NoneAn unsanctioned Public Art Activation initiated and facilitated by a local residents Jos Van Den Berg and life partner Helen in response to the value they place on the environment in which they live in. When Steels Creek was threatened to become a toxic waste site in the late 1990's the community rallied to preserve this small patch of green space. Work continues to improve the local environment in all directions through Art interventions and direct environmental action, motivating council and community to collaborate and participate for a better environment. Public ArtSelf initiated project gifted to the Community Set among a small collection of bush's 5 figures created from simple poles or posts appear all facing outward from the park. The figures are defined with bright primary colours black outlines defining details emphasizing facial and other body parts. These figures vary in size from approximately 2.5 M to 1.5 Meters in height all posts are approximately 150 mm in diameter.public art, community, space, place, sanctioned unsanctioned, environment, flora and fauna

None Part of the JobSkills Public Art project 1996 - 97 Public ArtMosaic from ceramic tiles built into steps, the bottom tread is the main body of the work, included in the work are a series of terracotta tiles attached to the step risers depicting small fauna and flora from the environmentnature, water, flora and fauna

None Created 1996 - 97 as part of a public art JobSkills program Public Art, MosaicDiamond shaped mosaic set into brick paving near the Queens Park Kiosk created from reflective broken tiles reflecting the qualities of a peacocks tail feather.queens park, fauna, leisure

None A Job Skills Public Arts Program in 1996-97 which also made three other original mosaics and a series of hand painted step edges around Queens Park Cottage. Public Art, MosaicHelen BodycombA Mosaic depicting time; day, night, young old, seasons and growthseasons, time, growth, life, death

Public Art Commission located at Corner of Hampton Street and Thomas Street, Hampton, Victoria 3188.bronze Public Art Commission located at Corner of Hampton Street and Thomas Street, Hampton, Victoria 3188.sculpture, public art, newspaper, hampton, bayside, william eicholtz, bronze

Modern ArtUnknown. Glengala Walk. n.d, sandstone, Brimbank City Council, Brimbank.carved sandstone plinthsglengala walk, monument, glengala, sunshine west, sandstone

"Through the diagonals of the structure, the sense of upward striving, of energy caught in the light, the sculpture gives form to the dynamics of the Sports and Fitness Centre. The evening lighting program enhances the sense of water and movement as it pulsates in the rhythm of healthy respiration".2007 In response to an Expression of Interest from the City of Moonee Valley at the time of the Centers constructionContemporary Public ArtWelded and painted steel beams set in diagonals supporting a glass encased frame 4 meters above the ground illuminated at night.water, rhythmn, fitness, sport

Created from Cypress Trees from the nearby Avenue of Honor Bruce Armstrong a significant Australian Artist known for his large scale interpretations of fanciful birds and creatures often making reference to indigenous motifs and totems in ways often shied away from by others. Making use of locally sourced materials to reflect the nature and spirit of place and the spaces his works are designed to be situated. Nestled on the banks of the Maribyrnong River on a timber cradle Every Bird sits as if waiting for chicks to hatch. Large, approximately 4 M in length and 1.5 M High the carved body is almost boat like in form, the painted surface resembles the plumage of a seagull.A small plaque containing interpretive text accompanies this work every bird, river bank spirit, wurundjeri willam totem

Originally installed at Queen Park Moonee Ponds relocated to current location 2002Public ArtPurchased by the City of Mooney Valley A series of concrete cast objects and figures strewn across an open field the size and scale of small children who are encouraged to play and explore the potential of sound, texture and space in a safe and whimsical environment. play, exploration, fantasy, whimsy

Reproduction of original indicating location of original work and associated infrastructurePublic Art, ColonialismBig Fish Work shop White concrete composite cast of a female figure and wallaby sitting on a basalt plinth looking into the distance across the river bend.heritage, colonial, tea house

