Black and white Ceramics with three photography students at a pottery wheel in the Ballarat School of Mines M.B. John Building. The student in the centre is John McLaughlin.ceramics, pottery, ballarat school of mines, pottery wheel, john mclaughlin

Jan Feder studied Ceramics at the Gippsland Centre for Art and Design. After her untimely death the staff and students created a memorial ceramics collection in her honour. Black and white photographic portrait of Jan sitting at a pottery wheel throwing a pot.jan feder, jan feder memorial ceramics collection, jan lorraine feder, alumni

Ceramics was taught at the Ballarat School of Mines Technical Art School. Three students at work at the Ballarat School of Mines Ceramics Studio. Two work on the pottery wheel while the third wedges clay, and makes balls of clay in preparation for throwing on the wheel. The person on the left hand side is Chinese born Raymond Hsu.ballarat school of mines, wilson, ballarat technical art school, ceramics, pottery, pottery wheel, raymond hsu, alumni, international students, sculpture, 3d, visual arts

Ceramic tumber thrown on the pottery wheel, with a turned base.ballarat technical art school, ceramics, judy gay

Ceramics studio at the Ballarat School of Mines campusballarat school of mines, ceramics, pottery wheel, visual arts

Lecturer John Crump watches two students working on a pot on a pottery wheel at the Ballarat Teachers' College, Gillies Streetballarat teachers' college, ceramics, pottery, crump, john crump

Australian Studio CeramicsWheel thrown bowl decorated with glazes. Artist unknown.ceramics, bowl

.1) Ceramics lecturer Neville Bunning with a group of Ceramics students at the Ballarat Technical Art School, a division of the Ballarat School of Mines. .2) Ceramics students on the pottery wheel.neville bunning, ceramics, ballarat school of mines, ballarat technical art school

Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pottery girl seated nursing doll. White.pottery

Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pottery bowl with lid and handles with flowers under lid. White.pottery, bowls

Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Two small pottery vases with floral relief design. White.pottery, vases

Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pottery bowl with lid - grape ornamentation. White.pottery, bowls

Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pottery vase with rose buds. White.clay, vases

Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pottery jug with matt glaze. White.pottery

Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pottery bowl with handles and flowers at base. White.pottery, bowls

Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pottery deer resting and sitting down. White.pottery, deer

Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pair of two pottery rabbits joined - eating a leaf. White.pottery, rabbits

Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Two small pottery vases - glazed. One green with cream flowers. One white with coloured flowers.pottery, vases

Human beings appear to have been making their own ceramics for at least 26,000 years, subjecting clay and silica to intense heat to fuse and form ceramic materials. The earliest found so far were in southern central Europe and were sculpted figures, not dishes. The earliest known pottery was made by mixing animal products with clay and baked in kilns at up to 800°C. While actual pottery fragments have been found up to 19,000 years old, it was not until about ten thousand years later that regular pottery became common. An early people that spread across much of Europe is named after its use of pottery, the Corded Ware culture. These early Indo-European peoples decorated their pottery by wrapping it with rope, while still wet. When the ceramics were fired, the rope burned off but left a decorative pattern of complex grooves on the surface. The invention of the wheel eventually led to the production of smoother, more even pottery using the wheel-forming technique, like the pottery wheel. Early ceramics were porous, absorbing water easily. It became useful for more items with the discovery of glazing techniques, coating pottery with silicon, bone ash, or other materials that could melt and reform into a glassy surface, making a vessel less pervious to water. https://en.wikipedia.org/wiki/CeramicThe discovery and development of ceramics in numerous shapes, form and materials, revolutionised the world.White ceramic container, glazed with single groove around circumference near lipNoneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ceramics

Human beings appear to have been making their own ceramics for at least 26,000 years, subjecting clay and silica to intense heat to fuse and form ceramic materials. The earliest found so far were in southern central Europe and were sculpted figures, not dishes. The earliest known pottery was made by mixing animal products with clay and baked in kilns at up to 800°C. While actual pottery fragments have been found up to 19,000 years old, it was not until about ten thousand years later that regular pottery became common. An early people that spread across much of Europe is named after its use of pottery, the Corded Ware culture. These early Indo-European peoples decorated their pottery by wrapping it with rope, while still wet. When the ceramics were fired, the rope burned off but left a decorative pattern of complex grooves on the surface. The invention of the wheel eventually led to the production of smoother, more even pottery using the wheel-forming technique, like the pottery wheel. Early ceramics were porous, absorbing water easily. It became useful for more items with the discovery of glazing techniques, coating pottery with silicon, bone ash, or other materials that could melt and reform into a glassy surface, making a vessel less pervious to water. https://en.wikipedia.org/wiki/CeramicThe discovery and development of ceramics in numerous shapes, form and materials, revolutionised the world.Plain cream ceramic bowl with flat bottom inside. Shiny glaze fades to flat texture towards base. Possibly hand thrown pottery. No backstamp. Bad crazing and staining.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ceramics

