Sunil Gupta is a British/Canadian citizen, (b. New Delhi 1953) MA (RCA) PhD (Westminster) who lives in London and has been involved with independent photography as a critical practice for many years focusing on race, migration and queer issues. A retrospective was shown at The Photographers’ Gallery, London (2020/21) and The Image Center, Toronto. He is a Professorial Fellow at UCA, Farnham. His latest book is “We Were Here: Sexuality, Photography, and Cultural Difference, Selected Writings by Sunil Gupta”, Aperture New York 2022. His work is in many private and public collections including; the Tokyo Museum of Photography, Philadelphia Museum of Art, Royal Ontario Museum, Tate, Metropolitan Museum of Art and the Museum of Modern Art. His work is represented by Hales Gallery (New York, London), Materià Gallery (Rome), Stephen Bulger Gallery (Toronto) and Vadehra Art Gallery (New Delhi).Part of Queer PHOTO (Midsumm x PHOTO 2024) photography, british photography, queer photography, race, migration, portrait

L/cpl Sydney Cook- Yorkshire Regt enlisted 31.12.14, WIA 6.4.16, 10.7.16 and 8.10.17. Discharged medically unfit 23.1.18. Refer 420 medals Sydney Cook also 875 Medals W.E Cook his brother KIA.Photo, Sepia colour, Soldier (British) in uniform with Lance Corporal stripes. Photo is on cardboard with gold edging. Writing on rear in black pen."Sydney Cook Dec 1895 - Nov 1978" "9.12.1895 - 14.11.1978"military history - army, photography british

Copy of a photograph of a British soldier, colourised. Label notes to Beryl with love...Ron. Handwritten on back " Ron Morrell 4985826 / Sherwood Forresters / Taken at Linclon Barracks / England / Sept '41 / See Mandy's Photo" / To Cynthia / from Dad"photography, british

William Edwin Cook, refer 875, 399.2, 401, 419, 655.3.Photo Sepia Color Soldier (British) in uniform, Officer. Photo is on cardboard with gold edging writing on the back in black penWilliam Edwin Cook 21/2/1894 - 24/4/1918photography military, british officer ww1

James Lemphers ASC - MT British Army. Refer 2490 medals.Photo, sepia tone showing a British soldier standing in uniform with Pith Helmet. Under the photo are the soldiers details. Photo is in a clear plastic frame for display."M-340318 Pte James Lemphers (British Army)"photography, military, british

Copy of sepia toned photograph of a British female Sergeant being Beryl SCRIMSHAW.photography, portraits, british military

PHOTOGRAPH TAKEN ON TALBOT ROAD, OPPOSITE THE TURN TO CEMETERY LOOKING EAST.BLUE STONE BUILDING LEFT OF ROAD ACROSS KILKENNY CREEK WITH CAMEL HUMPED ROOF OF THE OLD BRITISH HOTEL RUN BY JOHN CONRAD WEICKHARDT UP TIL 1905 OR SO. IT WAS ON 40 ACRES WERE FAMILY RAN A FEW COWS, PIGS POULTRY, KILLED AND MADE THEIR OWN SAUSAGES, BLACK PUDDINGS ETC. ALSO MADE BUTTER & CREAM.LAMINATED COLOUR PHOTOGRAPH TAKEN ON TALBOT ROAD LOOKING EAST AND DESCRIPTIVE LETTER RE PHOTOGRAPH AND FAMILY INTERESTS.local history, photography, photographs, hotels, british