Positioned out side the Avondale Heights Community and Learning CentrePublic ArtCreated by Mike Nicholls purchased by the City of Moonee ValleyScorched carved Red Gum abstract figure standing over a smaller figure in a protective manner, approximately twice life size. From the rear view the larger figure suggests a birdlike imagery. protection, cycles, nature

Not AvailableAn Indigenous Arts Project utilising traditional and contemporary motifs in an Urban setting claiming a place within this space.Public Art, Etching, TraditionalPoala Morabito -Tng A community project consisting of 8 Bronze plates of various sizes in diameter that have bee inscribed with images and motifs. Each plate is mounted close to the ground in a curved line through the garden space belonging, place, space, history, culture

The Boeing Reserve totem features a River Redgum leaf representing the native flora.Connections to the environment through time, past present and future.Public ArtCommissioned by the City of Moonee Valley Large carved timber totem incised with various markings, and a leaf shaped element held within the body of the totemtime, environment, development, industry, possession, dispossession

This Totem is one of three sculptures created by Glen Romanis which highlight key sites along the Moonee Ponds Creek. Together they tell the story of the Creek as a natural water way as a place of Indigenous Culture and as an important part of Melbournes industrial development. Cross Keys Reserve Totem features a boomerang and a spear head, representing the Creeks Aboriginal history.The second of three sculptures created and installed along the course of the Moonee Ponds Creek exploring and representing the natural environment in the context of Indigenous Culture that inhabit these lands. This work represents a spear and a boomerang created from River Red Gum, Pier Pylon and Basalt.Public Art, SculptureA tall, approximately 5 M, thin and tapered timber work inset with basalt rocks representing the tip of a hunting spear set at an acute angle to the ground. Set around the base of the "Spear Tip" are carved horizontal timbers ideal for sitting on whilst contemplating or just meeting and talking.indigenous history, natural environment, water way, industry, indigenous culture

The Travencore Park totem, features nuts, bolts and cogs, representing the industry in the local area.Collectively these totems tell the story of the creek as a natural waterway, as a place of indigenous culture and as an important part of Melbournes industrial development.Public Art, SculptureA tall, approximately 5 Meters, constructed from Basalt, Red Gum and Pier Pylon, feature industrial elements of Cogs, bolts and Nuts, it is fenced by a low lying series of carved benches heavily carved revealing the Indigenous origins that have inspired all three Totems along the Moonee Ponds Creek. industry, culture, nature, occupation

This rustic earthy sculpture is constructed from welded steel and, like Queens Park itself is a blend of natural forms and artistic design.In direct relation to Queens Park Flora and environment through a Job Skills Government ProgramPublic Art SculptureApproximately 1.5 M x 0.8 M sitting close to the ground fabricated from mild steel beaten and welded, the surface has been patinated to a dark brown hue and sealed to protect the object from weathering in the environment.nature, flora, environment, design

NilHistoric Site 1st camp Burke and Wills expeditionPublic ArtFour camels silhouettes laser cut from heavy steel sheets, perforated with regular sized holes, each camel holds an individual pose, these are situated in an arid garden space.exploration, colonialism

NILPublic ArtA large sandstone structure consisting of 3 solid legs supporting 3 lintels carved and textured, set on a large concrete circular footing. form, weight, authority, tradition, masonry

None1996Public ArtCeramic tile mosaic set in footpath red and blue background with line images of a woman holding an object, yellow, and line image of open book in white, several white dots that could be braille.library, community resources, information, knowledge

None,Situated out side of the Civic the geometric abstract design suggests a stable, consistent, reliable yet diverse place, policies council supports. Public Art MosaicHelen Bodycomb; Art Loop Square Ceramic mosaic set into footpath with blue ground and yellow and white abstract designabstract design, structure, design, stability, diversity

NoneUse of recycled timber from the Avenue of Honour, a place of significancePublic Art Sculpture, CarvingCommissioned by the City of Moonee Valley Two Birds carved from Cypress and painted in hues of grey each perched atop their own concrete pillar in opposite directions yet facing each other from approximately 10 Meters apart. The birds are no more than 1.5 Meters tall yet maintain a position of command and protection.protection, urban space, totems, myth, history

