and made by Mrs McQuie, Mrs Marc Cohn, Miss Lena Weller, and Miss Girlie Mackay, assisted by Mrs Balsillie, Mrs Ralph Ross. Mrs Robert Makayand the Misses Gladys McQuie, Norma Moorhead, Carola Iser, and Hilda Meurer. Program: Songs sung throught Performance. Act I. 1 Chorus-Fairy Song. 2 'Bunnies' Adventure' by the Bunnies. 3 Chorus-Holiday Song. 4 Bell Bird Duett-Jean & Jim Walker. 5 Sailor's Hornpipe-Crissie Cravino. 6 'Marjorie Sunbeam'-Myrtle Glanville. 7 'As I went o'er the Paddock'-Jean Walker. 8 Chorus'Billy Tea. 9 Song-'Possum'-Bertie Barkell. 10 'Bogie Man'-Stella Coghlan. 11 'Kookooburra'-Mel Wearne. 12 Chorus-'Winter Bells'. Act II. 1 Chorus-'Autumn Winds'. 2 'Stay Little Wave'-Jean Walker. 3 'Southern Cross'-Rose Murphy. 4 Song-'Kangaroo'-Brownies. 5 'Pixie Man'-Ruthie Murphy. 6 Chorus-'Wattle'. 7 'Grow Little Mushroom'-Stella Cook. 8 'Cooee'-Myrtle Glanville & Marie Hamilton. 9 Butterfly Dance-Sheila Shannon.10 'King Billy & Black Mary'-Ken McQuie. 11 Boomerang Song-Ken McQuie. 12 Final Chorus-'To the Fairies', 'Good Night'. God Bless Our Splendid Men. Cast of Characters:Marjorie & Jean Walker, Myrtle Glanville, Ruthie Murphy, Marie Hamilton, Thelma Thomas, Stella Coghlan, Jim Walker, Jim Long, Bertie Barkell. Fairies:-Mary Hunter, Lily Brown, Una Grelis, Biddie Bulley, Rosa Dyring, Ellie Colcough, Ida Collins. Puck:-Una Leggo. Butterfly:-Sheila Shannon. Brownies:-Tom Green, Douglas McQuie, Hunphrey, Gill, Mel Wearne, Laurence Skewes. Aboriginal:-Ken Mquie. Frog:-Sid Whitelaw. Native Bear:-Ken Moore. Blue Wrens:- Alma Jorgenson, Doris Reed, Geoff Schultz, Jean Cahill. Flowers. Orchids:- Joyce Ross, Margaret Long, Dorothy Thomas, Margaret McQuie, Mollie Roberts, Rose Murphy. Pink Gums:-Lorna Weddell, Minnie Hartley, Isola Woodward, Jean Moran, Decima Holtorf, Merle Nagel. Flannel Flowers: Gwen Hunter, Nancy Tatchell, Catherine Green, Mary Rymer, Thelma Cairns, Cecil Gleeson. Poppies:-Lorna Cattran, Alice Murphy, Maisie O'Grady, Eileen Coglan, Alma McWilliams, Jean Miller. Blue Bells:-Mavis Tozer, Vivian Reed, Monnie Fattorini, Gwennie Seely, Alice Evans, Lily O'Conner. Southern Cross:-Eileen Martin, Jean Murdoch, Effie Williams, Verna Mayne, Minnie Hartley, Mollie Martin.Cambridge Press, Print.program, theatre, royal princess theatre, royal princess theatre - majorie in wonderland. 12 august, 1916. program, one penny. australian children's pantomime. matinee performance. in aid of fruit and vegtable fund for our soldiers in the trenches. produced by miss girlie mackay. children's vocal training by madame rossow. dialogue by miss eileen o'keefe. musical director, mr stanley upton. stage manager, mr j dunphy. lighting effects mr w wenborn. theatre lent by w crowley, esq. hon. sec., norman howell. prologue. the curtain rises showing the flowers asleep. the fairies, summoned by daylight, entre and sing, awakening the flowers, and leave. then puck entres, followed by the blue. . . sale of sweets supervised by miss nita weller and assistants. novelties by mrs julius cohn. dresses designed and made by mrs mcquie, mrs marc cohn, miss lena weller, and miss girlie mackay, assisted by mrs balsillie, mrs ralph ross. mrs robert makayand the misses gladys mcquie, norma moorhead, carola iser, and hilda meurer. program: songs sung throught performance. act i. 1 chorus-fairy song. 2 'bunnies' adventure' by the bunnies. 