This album is a history of family who served with the Army, RAAF and RAN during WW2.This album is a history pertaining to one family.A photograph album, almost square, consisting of 10 plastic display pages.This family album is a photographic and service history of - VX127489 Collis Brown, VX18141 Clarence Davis, VX39141 Angus J Bliss, VX48489 Gordon L Bliss (Rat of Tobruk), VX46600 Albert C Golding, V9531 Leonard A Golding, VX8454 William L Bliss, 174763 Beverley I Baldock, Aircraftwoman RAAF, PM7485 William R Baldock, Cook, RANphotograph album, family history

This item is a photograph album that would have been owned by a person or family in the late 19th or early 20th centuries. In most cases (but not in this one) family photographs would have been mounted in the pages and kept as part of a family’s history. Albums such as this one, with photographs, would then become family heirlooms and treasured as such. They would have been expensive to buy at the time so were the province of the more affluent. This album, in very good condition, is beautiful, aesthetically-pleasing and redolent with the history of earlier times. This album is retained as a beautiful example of the type of photograph album that the more affluent members of society would have owned over a 100 years ago. This is a leather covered photograph album. The cover is brown with ornamental floral scrolls and ornamental gold panels. Some of the gold etching and some of the leather areas have worn away. The spine has ridged gold bands with the gold etching heavily faded. The metal clasp that closes the pages is made of silver (tarnished) and is of a decorative pattern. The sixteen pages are made of heavy stiffened cardboard and have centre cut-outs (to contain photographs). These cut-outs are oval and rectangular (arched at the top) in shape and are outlined in gold. On every second page, the cut-out is decorated with sprigs of flowers delicately painted in colour. The pages are gilt-edged. There are three loose sheets of paper which look to be original backing pieces for photographs. There are no photographs in the album.warrnambool, antiquarian, photograph, album

This album comes from the estate of Dorothy and Agnes Ardlie. It contains black and white photographs of their childhood days with their family members. Dorothy Ardlie (1910-1993) and her sister Agnes Ardlie (1915-1993) wee the daughters of Arthur and Ethel Ardlie of Warrnambool, granddaughters of the prominent Warrnambool lawyer, William Ardlie and his wife Mary and great granddaughters of John and Mary Ardlie, pioneer Warrnambool settlers. They lived for some years at Aroona, 19 Princess Street WarrnamboolThis album is of interest as a memento of Dorothy and Agnes Ardlie, members of a prominent 20th century family in Warrnambool. The photographs will be useful for both display and research. This is a soft cover album of 16 pages. Some pages have been cut out. The cover is light brown and stained and has an embedded decorative pattern on the left side. The album is bound with green cord (now frayed) and contains 29 black and white photographs, some torn and faded. ardlie family, history of warrnambool

This album came from the estate of Dorothy Ardlie of Warrnambool. It contains photographs of her childhood with her sister Agnes and other family members and later photographs in their adulthood. Dorothy Ardlie (1910-1993) was the daughter of Ethel and Arthur Ardlie, the granddaughter of the well-known Warrnambool lawyer, William Ardlie and his wife, Mary and the great granddaughter of John and Mary Ardlie, pioneer settlers in Warrnambool. Dorothy lived for some time at Aroona, 19 Princess Street in Warrnambool. This album is of interest, firstly as a memento of Dorothy Ardlie, a member of a prominent 20th century Warrnambool family, and secondly as a good example of a photograph album showing the typical social history of an upper middle class family in the mid 20th century. The keeping of a photograph album was a hobby of many women in the 20th century.This is a hard cover photograph album of 39 pages. The cover is brown with coloured images of a bird, tree and leaves on the front cover. The album is bound with string. There are 133 black and white photographs pasted in. The album is slightly stained and some photographs are missing. Album Made in Japan This album belongs to Dorothy Alys Ardlie ardlie family,, history of warrnambool

