An early steel engraving print of Marysville in Victoria.An early steel engraving print of Marysville in Victoria by Nicholas Chevalier. Nicholas Chevalier, born in 1828, was a Russian-born artist who worked in Australia and New Zealand. In 1851 Chevalier moved to London and worked as an illustrator in lithography and watercolour. After further studies in painting in Rome he arrived in Australia in December 1854. In August 1855 he obtained work as a cartoonist on the newly established Melbourne Punch. Later he did illustrative work for the Illustrated Australian News and also worked in chromolithography. He accompanied explorer/meteorologist Georg von Neumayer on trips to remote areas of Victoria, and the material gathered on such journeys resulted in some of his most recognised pieces of this period, including his painting of Mount Arapiles in Western Victoria. In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier's oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection. In 1865 Chevalier visited New Zealand, travelling widely and doing much work there which was exhibited at Melbourne on his return. In 1869 he joined HMS Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India. The pictures painted during the voyage were exhibited at South Kensington. In January 1874 Chevalier was commissioned by Queen Victoria to travel to St Petersburg and paint a picture of the marriage of the Duke of Edinburgh. Chevalier made London his base and was a continual exhibitor at the Academy from 1871 to 1887. He had one picture in the 1895 Academy but had practically given up painting by then. Chevalier died in London on 15 March 1902. N. Chevalier 1870 N. Chevalier/ W. Forrest MARYSVILLE, VICTORIA. LONDON, VIRTUE & CO.marysville, victoria, n. chevalier, w. forrest, steel engraving, print, mount arapiles, georg von neumayer, the buffalo ranges, national gallery of victoria, hms galatea

An early steel engraving print of Marysville in Victoria.An early steel engraving print of Marysville in Victoria by Nicholas Chevalier. Nicholas Chevalier, born in 1828, was a Russian-born artist who worked in Australia and New Zealand. In 1851 Chevalier moved to London and worked as an illustrator in lithography and watercolour. After further studies in painting in Rome he arrived in Australia in December 1854. In August 1855 he obtained work as a cartoonist on the newly established Melbourne Punch. Later he did illustrative work for the Illustrated Australian News and also worked in chromolithography. He accompanied explorer/meteorologist Georg von Neumayer on trips to remote areas of Victoria, and the material gathered on such journeys resulted in some of his most recognised pieces of this period, including his painting of Mount Arapiles in Western Victoria. In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier's oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection. In 1865 Chevalier visited New Zealand, travelling widely and doing much work there which was exhibited at Melbourne on his return. In 1869 he joined HMS Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India. The pictures painted during the voyage were exhibited at South Kensington. In January 1874 Chevalier was commissioned by Queen Victoria to travel to St Petersburg and paint a picture of the marriage of the Duke of Edinburgh. Chevalier made London his base and was a continual exhibitor at the Academy from 1871 to 1887. He had one picture in the 1895 Academy but had practically given up painting by then. Chevalier died in London on 15 March 1902. N. Chevalier 1870 N. Chevalier/ W. Forrest MARYSVILLE, VICTORIA. LONDON, VIRTUE & CO.marysville, victoria, n. chevalier, w. forrest, steel engraving, print, mount arapiles, georg von neumayer, the buffalo ranges, national gallery of victoria, hms galatea

