Faded, sepia portrait of a couple. The lady is seated. She is holding a large handkerchief in her hand. She is wearing a long dress, mutton sleeves and a bonnet. The man is standing. He is wearing a three piece suit with a long coat. No information on the photo.photograph, portrait, couple, portrait of a couple

Small portrait of a couple. The lady is sitting on a chair and the man is standing beside it with his right hand resting on the back. He is wearing a three piece suit with a long jacket, watch chain and bowtie. The lady is wearing a long, high neck voluminous dress with a white collar.John Burton & Sons Artist and Photographers, Leicester, Derby, Birmingham and Burton Upon Trentphotograph, portrait, couple, portrait of a couple

Small portrait of a couple. The man is seated on a chair and the lady is standing beside him. She is wearing a long dress which has decorative pleats and white edge at the hem and bodice. The man is wearing a three piece suit with a watch chain. The jacket has a single button at the neckline. Photographer's name and address printed in pink on the back.Bent at Batchelder's, Centre of Pall Mall, Sandhurstphotograph, portrait, couple, portrait of a couple, bent at batchelder's

Small, three quarter length portrait of a couple. The lady is wearing a long dress with embroidery and a long lace collar. The man is wearing a three piece suit? With a darker jacket. The lady is standing on his right with her arm through his. The photographer's name and a border are printed in gold on the front. The photographer's name is also printed in brown on the back.St. Georges Hall Photo Compy, Bourke St. E, Melbournephotograph, portrait, couple, portrait of a couple, st george photo compy

Small portrait of a couple. The lady is seated on a chair with her right arm resting on a table and the man is standing beside her with his right arm resting on the back of her chair. He is wearing a three piece suit. The jacket only has one button at the neck. There is a small amount of blue at his neck. The lady's dress is long and has embroidery on the bodice. It also has buttons down the front.Chevalier, Pall Mall, Sandhurst. Branch Establishment, High Street. Eaglehawk.photograph, portrait, couple, portrait of a couple

Small portrait of a couple. The man is seated on a chair with a book in his right hand. He is wearing a three piece suit which has striped trousers. He is also wearing a watch chain. The lady is standing beside him and has her left hand on his shoulder. She is wearing a long, high neck dress with a brooch at the neckline. Photographer's name and address printed on the back in red with decorative border. Frewer & Evans, Printers, 97 Newgate St., London.O. Woodcock, Top Gilesgate, Durhamphotograph, portrait, couple, portrait of a couple, o woodcock, frewer & evans

Wedding photograph of Sophie THOMPSON (1880 - 1950) and Henry William TUCKER in 1912. From the collection of Emma NIGHTINGALE. Sophie's brother William also sent a wedding photograph to Emma NIGHTINGALEThompson Collection, NightingaleSepia photograph mounted on brown card Studio portrait of young coupleManufacturer's mark on front of card: Pearce and Fullwood, Photographers, 238 Sydney Road, Brunswick, opposite Town Hallthompson collection, nightingale, tucker

A portrait of a couple with the female standing and the male seated identified as Elizabeth and John Wilson. A b/w photo.Handwritten on back: PHOTO OF ELIZABETH AND JOHN ANDREW WILSON / b 1862 Sunbury bn 2 May 1861 Ballan, Vic / married 10th April 1882 SUNBURY / d 19 OCT 1937 Coburg d 17 AUG 1898 MELB HOSP. BURIED MELBOURNE GEN. CEMETERY / (Elizabeth) BURIED FAWKER CEMETERY / THEIR CHILDREN WILLIAM JOHN ANDREW WILSON B 1883 ELIZABETH FLORENCE SELINA WILSON B 1885 SUNBURY MAUD EDITH WILSON B 1887 SARAH MABEL LOUISE WILSON B 1890 ELIZABETH'S PARENTS WERE: WILLIAM JOSEPH DONELLY AND ELIZABETH nee CLARK married 1852 BRAMPTON, ENGLANDwilson, elizabeth (mrs), john andrew, weddings, sunbury, william john, elizabeth florence selina, maud edith, sarah mabel louise, donelly, william joseph, clark, elizabeth (miss), andrew, mcdaid, sarah (miss), sarah (mrs), george evans collection

