In 1855 William and Elizabeth Box migrated from Sussex England to Melbourne and in 1868, 1869 purchased 2 x 10acre Lots in part of Henry Dendy's Special Survey Brighton 1841. A Cottage was already on the land and they established a flower garden and raised 13 children. In 1888 William sold one Lot and built a new Front House . William died 1902 and Elizabeth sold the land except 1 acre and retained both the Cottage and the Front House. After her death in 1914, her daughters Violet and Ada leased the Cottage and Front House to tenants until August Rietmann purchased the property in 1935. August Rietmann (1877-1951) of Lustdorf ,Switzerland, married Maria Frieda Oesschlager (2/2/1878- 22/7/1942) of Baden Baden, Germany on 6/8/1910. In August 8th 1915 August and his wife Frieda migrated to Melbourne, Victoria, Australia sailing on the Steam Ship ‘Osterley’ from Marseilles to Melbourne They leased Box Cottage, Ormond in 1917 and raised two children, Stefanie (1918 -2006) and William (1920- 1997). 1935 August purchased the property and the family used the Cottage during the day and slept in the Front House. August was a monumental mason, potter and sculptor, and was employed at Corbens Ltd Clifton Hill, to carve war memorials in Victoria post WW1 c 1915-1922. During the 1920's August set up his own business in pressed cement making pot plants, columns,paving slabs and lampstands. He continued to carve headstones and figures and took contract work for Artists eg Paul Mountford. He built a workshop in the Barn and used the Cottage for plaster moulding. His son William joined the business and and the family continued to use the site after August died in 1951. Rietmann Landscaping Ltd moved to Bay Road Highett in 1953 and later to Carrum. The land, containing the Box Cottage, was sold to Lewis Timber Pty Ltd in 1970 and Mr Lewis proposed that Moorabbin City Council should preserve the heritage Cottage. In 1984 the Cottage was dismantled and reconstructed in the adjacent Joyce Park. The Rietman family is an example of the diverse nationalities that lived and worked productively in Moorabbin Shire 1871–1933 , the City of Moorabbin 1934-1994 and continues today in the Cities of Glen Eira, Kingston, Bayside, and Monash. August, a sculptor and stone mason, was employed by Corben Pty Ltd Clifton Hill to carve WW1 Memorials before establishing his own successful masonry business in the Box Cottage during the latter 1920s. After becoming interested in pressed cement casting, he took on apprentices (1930s Depression) and among his products were garden furniture, pots and also street lamp standards, some of which were installed in St Kilda Road. After August’s death in 1951, his family continued the business ‘Rietman’s Landscaping Ltd.’, at Highett and Carrum.Photographs x 3 Black & White of the Front House with Pine Trees at Ormond and Frieda Rietmann in garden c1921 Photograph x 1 Colour Digital by Glen Lewis of these Pine Trees in situ Lewis Timber Pty Ltd Ormond 2020Handwritten a) path to Front House c 1921; b) Pine trees and Front House c) Frieda in garden c1921box william, box elizabeth, box cottage museum ormond, dendy henry, dendy's special survey brighton 1841, market gardeners, seedling nurseries, rietmann august, rietman august, rietmann frieda, rietman frieda, stonnington city town hall, war memorials, world war 1 1914-1918, rietman stefanie, rennick stefanie, francis stefanie, rietman william, rietman ray, mountford paul, malvern city town hall, joyce park ormond, rietman's landscaping pty ltd, bay road highett, macrobertson pty ltd, coleraine soldier memorial 1921