.1) Scrapbook of newspaper clipping in oversize scrapbook .2) White file of newspaper clippings 1872-1908newsclips, newspaper cuttings, schools of mines, sale school of mines, bairnsdale school of mines, daylesford school of mines, castlemaine school of mines, bendigo school of mines, stawell school of mines, st arnaud school of mines, alfred mica smith, industrial institute, james bickett, redmond barry, ballarat school of mines opening, mining engineering, pottery, charles fenner, pottery classes, maurice copland, plumbing, harold herbert, ballarat school of mines statistics, andrew anderson, j.c. molloy, art schools, ballarat west art school, herbert h. smith, amelia h. troon, martha pinkerton, r.t. vale, david ham, clunes, rivett bland obituary, university of melbourne affiliation, gilbert dawbarn, kernot, james patterson, john rowe, cassilis chlorination, r.w. lamb, j. flegeltaub, tasmanian examination, balarat school of mines museum, latham watson, state school students, w. longstafff, daisy ditchburn, e. grownow, ballarat east art school, art gallery association technical art school, e. guse, j.g. williamson, m.f. williamson, george biknell, print engraving, a.e.c. kerr, a.n.a. fete, hannay electro-cyanide process, james oddie, r.m. serjeant, xrays, roentgen xrays, lizzie drape, mines bill, henry forster, technical education in germany, deeble's patent, p. cohen, deeble's cyanide plant donation, h. rosales, thomas hart, ballarat observatory, robert denham pinnock, isaac james jones, edward ivan rosenblum, samuel ernest figgis, r.w. best, thomas f. morkham, beatrice j. flude, bertha craig, drucilla hopwood, george bird, james galbally, mining exchange, transit theodilite, univerisity of melbourne, affiliation, t.d. wanliss, scrapbook, s.e. figgis, j. dawbarn, gilbert dawbarn, g.g. simpson, brown coal, parwan, bacchus marsh, a. berry, f.m. krause, practical mining, cassilis, tasmanian exhibition, ballarat school of mines dilapidated, thomas bath, cyanide, elextirc rock drills, herbert franklin, frank bruce, henry rivett bland, j.n. dunn, dr pinnick, theo williams, steiglitz gold mines, meredith, a.f. balderson, j.m. bickett, f.j. martell, cosmo newberry, m. lindsay, pyrites, pyrites roaster, blucjer amagamator, ludovico hart, photographer, art gallery association's technical art school, ballarat east school of art, otto riegelbuth, hugh colquhoun, louis lemp, g.a.f. soderstron, e. gude, a.f. tweedie, m.l. tuxen, george h. bicknell, c.v. brind, a.h. troon, r. flohm, c.s. proctor, m. oddie, b.s. williamson, f.h.w. robinson, photography classes, i.g. wittkowski, h.r. murphy, mary browne, technical education, andrew berry, r-ray, xray, watson's focus tubes, rohmkorff coil, treloar, wooster, t.e. molloy, w/m/ acheson, ladies art association, ballarat art gallery association, maud glover, bertha s. williamson, hnery foster, native telurides of gold, eliza kershaw, edith curnow

A copy of an early wood engraving taken from a photograph of the deserted township of New Chum, near Healesville, on the Yarra Track in Victoria.A copy of an early wood engraving taken from a photograph of the deserted township of New Chum, near Healesville, on the Yarra Track in Victoria. The Yarra Track is the former name of the gold fields road from Healesville to the Woods Point and Jordan Goldfields in Victoria.new chum, healesville, yarra track, victoria, frederick grosse, albert charles cooke, thomas waters, wood engraving

A copy of an early wood engraving of the construction of the road over the Black Spur in Victoria.A copy of an early wood engraving of the construction of the road over the Black Spur in Victoria. The Black Spur is known to be one of Victoria's most scenic drives. The road winds through a majestic forest of trees and tree ferns from Healesville to Narbethong and is part of the Maroondah Highway.black spur, wood's point, narbethong, maroondah highway, victoria, wood engraving

A copy of an early wood engraving taken from a photograph of the township of Marysville in Victoria.A copy of an early wood engraving taken from a photograph of the township of Marysville in Victoria. The Yarra Track is the former name of the gold fields road from Healesville to the Woods Point and Jordan Goldfields in Victoria.victoria, frederick grosse, albert charles cooke, thomas waters, wood engraving, marysville, wood's point road

Rev. James Sugden was a Wesleyan minister in Yorkshire, U.K., and was the father of Rev. Edward Holdsworth Sugden, first Master of Queen's College, University of Melbourne.Waist length B & W printed engraving of the Rev. James Sugden."Revd. James Sugden. Engraved by J. Cochran from a photograph"james sugden, edward holdsworth sugden, wesleyan, minister, yorkshire, queen's college, university of melbourne