They were made from 1913 and they probably weren't very expensive cameras. The Hawk-Eye No. 2 model C of 1913 was a simpler model with just one viewfinder, and no choice of aperture. This version was reissued in 1930 for Kodak's 50th anniversary: For this, the company offered a free Hawk-eye camera to any child of 12 in that year. Approximately 550,000 of these were issued.[A box camera is a simple type of camera, the most common form being a cardboard or plastic box with a lens in one end and film at the other. They were very popular in the late 19th and early 20th centuries. The earliest Kodak's were simple box cameras which were sent to a local dealer after all the shots on the film inside were taken. The dealer developed the film and sent the photographs and the reloaded camera back to the photographer. While introducing a wide range of innovative features two designs dominated Kodak's cameras. The most famous of these was the Box Brownie, designed by Frank Brownell, and introduced at the cost of one dollar in 1900. Brownie's were produced in one form or another up until the 1960s when the Kodak Instamatic was introduced. A Cartridge Hawkeye No. 2 Box Camera. It i has a cardboard body and the body is covered in black leatherette. The camera is designed to be used with Kodak No 120 film. It is a rectangular box with a hole at the front (no lens). The shutter control is on the right side. The film winder is below the latch. The film window is at the back and there is a leather carrying handle at the top. Back - Made in Great Britain Use Kodak No.120 film Kodak Handle - No. 2 Cartridge Hawk-Eye Model Cphotography kodak camera box-camera

The ensignette was a vest pocket camera. The Ensignette was one of the very characteristic camera types of Houghtons Ltd., London. This strut folding roll film camera of Houghton's "Ensign – British made" brand was an ingenious construction, a real vest pocket item when folded. One of the round framed impressions on its front plate says that it was based on patent 28464 of the year 1907. The Swedish engineer Magnus Neill had designed this first British all-metal camera of which ten of thousands were made. The camera was launched before Christmas 1909. It was ordered by distributors all over the world, for example by G. Gennert. (Ref: camerapedia) The Ensignette was very popular because it was one of the first practical, compact cameras at an affordable price to the average man. A miniature bellows, roll film, camera - Ensignette No. 2. It is black metal with folding bellows. On the front is an aperture control knob. There is a window at the back for the film number.Flag with Union Jack Ensignphotography ensignette camera

