Plaque, Silver coloured art work 23 x 15 mm affixed to 18 x 25 mm rectangular wooden board./ Artwork de[picts badge of 1 NZ Scottish RegimentMakers label on backplaque, plaque

Fire screens were developed early in the 19th century to prevent sparks from flying into the room or logs rolling out when a fire was left unattended. They also served as ornamental or decorative items, particularly ones such as this fire screen made from beaten or forged copper. Their decorations often depicted rural scenes.This item is representative of fire screens used in Australian homes to protect them from fire during the 19th and early 20th century when open fires were the main form of household heating.A fire screen made from beaten copper with a wooden frame. The screen design depicts a group of people sitting outside an Elizabethan building with a dog in the foreground and trees either side. The building is possibly a tavern as the people are seated on barrels. The frame is made from wood and has wrought iron legs screwed in place on either side and a handle attached at the centre top edge.forged copper, fire screens, decorative household items

Beige hardback book with black letteringScreen Printing. W Taussig

These two photographs were most likely taken in the 1970s at the Army Survey Regiment’s Drill Hall Golden Square, Bendigo. The photos are annotated with the name of the technicians written on the back. In these photos the technicians are performing screen printing tasks.This is a set of photographs of lithographic technicians using screen printing equipment at the Army Survey Regiment, Bendigo from c1960s to c1980s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1970s, L to R: Bruce Appleford, SGT Evan Giri, Lithographic Squadron .2) - Photo, black & white, c1970s, Ian ‘Lofty’ Turner, Lithographic Squadron.1 to .2 – personnel names (less rank) annotated on back. royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho, printing

The fire screen was gifted to Mr J J Watson at his retirement in 1952. The assembly hall at the Mair Street property was named in his honour. Mr J J watson was a member of the school council from its inception in 1919 when he was elected as a representative of Scots' Church. He succeeded Rev J T Riddle as secretary to council in 1920. In 1954 the assembly hall at the Mair Street property was officially named Watson Hall in his honour. In 1957 the constitution of the Council was amended to enable Mr Watson to be elected its first life member. The fire screen was returned to the school by the family after his death. In a tribute in 1952 at the time of Mr watson's retirement from secretarial position on council, Principal Kerr said, 'Mr watson's family was friendly with the Kennedy(founder) family in Ireland, so that his interest in Clarendon was almost hereditary. His breadth of vision, generosity, devotion to the advancement of the school in every way, and meticulous care of the property and ikts interests, have given him a unique place in the hostory of the school. Wood fire screen with school crest at top of front. Carved details at top corners and base of front feature scottish thistle and leaves. Solid wood frame and stand; veneer insert. Small bronze plaque fixed to top of back. Plaque: Presented to / Mr J J WATSON / in appreciation of his devoted service / as secretary of the council of / CLARENDON PRESBYTERIAN LADIES / COLLEGE / FROM 1920 - 1952.j-j-watson, clarendon-presbyterian-ladies-college, mair-street-campus, school-council, watson-hall, life-member, fire-screen, furniture,

Set of 12 foolscap photocopied sheets, titled "Destination Screen Printing" - lists the destination for each depot and the positioning on the roll. Copied by John Prideaux 9/2/1988 1 - Preston depot 2 - Glenhuntly Depot 3 - second sheet for above 4 -Malvern Depot 5 - South Melbourne Depot 6 - Brunswick Depot 7 - Essendon Depot 8 - Kew Depot 9 - Camberwell 10 - Decorated car - Preston, North Fitzroy, Kew - roll 1 11 - Decorated car - Essendon, Brunswick, South Melbourne - roll 2 12 - Decorated car - Malvern, Camberwell, Glenhuntly - roll 3On the top sheet "Preston Workshops Paint Shop Data - "Destination Screen Printing" on the top edge of the first sheet and "copied 9/2/88" on the bottom right hand corner of most sheets.trams, tramways, destination roll, the met, w class, decorated trams

On the front (rear) face of this metal firescreen is an image of the RVIB St Kilda Road building and front gardens, with the words 'Royal Victorian Institute for the Blind' in curved lettering above the building. A name plate is attached by cord to the firescreen, which reads "In Memory Of M.N. Moylan Life Member Brighton Auxiliary". It is unknown whether the firescreen was made by blind metal workers, however it shows signs of use, quite possibly at the St Kilda Road building itself.Metal fire screen with etched image and attached plateRoyal Victorian Institute for the Blind In Memory of M.N. Moylan Life Member Brighton Auxiliaryroyal victorian institute for the blind, m.n. moylan

Used at Burnley Horticultural College in the classroom as a teaching aid.Mobile projector screen on a tripod stand, blue in colour.Australuxteaching, slides, education, burnley college, artifact