Formal photograph of the wedding of Daisy Rowse and Hubert Jeeves 1926.Sepia studio portrait of wedding couple standing. Bride carrying large bunch of flowers and groom carrying white gloves. hubert jeeves, daisy rowse, wedding

W. O. Lewers (William Ochiltree Lewers, 1867-1943) was a son of Samuel Lewers, the first bank manager in Linton. In 1910 he married Caroline Murrell, a daughter of Ambrose and Mary Murrell. They had two sons, William (born 1910) and Samuel (born 1911).Enlarged black and white copy of original photograph which has been mounted on card. Family portrait of a couple and their two sons.w. o. lewers, william ochiltree lewers, caroline lewers née murrell, william lewers (born 1910), samuel lewers (born 1911)

unknown professional wedding portrait of young couplepart of the Thompson collectionB/W photograph of couple in wedding attire on dark brown card - bevelled edgeno inscription with the exception of the photographers companyyoung married couple thompson collection

David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Lily initially lived in East Melbourne after they married. Dave walked across the gardens to work at the MCG. He never drove or owned a car. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. Electoral roll details: 1919 1922 24 Louise Avenue, Mont Albert 1924 20 Barton Street, Mont Albert Dave Mair was a very keen sportsman. This is part of a large donation of material from the Deakin, Mair and Young families. The Deakin, Mair and Young families had many connections with Mont Albert and Surrey Hills.A coloured photocopy of a couple identified as Lily Vipond Deakin and David Miller Mair. The original is a studio portrait of a couple behind a balustrade decorated with swags of flowers. She is wearing a hat with a large brim. He is holding a straw boater hat.On rear in grey lead pencil: "Lily Vipond (nee Deakin) / and Dave Millar Mair / 1909 (all underlined) / They were married / on 5.5.1910". david miller mair, dave mair, lily vipond mair, lily vipond deakin

B/W Portrait of a couple. Man Standing 3 Piece Suit with fob watch and Coursage. Hair Parted, short moustache. Arm Resting on Stand other arm behind Woman. woman Seated. Short curly hair. Formal Dress, holding a folded object. Potted Plant front Left Studio Portrait. john mason & annie campbell

Came with 7190 Small portrait. Possibly daughter of couple 5.5cm x 4cm with 1896 on backPortrait photo of young lady in dark dress and high collar. Leaning on pillow. came with 71901896 on backmagdala, kinsella

The couple from this photo has gone through great hardship in the period they spent as refugees. They fled Southern Vietnam (Ca Mau) after the Vietnam War in late 1979 when the chinese have invaded and settled in Vietnam. They came on the #91 boat called Minh Hai 375 and arrived at the island on 10/22/1978. Prior to that they were ambushed by pirates who tried to rob, rape and completely take advantage of the vulnerable state the refugee people in. They recall having to purposely sink the boat so that they can be allowed into the country.This photo is great evidence to the family value Vietnamese refugees hold in the period of the period of fleeing the poor conditions that exists back in their country. People put their life online just to HOPE for a better life. Family portrait of a couple and first born child (son) in front of what look like their home at the time. This was taken at 1979 on the island called Pulau Bidong. It's a photo which has been laminated onto a light blue backing paper. The photo's corner has also been rounded with hand written label stating; 'Pulau - Bidong 1979' pulau - bidong 1977

From Chapman family album. Children's photographer not known but meant to be a set. Sepia Formal Studio Portrait of married couple if front of a background of a waiving tree. Wife holding husbands elbow. Husband is bearded in a three piece suit. Wife wearing a dress and overtop. Individual busts of children. -1 Mary -2 Jane (Mrs Hansen) -3 Kate -4 Lizzie -5 Small Child -6 10 to 11 year old childOn Reverse With our compliments from Mr and Mrs McCracken

