Barry Pope left Melbourne at the intentions of travelling around Australia, met a local girl in Beechworth and decided to stay. He worked firstly in logging operations at the mill in Stanley, had some bartending jobs at Beechworth hotels, then got a job as a kitchen-hand at the Mayday Hill Hospital. Taking up new opportunities to advance his career and earning potential, he trained as a prison officer, working for several months at Pentridge Prison and Fairlea Women's Prison in Melbourne. He then returned to Beechworth to work in the prison system. In his story Mr Pope discusses many aspects of prison life for both prisoners and prison officers, from the food and daily routine, attitudes to discipline and rehabilitation, industries and opportunities available to prisoners and how prisoners were viewed in society after their period in prison was finished. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Barry Pope's account of his career is historically and socially significant as it details practices within the prison industry in the Twentieth Century as well as the operations of regional hospitals. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Barry Pope /beechworth, 1960s, 1970s, 1980s, stanley mill, logging, hotel wentworth, oral history, hospital garden, mayday hill hospital, met hospital, social welfare department, loyola, lyolla, pentridge prison, fairlea women's prison, prison officer training, drug crimes, prison daily life, prison farm, prison wood workshop, prison industry, prison escapes, beechworth prison, prison suicides, prison violence, prisoner attitudes to crime, mental health, isolation cells, walking dog scheme, guide dogs, prison concerts, prison plays, george smee, prison food, prison officer accommodation

A newspaper article with a photo of veteran Jack Geoghegan holding the violin that is part of Melbourne Legacy's collection (see 00080) at The Shrine. Mr Geoghegan was a Prisoner of War in Changi prison. He remembered playing in the concerts that the violin was used in. His signature is one of many, that had signed the violin. Background: This violin was played by VX30301 Dvr Roy Arnel, as a member of the Australian Imperial Force Concert Party, in the Changi POW camp, Singapore from 1942-1945. It is claimed that the violin, in its case was thrown over the wall by a Chinese civilian. Roy Arnel, a South African by birth enlisted on 7 June 1940 at Royal Park, Melbourne and served with 2 AASC Company as a driver. He was captured by the Japanese Imperial Army at the fall of Singapore in February 1942.A record that the violin was of importance to many people during their internment.Newspaper article about the Changi violin published in The Age 26 July 1989.changi violin, pow

4 sheets folded plus single sheet half the size - 8 plus 2 pagesnon-fictionballarat school of mines, miners write, newspaper, building plans, graham beanland, principal, letters to the editor, sporting results, evan jones & associates, architects, twelve angry men, pentridge prison, barry hall, jim burns, lorene guley, glenn keating, karen knight, greg smith, robert smith, rohan souter, jeff zilles

The Tower of London, officially Her Majesty's Royal Palace and Fortress of the Tower of London, is a historic castle located on the north bank of the River Thames in central London. It lies within the London Borough of Tower Hamlets, separated from the eastern edge of the square mile of the City of London by the open space known as Tower Hill. It was founded towards the end of 1066 as part of the Norman Conquest of England. The White Tower, which gives the entire castle its name, was built by William the Conqueror in 1078, and was a resented symbol of oppression, inflicted upon London by the new ruling elite. The castle was used as a prison from 1100 (Ranulf Flambard) until 1952 (Kray twins),[3] although that was not its primary purpose. A grand palace early in its history, it served as a royal residence. As a whole, the Tower is a complex of several buildings set within two concentric rings of defensive walls and a moat. There were several phases of expansion, mainly under Kings Richard the Lionheart, Henry III, and Edward I in the 12th and 13th centuries. The general layout established by the late 13th century remains despite later activity on the site. The Tower of London has played a prominent role in English history. It was besieged several times, and controlling it has been important to controlling the country. The Tower has served variously as an armoury, a treasury, a menagerie, the home of the Royal Mint, a public record office, and the home of the Crown Jewels of England. From the early 14th century until the reign of Charles II, a procession would be led from the Tower to Westminster Abbey on the coronation of a monarch. In the absence of the monarch, the Constable of the Tower is in charge of the castle. This was a powerful and trusted position in the medieval period. In the late 15th century the castle was the prison of the Princes in the Tower. Under the Tudors, the Tower became used less as a royal residence, and despite attempts to refortify and repair the castle its defences lagged behind developments to deal with artillery. The peak period of the castle's use as a prison was the 16th and 17th centuries, when many figures who had fallen into disgrace, such as Elizabeth I before she became queen, Sir Walter Raleigh, and Elizabeth Throckmorton were held within its walls. This use has led to the phrase "sent to the Tower". Despite its enduring reputation as a place of torture and death, popularised by 16th-century religious propagandists and 19th-century writers, only seven people were executed within the Tower before the World Wars of the 20th century. Executions were more commonly held on the notorious Tower Hill to the north of the castle, with 112 occurring there over a 400-year period. In the latter half of the 19th century, institutions such as the Royal Mint moved out of the castle to other locations, leaving many buildings empty. Anthony Salvin and John Taylor took the opportunity to restore the Tower to what was felt to be its medieval appearance, clearing out many of the vacant post-medieval structures. In the First and Second World Wars, the Tower was again used as a prison, and witnessed the executions of 12 men for espionage. After the Second World War, damage caused during the Blitz was repaired, and the castle reopened to the public. Today the Tower of London is one of the country's most popular tourist attractions. Under the ceremonial charge of the Constable of the Tower, it is cared for by the charity Historic Royal Palaces and is protected as a World Heritage Site.(Wikipedia) A World Heritage Site is a landmark which has been officially recognized by the United Nations, specifically by UNESCO. Sites are selected on the basis of having cultural, historical, scientific or some other form of significance, and they are legally protected by international treaties. UNESCO regards these sites as being important to the collective interests of humanity. More specifically, a World Heritage Site is an already classified landmark on the earth, which by way of being unique in some respect as a geographically and historically identifiable piece is of special cultural or physical significance (such as either due to hosting an ancient ruins or some historical structure, building, city, complex, desert, forest, island, lake, monument, or mountain) and symbolizes a remarkable footprint of extreme human endeavour often coupled with some act of indisputable accomplishment of humanity which then serves as a surviving evidence of its intellectual existence on the planet. And with an ignoble intent of its practical conservation for posterity, but which otherwise could be subject to inherent risk of endangerment from human or animal trespassing, owing to unmonitored/uncontrolled/unrestricted nature of access or threat by natural or accelerated extinction owing to local administrative negligence, hence it would have been listed and demarcated by the United Nations Educational, Scientific and Cultural Organization (UNESCO) to have been identified or recognised and officially christened and internationally elevated through multilateral declaration by UNESCO as a universally protected zone. [1] The list is maintained by the international World Heritage Programme administered by the UNESCO World Heritage Committee, composed of 21 UNESCO member states which are elected by the General Assembly. (Wikipedia)The Tower of London is a UNESCO world heritage site.tower of london