Since the establishment of the School of Mines Ballarat (SMB) in 1870, Federation University Australia has emerged in multiple forms, and under multiple names, to educate generations of engineers, nurses, and teachers – and in more recent years, games designers, sports and exercise scientists, craft beer brewers, and other professional occupations inconceivable to the University’s founders in the late 19th century. Today, our footprint stretches around the world, thanks to key partnerships established domestically, and with institutions in China, Malaysia, and India. But the story starts with a meeting of the Ballarat Mining Board, in 1869, and a pressing need for innovation.A number of screen backgrounds used during 2020, the 150th anniversary of the Ballarat School of Mines. The anniversary took place in the middle of lockdowns associated with Covid19, making screen backgrounds important.non-fictionfederation university, anniversary, sesquicentenary, 150th anniversary, covid19

Designer book promoting graduating Graphic Design class of 1997. Accompanied by a Compact Disc (CD Rom) of student work, refer item 29163.2 for screen captures from CD Rom. Lecturer, Helmut Stenzel.Graduation book to including works by third (final) year graphic design students, 1997. Perfect bound book, pages printed on satin coated in two colours (black and silver). 4pp card cover printed black and silver external, inside covers printed full colour.university of ballarat, federation university, graphic design, ben mangan, russell kerr, luke keys, travis prices, karen grinter, rosie busuttil, peter horvat, felix lee, karl chandler, matt bowman, adam laszczuk, narelle pietsch, natasha pietsch, jenny tyquin, helmut stenzel

This screen with embroidered and appliqued panels was entered in the First Australian Exhibition of Women's Work 1907, at the Royal Exhibition Building in Melbourne. This landmark exhibition gave women artists and craft workers an opportunity to display their works to a broad audience and gain recognition for the variety and high standard of the works in both traditional and non-traditional fields for women. The embroidery and applique design is based on an original design for a similar object made by British Arts and Crafts Architect and Designer, M.H. Baillie-Scott, which was published in The Studio magazine in the early 1900s,This three-panel draught screen was made by Hilda Leviny in the Arts and Crafts style and entered into the First Exhibition of Women's Work, at the Exhibition Buildings, Melbourne in 1907.Arts and Crafts style three-panel draught screen made from timber(American Oak), linen panels, silk embroidery threads, beaten copper decoration and varnish. The embroidered panels, made by Hilda Leviny, are mounted within the timer framework, depicting a design of birds and trees in the Arts and Crafts style. Pattern Reg. No. 3227.2 and 2503. With copper decoration.hilda leviny, buda, castlemaine, domestic furniture, handcrafts, needlework, art nouveau, 1907, exhibition of women's work, royal exhibition building, woodwork, draught sceen, arts and crafts movement, embroidery and applique

Triangular blue sports pennant screen printed in pastel blue.Screen printed with "W.S.B.A. D grade, summer competition, Premiers 1972-73."

Holy Trinity Anglican Church Sanctuary & Chancel Screenstawell religion

Holy Trinity Anglican Church Sanctuary & Chancel Screenstawell religion

Triangular red felt pennant, screen printed in gold.Screen printed with "Metroplitan High Schools" Sports Assn. Western Division. A Grade Girls' Hockey Premiers 1962."

Ticket - Pre-paid 2 sections printed on blue card, MMTB printed for the PMG, punched for "IN" at the 2 section mark. Has the conditions of travel on the rear.trams, tramways, mmtb, tickets, pmg, sections

Ticket - Pre-paid 1 sections printed on blue card, MMTB printed for the PMG, punched for "out" at the 2 section mark. Has the conditions of travel on the rear.trams, tramways, mmtb, tickets, pmg, sections

This paper deals with the employment of Hand operated Mobile Screen Printing Equipment and its associated cartographic techniques for limited map reproduction and overprinting under field conditions. Written by LtCol HM Hall (RASvy)8 x A4 page document containing typed text, photos and map extractroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr, school of military survey, sms

These screen backgrounds were used during 2020, the 150th anniversary since the establishment of the Ballarat School of Mines. It was also the year of the Covid19 pandemic lockdowns when classes and work was all conducted online from homes. federation university, sesquicententary, anniversary, screen backgrounds, pandemic, covid 19