Couple married about 1866 7190-1 Small portrait of possibly daughter of couple 5.5cm x 4cm with 1896 on backPhoto is on white milk glass backing. Man Seated & wife standing in long dress with ruffled collar.magdala, kinsella

From the Chapman family photograph albumPhoto on card backing. Studio portrait of couple, in front of photographers drape background. Gentleman has a moustache and is in a three piece suite with large tie, corsage. Woman is in white dress and collar with puff sleeves, waist with white tie. Woman is resting her hand on husband from behind. Her other arm is resting on table with fern. Uncle John and Auntie Clara Henderson. Stawell Photographic Co. Close Railway Station, C Herbert.

1. B & W portrait of an Australian Soldier standing to attention. At his side, he has a leather bandolier. He is wearing a slouch hat with emu feathers. He has leather leggings. His rifle appears to be a long Lee Enfield. 2. Portrait of 2 diggers super-imposed on map of Australia. Behind them are the British and Australian flags. 3.Portrait of a couple. The soldier is standing, the young lady is seated on a wooden chair. The man is in uniform, hat in hand. The lady has a long dark dress, long sleeves. She has a ring on her left hand. They both have a small light object in the centre of their chests. 4. Group Portrait (B & W) of hospitalised soldiers. They are in front of a building and door. There are 8 men in pix.1. On the rear is a small stamp "Kodak Print". 2. Front shows for the Honor of both. Victoria, A.J.E.F. 1915 on the rear is written Lin Shelton (RUN/RUP) Pearson. 3. On the rear is written in pencil "Nellie Curry". 4. On back is "Tom".passchendaele barracks trust, photographs, ww1, pearson

Studio portrait of an unknown young couple. The lady is wearing a dark dress with ruffles and a decorated hat, she has droop style ear rings. The gentleman is wearing a dark suit and has a handlebar moustache. They are seated on a bale of hay or similar. Written on the reverse is S. Solomon School of Photography 51 Rundle St. AdelaideS. Solomon, Adelaideperson, group, couple, s. solomon

Jean Stirling , born 1901 in Orbost, married Charles Frances Reginald Joyes on 15th July 1922 in Orbost. Jean's father was John Stirling, son of James Stirling and Ann Gray. Her mother was Robina Harvey McNair, Aged 19 James Stirling arrived in Melbourne on January 26, 1842 with his family - parents, three sisters and two brothers. James Stirling moved around a lot to Whittlesea, Ballarat goldfields, Cunninghame, (now Lakes Entrance), then to the Old Station about 36 miles to the east along the coast near the mouth of the Snowy River and for a time settled there with his wife also from Wigton, Scotland, and their family four sons two daughters (James, John, William, George, Margaret and Polly). The first settler to occupy the Marlo township area was James Stirling around the year 1875. He built a bark hut on the bluff that had two rooms, bark walls, earthen floors and a shingle roof. By 1884, this structure had expanded to a 9 roomed accommodation house and in 1886 became the Marlo Hotel when a liquor license was granted. (more information from “Snowy River Mail”, Wednesday, April 13th 1977: MEMORIES OF MARLO by Mrs Elsbeth Conlon (nee Stirling )This photograph is associated with the Stirling family early settlers of Marlo. It is also a pictorial record of styles of wedding dress popular in the 1920s.A black / white studio portrait / photograph of a bridal couple. The bride on the left is wearing a typical 1920s wedding dress. tTe front is short with a hem that is in different length in front than behind. She is wearing a hat in the cloche-style. She is holding a bouquet of flowers and her train is draped to the left. The groom is wearing a three piece morning suit. he has a with a wingtip collar white dress shirt and a cravat tie.on front - hand - written "Jean Stirling's wedding (Marlo) ? Joyce"stirling-jean-wedding melba-&co wedding-clothing-1920s joyes-charles-francis-reginald