This photograph album appears to have belonged to Agnes Ardlie. She was the daughter of Arthur and Ethel Ardlie of Warrnambool, the grand daughter of the prominent Warrnambool lawyer, William Ardlie and his wife Mary and the great granddaughter of John and Mary Ardlie, pioneer settlers in Warrnambool. Agnes Ardlie (1915-1993) and her sister Dorothy lived for some years at Aroona, 19 Princess Street, Warrnambool. This album is of interest as the photographs are of Agnes Ardlie and her extended family in the 1920s and 30s and thus provide an insight not only into the lives of a prominent Warrnambool family but also gives us a glimpse of the social aspects of the lives of the more affluent families in Warrnambool during that period and of the custom of keeping photograph albums to preserve the photographs.This is a soft cover photograph album with a light brown cover bound with white string. The front cover has an imprinted decorative pattern on the left side and there is a maker’s stamp on the back page. The album contains 22 pages, most of which have black and white photographs inserted. There are 44 photographs, some of which have been torn. ardlie family, history of warrnambool

This album comes from the estate of Dorothy and Agnes Ardlie. It contains family photographs and ones taken in Adelaide, and Melbourne and scenes around the Great Ocean Road. Dorothy Ardlie (1910-1993) and Agnes Ardlie (1915-1993) were the daughters of Arthur and Ethel Ardlie of Warrnambool, the granddaughters of William Ardlie, a prominent Warrnambool lawyer and his wife Mary and the great granddaughters of John and Mary Ardlie, pioneer settlers in Warrnambool. They lived for some years at Aroona, 19 Princess Street, Warrnambool.This album is of interest because it shows the social life of a more affluent family in the mid 20th century and documents in particular the lives and interests of Dorothy and Agnes Ardlie, members of a prominent 20th century Warrnambool family. This is a soft cover photograph album with a light brown cover and an embedded decorative pattern on the left front cover. The album is bound with white string. The cover edges are frayed. The album has 45 pages and over 200 black and white photographs pasted into the album, four loose black and white photographs and some photographs taken from newspapers. There is one sheet of paper with handwritten material regarding a wedding photograph. ardlie family, history of warrnambool

This album belonged to Dorothy and Agnes Ardlie of Warrnambool. Dorothy Ardlie (1910-1993) and her sister Agnes Ardlie (1915-1993) were the daughters of the Warrnanbool law clerk, Arthur Ardlie and his wife Ethel, the granddaughters of the prominent Warrnambool lawyer William Ardlie and his wife Mary and the great granddaughters of John and Mary Ardlie, pioneer settlers in Warrnambool . Dorothy and Agnes Ardlie lived in their early years at ‘Aroona’ in Princess Street, Warrnambool. This album is of interest because of its association with Dorothy and Agnes Ardlie of Warrnambool and because it has photographs of some historical interest, especially those of Warrnmbool houses and their interiors in the mid 20th century. This is photograph album with a red cover with a suede finish. It has silver-coloured printing on the front cover and has gold-coloured spiral binding. The pages contain mainly black and white photographs, usually eight to a page. There are some loose photographs.Ardlieardlie family, warrnambool, history of warrnambool

This album contains photographs of many local and beach scenes such as view over Warrnambool, Botanic Gardens, Hopkins River and Bridge, Warrnambool railway station, Proudfoots, Thunder Point, Christ Church and the War Memorial. There are a couple of photographs of groups of people picnicking on the main beach. The newspaper cutting showing firemen dousing the last of the flames of the fire has onlookers including four children in the foreground. The Ozone Coffee Palace was built in 1890-1891 and burnt down February23, 1929. It was one of the largest fires in Warrnambool It was designed by Mr J McLeod. It was grand in design and decoration. The term Coffee Palace was used to describe temperance hotels which were built during the 1880’s -1890’s. They typically were multi-purpose and had a large number of rooms for ballrooms and leisure activities. Coffee palaces were aimed at families in coastal areas and inner city locations. Examples of some are The Windsor Hotel Melbourne, Ozone, Queenscliff and Kilbreda Convent in Mentone. This album has social and historical significance as it shows a collection of local scenes which is a record of familiar scenes such as the gardens, Hopkins River and beach scenes. The groups of people are unknown but the images provide a snapshot of customs and costumes of the early 1920’s.Khaki coloured soft card tied with a dark green cord which has broken and has been replaced with yellow string. There is an embossing of a lion/dragon on front cover with ribbons. 20 pages with photographs glued to most. A cutting relating to the fire at the Ozone mansions is inside the front cover.warrnambool history, early warrnambool photographs, ozone coffee palace