Document listing the film production details: CREW: Director:Tony Ayres Writers: Tony Ayres Producer: Salli Engelander Dir. of Photography: Michael Williams Editor: Jill Holt CAST Guy Hudson ( Roger ) Caitlin Jones Karina Loscher Fiona Ruttelle Cruel Youth was a short film by director, Tony Ayres, filmed in the Mission to Seafarers in 1988.The Mission has always been open to the community and has a tradition of hosting cultural events: shows, concerts, exhibitions, festivals. And with its heritage feature is also a sought after filming location.Movie production details printed in black ink on a A4 paper (double sided).cultural events, filming location, cruel youth, tony ayres, big and little films, screen guide, salli engelander, michael williams, jill holt, guy hudson, caitlin jones, karina loscher, fiona rutelle

Main Stream Melbourne - The River Yarra on film (Screen Sound Australia, 2004) and The Prize (Eltham Films, Tim Burstall ,1960) Combining footage from more than 90 early newsreels, documentaries and short films which additionally features almost 200 photographs and illustrations - shows locals fishing and swimming in the river, holding canoe races and lazing at boathouses. Also included is Tim Burstall's 1960 short film, The Prize, which tells the story of a boy, played by his then six-year-old son Tom, and his adventures with a kid goat. The film, shot on the Yarra, won a bronze award at the 1960 Venice Film Festival. Of specific interest, scenes from Warrandyte, Montsalvat footage from 1965, Heidelberg School Artists' Trail, Koornung School (1947) in North Warrandyte, Tim Burstall and The Prize (1960) with scenes on Brougham Street Bridge, and Yarra River scenes at Morrison's Breakwater at Eltham and the Bend of Isles at Kangaroo Ground.VHS Video cassette, 130 minutes. Converted to MP4 file format 02:16:11, 1.54GBthe prize (film), tim burstall, yarra river, warrandyte, brougham street bridge, montsalvat, bend of islands, heidelberg school artists trail, koornong school, morrisons breakwater, video recording

Triangular red felt pennant, screen printed in gold. Torn at pointy end and some discolouration at wide end.Screen printed with "Metropolitan High Schools' Sports Assn. Western Division, Athletics B section, Senior, Williamstown 1968."

This is a photograph of the Director Survey - COL Simon Lemon, CO Army Svy Regt - LTCOL Bob McHenry and probably OC Litho - MAJ Terry Lord inspecting the 1St topographic map printed on the new Heidelberg Speedmaster 102 Printing Press in c1992. *Estimated date based on the Director’s and CO’s period of appointment. The computer-controlled five colour lithographic offset printing press provided the Royal Australian Survey Corps vastly improved printing capability, as the five colours for a standard topographic map was printed in a single pass. The print room was named Wayzgoose Hall after a medieval printing house festival. Wayzgoose Hall and the Speedmaster printing capability was commissioned by the Commander of the 3rd Military District BRIG P. Davies AM, ADC on Wednesday 27th June 1990. This occasion is covered in more detail in page 145 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. Colonel Simon Lemon was Director of the Royal Australian Survey Corps from January 1991 to June 1996.This is a photograph of three senior RASvy officers inspecting the first topographic map printed on the Heidelberg Speedmaster 102 Printing Press in Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo, c1992. The photograph is on 35mm black and white negative film and was scanned at 96 dpi. It is part of the Army Survey Regiment’s Collection. No personnel are identified. royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

These six photographs of Printer Technicians using a heavy-duty guillotine to trim bulk printed map stock were probably taken circa 1960s to 1980s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. Personnel are not identified on Photos .3P and .4P, however names are annotated on photos .1P, .2P, .4P and .5P. Cartographers normally provided trim marks to specified map dimensions as guidance to the printer. The trimming stage, like all the other printing processes required high levels of accuracy. These guillotines were extremely powerful to cut through bulk quantities of printed maps, as evident in photos .1P .3P, .4P and .6P.This is a set of photographs of Printer Technicians using a heavy-duty guillotine to trim bulk printed map stock c1960s to 1980s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1960s, L to R: ‘Wanger’ Payne, unidentified, Lithographic Squadron .2) - Photo, black & white, c1980s, CPL Ken Cavanagh, Lithographic Squadron .3) - Photo, black & white, c1970s, unidentified, Lithographic Squadron .4) - Photo, colour, c1970s, Peter Saunders, Lithographic Squadron .5) - Photo, black & white, c1980s, L to R: unidentified, WO1 Noel ‘Nesty’ Coulthard, Lithographic Squadron .6) - Photo, black & white, c1980s, unidentified, Lithographic Squadron.1P, .2P, .4P and .5P. personnel annotation on back. * unidentified on .1P due to poor writing. .3P and .6P – no annotationroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho, printing

Triangular blue felt sports pennant, screen printed in gold.Screen printed with "W.S.T.T.A Western Suburbs Table Tennis Assn. Williamstown H.S. Premiers 1974-75. E1 Grade summer pennant. P. Maligeorgos, D. Thompson, J. Power".