Imitation Kashmiri shawls were produced in large numbers in Europe in the second half of the 19th and also in the 20th centuries. The first mechanised production of such shawls was made possible by the invention of the Jacquard loom in France in the 1820s. Machine woven paisley shawl, based on traditional hand-woven Kashmiri designs. paisley shawl, shawls

Partnered with young man in Pinstripe Suit, paisley tie, wearing Glasses B/W Studio bust from same StudioSepia Bust of a young woman - dark short wavy hair, wearing glasses in a white blouse and Dark JacketEmbossed Print reading Hilda Mitchell Paisley St Footsgray on front. To Mrs Hamilton with love from Elanor. on rear

The Melbourne Harbour Trust Commission purchased the steam dredge SIR WILLIAM MATHEWS on 10 October 1941 from the Western Australian Government. Although the dredge was described as a suction dredge it was in fact a bucket dredge. After an overhaul, the vessel was renamed the GEORGE KERMODE and commenced operation in Victorian waters on 22 June 1942. The vessel was hired out to the Port of Burnie in 1945-46 but continued in the ownership of the Trust until 1 April 1976 when it was scuttled by the Department of Conservation, Forests and Lands as part of their artificial reef program. This program resulted in a number of reefs being established in Port Phillip Bay, including one off Carrum containing the wooden steamer URALBA.Timber and brass ship's wheel from center ladder hopper dredge George Kermode (formerly Sir William Mathews). Built Paisley Scotland 1914.noneships wheel, scuttled vessels, artificial reefs, george kermode

.1 Cream cover with black and green floral design and leather spine with gilt patterns. The pages have a gilt edging and the spine is partly detached. The pages contain printed material and handwritten entries .2 Black cover with yellow and green floral design. The spine is leather and has gold printing and lines. The pages have a gilt edging and contain printed material and handwritten entriesnon-fictionTwo birthday books with entries of birthdates 19th century warrnambool people, beattie family warrnambool, beattie and phillips funeral directors

Book used for recording birthdaysSmall book used for birthdays. Front cover has a pink rose with following words: Forget me not -- let memory play her part And lock my image in thy inmost heart. Green binding with 'Golden thoughts' wording. Inside page "The Book of Golden Thoughts for Birthdays" book, birthdays

Pat Grainger (1930-2023) had a distinguished career as a graphic designer. In the 1960s she lived in Brighton and was working with her husband Les Mason in the influential Les Mason Graphic Design studio in South Melbourne. This was one of three Norma Tullo outfits she owned at the time; she believed it would have been around 1967. Pat was a founding member of Port Melbourne Historical and Preservation Society and was active in local history and environmental and social justice causes. Norma Tullo (1936-2019) was an influential Melbourne fashion designer circa 1960s-1980s, part of a new wave of younger designers creating youthful, modern and affordable styles for a young market.Black and white paisley nylon hot pants dress (.1) with collar. Front button fastening with seven fabric covered buttons; short sleeves and accompanied with short red wool scarf (.2).Label, white text on black: "TULLO".pat grainger, paisley, melbourne designers, pat mason, norma tullo, 1960s

James Douglas Northey (1890 - 1975) was born in Adelaide. He attended Adelaide University and Parkin College. Ordained in 1916 at Kensington Gardens, S.A. Appointed: Luhrs Rd. Evandale S.A. 1917 - 1921, Victor Harbor 1921 - 1929, Canterbury Vic. 1929 - 1939, Principal of the Congregational College of Victoria 1940 - 1960. Pastoral oversight Burwood 1945 - 1951, East Preston 1952 - 1960, Northcote 1958, South St. Kilda 1962 - 1967. B & W head and shoulders studio portrait of the Rev. J.D. Northeyjames douglas northey, principal congregational college of victoria

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is one of a number donated to the collection by Rosemary Vaughan-Smith. Full-length cream and purple paisley pattern evening dress.Nilwomen's clothing, caftans, evening dresses, australian fashion - 1960-1969, rosemary vaughan-smith, australian fashion - 1960s

Silk shawl worn by Miss Jean Young at her marriage to Mr. William Hill 0n 13th January 1843.Shawl in paisley pattern predominantly red and green. Fringing as part of weave.costume, female

Originating from Scotland pre-1950, this wool winder is ornately decorated featuring a male figure at its peak and a cherub at its base. Wool Winders are practical objects typically with minimal decoration; however, Wool Winders with ornate design features do exist. Scrimshaw (whale ivory) was a popular choice of material in the 18th and 19th century. It is smooth, preventing yarn from getting caught when unwinding, as well as having artistic beauty. Wool winders require a heavy base, as to not topple over when in use. It is popular to decorate these bases on more elaborate winders, such as shown in this example. The bows featured to tie the wood segments together is another feature of more elaborate models of wool winders, also highlighted in this example. This winder began life in the possession of Annie Crawford. The Crawford name has a strong connection with the town of Paisley, Scotland, and its Woollen Mills. The Crawford name can be seen working at the Woollen Mills in the 1851 Scotland Census, with Robert and his brother’s James and John working as Wool dyers. Their father Alexander also worked as a Loom Weaver. The winder immigrated with Annie when she, her husband and 3 children travelled to Australia, ready to start a new life. Most of their possessions were left behind in Scotland. This winder accompanied the family on their journey; so it stands to reason that the winder was special to them. Annie Crawford passed the winder onto her eldest daughter Joan Crawford. Joan did not have any children and so she passed the winder onto the eldest female grandchild, Fiona Crawford. Fiona Crawford continued the connection of the Crawford name with textiles, with an exhibition titled "When you go looking for me, I am not there". Utilising medieval embroidery tradition of ‘Punto Assisi, the exhibition was a reflection on the lack of women recorded in history, particularly their contribution to the domestic arts. Her work investigates both the absence of women while also honouring the unknown female makers of this now highly desired art. The Wool Winder was donated to the National Wool Museum in 2021 by Dianne Crawford, the sister of Fiona Crawford. Umbrella swift style wool winder made of metal, wood, and ribbon. Decorated at its highest point with a sculpted man standing on one leg, holding what is perhaps a rolled newspaper as though he may be bidding at an auction. Or perhaps he is holding a hank of wool. The man stands upon a three-tier platform of decreasing size and design which leads to the central metal shaft. At the base, the winder is decorated with an engraved cherub. Both figures have a small hole in one of their hands, indicating that they originally held something. Unfortunately, it is not known what this is. From the central metal shaft, this winder has 2 rows of 6 arms radiating out. These arms cross in the middle to form an X. These arms are also connected horizontally with additional arms which cross. This all forms an intricate web design, tied together with ribbon. The size of the web these arms create is adjustable, to accommodate yarns of different length. Beneath the second row of arms is a locking screw which holds this row at the desired height and width. This entire top section, beginning at the central metal shaft, can be unscrewed from its base for easier storage. The base begins in a wooden circular shape growing into a smaller ornately designed raise on which the cherub sits. From the head of the cherub the central metal shaft begins.paisley, scotland, wool winder, immigration