This album contains a collection of family photos, greeting cards and hand drawn floral emblems. Among the photographs are two which have details on them: a young girl named Margaret Clarke aged 8 1870 and another of Charles Alexander Clarke. The photographers are from many places including Britain, Melbourne, Portland and a number by Daniel Clarke of Warrnambool. Daniel Clarke was one of Warrnambool’s more important photographers, operating a business for thirty years in the town. He also worked as an artist and taught art in local schools. He painted a number of versions of Tower Hill. He died in 1918 at the age of 91.This album shows a collection of photographs and cards which were important to families in the later part of the 19th century. It has artistic and historical significance, with the photographs in particular depicting many different styles of clothing and household details of the time. Brown leather with a figured pattern and gold detail. Bent metal clasp Back cover in cross-hatched pattern. Spine has 5 horizontal lines. Edges of pages are edged in gold. Pale grey water wave patterned paper inside front and back covers. Pages inside are varied with some having coloured floral embellishments while others have pockets to hold from 1 to 4 photographs or card. One photograph of young boy has Charles Alexander Clarke written on bottom in black pen. A card with illustration of honeysuckle on front, has With Love to Mrs. Smith from Isabel,warrnambool, history of warrnambool, margaret clarke aged 8 1870, charles alexander clarke 1870, daniel clarke photographer

The actual history of this object relating to Warrnambool is unknown at this stageSome photos have been identified as local people from WarrnamboolLeather bound. Brown. Engrave with Gold and Black. Ornate scrolled, embossed work on cover with The words The Colonial Family Album on the front, back and spine engraved. Metal locking clasp is broken. 23 pages. Binding in blue tape. Each page is highly decorated changing on each page, facing pages match each other, colours used are gold, red, blue, pink and green. Photos are taken mid 1870's to late 1880's by photographers from Melbourne, Portland & Ballarat. Sepia photos, 20 large frames of men & women, 20 small oval & round topped oblong frames. Collection of Women, Men, Teenagers and children. Each photo slides in from the bottom of frame through a small slot.album. photographs. photographers. ornate art work., warrnambool historical society

This album was used at the Orbost Visitor Information Centre (the Slab Hut). The Slab Hut (Orbost Visitor Information Centre) is an Orbost icon. This slab hut was built in 1872 as a family dwelling on a site about 3 km upstream from the junction of the Buchan and Snowy Rivers about 40 kms from Orbost on the Yalmy Rd. No nails were used in the construction; it was all wired together. After a period in storage the slab hut was opened in its present location in Orbost as the Information Centre in 1987.This item is a useful reference tool for the history of Orbost.A large photo album containing copies of photographs, some historical articles and b/w photos of Orbost. The covers are brown with a narrow gold frame. it has no spine and the covers are tied with tape. The pages, all different sizes, are bolted in.orbost-history album-photographs