Dudley Charles Seymour Courtney , with a fellow worker, was trapped on the Orbost Raailwaay Station roof until rescued by an army duck. These photographs were his. He worked on the railway in Orbost from 1942 - 1952 approximately. During the 1952 flood nearly half of Orbost rail way station is washed away. The stationmaster and four members of his staff were rescued by police using army ducks.This is a pictorial record of a significant event in the history of Orbost.Nine small black / white photographs of a derailed train at a railway station. Derailed trucks and floodwaters can be seen. The photographs have a narrow white frame. Some are portrait and others landscape.on back of 3082.8 - hand-written in blue pen :"The floods worked the line from under the trucks in a couple of hours"floods-orbost orbost-railway-station rescue courtney-dudley-charles-seymour

Vol. 2, No. 1, Feb-Mar 1997 CONTENTS MEDALS AND MODERNISM A retrospective look at the cultural impact of the Melbourne Olympics 3 CD REVIEWS 6 NEW HORIZONS Judy Jacques takes a new direction 6 LA MAMA 30 YEARS ON Liz Jones at the helm 10 PAST AS POST CUBISM Annita Furey on Heather Shim men 14 GRAPE GRAZING FESTIVAL Food, wine and music in the Yarra Valley 16 SHORT STORY Fantasia on a cup of coffee 18 WHAT'S ON A round-up of events for February 22 WHO'S TEACHING WHAT Classes in the region 24 FRANCES DUFFY RETROSPECTIVE An artist who extended the boundaries of tonalism 26 ANDY WARHOL AND THE CAN OF SOUP More than 15 minutes of fame 27 A ‘DUTCH’ FESTIVAL COMES TO ST ANDREWS 28 LISTINGS Artists, performers and galleries 29 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) 1956 melbourne olympics, 1956 olympics, 1995 eltham arts ball, a.d. (archie) colquoun, abu baku, adams of north riding, afandi siyo, albert namatjira, alice (1956), andy warhol, annita furey, anthony dymke, art streams magazine, ballarat school of mines, bathing in the dark, bob sedergren, bob valentine, bourbo's belly, brian brown quntet, bulleen art & garden centre, cafe margot, charles blackman, christine edwards, circushead, clifton pugh, cottlesbridge, council amalgamation, cuddlefish, dave pithouse, david lord, david tolley, dawn sime, dione mcintyre, dixon's creek, edward grigoryan, eltham college concert band, eltham wiregrass gallery, erika mcgilchrist, fergusson winery, food for all seasons, frances duffy, fred williams, frenzi, geoff achison, geoff mainwaring, graeme bell, grape grazing festival, half caste child, heather shimmen, hoodangers, isobel lindsay, james wakeling, janette geri, john brack, john mcall, john murphy, jordie albiston, judy jacques, kath mckinnon, katherine's silly women, kelly 1956, ken harrison, kevin borland, kim harriss quartet, la mama theatre, lauurie dawes, leonard french, lighthouse, liz jones, lloyd jones, lothlorien, lovegroves, lovey's estate, luxum, maelstrom, max meldrum, may grigg, michelle nicolle, mighty servant, mirka mora, miss suzannah espie, moma, montsalvat jazz festival, moonee valley drifters, moonlight shadow, museum of modern art at heide, mystery train, the melbourne jazz band, nicole eveleigh, nigel shipley, olympomania, peter mcintyre, phyllis murphy, pip avent, portrait of georges mora (1956), ray horsfield, red shed theatre company, reed's gallery, richardson house (1955), river house (1955), robin boyd, sandro donatti, secret of the west wind, seville, shantell vineyard, shedlevellers bush band, shirley bourne, sigmund jorgensen, sir william dargie, soul sister swing, sydney nolan, that handsome couple, the band who knew too much, the broken fence (1956), the gusset rustlers, the rhonda movement, the russian gypsey jazz quartet, three amigos, victorian artists supplies, warburton, wholefood delights, yarra valley grape grazing festival, yellow dog jazz band, yering station, art streams