This is an earthenware mug made by Ken Sadler in 1997. In 1972 he established the Potters’s Wheel, a pottery business in Liebig Street, Warrnambool and conducted this business for many years. It is presumed that mugs such as this one would be made to order with the requested name added to the side of the mug. This mug is of interest as a memento of the work and business of the Warrnambool potter, Ken Sadler. This is a ceramic mug with a brown and orange glaze. On one side it has the name ‘Graham’ in white and brown glazing. The name of the maker is on the base. ‘Graham’ ‘Sadler 97 Warrnambool’ ken sadler, potter, history of warrnambool

Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under.

This mug is one of a number of items which were made to celebrate the 150th anniversary of the settlement of Warrnambool. It was made by Ian Sadler at the Potter’s Wheel which operated from 74 Liebig Street Warrnambool from around the 1970’s to around 2010. This item is significant in that it is an item which marks the celebration of the 150th anniversary of the settlement of Warrnambool. It also is a locally made item by The potter’s wheel which was one of few artisan businesses which operated successfully in the latter part of the 20th century.Pottery mug, glazed blue black on the outside grey on the inside .Four indentations in surface of the mug. 150th Anniversary details on front with picture of sailing shipWarrnambool 150th 1847-1997 Anniversary on side of mug. Sadler 97 469/500 Warrnambool written on base.potter's wheel warrnambool, ian sadler potter, warrnambool p[ottery 1997, 150th anniversay warrnambool

Vol. 8, No. 4, Sep-Oct 2003 CONTENTS Short Story by Ian J. Meadows 3 John Jenkins on Jenni Mitchell 7 Clive Dickson interviews Gabrielle Alexander 10 Student Review: Nillumbik Prize 2003 12 Dawn Fitzpatrick: Cloth artist 14 Ros McMillan on Percy Grainger 17 Peter Oysten on the Open Studio Program 18 Book Review 20 Exhibitions 21 Ev Hales on painting the rhythm of life 23 CD Reviews 25 Artin' About 27 Wining & Dining 30 Listings 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, thompsons amcal pharmacy, j. meadows, eltham wiregrass gallery, arts on burgundy, mercers restaurant, john jenkins, sushi wushi eltham, bundoora homestead, jenni mitchell, antarctica, clive dickson, gabrielle alexander, nillumbik prize, jessica wheeler, bahnhof cafe, montsalvat, dawn fitzpatrick, warrandyte cafe, percy grainger, dynamic vegies, eltham fullife pharmacy, nillumbik artists' open studios, neil douglas, heide museum of modern art, kerry kaskamanidis, city of banyule works on paper art award, ev hales, eltham gourmet poultry & game, st andrews hotel, latrobe university, il primo restaurant carlton, bulleen art & garden centre, hurstbridge nursery, northcote pottery, bendigo bank, hurstbridge & districts community bank branch, robert dessaix

Ballarat School of Mines is a predecessor institution of Federation University Australia.Black and white soft covered book with plastic ring type binding, and features an image of a plate being turned on the wheel. The book was prepared for the proposed Certificate of Applied Art: Ceramics at the Ballarat School of Mines. Population statistics for the Central Highlands region in 1981 is given. The book includes a list of Ballarat and District potters, and galleries. Two articles on John Gilbert's Old Ballarat Pottery are attached. The book is planning Document 7.83 ballarat school of mines, ceramics, applied ceramics, brian mclennan, r. mcfarlane, population statistics, old ballarat pottery, john gilbert, old ballarat village, ewan jones, neville french