Famous Swiss landcape painter Louis Buvelot came to Melbourne in 1864 and set up a portrait photography studio which he operated for one year only in 1865. This photograph is believed to be the oldest photo in the Shillinglaw Family Album collection. It is believed that the subject is a young Phillip Shillinglaw, without beard, at age 22 or 23. Phillip Shillinglaw was born Melbourne, August 7, 1842. He married Sarah Ann Kidd in Heidelberg, Victoria, February 28, 1872. In 1881 Phillip and Sarah and their small family moved to Eltham and made home in what was later to become known as Shillinglaw Cottage but which Phillip named 'Wattle Brae'. Shillinglaw Cottage is significant to Eltham’s local history. It is one of the earliest known buildings still in existence. Records suggest that the cottage was built circa 1859 by a man named Cochrane, believed to be Thomas Cochrane, in conjunction with George Stebbings though it is not known what Stebbings’s contribution was. It is believed Stebbings owned the cottage between 1874 and 1888. According to Margaret Ball’s (2017) book Shillinglaw Family of Eltham 1660-2007, Thomas Cochrane and family lived there from 1867 to 1874 however this is contrary to the records of assessable rates levied by the Eltham District Road Board, established in 1858, which shows Cochrane was the owner occupier (in Little Eltham) of approximately 25 acres of cultivated land and 25 acres of pastureland upon which a hut was sited in 1860. It is suspected that George Stebbings may have acquired the property from Cochrane in 1874 as it is noted that he had a tenant for a period, James Rossiter, who was the editor for the Evelyn Observer in Kangaroo Ground in 1874 (LATE SHIRE OFFICE AT KANGAROO GROUND (1934, February 16). Advertiser (Hurstbridge, Vic. : 1922 - 1939), p. 5. Retrieved February 25, 2022, from http://nla.gov.au/nla.news-article56743657). In 1881 Phillip Shillinglaw became the ratepayer for the cottage though Stebbings retained ownership until 1888 at which time it was transferred to Shillinglaw. Photographer: Louis Buvelot Swiss landscape painter and portrait photographer, settled in Melbourne in 1864, admired by the artists from the Heidelberg area such as Tom Roberts and Arthur Streeton who bestowed him with the accolade of 'Father of Australian painting’. In the 1870s, his work increasingly drew elements from Australian landscape such as the bush land in works like Lilydale (1878) and Bush Track. "Louis Buvelot :: biography at :: at Design and Art Australia Online." Daao https://www.daao.org.au/bio/louis-buvelot/biography/. Accessed 9 Mar. 2023. On arriving in Melbourne in February 1865 Buvelot bought a photographer's studio at 92 Bourke Street East and took portraits for a year. In 1866 he moved to 88 La Trobe Street East and resumed his painting while Caroline-Julie gave French lessons to help Buvelot to establish himself as an artist in Melbourne. "Biography - Abram-Louis Buvelot." Australian Dictionary of Biography https://adb.anu.edu.au/biography/buvelot-abramlouis-3132. Accessed 2 Dec. 2022. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, 1865, l. buvelot photographer, louis buvelot, phillip shillinglaw (1842-1914), unknown

a. Album of 12 photographs (Basil Watson story): construction of plane at family home plus two photos of crash site at Point Cook. Inscribed beside frontispiece photo is: Basil Watson - Age 23 - Accidentally killed whilst flying at Point Cook March 28 1917'. Inside front cover: 'To dear Keith, With love from Aunt Belle', 'Foilacleugh' St Kilda St., Elsternwick July 1917. b. Listing of photos in this album - concise description of 12 photosperson, individual, basil watson

Album of 8 photographs - Basil Watson biplane being constructed inside the family home: 1. Body frame of plane; 2 Watson standing in front of cockpit frame; 3. Section of wing and tail; 4. Watson in cockpit frame; 5. Side view of biplane in backyard; 6 Front view of biplane in backyard; 7. As for 6; 8. Rear view of biplane in backyard.photograph, aircraft, basil watson collection