Blue & White Paper Document Theatre Production Seagulls Over Sorrento Hugh Hastings Three Act Play. Bendigo Training Prison Performance Sunday 18th May 1958. Produced & Directed By Keith G. Cast: Rex S., Norman B., Des Nicholas, Keith G., Graham M., Robert K., Andrew F., Ronald A. Allan Q.clubs and associations, theatre, bendigo training prison, https://en.wikipedia.org/wiki/seagulls_over_sorrento

Pale Green Paper With Black Text Theatre Programme Bendigo Training Prison 'Stalag 17' Three Act Melodrama Capital Theatre April 14th, 15th, 1959. Sponsored by Lions Club of Bendigo. Programme Price 6 Shillings. Cast Neville D, Des Nicholas, Don G. Bill Galvin Jr, Robert K, Donald C, Bob K, Alan R, Leslie B, Donald T, Kenneth B, Ken B, Terry B, Peter B, Steve C, Don C, Roy A, Kenneth H, Ronald D, Graeme B. Setting Barracks of 'Stalag 17' POW Camp somewhere in Germany during World War II.Arthur Hocking Printerclubs and associations, theatre, bendigo training prison, http://www.abc.net.au/news/2015-01-19/old-meets-new-as-sandhurst-gaol-becomes-ulumbarra-theatre/6022058 source for sandhurst prison. https://en.wikipedia.org/wiki/stalag_17 source for stalag 17 play

Handwritten sheet music played in Changi Prison. In pencil is a list of song names that were played. It was stored with sheet music that came with the 'Changi violin' donated by the family of Roy Arnel. It was on display in 2nd floor function room until 2024. The music and song playlist were on the reverse of the cover of a Prison Annual Report from 1931.A record of life in a POW camp.Handwritten sheet music on the reverse of the cover of an Annual Report on the Prisons of the Colony for the year 1931.Handwritten in pencil, bottom left 'End of a perfect day G D Slumber Song (Roy Arnell) request (inserted) Piano solo : Net St___ (inserted) O__a__ds 1st Waltz Annie Laurie C - E1 Vienna, City of Dreams G - D Let me call you sweetheart - G B Till we meet again G - Bchangi prison, pow, music

Handwritten sheet music played in Changi Prison. It was stored with sheet music that came with the 'Changi violin' donated by the family of Roy Arnel. It was on display in 2nd floor function room until 2024. The music was written on the reverse of a letter dated 30 November 1940, on the letterhead of 'The Batavia Sea and Fire Insurance Co Ltd'.A record of life in a POW camp and that paper was so scarce they used whatever they could find to write on.Handwritten sheet music on the reverse of a letter dated 30 November 1940.Title of the music is partially missing only '___etto' and 'HERINI.' are legiblechangi prison, pow, music

Handwritten sheet music played in Changi Prison. It was stored with sheet music that came with the 'Changi violin' donated by the family of Roy Arnel. It was on display in 2nd floor function room until 2024. The music was written on the reverse of a letter dated 29 January 1940, on the letterhead of 'The Batavia Sea and Fire Insurance Co Ltd'.A record of life in a POW camp and that paper was so scarce they used whatever they could find to write on.Handwritten sheet music on the reverse of a letter dated 29 January 1940.changi prison, pow, music