This ceramic mural was developed to celebrate the United Nations General Assembly International Year of the Family 1994.International Year of the Family 1994Public ArtBodycomb, Anchen, West This large mosaic, set just off Puckle Street in a small arcade, represents a diverse number and range of families through drawings made on individual ceramic plates assembled on a red background. The scale is personable and easily viewed from family, community, individuality, collaboration

NoneReflecting local historic and contemporary elements of the local environmentPublic Art, Digital Art, CeramicsCommissioned by the City of Moonee Valley Digitally printed, Italian Classic imagery, vinyl wraps three of the four walls of a public toilet. Interspersed over the vinyl wrap are close to sixty six circular tiles of various sizes. These tiles reflect local landmarks and other themes familiar to the Flemington area.local urban environment, art history, contemporary arts practice, community

None Created at the time, 2000, when many trees were cut down from the near by Avenue of Honour, a stand of Cypress TreesPublic Art, Chainsaw Art, CommerativeJust over life size cut from timber (Cypress) with chain saw (Folk Art). The figure is in 3/4 full profile with remnant timber at back of work not touched. Depicted is a normal seaman wearing a cap and in uniform the inscription R A Navy has been made on the bottom left of the face of the sculpture. The Sailor is holding the top circular part of an anchor in the figures left hand.military navy, commenoration

NoneCommunity Reintegration Program Public Art, Mural, Community ArtMoonee Valley City Council Approximately 30 meters in length and 2.5 meters height the mural consists of many figures and recognizable landmarks from the area. The imagery suggests and community built from many places of origin existing happily and cooperatively through the use of bright vibrant colours and the simple cartoon like figures represented.community, public programs, cooperation cohesion, place, identity

None Local environments, present and future Public Art, Murals A painted mural on the side of a bridge overpass, Pascoe Vale Road Strathmore. Painted with bright colours depicting local urban environment represented with fantasy elements.local, fantasy, past present future, colour

Each Heart. Each Light. A Blaze in the night.A commissioned mural intended to brighten the environment and provide a space for light hearted play.Public Art, Murals, Art PlayPurchased by the City of Moonee Valley 2019Painted on the side of a light industrial factory with a ground of purple and blue, a night scene with stars in the sky and multiple stick figures frolic through the created spaces. Text messages affirm positively the worth and values we all carry . Painted at ground level is a tennis court net and cricket stumps giving permission to play with and in this fanciful work. aspiration, play, affirmation, fantasy

It is important to recognise the emblematic significance of local indigenous animals. To create a totem refers to thousands of years and cultures from all over the world who have made the connection between an animal a place and an emotional resonance. The Peregrine is the guardian of this land in East Keillor. Its solitary roaming existence speaks of freedom. On the basalt cliffs of the Valley Lake Estate it sits as a watcher and a protector. Its acute perception reminds us to use our mental capabilities to the fullest, to make deliberate moves, use precision timing and strike with force when necessary pursue our goals and aspirations. Direct reference to the geology (Basalt) and the quarry and the habitation of the Peregrine FalconPublic Art, Sculpture, CarvingA contractual agreement with the MVCC to hand over ownership and responsibility at a predetermined stage and upon meeting certain agreed conditions. A set of five totems carved from Cypress, sourced from Tasmania, Local basalt has been used to make further connection to the site, included are painted elements and all totems which have been sealed with organic oils to protect from the elements. The work makes reference to the Perigin Falcon suggesting links to notions of a protecting spirit as they are endemic to the area.place, space, belonging, mythology, history

An abstract steel sculpture set in an urban space.Commissioned by the developers of Valley Lake Urban Spaces; Development Victoria Construction, Formalism, AbstractionBradley SniochAn abstract form, welded Cor 10 steel consisting of several flat square facades set at differing angles creating a structure approximately 2.50 M tall set within a garden bed near steps leading upward.material, abstraction, formalism, fabrication