Elonara, Marine Parade, St Kilda sepia and white postcard, embossed edgePost card Elonara, Marine Parade, St Kilda

Was given to commemorate the homecoming of the Vietnam War Vets, as there was no formal welcome home at the actual end of the Vietnam War. This group of veterans were the first group to be not given a formal welcome parade at the end of their service. This parade occurred 25 years after the Vietnam War, and signified the changed attitudes around the services performed by these men. This plaque commemorates the welcome home parade for all Vietnam Veterans 25 years after the war finished. It was intended to show the appreciation and good will of the Australian people in stark contrast to the bad feelings demonstrated to Servicemen an d women on their initial returns.Plaque commemorating the Vietnam Veterans Welcome Home Parade in Sydney 1987. Image shows a map of Australia, with the Australian Flag visible. Text reads ' Vietnam Veterans Parade Sydney 1987. Australian Vietnam Forces.'VIETNAM VETERANS PARADE/ SYDNEY 1987/ AUSTRALIAN VIETNAM FORCESvietnam, vietnam war, sydney, australian vietnam forces, vietnam veterans parade sydney 1987

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Caulfield Heritage Management Plan 1996 by Andrew Ward In 1889, Thomas B Jackson, an architect in Shoobra Road, owned lots 61-63 at the north­ west intersection with Clarence Street. He built the two red brick houses, each of 10 rooms, known as "Kenly" and "Nulmore" (later "Brampton") in that year. By 1894, P. Langwill had purchased the property, leasing it to Fred Henriques, an accountant. Alfred Pearson a government chemist, was occupying tenant by 1899. The property was known as ''Kenly''. In 1910, the house was vacant, however, in 1920, James Edmends was living there and continued to do so in 1930. By 1941, Edmends had moved to No. 32, and Alfred Williamson was in residence. "Kenly'' is important as an unusually imposing Elizabethan influenced villa in Caulfield, comparing with nos. 25 and 36 Gladstone Parade. Its importance is enhanced by its substantially intact state whilst its link with local architect Thomas B Jackson is of interest.Page 53 of Photograph Album with two exterior photographs (one portrait and one landscape) of a double storey brick mansion.Hand written: 34 Gladstone Parade [top left] / 53 [bottom left] trevor hart, 1880's, 1890's, gladstone parade, eversley, victorian, double storey, clarence street, architectural features, nulmore, brampton, kooyong park estate, architect, shoobra road, elsternwick, kenly, elizabethan influence, thomas b jackson, p langwill, fred henriques, alfred pearson, james edmends, alfred wiliamson, house names

From the labels and note this is a film of a Fashion Parade held by Legacy for fund-raising purposes. It was recorded by the Australian Broadcasting Commission (ABC) and the film given to Legacy. The full details are not known except it was held on 24 July 1967 as this film has not been watched. Melbourne Legacy has held many events through the years including gala performances of films and gown of the year events in the 1950s.A record that Legacy held many events over the years to promote Legacy, to fundraise or to showcase the organisation (such as in the Annual Demonstrations). Film in a cardboard box with title Fashion Parade 1967.Cardboard box, Fashion Parade 1967 (written with blue ball point pen). Paper inscription, 'With the complements of the Australian Broadcasting Commision'. Film, B.C. TV No NKV1442, date 24-7-67, subject Fashion Parade, ftge dur D 7/8 fundraising, gala performance

Sea View Tea and Refreshment Rooms, Marine Parade (below Brook's Boat Sheds). Mrs Blyth (late of Bendigo) Proprietress. I.X.L. Ice Cream. Roof promenade for Afternoon Tea and Summer Drinks. black and white photograph fair condition unmountedSea View Tea and Refreshment Rooms, Marine Parade (below Brook's Boat Sheds). Mrs Blyth (late of Bendigo) Proprietress. Tel. 1478 w. I.X.L. Ice Cream. Roof promenade for Afternoon Tea and Summer Drinks. K42 Sea View. p.64 St Kilda by the Sea Annual 1915-16 Season F600.65. NationalLibraryof Australia, Canberra.

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Property now known as Eversley, formerly Nulmore then Brampton. From Caulfield Heritage Management Plan 1996 by Andrew Ward In 1888, C. Hume owned lots 61, 62 and 63 in the Kooyong Park Estate, on the northwest corner of Gladstone Parade and Clarence Street. In 1889 Thomas B. Jackson, architect, of Shoobra Road, purchased the land and in the same year built a ten roomed brick house on lot 63 and part lot 62. Jackson leased the property to William Dalrymple in 1890. By 1894, the property was owned by P. Langwill and leased to James Ainslie, an accountant. By 1899, Frederick Henriques had moved into the house, which was known as ''Nulmore". In 1910, the house was vacant. In 1920, it was leased to Augustine Barbeta who continued to live there in 1930. By 1934, the house was renamed ''Brampton". ''Nulmore" is locally important as an unusually imposing Elizabethan influenced villa in Caulfield, comparing with nos. 34 and 25 Gladstone Parade. Its link with local architect Thomas B Jackson is of interest. Page 52 of Photograph Album with two exterior photographs (one landscape and one portrait) of Eversley , a double storey mansion.Hand written: (36 )[top right] / "Eversley" N.W. cnr Gladstone Parade & Clarence Street [top right] / 8 Oct 1966 [under top left photo] / 52 [bottom right] trevor hart, 1880's, 1890's, gladstone parade, eversley, victorian, clarence street, architectural features, nulmore, brampton, kooyong park estate, architect, shoobra road, hume, elsternwick, double storey mansions, thomas b jackson, william dalrymple, p langwill, james ainslie, frederick henriques, augustine barbeta, elizabethan style, house names