This photograph depicts a soldier, credited on the reverse as Fred Foster. The young man is dressed in military attire and is standing tall with a gun beside him. He is located in the Australian bush and the date of the photograph is unknown. Frederick “Fred” Arthur Foster was nephew to famous Bushranger Edward “Ned” Kelly. He was born on the 15th of March 1889 in Forbes, New South Wales. He was the eldest son of Catherine “Kate” Kelly and William Henry “Bricky” Foster. After the death of his mother in October of 1898 from apparent drowning, Foster (then aged 9) was raised by his grandmother Ellen Kelly (née Quinn) at Eleven Mile Creek in Victoria. On the 29th of June 1915, 26 year old Foster travelled to Melbourne, Victoria and enlisted in the Australian Army. He was a Private in the 17th Infantry Battalion (originally C.Company, 47th battalion). He previously was attached to the 55th Battalion but transferred in 1916. Prior to enlisting in the army, Foster worked as a Bee Keeper and served in the 16th Light Horse regiment at Benalla. Foster had blue eyes, brown hair and was of Presbyterian faith. On the 28th of February 1917, Foster travelled to France aboard SS “Golden Eagle”. He was killed in action in Lagnicourt, France on the 15th of April 1917 at 28 years old. The Battle in Lagnicourt France, on the Western Front, occurred from the 1st of March to the 30th of April of 1917 and was the location of fierce fighting between Germany and the British Empire. Germany became aware of a weakness they had along the Hindenburg Line, one of these weaknesses was located in Lagnicourt which is a small village in Northern France. Therefore, the Germans decided to launch a counter-attack in this area on the 15th of April at dawn. During this fight, German forces captured several batteries of the 1st Australian Division’s artillery but the Australians led a strong counter-attack by four of their battalions and recaptured the village and most of the guns from the German forces. German forces were forced into a premature withdrawal. This battle was not undertaken in typical WW1 “trench” style warfare. Instead, the battle was up on the ground in what was described as “old open style warfare”. In this battle, slightly more than 1000 casualties were Australian, with 300 of these prisoners of war. German forces suffered a loss of over 2300 casualties with 360 taken captive. Foster was one of 43 in his regiment who died, 87 were wounded and 51 reported missing. Foster was buried at location in Lagnicourt and whilst the grave was initially marked, it is now unknown. Foster’s service, alongside those who fell at Lagnicourt, is commemorated at the Australian National Memorial in Villers-Bretonneux, France along with other national Australian memorial sites.Photography played an important part in World War 1. Photographs of men in their military uniforms served as propaganda during the Great War to reassure civilians back at home of the military prowess of their nation and the bravery of their men. It did this while hiding the true horrors which faced the men in battle. These photographs, which includes those taken at home prior to embarking overseas like Fred Foster’s, act as censored memory for those who have lost a loved one at war. It enables families to remember their relatives in their youth and standing proudly rather than having to face the actual danger and horror which faced these men at the front line. The battle of Lagnicourt France was a victory for the European Empire and therefore, men who lost their lives protecting their countries became heroes and were awarded posthumous medals for their service. Photos of soldiers in their uniforms, were undertaken by men like Foster, so their families would be able to retain their memories and likeness before they embarked for war. Many men were killed or horribly wounded so these images were important for reminding families about their sons/ husbands/ brothers/ cousins and friends. This photo is a part of the Burke Museum Kelly album which includes numerous photographs relating to the Kelly Gang. As the son of Kate Kelly and William “Bricky” Foster, Fred Foster is an important part of the Kelly story after the execution of Edward “Ned” Kelly which has information it can impart relating to the history of the family after 1880. Whilst an important element of the Kelly Album, Foster’s photograph is also historically important in its own right for its connection to the Great War and the experiences of a soldier at the Western Front.Original sepia rectangular photograph developed on matte photographic paper, unmounted.Reverse: (Top right corner of reverse:) FRED FOSTER/ (Top centre of reverse:) Kate Kelly's son.kelly album, fred foster, kate kelly, photograph, australian soldier, the kelly gang, australian bush, burke museum, sepia photo, gum trees, family of the kelly gang, world war i, langnicourt, france, great war, 1917, ned kelly, frederick foster, william "bricky" foster, ellen kelly, military history, australian military

This Carte-de-viste (CdV) previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. It is unclear; however, whether or not the man depicted in the photograph is Daniel Mullins or a different police officer. The Police Station at Glenrowan depicted in this CdV stood during the events of the Kelly gang's siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak. This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Items pertaining to the Kelly gang, including photographs like this one which depicts a police officer standing outside of the Glenrowan Police Station, are of great historical significance. Photographs like this can provide valuable information on the architecture, lifestyle and dress of colonial Australia. When studied, photographs have the ability to shed more light on the events of the Kelly gang and colonial Australia. This photograph is also of artistic significance because of the popularity of the CdV during the nineteenth century.A sepia toned photograph mounted on grey card with rounded corners. The image has been captured by an unknown photographer and depicts the outside the Glenrowan Police Station. In front of the Station stands an unidentified policeman and lying on the ground behind the policeman is a medium sized dog with dark colouring. The Police Station depicted in this photograph is a classic example of Australian country colonial architecture typically seen dating to the nineteenth century. It has the typical features of an Australian colonial 'miners' cottage' with the gable roof and a skillion at rear. A white picket fence is stands between the Station and the policeman. A small building is located at the rear of the Station which may have served as a lockup.BMM 8083kelly album, glenrowan, police, police station, photograph, ned kelly, australia, colonial australia, victoria, james bray, william e barnes, daniel mullins