This bottle was made in Scotland and recovered decades later from a shipwreck along the coast of Victoria. It may have been amongst the ship's cargo, its provisions or amongst a passenger's personal luggage. It is now part of the John Chance collection. Stoneware bottles similar to this one were in common use during the mid-to-late 19th century. They were used to store and transport. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln. Makers often identified their bottles with the impression of a small symbol or adding a colour to the mouth. The manufacturer usually stamped their bottles with their name and logo, and sometimes a message that the bottle remained their property and should be returned to them. The bottles could then be cleaned and refilled. DUNDAS POTTERY WORKS - The Dundas Pottery works were established in 1828 by William Johnstone in partnership with John Forsyth and John Mc Coll. Located where the Forth and Clyde Canal joined the Monkland Canal, North of Glasgow. Johnstone sold the pottery in 1835 to Robert Cochran and James Couper. Mc Coll was retained as manager until 1837when in 1839 Cochran & Couper sold the pottery and purchased the St Rollex Glass Works. George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. Miller's long and careful stewardship of the pottery saw success from the export market which allowed him to purchase the North British pottery in 1867 until 1874 when it was sold. In 1875, Miller, in partnership with John Young, leased part of Caledonian Pottery, naming it Crown Pottery, however, it burned down in 1879. In the early 1880s, Young extended the pottery and named it Milton Pottery. Miller’s son, James W., became a partner in Milton pottery in 1905. James Miller Snr died in 1905 and the company continued as a limited liability company, being sold to the Borax Consolidation Ltd in 1929, but it was unsuccessful and Possil pottery purchased some of the company's equipment before it finally closed in 1932. From 1828 until the James Miller period of circa 1856, the pottery produced salt-glazed stoneware for the local industrial trade; mainly bottles and drain pipes. James Miller produced various bottles, whisky and acid jars, casks, butter crocks, jam jars and domestic wares in Bristol glaze. He streamlined the water filter manufacturing, which had become a specialty of the pottery, and a dedicated section of the pottery was created solely for their production, which was exported worldwide. This stoneware bottle is historically significant for its manufacture and use in the late 19th to the early 20th century. This bottle is historically significant for its connection with the well-known stoneware manufacturers, Dundas Pottery of Glasgow, Scotland. The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle, salt glazed stoneware, beige, sealed with wax, discolouration above base. Inscriptions stamped near base. Stamp: [symbol of concentric ovals], text within the symbol "PORT DUNDAS POTTERY COY." and "GLASGOW". Stamp:[Symbol - square with short vertical line in centre of base line] flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, stoneware, ironstone, pottery, bottle, port dundas pottery, glasgow, john chance, antique bottle, william johnstone

This bottle was made in Scotland and recovered decades later from a shipwreck along the coast of Victoria. It may have been amongst the ship's cargo, its provisions or amongst a passenger's personal luggage. It is now part of the John Chance collection. Stoneware bottles similar to this one were in common use during the mid-to-late 19th century. They were used to store and transport. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln. Makers often identified their bottles with the impression of a small symbol or adding a colour to the mouth. The manufacturer usually stamped their bottles with their name and logo, and sometimes a message that the bottle remained their property and should be returned to them. The bottles could then be cleaned and refilled. DUNDAS POTTERY WORKS - The Dundas Pottery works were established in 1828 by William Johnstone in partnership with John Forsyth and John Mc Coll. Located where the Forth and Clyde Canal joined the Monkland Canal, North of Glasgow. Johnstone sold the pottery in 1835 to Robert Cochran and James Couper. Mc Coll was retained as manager until 1837when in 1839 Cochran & Couper sold the pottery and purchased the St Rollex Glass Works. George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. Miller's long and careful stewardship of the pottery saw success from the export market which allowed him to purchase the North British pottery in 1867 until 1874 when it was sold. In 1875, Miller, in partnership with John Young, leased part of Caledonian Pottery, naming it Crown Pottery, however, it burned down in 1879. In the early 1880s, Young extended the pottery and named it Milton Pottery. Miller’s son, James W., became a partner in Milton pottery in 1905. James Miller Snr died in 1905 and the company continued as a limited liability company, being sold to the Borax Consolidation Ltd in 1929, but it was unsuccessful and Possil pottery purchased some of the company's equipment before it finally closed in 1932. From 1828 until the James Miller period of circa 1856, the pottery produced salt-glazed stoneware for the local industrial trade; mainly bottles and drain pipes. James Miller produced various bottles, whisky and acid jars, casks, butter crocks, jam jars and domestic wares in Bristol glaze. He streamlined the water filter manufacturing, which had become a speciality of the pottery, and a dedicated section of the pottery was created solely for their production, which was exported worldwide. This stoneware bottle is historically significant for its manufacture and use in the late 19th to the early 20th century. This bottle is historically significant for its connection with the well-known stoneware manufacturers, Dundas Pottery of Glasgow, Scotland. The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, salt glazed stoneware, beige, sealed with wax, some discolouration above base. Inscription stamped near base..Stamp: [symbol of concentric ovals], text within the symbol "PORT DUNDAS POTTERY COY." and "GLASGOW". Stamp:[Symbol - square with short vertical line in centre of base line]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, shipwreck artefact, stoneware, ironstone, pottery, bottle, port dundas pottery, glasgow, antique bottle, william johnstone