Queen Victoria was born at Kensington Palace, London, on 24 May 1819. She was the only daughter of Edward, Duke of Kent, the fourth son of George III. Her father died shortly after her birth and she became heir to the throne because the three uncles who were ahead of her in the succession - George IV, Frederick Duke of York, and William IV - had no legitimate children who survived. Warmhearted and lively, Victoria had a gift for drawing and painting; educated by a governess at home, she was a natural diarist and kept a regular journal throughout her life. On William IV's death in 1837, she became Queen at the age of 18. Queen Victoria is associated with Britain's great age of industrial expansion, economic progress and, especially, empire. At her death, it was said, Britain had a worldwide empire on which the sun never set. In the early part of her reign, she was influenced by two men: her first Prime Minister, Lord Melbourne, and then her husband, Prince Albert, whom she married in 1840. Both men taught her much about how to be a ruler in a 'constitutional monarchy, in which the monarch had very few powers but could use much influence. Albert took an active interest in the arts, science, trade and industry; the project for which he is best remembered was the Great Exhibition of 1851, the profits from which helped to establish the South Kensington museums complex in London. Her marriage to Prince Albert produced nine children between 1840 and 1857. Most of her children married into other Royal families in Europe. Edward VII (born 1841), married Alexandra, daughter of Christian IX of Denmark. Alfred, Duke of Edinburgh and of Saxe-Coburg and Gotha (born 1844) married Marie of Russia. Arthur, Duke of Connaught (born 1850) married Louise Margaret of Prussia. Leopold, Duke of Albany (born 1853) married Helen of Waldeck-Pyrmont. Victoria, Princess Royal (born 1840) married Friedrich III, German Emperor. Alice (born 1843) married Ludwig IV, Grand Duke of Hesse and by Rhine. Helena (born 1846) married Christian of Schleswig-Holstein. Louise (born 1848) married John Campbell, 9th Duke of Argyll. Beatrice (born 1857) married Henry of Battenberg. Victoria bought Osborne House (later presented to the nation by Edward VII) on the Isle of Wight as a family home in 1845, and Albert bought Balmoral in 1852. Victoria was deeply attached to her husband and she sank into depression after he died, aged 42, in 1861. She had lost a devoted husband and her principal trusted adviser in affairs of state. For the rest of her reign she wore black. Until the late 1860s she rarely appeared in public; although she never neglected her official Correspondence, and continued to give audiences to her ministers and official visitors, she was reluctant to resume a full public life. She was persuaded to open Parliament in person in 1866 and 1867, but she was widely criticised for living in seclusion and quite a strong republican movement developed. Seven attempts were made on Victoria's life, between 1840 and 1882 - her courageous attitude towards these attacks greatly strengthened her popularity. With time, the private urgings of her family and the flattering attention of Benjamin Disraeli, Prime Minister in 1868 and from 1874 to 1880, the Queen gradually resumed her public duties. In foreign policy, the Queen's influence during the middle years of her reign was generally used to support peace and reconciliation. In 1864, Victoria pressed her ministers not to intervene in the Prussia-Denmark war, and her letter to the German Emperor (whose son had married her daughter) in 1875 helped to avert a second Franco-German war. On the Eastern Question in the 1870s - the issue of Britain's policy towards the declining Turkish Empire in Europe - Victoria (unlike Gladstone) believed that Britain, while pressing for necessary reforms, ought to uphold Turkish hegemony as a bulwark of stability against Russia, and maintain bi-partisanship at a time when Britain could be involved in war. Victoria's popularity grew with the increasing imperial sentiment from the 1870s onwards. After the Indian Mutiny of 1857, the government of India was transferred from the East India Company to the Crown, with the position of Governor-General upgraded to Viceroy, and in 1877 Victoria became Empress of India under the Royal Titles Act passed by Disraeli's government. During Victoria's long reign, direct political power moved away from the sovereign. A series of Acts broadened the social and economic base of the electorate. These acts included the Second Reform Act of 1867; the introduction of the secret ballot in 1872, which made it impossible to pressurise voters by bribery or intimidation; and the Representation of the Peoples Act of 1884 - all householders and lodgers in accommodation worth at least £10 a year, and occupiers of land worth £10 a year, were entitled to vote. Despite this decline in the Sovereign's power, Victoria showed that a monarch who had a high level of prestige and who was prepared to master the details of political life could exert an important influence. This was demonstrated by her mediation between the Commons and the Lords, during the acrimonious passing of the Irish Church Disestablishment Act of 1869 and the 1884 Reform Act. It was during Victoria's reign that the modern idea of the constitutional monarch, whose role was to remain above political parties, began to evolve. But Victoria herself was not always non-partisan and she took the opportunity to give her opinions, sometimes very forcefully, in private. After the Second Reform Act of 1867, and the growth of the two-party (Liberal and Conservative) system, the Queen's room for manoeuvre decreased. Her freedom to choose which individual should occupy the premiership was increasingly restricted. In 1880, she tried, unsuccessfully, to stop William Gladstone - whom she disliked as much as she admired Disraeli and whose policies she distrusted - from becoming Prime Minister. She much preferred the Marquess of Hartington, another statesman from the Liberal party which had just won the general election. She did not get her way. She was a very strong supporter of the Empire, which brought her closer both to Disraeli and to the Marquess of Salisbury, her last Prime Minister. Although conservative in some respects - like many at the time she opposed giving women the vote - on social issues, she tended to favour measures to improve the lot of the poor, such as the Royal Commission on housing. She also supported many charities involved in education, hospitals and other areas. Victoria and her family travelled and were seen on an unprecedented scale, thanks to transport improvements and other technical changes such as the spread of newspapers and the invention of photography. Victoria was the first reigning monarch to use trains - she made her first train journey in 1842. In her later years, she became the symbol of the British Empire. Both the Golden (1887) and the Diamond (1897) Jubilees, held to celebrate the 50th and 60th anniversaries of the Queen's accession, were marked with great displays and public ceremonies. On both occasions, Colonial Conferences attended by the Prime Ministers of the self-governing colonies were held. Despite her advanced age, Victoria continued her duties to the end - including an official visit to Dublin in 1900. The Boer War in South Africa overshadowed the end of her reign. As in the Crimean War nearly half a century earlier, Victoria reviewed her troops and visited hospitals; she remained undaunted by British reverses during the campaign: 'We are not interested in the possibilities of defeat; they do not exist.' Victoria died at Osborne House on the Isle of Wight, on 22 January 1901 after a reign which lasted almost 64 years, then the longest in British history. Her son, Edward VII succeeded her. She was buried at Windsor beside Prince Albert, in the Frogmore Royal Mausoleum, which she had built for their final resting place. Above the Mausoleum door are inscribed Victoria's words: "Farewell best beloved, here, at last, I shall rest with thee, with thee in Christ I shall rise again." Source: https://www.royal.uk/queen-victoria This picture captures Queen Victoria in her later years. It may well have been painted to commemorate her Golden Anniversary in 1887, or her Diamond Anniversary in 1897.Picture, print, reproduction of a drawing or photograph of Queen Victoria. She is wearing a dark-coloured dress, white headdress and a diamond necklace and earrings. On her left shoulder is the Royal Order of Victoria and Albert, awarded to female members of the British Royal Family and female courtiers. There are four grades or classes of this Royal Order as well as the Sovereign's Badge, which is exclusive to her. Also across her left shoulder, is a blue riband representing the Order of the Garter. The picture is in a medium-coloured timber frame with a white string across the width at the rear. The label says it was framed by Hoy Art, Warrnambool. The signature of the Queen is on the picture but is not obvious since the picture has been re-framed."HOY ART / PICTURE FRAMING / 48 Kepler St, Warrnambool 3280 / Phone (055) 62 8022" Signature (hidden by new framing) "Victoria H.R.S."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, picture of queen victoria, queen victoria, the royal order of victoria and albert, the order of the garter, hoy art