Rev. William Butters (1810-1887) commenced his ministry as a chaplain to the convicts in Van Diemen’s Land in 1833.Print of an engraving by J. Cochran of Rev. William Butters in frame.butters, w, methodist

Rev. Richard Fletcher (1800 - 1861), born in Newcastle-upon-Tyne, was agent of the Colonial Missionary Society and came to Australia with his wife and five children after the discovery of gold in Australia. The original of this engraving is in the Scottish National Portrait Gallery (Print Room).Black and white portrait print of engraving of the head and shoulders of Rev. Richard Fletcher with an inscription. He is wearing Regency clothing, looking to his left and is holding a paper. The print appears to be taken from a book and tipped onto a piece of brown paper."Revd. Richard Fletcher Manchester"colonial missionary society, rev richard fletcher independent minister

An illustration from the Picturesque Atlas of Australasia, hand-tinted photo-engraving by W.C. Fitler shows Clunes in late 1880's. It shows little evidence of the town's mining heritageTINTED RELIEF WOOD ENGRAVING PRINT OF THE TOWNSHIP OF CLUNES. HAND COLOURED, MOUNTED AND FRAMED WITH CREAM COLOURED MATT, DARK GREEN FRAME AND GOLD INSIDE TRIM.GENUINE ANTIQUARIAN PRINT LABEL ON BACK FROM LECKIE GALLERYwood engraving, relief, 1890, w.c.fitler

Very early scene of Cowes showing the jetty, Isle of Wight Hotel and jetty shed. Charles Turner was an English mezzotint engraver and draughtsman who specialized in portraiture. HistoricalA4 colour photocopy of a print of a wood engraving by Charles Turner of the Cowes jetty. Large beige frame around print.At Cowes, Phillip Island. from the commemorative work, Victoria in 1880, published in Melbourne to mark the International Exhibition held that year. Fine prints of notable buildings and street scenes, as well as views of the country and suburban areas of the colony. Wood engraving.cowes jetty, charles turner, isle of wight hotel, jetty shed, wood engraving

Card clothing sample manufactured by Samuel Law and Sons, Cleckheaton and probably sent to the Collins Bros Mill at the same time as W621. Card clothing is defined as 'the leather or other stiff material which holds the wire staples, the points of which project outwardly and form the carding teeth which operated on the fibres.' This fits into a carding machine ("The Textile Industries" vol. 8 - William S. Murphy, 1911).Card clothing sample, comprising rows of bent wires mounted on a thick rectangular leather base. Wrapped in tissue printed with an engraving of the factory where it was made and housed in an olive green lidded cardboard box, the interior of which is printed with an image of the manufacturer's factory.SAMUEL LAW & SONS, / Manufacturers all kinds Card Clothing. / Moorland Mills. / CLECKHEATON, England. SAMPLE OF CARD CLOTHING / FROM / SAMUEL LAW & SONS, / (branch of the English Card Clothing Company, Limited). / CLECKEATON. / MOORLAND MILLSsamuel law and sons collins bros mill pty ltd, carding, card clothing

"The Association was officially launched in November 1967 with the aim of preserving and maintaining good relations and understanding within the cattle industry and between that industry and all bodies and organisations with which the industry is associated in the spheres of Government, and land use and marketing." (ref Mountain Cattlemen's Association web-site) Since 1972, the Mountain Cattlemen’s Association of Victoria, have produced a journal, “The Voice of the Mountains”. This journal commemorates the activities and history of the previous twelve months and bygone years of cattlemen and their families. This item was used in the library of Orbost Secondary College. The journals form a part of Victoria’s history and are a useful research tool.A 56 pp book covered in clear contact. On the front cover is a print of an engraving of "Mustering cattle on the Bogong High Plains - a rough customer" . It is titled :"Voice of the Mountains, Journal of the Mountain District Cattlemen's Association of Victoria Inc. , October 1989 No 12" and is priced at $4.50.journal-voice-of-the-mountains cattle-industry-cattlemen-history