In July of 1880, Ann Jones' successful hotel in Glenrowan burnt to the ground during the Kelly siege. She had opened her business in the year prior having been unsuccessful in her attempt to run a tea-room business in Wangaratta. The first building on this particular site was the home Ann Jones had built for herself and her family. Two years later she converted the home and added the hotel to the rear of the structure. One year later it was burnt to the ground. This image depicts the streetscape of Glenrowan in 1883, three years after the siege. Importantly, it reveals the appearance of several buildings which can reveal information for how Glenrowan (as a small town) might have stood during the siege. These buildings are of typical Australian colonial "miner's cottage" style. On what would have been the site of Ann Jones' hotel, to the far left of the photograph, a police station stands. This police station was built before April 1883. This image was captured by an unknown photographer. This Carte-de-viste (CdV) previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak.This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Artefacts and photographs pertaining to the Kelly gang are particularly valuable for Australian museums. This particular photograph is significant for its connection to the Glenrowan Siege and Ann Jones' Hotel which burnt down during the siege in June 1880. Taken in 1883, this photograph (taken by an unidentified photographer) has the opportunity to provide information about the townscape of Glenrowan shortly after the siege. It also provides important insight into the architecture and layout of the town. To the far right of the image, the photograph depicts the police station which was built on the site of Ann Jones' Hotel which can provide important information for the Kelly story and how the town evolved following 1880. It is also interesting to emphasise that the police station was built on the site of Ned Kelly and the Kelly gang's last stand.This photograph is a sepia image of the Glenrowan streetscape depicting several buildings. The newly built police station (in 1883) stands on the far right of the image on the site of the former Ann Jones Hotel. On the left are several buildings built in typical 'miner's cottage' Australian colonial style. This includes the gable roof with the skillion at rear. An unidentifiable individual stands next to the chimney of the front left building. Numerous paddocks appear in the image, particularly in the front right and the rear of the houses contain many trees. To the rear of the image, there is a mountain. A street runs through the centre of the photograph.Glenrowan / taken 1.4.83 ... / BMM 8086kelly album, ned kelly, glenrowan, police history, police, australian architecture, streetscape, glenrowan 1883, 1883, dan kelly, steve hart, joe byrne, carte-de-viste, james bray, daniel mullins, william e barnes, colonial australia, police station, photograph

In July of 1880, Ann Jones' successful hotel in Glenrowan burnt to the ground during the Kelly siege. She had opened her business in the year prior having been unsuccessful in her attempt to run a tea-room business in Wangaratta. The first building on this particular site was the home Ann Jones had built for herself and her family. Two years later she converted the home and added the hotel to the rear of the structure. One year later it was burnt to the ground. This image depicts the streetscape of Glenrowan in 1883, three years after the siege. Importantly, it reveals the appearance of several buildings which can reveal information for how Glenrowan (as a small town) might have stood during the siege. These buildings are of typical Australian colonial "miner's cottage" style. On what would have been the site of Ann Jones' hotel, to the far left of the photograph, a police station stands. This police station was built before April 1883. This Carte-de-viste (CdV) taken by renowned Wangaratta based photographer William Edward Barnes previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak.This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Artefacts and photographs pertaining to the Kelly gang are particularly valuable for Australian museums. This particular photograph is significant for its connection to Wangaratta based photographer William Edward Barnes and to the Glenrowan Siege and Ann Jones' Hotel which burnt down during the siege in June 1880. Taken in 1883, this photograph has the opportunity to provide information about the townscape of Glenrowan shortly after the siege. It also provides important insight into the architecture and layout of the town. To the far right of the image, the photograph depicts the police station which was built on the site of Ann Jones' Hotel which can provide important information for the Kelly story and how the town evolved following 1880. It is also interesting to emphasise that the police station was built on the site of Ned Kelly and the Kelly gang's last stand.This photograph is a sepia image mounted on yellow card which depicts the newly built police station (in 1882) which stands on the far right of the image on the site of the former Ann Jones Hotel. A fence appears through the lower front of the image and an open paddock is to the left. In the rear centre of the image, there is a mountain. In front of the mountain are many trees, most of them gum. The police station is a one storey structure with a veranda and there are three doorways visible in the image. The image depicts four windows on the front of the station.W.E.Barnes / photographer / Wangaratta / ...1882 / BMM8087kelly album, william barnes, wangaratta photographer, carte-de-viste, glenrowan, 1882, police station, ann jones inn, ann jones hotel, kelly siege, glenrowan siege, colonial australia