George Houghton established his camera business in London in the 19th Century and sold cameras all over the world.This camera would have been used by a professional photographer in the early 20th Century. It was British made and used extensively in Australia. This camera has no known local provenance but is retained as an interesting example of early photography in 20th Century Australia.This is a folding camera for professional use. It has a concertina mechanism that folds back into a leather case. The lens board can be tilted and the lenses can be changed. The case has a leather handle. The name of the maker is inserted into the case. The case is somewhat rubbed. ENSIGN Made by Houghtons Ltd. London British Made ENSIGNhoughton camera, early 20th century cameras, warrnambool

This camera was manufactured for a period of around 20 years, firstly in the USA and later in Great Britain. It is a simple to use basic model which used 127 film.This camera has significance as a very popular and cheaply made model which made photography accessible and relatively inexpensive to many..1 This camera is a rectangular hexagon shape with metal top and bottom and bakelite body. It has two circular winders on the bottom and a flip up section on the top which reveals the viewfinder.. There is a narrow neck strap attached with metal screws. There are two circular sections on the front , one being the lens. .2 The rectangular box is solid black cardboard on the base and is fitted with a yellow .1 Brownie Reflex Made in England by Kodak Ltd London. .2 Made in Great Britain by Kodak Limited London Brownie Reflex with Flash contacts.brownie reflex camera, warrnambool history

Henry Sutton was born in Ballarat into the musical Sutton Family. He is known as an important Australian inventor. Photograph of Hertford Lock. lockkeepers house. A lock is a device used for raising and lowering boats, ships and other watercraft between stretches of water of different levels on river and canal waterways. Hertford Lock is situated on the River Lea on the eastern side of Hartham Common, Hertford in the English county of Hertfordshire. It is owned and managed by British Waterways and is the first lock of the River Lee Navigation.henry sutton, glass plates, photography, swans

Henry Sutton is a talented world-wide accepted inventor with inventions relating to the telephone, photography, wireless, cars, motorcycles, and bicycles as well as many more inventions. Henry was also one of four brothers that ran the Sutton's Music Store after the death of their Father Richard Sutton. Henry Sutton taught Applied Electricity at the Ballarat School of Mines in 1883 to 1886.1 x large envelope and 6 x small envelopes with Henry Sutton hand written on them as well as USA list of countries and states including Vict. Gr Bn, N.S.W, France and USA and number 18henry sutton, patents, edward waters and son, usa, france, victoria, nsw, great britain