From Fiona Seager's family (Stewart)Light blue satin dress, full-length (ballgown). Gold thread patterns across dress, floral paisley pattern. Crown decorative buttons.ladies dress, ballgown, satin

The brooch belonged to the Martin family, originally from Paisley, Scotland. The were pioneers in South Gippsland.Gilt and black enamel oval brooch. Hair enclosed in centre with 'Prince of Wales' design and with tiny pearls. Can be used as a brooch or hung on a necklace. The gold design around black enamel has curling design around edge.Memory plus symbolscostume accessories, jewellery

Brooch from Martin family originally from Paisley, Scotland. They were a pioneer family in South Gippsland.Small oblong gold brooch. Centre has a small compartment containing human hair. The compartment has a border of black enamel and a glass front.costume accessories, female

Brooch from the Martin family - originally from Paisley, Scotland. They were a pioneer family in South Gippsland.Curleche gold design with 6 purple and two green stones, can be worn as a brooch or used as a necklace or chain perhaps. The gold has been embossed. Suggest that the peridot (green) and amethyst (purple) stones have been incorporated in the scroll design.costume accessories, jewellery

Brooch belonged to Martin Family, originally from Paisley, Scotland. The family were a pioneer family in South Gippsland.Curved gold bar with curled decoration inset with nine tiny pearls.costume accessories, jewellery

Worn by sister of Cecilia during the 1960s. Nylon fabric was a popular option to cotton.1960s Black dress for day wear. Dress has w2white stripes and a wide border of paisley design and three smaller bands of floral design. A zip fastener extends from neck edge to below the waist.Osti Australia Arnelcostume, female

Photocopy of black and white photograph of the Port Melbourne Boys Band taken in Edwards Park 10.04.1931. Names of some of the members handwritten on the back R M (Pop) Paisley, A Jenkins (the bandmaster), Ron Kent and Jack Turner. (Digital copy on database.)arts and entertainment - music, port melbourne boys band, a jenkins, jack turner

prescription was issued by Dr F.H. Hocking, The Paisley Street Medical Group, 20/06/1956 this item belonged to deceased Marian Dabrowski, ex-soldier, Polish migrant who came to Australia as a refugee after II World War and settled down in Melbourne one of a few items of this kind which has survived to present dayscream paperstamp of Bannon's Pharmacy at 133a Hopkins St. Footscrayprescription, footscray, paisley street

In 1908 the Geelong Harbor Trust commissioners were George Frederick Holden, Edward Harewood Lascelles and James Hill. The officers were Walter S. Crowle (Secretary), A.C. McKenzie (Engineer), Captain G.A. Molland (Harbor Master), E.R. Hitch, (Assistant Harbor Master, Portarlington.)Red soft covered foolscap report of 101 pages. Includes two photographic reproductions of teh New Cargo Shed on Yarra Pier, and Twin S.S. "G.F. Holden" (formerly the 'Pelican' (built in 1898 by Fleming & Ferguson, Paisley, England, for the Western Australian Government).Seal of the Geelong Harbour Trust Commissionersgeelong, harbour trust, commissioners, report, finance, properties, dredging, portarlington, barwon heads, ocean grove, shipping, engineer's report, assets, liabilities, harbor trust, geelong harbor trust, grain shipping berthage, corio quay, cool stores, dock accomodation, floating plant, hopetoun channel, moorabool pier shed, sparrovale irrigation farm, thomas gibson-carmichael, yarra pier cargo

Mounted b/w photograph of soldier, Corporal Carl Huf, standing in his uniform.Printed on front: "The Alma Studio" 13 PAISLEY STREET, FOOTSCRAY. Handwritten on back: Corporal Carl Huf, aged 20 years, who gave his life for the Empire at Gallipoli, Turkey, May 15, 1915.huf, carl (corporal), armed forces, world war 1, soldiers, eric boardman collection, george evans collection

Long sleeved blue and white paisley patterned men's shirt. Single yoke. Six X 1 cm clear buttons on front plackett .8 cm buttons at neckline and either of throat for button down rolled collar.Breast pocket on LHS. 6.5 cm cuffs on sleeves. Sleeve placketts fastened with 1 cm buttons at wrist.Label at centre back neckline, ''Eterna'' ''M'' ''Imported cotton''.costume, male, men's paisley shirt