Photo of a portrait by Kim Tarpey of Tracey Naughton. Tracey was Eltham’s first Community Arts Officer. Kim coordinated a couple of drawing groups at the North Riding Living and Learning Centre. This organisation eventually metamorphosed into Living and Learning Nillumbik (Panton Hill). Tracey sat for the portrait group. The work was exhibited at the Community Centre in an exhibition organised for the Eltham Festival. Unfortunately the work went missing later down the track when on loan to an art centre and has not been recovered. Kim Tarpey advised "Tracey Naughton sat for my portrait drawing group at Panton Hill. She had a watch with a print of the Mona Lisa on the dial - so I named it the 'Tracey-Lisa.' The colour of her hair is distorted as it was photographed through glass"Digital file only - scanned from personal photos on loan to EDHSart, community arts officer, eltham community centre, eltham festival, kim tarpey, living and learning nillumbik (panton hill), north riding living and learning centre, portrait of tracey naughton, shire of eltham, tracey naughton

The pair of photographs of Mr Henry and Mrs Mary Jane Giles was made by the International Art Company, the price was 30 shillings and the choice of frame was Rosewood. It is part of the Giles Collection, which also includes a photograph of the couple's daughter Christina Giles, who died in 1899 aged seven years. There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.This photograph is locally significant due to its association with a local pioneering family. The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation. The photograph itself is of added significance as we can see the faces of the family whose lives the collection represents . This photograph is a portrait mounted in an oval rosewood frame, one of a pair. This photograph is Henry Giles, dressed formally and showing a moustache and side-burns. The couple in the pair of photographs is Mr and Mrs Giles of Woodford, Victoria. The photographic studio was the International Art Company. It is part of the Giles Collection.Inscription on back of frame "International Art Company 30/-" "Rosewood"warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, photograph late 1800s, oval wooden frame, portrait, mrs mary jane giles of woodford victoria, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century personal effects, mary giles, christine giles

The man is possibly a ship master or captain and the photo of the couple depicts also his wife. Studio photographic portrait of two people: female standing dressed in black? formal attire, arm leaning on seated male also formally dressed in 3 piece suit with watch chain and bowler hat.skipper, captain, ship master

David Medhurst (1855-1939) and wife Martha Ruston Medhurst (1860-1943). This studio portrait (date unknown) shows them as a middle aged couple.Pioneer family of Greensborough.Black and white studio portrait, man standing holding a small piece of paper, woman seated. Open book on small table at her right hand.On back: 'Mr and Mrs Medhurst who did much to help Greensborough. Mrs Medhurst born in Greensboro'. Also later additions of dates of birth and death and connections with descendants.medhurst family, partington family, martha medhurst, david medhurst

This 1920s wedding portrait helps understand the social and spiritual contexts of the Ararat community at a time when religious ceremonies were of great significance. The clothing helps identify the status of the couple and reflects their economic standing.Representative of the early social and spiritual Western ceremonies in the area of Ararat in the 1900sLarge, portrait-orientation black and white photograph mounted on card. Two people, dressed in formal wedding attire stand together in a studio. Bride carries a large boquet of flowers and has a ¾ length veil.Rear: "To Uncle Jim with best wishes / from Tom and Daisy / 11 2 20" / 1627 [cat.nbr]wedding, ceremony, photography, 1920s

Aunt Emma is Emma Nightingale (1859 - 1949) Albert John (Jack) Bedggood was son of Emma's sister Ester Ruth (1872 - 1952). Jack and Winnie were married at Box Hill on 9/8/1928Thompson CollectionB/W photograph on grey board of couple in 1920's (wedding portrait)Inscription on Back: To dear Aunt Emma with love from Jack and Winnie Markers Mark: Burlinston Melbourne thompson, nightingale, bedgood

Studio portrait of wedding partyB/W photograph on grey mount. Wedding couple with groom, bridesmaid and flower girlNonethompson collection, nightingale