A copy of an early black and white photograph of Murchison Street in Marysville in Victoria taken by Nicholas John Caire.A copy of an early black and white photograph of Murchison Street in Marysville in Victoria taken by Nicholas John Caire. Murchison Street was named for Roderick Impey Murchison who was one of the most distinguished geologists of the 19th century. His liberality and social position plus the pride he took in his science were of immense value in furthering the cause of learning in Britain. Nicholas John Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 Nicholas John Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies, and the mountains of south-eastern Victoria. LES HARSANT/ HEALESVILLE Entrance to Marysville/ from Nicholas Caire photo - c.1880-84 See Pitkethly, N.J. Caire, Landscape Photographer Pithkethly, Rosanna, Vic. 1988; plate 17murchison street, marysville, victoria, nicholas john caire, roderick impey murchison, geology, geologist

All photos relate to the collection of Francis William (Dinky) DEAN BEM, VX93960 2nd AIF, 3742 1 RAR, 1943 - 1975. Refer Cat No 124.2 for his service history. (.1) The soldier receiving the award is Frank Dean, going by the medals he is wearing this is pre Vietnam service, possibly in Malaya 1959/61. (.2) Frank Dean on the right. (.3 .4) Frank is 2nd from the left. (.5) Frank is 4th from the left. Photo is post Vietnam, possibly Malaya 1969 - 71. (.6) The RSM centre is wearing Vietnam ribbons. This is possibly Malaya, 25 years of 1 RAR. (.7 - .10) Frank is on the left, the Officer appears to be British, most likely Malaya 1969 - 71. All photos are B & W. (.1) Soldier being decorated by a Dignitory in civilian clothes. (.2) An Officer and soldier in conversation. (.3 .4) Group of 5 soldiers viewing an event. (.5) Group of 7Officers/NCO’s and 2 civilians toasting in a Mess. (.6) Two Officers and an RSM cutting a cake in a Mess. (.7 - .10) An Officer and a senior NCO taking a salute at a parade. All the same photo.photography, military, malaya

“FARELF” Far East Land Forces (Malaya) “BCFK” British Commonwealth Force Korea. All photos relate to the collection of Francis William (Dinky) DEAN BEM, VX93960 2nd AIF, 3742 1 RAR 1943 - 1975. Refer Cat No 124.2 for his service history.All photos are B & W. (.1 - .4) Three soldiers sitting at a table with one standing looking over. (.5) Soldier throwing water over himself. (.6) Soldier kneeling with an Owen gun aimed. (.7) Soldier cleaning a weapon. (.8) Two soldiers looking out through an aeroplane door. (.9) Soldier, no shirt on aiming a pistol. (.10) Soldier with a dart or rod in his mouth. (.11) Soldier kneeling aiming what appears to be a shotgun. (.12) Soldier inspecting the bar real of an Owen gun. (.13) Soldier inspecting a pistol. (.14 - .15) Two Nurses talking to two soldiers. (.16) Large group of soldiers on the deck of a ship.(.1 - .15) On rear stamped in purple. “Public relations Australian Army Force GHQ FARELF, GUN ....... MC” After GUN on each photo is an individual number. (.16) On rear stamped in purple. “Photo No, please credit to Public relations HQ BCFK” In pencil. “2961”photography, military, korea, malaya

British Lancaster Bomber releasing bombs over a target. EAW is marked on the side of the bomber . Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Black / white aerial photo of a British aircraft flying over land partly covered by cloud. A stick of bombs released by the aircraft is visible.On back - Handwritten in blue ink: Stick of bombs going down Stamped: Crown copyright reservedphotography, lancaster, raaf

Item in the collection of Reginald Charles Allardice No 418557 RAAF. Refer Cat No 3627.5 for his service details.Aerial B & W photo of a Sunderland Flying Boat over land. On the rear a paper is pasted to with typed writing in purple.On rear, “ BRITISH OFFICIAL PHOTOGRAPH, No CH 3210 Air Ministry photograph - crown copyright reserved. On patrol, a short Sunderland Flying Boat of the RAF Coastal Command sets out on a patrol. This particular aircraft is flown by the RAAF Squadron operating with Coastal Command The Sqd is on the 9,000 hours flying mark during its 16 months operating duty in this country”photography, sunderlands, military