Illustration - colour engraving printed onto white card, titled "Swanston Street Melbourne" of a painting of a street scene in Swanston, looking north with the Town Hall and the City Square in the work. Painting by John Tiplady, produced to raise funds for the Australian Rotary Health Research Fund. Used for a Christmas Card.trams, tramways, swanston st, town hall, greetings cards

A clipping from page 202 of Frank Leslie's Illustrated Newspaper (18 Aug. 1860), feauring an article entitled: THE PRINCE OF WALES AT THE TENNIS COURT. Article is accompanied by an engraving print depicting the young Edward, Prince of Wales, playing a real tennis match, at the Oriel Tennis Court at Oxford. Materials: Paper, Ink, Cardboardtennis

A 128-page book of printed matter, photographs, engravings and drawings. The hard cover is white with the title in gold lettering on the front. The dust-cover is also white with black lettering. Along the lower half of the cover, front and back, is a strip of six photos, three coloured and three black and white. 128 p. : ill. (some col.), ports. ; 22 x 25 cm.non-fictionWharves to the World: The Development of Melbourne's World Trade Centre is a photographic chronicle of the history of the World Trade Centre and its surrounds. The book traces the journey of land and the buildings that occupied it - from its beginnings with the Wurundjeri people to its role as a trading hub in early Melbourne, then as the site of the modern-day World Trade Centre, and now as part of a flourishing residential and commercial Precinct. As with any major project The World Trade Centre has face its share of fêlures, but despite thèse it has become an integral part of the City. So it goes that was once home to swampland and the City morgue has been transformer into a Diamond of the Yarra River.yarra yarra tribe, early melbourne, world trade centre, melbourne, southbank, northbank, australian wharf, siddeley street, waterfront, amy zurrer, wurundjeri, spencer street bridge, north wharf, riverlee, wtc, wharf, harbor trust, sir john coode, harbour trust, little dock, polly woodside, wharfies, divers

c.l; Limited Edition number PROOF of 150, c; Ballarat from the Fire Brigade Tower/ (Looking East) 1870/ by Eugene Von Guerard, c.r;; An engraving printed from/Eugene Von Guerards original woodblock/now in the possession of the Ballarat Historical Societywork on paper, print, printmaker, printmaking, australian artist, ballarat, wood engraving, city, town, regional victoria, goldfields

Illustration - colour engraving printed onto white card, titled "Princes Bridge" showing the planned St Paul's Cathedral, Flinders St Station, Princes bridge with cable trams and the Yarra River with steam powered boats. On rear - "Engraving of Prince's Bridge and St Paul's Cathedral, Melbourne 1889" with a note that it was drawn before the completion of the cathedral the design shows in that intended by the Architect, William Butterfield and that it was from the collection of St Paul's Cathedral.trams, tramways, yarra river, st pauls cathedral, melbourne, greetings cards

Quarto sized covering letter from H.V. McKay Massey Harris Pty Ltd, Sunshine Harvester Works to Messr P. Bamford Pty Ltd, Timber Merchants, Ringwood. Dated 9th November 1931 enclosing Price List of Sunshine Farm Implements. Outer envelope included with pre-printed Sunshine Harvester Works engraving.