In July of 1880, Ann Jones' successful hotel in Glenrowan burnt to the ground during the Kelly siege. She had opened her business in the year prior having been unsuccessful in her attempt to run a tea-room business in Wangaratta. The first building on this particular site was the home Ann Jones had built for herself and her family. Two years later she converted the home and added the hotel to the rear of the structure. One year later it was burnt to the ground. This image depicts the police station in 1882 on what would have been the site of Ann Jones' hotel. This Carte-de-viste (CdV) taken by renowned Wangaratta based photographer William Edward Barnes previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak.This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Artefacts and photographs pertaining to the Kelly gang are particularly valuable for Australian museums. This particular photograph is significant for its connection to Wangaratta based photographer William Edward Barnes and to the Glenrowan Siege and Ann Jones' Hotel which burnt down during the siege in June 1880. Taken in 1882, this photograph has the opportunity to provide information about the townscape of Glenrowan shortly after the siege. It also provides important insight into the architecture and layout of the town. To the far right of the image, the photograph depicts the police station which was built on the site of Ann Jones' Hotel which can provide important information for the Kelly story and how the town evolved following 1880. It is also interesting to emphasise that the police station was built on the site of Ned Kelly and the Kelly gang's last stand.Sepia coloured photograph with a faded appearance. Image depicts four policemen with three standing and one sitting on a chair outside the Glenrowan police station. The station takes up the majority of the image and is placed in the centre of the photo. The four men are positioned on the left side of the station. The station is a large building with a gabled roof and extensions built into the veranda on either side. In between these extensions, the property has a white picket fence which runs from the extensions directly beneath the veranda enclosing the front of the structure. The letters 1, 2, 3, 4 are written on the yellow paper on which the image is situated and relate to the images in the photo. The reverse of the photo provides the names of each policeman and reveals the image as being from the collection of William E Barnes a Wangaratta based photographer.Obverse: 1. 2. 3. 4. Reverse: No. 1. is Mullins, D. G. / 2. Lord, Edward. / 3. Millar, Allex. / 4. Hedberg, O. G. / All Comrades / Glenrowan Police Station / 1 August 1882 / W. E. Barnes / Photographer / Wangaratta /kelly album, william barnes, wangaratta photographer, carte-de-viste, glenrowan, 1882, police station, ann jones inn, ann jones hotel, kelly siege, glenrowan siege, colonial australia, ned kelly, steve hart, joe byrne, william e barnes

Donated by N. M. & J. D. Archibald. April, 1973.Chicory Kiln. Rhyll. Mr. U. Stoppa. Poured cement, Iron and Wood outside. built about 1940. Mr. Alex Neely & family on property. Chicory Kiln Album.local history, photography, photographs, agriculture buildings, historic, chicory kiln, rhyll, phillip island, u stoppa, a neely, n & j archibald

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of 28 representatives of notable island families taken at a gathering at Erehwon in May 1942 Back row: L to R - G Smith, W E Thompson, S J McFee, R McIlwraith, W Evans, D Justice, Mrs P McFee, P McFee, Mrs J Bell, W Walton, Mrs A Churchill. Centre - Mrs J Spavin, W J Kennon, G Lock, F Piggott, A D Hardy, Mrs W Findlay, J Jansson, H West. Front row: Mrs H Bennall, Mrs E Matthews, Mrs Blamey, Mrs C West, Mrs Watson nee McGregor, Mrs Hardy, Miss M Evans, Mrs D Justice, C McGregor.local history, photography, photographs, centenary gathering at erehwon, black & white photograph, centenary celebrations, notable families, john jenner, bryant west