Black & white photo in brown wooden frame with gold inner edge & glass front, white backing with wire hanging strap. Photo of 300th Co Army Service Corps (late 9th Australian Company). All personnel in full uniform with vehicles in background, Australian flag in centre.Bottom of photo: “300th Army Service Corps (late 9th Australian ASC). DSCM Mobilized for European War. June 1915”photography-photographs, frame accessories, 300th, passchendaele barracks trust

Framed copy of a montage of photos from " The Battle of Britain September 1940" In the centre are 4 old men standing in front of a Spitfire. White print over centre, black print below montage with Names of RAAF Aircrew that partook in the battle. Published by RAAF. Pt Cook. Frame - light timber slightly mottled effect with decorative edge, glass front.photography-photographs, frame accessories; trades - carpentry; military history - airforce, history, airforce, ww2

This is possibly a British Flying Corp unit.Photo, black & white, showing a WW1 Flying Corp Officer standing. He is wearing a Sam Browne belt, lace up knee boots and a peaked cap.photography-photographs, military history - air force, afc, passchendaele barracks trust

Daily Mail Official War Pictured, Series 2, No 10. Scenes WWI in Europe.Four by colour enhanced postcards with scenes WW1..1) “RAMC picking up wounded in a captured village” .2) “A fag after a fight” .3) “British mine exploding at Beaumont-Hamel” .4) “British Machine Gunners wearing gas helmets”photography-photographs, military history, passchendaele barracks trust

Daily Mail Battle Pictures, Series VII.Seven black & white postcards of aspects of the Great War..1) The glorious first of July 1916 - Our first prisoners, SVII No 49. .2) Star shell bursting near British lines, SVII No 51. .3) Army Chaplain tending British graves, SVII No 52. .4) The Fighting Fifth (Northumberland Fusiliers) after the Battle of St Eloi, SVII No 52. .5) Tommy's lookout in a captured trench at Orvillers, SVII No 52. .6) London Scottish going into their trenches,m SVII No 55. .7) Sir D Haig introducing Sir Pertab Singh to Generall Joffre, SV11 No 49.photography-photographs, military history, passchendaele barracks trust

Mid brown stained timber frame with glass. Sepia coloured copy of a photo of a naval vessel - destroyer from the side with large area of water in the foreground. Printed label included on photo.Label: “HMAS QUIBERON Member of the 4th Destroyer Flotilla British Eastern Fleet 1943-44”photography-photographs, frame accessories, military history - navy, hmas

A record of British and Foreign decorations awarded to Australian Servicemen in Vietnam for 1962 to 1973.Soft card cover. Title in black print on a red background. Cover illustrated front & back with photos. 154 pages with cut edges. Illustrated with black & white photos.books-military-history, photography, vietnam, distinguished

See also 2606, 2607, 2608.3. .1) Medals awarded to ARTHUR EBDON. .2) Photograph of a painting of ARTHUR EBDON who enlisted in the AIF in July 1915. He was a Lance Corporal Signaller in 57th Battalion, 5th Division before transferring to 15th Field Company of Engineers, 5th Division. Portrait was painted by Mary Wheeler and entered in the Archibald Prize..1) Photograph attached to maroon card displaying 3 medals. French Legion of Honour, British War Medal, Victory Medal. .2) Photograph of a painting of a seated man who is the recipient of the medals.photography-photographs, military history - army, passchendaele barracks trust

Person in the photo is Charlie in his Rifle Volunteer Uniform Highlands Light Infantry. He wore this uniform as a guard at the Opening of the Glasgow International Exhibition 7.5.1888.Photograph. sepia tone, soldier, British standing by an ornamental rock. Photograph is on a cardboard backing with an ornate rear backing with details re the manufacturer. A letter has been written over in black pen. photography-photographs, military history - army

Hard cover book, buckram material, 304 pages, black & white photos. Top 1/3rd has additional painting of charging trench soldiers. Centre 1/3rd has black background with white ink. Bottom 1/3rd has black & white photo of walking wounded British & German soldiers.books - albums - military, photography-photographs

From FRANK BARNES (AIF 4156) to UNA FRANKLING of Harcourt. Possibly photographs from all British Empire nations. Refer Cat no 2380 for details re Frank Barnes.Rectangular sheet of 50 black & white photographs.documents - magazines, photography-photographs, military history