278 hardcover (gold embossing on edge of walnut cover) titled 'The Poetical Works of John Milton. From the text of Dr. Newton with the Life of the Author and a critique on 'Paradise Lost' by Joseph Addison, Esq. Cooke's Pocket Edition Vol. Embellished with superb engravings. London. Printed for C. Cooke, No 17, paternoster Row; part of Cooke's Edition of Select Poets. 1) 1016 Thomas Balfour Stirling 1797 inscribed in black ink on cover page. 2) The gift of Dr Hume? To E. P. Library 1.475 No 884 on 7th cover page. 3) Various stamps & Stickers of Eaglehawk. Public Library on cover and cover pages.John Miltonbook, book, milton's works (cooke's pocket edition), the poetical works of john milton, joseph addison, dr newton, c cooke, thomas balfour stirling, dr hume, eaglehawk public library, paradise lost, no. 884

296 page hard cover (gold embossing) on edge of walnit cover), (Marbled front & back cover pages), titled 'The Poetical Works of John Milton from the text of Dr Newton. With the life of the author and a critique on 'Paradise Lost' by Joseph Addison, Esq - Cooke's Edition Vol II. Embellished with superb engravings. London: Printed for C. Cooke No 17 Paternoster Row - Cooke's Pocket Edition of the original and complete works of select British Poets or Entertaining Poetical Library containing the Poetic Productions of the most esteemed British Bard. 1) The gift of Dr Hume in black ink on cover page. 2) Various stamps of the Eaglehawk Public Library. 3) Various numbers in pen and ink on cover page. 4) Stickers of Eglaehawk Public Library on front cover and inside. C1797.John Miltonbook, book, milton's works vol 11 (cooke's pocket edition), john milton, dr newton, c cooke, joseph addison

This Journal contains a wide variety of lifestyle subjects, showing an interest in in collection of ladies’ fashion covers, newspaper clippings and personal notes appear to have been gathered by a person with interests in fashion, poetry and the home. The covers dating up to 1870 have signatures such as “E. Preval”, a mid to late 19th century watercolour artist. Covers from 1871 have no signatures but have the word “COPYRIGHT” included in the printing. The name below the illustrations “Moine et Falconer” is a French fashion printer and publisher. The loose newspaper cuttings are dated from 1878 to 1927. Journal, comprising a collection of sixty (60) medium weight cartridge paper covers of the “Ladies’ Supplement of the London Journal” with a selection of newspaper clippings pasted to the back of all but two of the covers. The journal covers are dated between years 1868 – 1877. They each have a hand coloured engraving. Below some of the illustrations is a name and address (in French). Some of the covers have a portrait orientation and others are landscape. Some of the covers have a length of additional paper on the left/top with small print, as though there has been a magazine spine attached. The covers have printed dates and numbers, and some of the illustrations are numbered and have one or two signatures. On the reverse of the covers is a selection of newspaper cuttings, including poetry, Household Receipts (recipes, helpful hints on household matters, quotes, fashion, etc.) and personal notes, carefully cut to fit onto the pages. Hand written dates on some of these articles show that they are not all from the same date, and don’t necessarily correspond to the date of the cover. Some of these pages have been assembled upside down to the front cover. Also included are additional notes and loose newspaper cuttings from 1878 – 1927. Under some of the hand coloured engravings are the printed words “Moine et Falconer, imp. r. St Victor, go Paris” (or similar). There are also one or two signatures on the earlier engravings including “E. Preval”. Printed onto the Journal pages “Price one Penny”. Several of the pages have hand drawn lines and pencil script notes. Many of the newspaper cuttings have a date written in pencil on them. For example, “Stuffing Birds”.. The Ladies’ Supplements have been printed with number for “Published with No. –“, and a number for “Presented with Part -”. Some of the reverse pages have pencil notes beside them. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies’ supplement of the london journal, the london journal, journal, 19th century, london journal office, moine et falconer, fashion print, ladies’ clothes, fashion plates, 19th century lifestyle, 19th century fashion, e proval

The book has a plain brown leather cover, the front of which is scuffed, stained and completely detached from the spine. On the spine is printed Bankes's Bible, an alternative title. The pages contain text, black and white plates, images and engravings. Some of the pages are torn, others have been repaired with paste. The dedication by Thomas Bankes, a clergyman, is to his Bishop Lord James Beauclerc. All the 's' letters are written as ' f'.non-fictionThis is a family bible circa late 1700's18th century literature, family bible, 1786 bible, warrnambool