copy of black and white photograph, unmounted, glossy, poor conditionlabel stuck on back: Copied by State Library of Victoria 11 May 1982 51002, Another label: Queens Mansions, Beaconsfield Parade

Mrs Ferrero's Queen's Mansions, Telephone 107 Windsorcopy of black and white photograph, unmountedMrs Ferrero's Queens Mansions, Beaconsfield Parade, St Kilda, Telephone 107 Windsor. Handwritten on back: Melbourne Suburbs St Kilda, St Kilda by the Sea Annual, season 1915-16 F600:65 P.78

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 8 Auburn Parade, Hawthorn East by Margaret Picken.8 Auburn Parade, Haw E, Margaret Picken '97. Woodards - Hawthornartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 35 Auburn Parade, Hawthorn East by Margaret Picken.35 Auburn Parade, Haw E, Marg Picken '88. Woodards - C'wellartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 37 Auburn Parade, Hawthorn East by Margaret Picken.37 Auburn Parade, Haw E, Margaret Picken '97. Woodards - Hawthornartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 56-58 Auburn Parade, Hawthorn East by Margaret Picken.56-58 Auburn Parade, Hawthorn, Margaret Picken @2001. Woodards - Hawthornartist - margaret picken 1950-

Three colour photographs showing the parade at the Eltham Festival along Main Road, Nov 1976Manufacturing print code indicates prints were processed Aug 1977.eltham, main road, festivals, parade

Three colour photographs showing the parade at the Eltham Festival along Main Road, Nov 1976Manufacturing print code indicates prints were processed Aug 1977.eltham, main road, festivals, parade

Two colour photographs showing the parade at the Eltham Festival along Main Road, Nov 1976eltham, main road, festivals, parade

Three colour photographs showing the parade at the Eltham Festival along Main Road, Nov 1976Manufacturing print code indicates prints were processed Aug 1977.eltham, main road, festivals, parade

Two colour photographs showing the parade at the Eltham Festival along Main Road, Nov 1976eltham, main road, festivals, parade

Digital images of the Koroit Irish Festival Paradefestival, victoria, moyne, irish, koroit, street, parade, floats, people, crowd

Black and white image of three armoured vehicles each with soldier escorting large guidon/flags of the 8th/13th/20th Australian Light Horse regiments on parade through township of Wangaratta in February 1959 Gold colour metal frame containing cream mount and black and white photograph depicting three armoured vehicles each with soldier holding a guidon/flag Regimental Parade Wangaratta February 1959 Guidons of the 8th/13th/20th ALH8/13 victorian mounted rifles, 1959, guidons, wangaratta

1986 Grand Parade, 8 November. The Society's entry in the Eltham Community Festival parade included Ben Hall's Cobb and Co. coach and was awarded the major prize for the parade. This involves a perpetual trophy which the Society holds for one year. Individual shields attached to trophy inscribed with annual Grand Parade winners: 1979 - Cubs of the Eltham District 1980 - Montmorency South Primary School 1981 - Co Winner, Eltham Primary School Dalton Street 1981 - Co Winner, Our Lady Help of Christians 1982 - Cubs of the Eltham District 1983 - Research Primary School 1984 - Montmorency South Primary School 1985 - Montmorency Garden Club 1986 - Shire of Eltham Historical Society and one blank shield It appears the trophy was replaced in 1987 with a Best Display award which again was won by the Society, and again in 1988 Polished wooden trophy with gold plastic wreath, inscribed metal plaques and ten inscribed metal shields. Gold plastic ornament sitting on top (broken off)The Rotary Club of Eltham Perpetual Trophy Awarded to the Best Display In the Grand Parade Eltham Community Festivalaward, eltham community festival, eltham festival, trophy, shire of eltham historical society, eltham district historical society, victorian folk music club, rotary club of eltham, perpetual trophy, 1986, grand parade, 1979, 1980, 1981, 1982, 1983, 1984, 1985, cubs of the eltham district, eltham primary school, montmorency garden club, montmorency south primary school, our lady help of christians primary school, research primary school

Colour photograph of Hawthorn in the Australian Ruled Football (AFL) Grand Final Parade, Melbourne. hawhorn, football, afl, hodge, grand final, parade, event