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Rhyll pioneers Mr & Mrs W Walton, seated on a wicker two seater settee.local history, photography, photographs, mr & mrs w walton, black & white photograph, walton family, rhyll, phillip island, pioneers, john jenner, bryant west

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the John Cleeland Wedding Party outside Woolamai Houselocal history, photography, wedding party outside woolamai house, black & white photograph, cleeland family, woolamai house, weddings, john jenner, bryant west

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of J B Cleeland, captain of the team, at the Newhaven Rocket Shed in 1900.local history, photography, newhaven rocket shed, black & white photograph, cleeland family, rocket shed newhaven, john jenner, bryant west, john blake cleeland

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of members of Walton and Jenner families on the verandah of wattle and daub house. Built in 1903 by H Jenner Senior. People in the photograph are from Left to Right: W Jenner, Mrs Geo Walton Snr., Mr Geo Walton Snr., F Jenner, Mrs H Walton, H Jenner Snr.local history, photography, jenner, black & white photograph, houses, wattle & daub construction, walton, john jenner, bryant west

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of W. Jenner, Mrs Geo. Walton Snr., Mr. Geo. Walton Snr., F. Jenner, Mrs H. Walton and H. Jenner Senior - as in Photograph Reg No. 74-296.local history, photography, jenner & walton family members, black & white photograph, walton, jenner, john jenner, bryant west

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandColoured photograph of Forrest Caves Beach looking eastwards. Small family group left of centre.local history, photography, photographs, coastline - forrest beach, colour tinted photograph, coastline, forrest caves beach phillip island, john jenner, bryant west

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Earl of Stradbroke and family and various local identities with San Remo Hotel in background - 1921local history, photography, photographs, visit of governor earl of stradbroke 1921, black & white photograph, earl of stradbroke, san remo hotel, john jenner, bryant west, a h s mattingley

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of eleven people including The Earl of Stradbroke and family standing beside motorcar - 22/11/1921.local history, photography, photographs, visit of earl of stradbroke, 1921, black & white photograph, earl of stradbroke, motorcar, john jenner, bryant west, a h s mattingley

In January 1926, Captain Peder Emanuel Johannessen had taken his older daughter Augusta, 22, as his secretary onboard. From articles in newspaper she was apparently born in Australia (Bunbury or Albany) and it was the first the time she was back to Australia. The ship William Mitchell was berthed next to the Skaregrom at the same time. The skipper, Stuart Wilkie, had also his wife and their little girl onboard. Later the same year, the captain brought his younger daughter, Anna, 12 onboard along with her mother and a brother. In December during a storm, the windjammer was demasted. The previous skipper of the Skaregrøm, August Bengston, had also taken his daughter Gudveig on board as related by Captain Archie Orka in his log while on the Skaregrøm (See Sea History Magazine).This photograph in the MTSV can be matched up with several links to the Johannsen / Johannssen family and to a famous ship the Skaregrom. Unusually it depicts a female family member aboard ship and further research suggests that some families were accustomed to living and sailing aboard merchant ships.Black and white photograph with thin white border depicting a young woman wearing an ankle length white dress and arm in arm with an older man in suit on the deck of ship. Although detached from album the number 13 on the back and the glue traces indicate this picture was originally in the grey album pages The legend on the page says: Captain and Miss Johannsen on board the "Skaregrøm". On verso Stamp in purple ink: Herschelll's Prints -Pathe Agents / in blue ink: "394" Handwritten in pencil: "13"skipper's daughter, norway, skaregrom, p.e. johannesen, seafaring families, anna johannessen, august bengtson, gudveig bengtson, augusta johannessen, peder emanuel johannessen, skaregrøm, reverend john reginald weller (1880-1969), weller album, augusta johannsen, augusta johansen, peder even johannessen