Handwritten sheet music played in Changi Prison. It was stored with sheet music that came with the 'Changi violin' donated by the family of Roy Arnel. It was on display in 2nd floor function room until 2024. The music was written on the reverse of a letter dated 20 March 1941, on the letterhead of 'The Batavia Sea and Fire Insurance Co Ltd'.A record of life in a POW camp and that paper was so scarce they used whatever they could find to write on.Handwritten sheet music on the reverse of a letter dated 20 March 1941.changi prison, pow, music

Handwritten sheet music played in Changi Prison. It was stored with sheet music that came with the 'Changi violin' donated by the family of Roy Arnel. It was on display in 2nd floor function room until 2024. The music was written on the reverse of a letter dated 4 January 1941, on the letterhead of 'The Batavia Sea and Fire Insurance Co Ltd'.A record of life in a POW camp and that paper was so scarce they used whatever they could find to write on.Handwritten sheet music on the reverse of a letter dated 4 January 1941.changi prison, pow, music

An article in the Sun about the donation of the Changi violin to Legacy in 1982. It mentions that the violin was thrown over the fence at Changi prison and Mr Roy Arnel played it for the 3 and half years he was in Changi. When the war ended he went around the camp getting concert party members and friends to sign it. He died in January 1982 and his wife Netta contacted Legacy who had it restored by Roger Lewis. He said many of the parts were not original but had been made for it in prison. The notation H35 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. The text of the letter to President E J Larkin says: Dear Ed, I attach a press cutting which is self explanatory except that the violin has been given to me on behalf of Legacy by one of many widows - Mrs Arnel. I have discussed with 'Kem' Kemsley and others what we should do with this interesting relic. Kem has endorsed my fear that if it is sent to Canberra no-one will ever see it. The prospective War Museum in Victoria will not be ready for some years and could not handle it. I suggest that is be displayed 'pro?' at Legacy House until it could be passed to the Victorian War Museum. Both Mrs Arnel and Kem agree with this suggestion. I should be glad to make a display cabinet if Legacy agrees to the above suggestion. I shall be glad if you will return the cutting to me in due course. Yours sincerely Roger Westerback (?) 581.A record of the donation of the Changi violin to Legacy in 1982.White A4 photocopy of an article about the Changi violin published in the Sun in 1982 and a copy of a two page letter.Handwritten H35 in red pen. history, changi violin

A photo of Jack Geoghegan holding the violin that is part of Melbourne Legacy's collection (see 00080) at The Shrine. The photo appeared in an article in The Age in 1989. One photo also appeared in the President's Highlights report in 1989. The caption of that photo says, 'Pensive thoughts for ex-prisoner of Changi Prison, Jack Geohegan when, as a guest of Melbourne Legacy, he was reunited with a very special possession kept in Legacy's care. Jack, whose signature is one of many, had not seen the violin since his days at Changi.' Background: This violin was played by VX30301 Dvr Roy Arnel, as a member of the Australian Imperial Force Concert Party, in the Changi POW camp, Singapore from 1942-1945. It is claimed that the violin, in its case was thrown over the wall by a Chinese civilian. Roy Arnel, a South African by birth enlisted on 7 June 1940 at Royal Park, Melbourne and served with 2 AASC Company as a driver. He was captured by the Japanese Imperial Army at the fall of Singapore in February 1942. There was more than one concert party in Changi as indicated on the rear of the violin. The details of the Dutch, British and American Concert Parties scratched in to the varnish. There are some well-known names scratched into the violin including: The English author and cartoonist, Ronald Searle; Australian entertainer, Frank Rich; and Australian Author, Russell Braddon. Mr Arnel died in 1982 and the violin was presented to Melbourne Legacy for preservation, safe keeping and display by his widow Mrs Florence Arnel in 1983.A record of a poignant reunion, Jack Geoghegan knew the violin while in Changi Prison and posed for photos on the Shrine to tell the story in The Age. Black and white photo x 3 of the Changi Violin at The Shrinechangi violin, pow, jack geohegan

Frederick Birkin No VX32484 enlisted in the 2nd AIF on 25.6.40 age 24 years. Attached to 2/22nd Batt known as “Lark Force” they were stationed in Rabaul awaiting a possible attack by the Japanese. The attack came in early 1942. Birkin was taken POW and his death was on 1.7.42. Numbers escaped, others were massacred at the TOL Plantation and many more of the total Force and civilians lost their lives on the Japanese prison ship “Montivedeo Maru” which was sunk by an American Submarine on 1.7.42. A small number survived this. The cards were all written on the back with name and number of men in Birkins unit prior to embarkation to Rabaul. All were traceable as to their fate or transfer to another unit prior to embarkation. Refer also 182.2, 183. Set of playing cards, red in colour, with 2 white figures sword fighting. Owned by Frederick Birkin.Cards have been written on reverse, in ink, by colleagues of Fred Birkin.documents, cards, personal effects, leisure activities