A leaflet from a parade held to present the Field Marshall Sir Thomas Blamey memorial fund awards and the Citizen Military Forces Officer Training course prizes for 1967. The parade was held on 26 May 1968. It included a Blamey Memorial Fund Oration by Brigadier J D Rogers which is a summary of his life and service. Sir Thomas Blamey was patron of Legacy for some years. To perpetuate his memory and achievements The Field Marshal Sir Thomas Blamey Memorial Fund was established by a number of eminent persons in late 1954. The fund was to make periodic awards to members of the Australian Defence Force selected for outstanding qualities of leadership. The article was part of collection of items about bequests made to Legacy put together by a former archive committee. The number B10 stood for 'Bequests' and document number. A record of the presentation of the Thomas Blamey Memorial Fund awards in 1968. He had been a patron of Melbourne Legacy.Brochure from a parade to announce the winners of the awards presented in memory of Sir Thomas Blamey.Handwritten in red pen 'B10' which was a previous archive numbering system for B stood for Bequests with a document number.thomas blamey, patron, fund, cmf

South Parade in Bath, Somerset, England is a historic terrace built around 1743 by John Wood, the Elder.Black and white postcard showing South Parade Bath lined with triple storey buildings and trees. A lady posts a letter in the foreground of the image.chatham-holmes family collection, bath, south parade

Anecdotal evidence holds that most men returned from Vietnam in the dead of night, hidden from the public. In fact, large numbers actually returned on HMAS Sydney, to a welcome by dignitaries and a parade. The manner of their homecoming affected the way in which veterans recovered from the war, those who did arrive late at night to no fanfare and the seeming indifference of the military had more trouble adjusting to life at home than did those whose return was more public and who had had the benefit of a couple of weeks unwinding on board Sydney before reaching Australia. But the return home was only the beginning of a long period of readjustment. For a long time after the war large numbers of Vietnam veterans felt that many in Australia blamed them, rather than politicians, for the war and the way it had been conducted. Images of the war, many still familiar, of children burned by napalm, of the dead of My Lai, of a South Vietnamese general summarily executing a member of the Viet Cong in the streets of Saigon, had an effect on public opinion and public understanding. The fact that these images related more to the American/Vietnamese experience in Vietnam was less remarked upon. People associated the role of Australians in the war with that of the Americans in a way that failed to recognise the two countries’ different approaches to fighting in Vietnam. see https://www.google.com.au/url?sa=t&rct=j&q=&esrc=s&source=web&cd=3&cad=rja&ved=0CDwQtwIwAg&url=http%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DYL06ddRmiJE&ei=O9OJUYnxC5GaiQeey4HQCA&usg=AFQjCNEjq876qAoYu0WnWslDSNRUJlmuBw&bvm=bv.46226182,d.aGc Wooden Plaque 15cm x 13cmVietnam Vererans Parade Sydney 1987

A series of photographs showing a street parade, these may be from an early Begonia Festival Parade. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library. north western victorian regiment, parade, ballarat voluntary riflemen

Parade began in Thompson Ave, then along the Esplanade to the football ground.23 coloured photos of the 1988 Bicentennial Parade in Cowes including the floats, bands, scouts, Senior Citizens and fire brigade and 3 coloured photos of views of ships in the Bay. Warship and possibly the Britannia.cowes phillip island,, bicentennial 1988, parades, fire brigade, phillip island, bands, ships

A series of photographs showing a street parade, it may be an early Begonia Festival Parade. Because of the bunting, Union Jacks, and crowns, it may be dated to 1954 when Queen Elizabeth II visited Ballarat at the time of the Begonia Festival. This float may be the float of the Queen of Begonias. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library. parade, sturt street, royal visit

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Victorian Heritage Database citation for HO57 Alnwick, 11 Railway Parade Murrumbeena https://vhd.heritagecouncil.vic.gov.au/places/35369 as at 30/10/2020 Alnwick" is situated at no. 11 Railway Parade, Murrumbeena, and was built for Sir James Patterson, former Commissioner of Public Works and Railways and Premier and Chief Secretary at the time. It is historically and aesthetically significant. It is historically significant (Criterion A) as the home of a former Premier and MLA who held a multitude of senior positions during his term of office spanning between 1870 and 1895. These positions included Commissioner of Public Works, Vice President of the Board of Land and Works, Postmaster General, Commissioner of Railways and Commissioner of Trade and Customs and Minister of Railways. Importantly, he held these offices during the period of Colonial expansion leading up to the economic crash of the early 1890s. It is aesthetically significant (Criterion E) as an early example of the Queen Anne style in Glen Eira and as an isolated early building facing the railway station in Murrumbeena.Page 170 of Photograph Album with one photograph of a house on Railway Avenue.Handwritten: Railway Avenue [top right] / 170 [bottom right]trevor hart, chimneys, verandah, porch, 1890's, alnwick, railway parade, sir james patterson, james patterson, single storey, murrumbeena station, red brick, gable, murrumbeena, railway avenue, victorian style, house names, queen's avenue, queen anne style, protruding bay windows, premiers, polychrome bricks

Reynello was a boarding housecopy of black and white photograph, , unmounted, poor conditionWritten on back: Melbourne Suburbs St Kilda, Reynello, St Kilda by the Sea Annual, p.92 Season 1915-16 F600:65, Stamped: National Library of Australia, Canberra