3 chorus-holiday song. 4 bell bird duett-jean & jim walker. 5 sailor's hornpipe-crissie cravino. 6 'marjorie sunbeam'-myrtle glanville. 7 'as i went o'er the paddock'-jean walker. 8 chorus'billy tea. 9 song-'possum'-bertie barkell. 10 'bogie man'-stella coghlan. 11 'kookooburra'-mel wearne. 12 chorus-'winter bells'. act ii. 1 chorus-'autumn winds'. 2 'stay little wave'-jean walker. 3 'southern cross'-rose murphy. 4 song-'kangaroo'-brownies. 5 'pixie man'-ruthie murphy. 6 chorus-'wattle'. 7 'grow little mushroom'-stella cook. 8 'cooee'-myrtle glanville & marie hamilton. 9 butterfly dance-sheila shannon.10 'king billy & black mary'-ken mcquie. 11 boomerang song-ken mcquie. 12 final chorus-'to the fairies', 'good night'. god bless our splendid men. cast of characters:marjorie & jean walker, myrtle glanville, ruthie murphy, marie hamilton, thelma thomas, stella coghlan, jim walker, jim long, bertie barkell. fairies:-mary hunter, lily brown, una grelis, biddie bulley, rosa dyring, ellie colcough, ida collins. puck:-una leggo. butterfly:-sheila shannon. brownies:-tom green, douglas mcquie, hunphrey, gill, mel wearne, laurence skewes. aboriginal:-ken mquie. frog:-sid whitelaw. native bear:-ken moore. blue wrens:- alma jorgenson, doris reed, geoff schultz, jean cahill. flowers. orchids:- joyce ross, margaret long, dorothy thomas, margaret mcquie, mollie roberts, rose murphy. pink gums:-lorna weddell, minnie hartley, isola woodward, jean moran, decima holtorf, merle nagel. flannel flowers: gwen hunter, nancy tatchell, catherine green, mary rymer, thelma cairns, cecil gleeson. poppies:-lorna cattran, alice murphy, maisie o'grady, eileen coglan, alma mcwilliams, jean miller. blue bells:-mavis tozer, vivian reed, monnie fattorini, gwennie seely, alice evans, lily o'conner. southern cross:-eileen martin, jean murdoch, effie williams, verna mayne, minnie hartley, mollie martin. -
Bendigo Historical Society Inc.
Photograph - LONG GULLY HISTORY GROUP COLLECTION: THE HOPETOUN BRASS BAND OF 1918
Two copies of a black and white photo of the Hopetoun Brass Band of 1918. Bandsmen are wearing uniforms and holding various musical instruments. The man in the middle at the front is wearing a suit and has a shield in front of him. Under the photo is printed the name of the band and that today it is known as the Marong Municipal Band. Also the known names of the bandsmen. The names of the known bandsmen are: Roy Pain, Orm Bamford, Bill Turner, Mick Banfield, Rup Tregonowan, George Roy, Bert Bowater, Harold Hildebrandt, Les Rundle, Col Brown, Vic Rosenbrook, Herbie Reed, Tom Skilbeck, Bell Ketterer, Les Maher, Albert Hocking, Bill Roy senr, Mr Bain, George Michell, Dave Collier, Bill Pain and Sammy Veale.bendigo, history, long gully history group, the long gully history group - the hopetoun brass band of 1918, marong municipal band, roy pain, orm bamford, bill turner, mick banfield, rup tregonowan, george roy, bert bowater, harold hildebrandt, les rundle, col brown, vic rosenbrook, herbie reed, tom skilbeck, bell ketterer, les maher, albert hocking, bill roy senr, mr bain, george mitchell, dave collier, bill pain, sammy veale