Both the Light switch and Door knob were used in Box Cottage during the late 19thC and early 20thC by the Box and Rietman families. William and Elizabeth Box purchased the two ten acre Lots of land with the Cottage in 1868 where they raised their family of 12 children and developed a flower garden producing seedlings. August and Frieda Rietman rented the Cottage 1917 with 1 acre of land and purchased it in 1935 where they raised 2 children while August established Rietman's Landscaping Pty Ltd making pressed concrete garden furniture. Porcelain is a ceramic material made by heating materials, generally including kaolin, in a kiln to temperatures between 1,200 and 1,400 °C The toughness, strength and translucence of porcelain, relative to other types of pottery, arises mainly from vitrification and the formation of the mineral mullite within the body at these high temperatures. Porcelain and other ceramic materials have many applications in engineering, especially ceramic engineering. Porcelain is an excellent insulator for use at high voltage, especially in outdoor applications, see Insulator (electricity)#Material. Examples include: terminals for high voltage cables, bushings of power transformers, insulation of high frequency antennas and many other components. Both the Light switch and Door knob were used in Box Cottage during the late 19thC and early 20thC by the Box and Rietman families. William and Elizabeth Box purchased the land with Cottage in 1868 and raised their familya) An electric light switch that would be attached to a wall. An Ivory Porcelain Base Single Light Switch with antique Brass top b) A porcelain door knob Both items used in Box Cottage early 20th Ca) On base BRITISH MADE / ENGLAND / 4 / 6959 lights, porcelain, electricity, early settlers, moorabbin, cheltenham, bentleigh, box william, box elizabeth, rietman august, rietman frieda, market gardeners, flower gardens, seedling nurseries, world war 1 1914-18, war memorials, sculpture, pottery, pressed concrete, door handles, door knobs

Note by T.H. Kneen 19.11.1991, "Student attending to seedlings is Judy Serjeant (now Hilton).Black and white photograph. Female student attending to seedlings in the Old Nursery. On reverse, "Seedling beds in Nursery," and, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No. C.1767.D."nursery, judy hilton (nee serjeant), female student, seedling beds, students working outside, judy serjeant, old nursery, publicity

Black and white photograph of the Bush House in the Old Nursery. Seedlings in boxes."18/7/48." 648/11 21bush house, e. m. gibson collection, old nursery, seedlings

After the extension of the Railway line from Caulfield to Mordialloc 1880's the shopping centre moved from the Tucker Rd end to around the East Brighton (Bentleigh) Station area of Centre Road. A variety of shops, forges, estate agents, Coles' and Fossey's variety stores, a Hoyts picture theatre, butchers, traded in Centre Rd. Crofts was one many grocery stores along the strip. Crofts Stores was established by Archibald Crofts (1875-1942) as a single grocery store in South Melbourne. It eventually expanded to include 137 branches throughout Victoria, trading as Crofts Stores. The Lees family had established a Seedling Nursery in Thomas St that has continued until the land sold 2018 for housing development.Crofts Grocery Store was one of the shops in the Centre Road Bentleigh shopping strip that were established after the arrival of the train line 1881Black & White photograph of 3 men outside Crofts Grocery Store 395 Centre Rd Bentleigh c 1937 Mr Jack Lees is centre.Handwritten informationcrofts grocery store bentleigh, lees jack, mordialloc railway line, centre road bentleigh, smith j l, smith mary ann, stanley helen, smith vic, smith harry redvers, chaff cutter, horse drawn carts, toll gates brighton, motor cars 1900, steam engines, early settlers, bentleigh, parish of moorabbin, city of moorabbin, county of bourke, moorabbin roads board, shire of moorabbin, henry dendy's special survey 1841, were j.b., bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, vineyards

This photograph was taken on Friday the 27th of August 2004 as part of an event called 'Direct Seeding Expo'. This event was one of many held by the Wooragee Landcare Group in the early 2000s which aimed to educate the local community on certain agricultural and biodiversity conservative techniques. This particular photograph shows attendees at the property of Neil and Anne Nankervis, inspecting sites where direct seeding had been used ten months earlier. Three different direct seeding techniques were demonstrated during the day by several experts in the field. Direct seeding involves the sowing of seeds directly into the soil to achieve germination and establishment. It is an alternative to planting seedlings in a contained nursery plot. This direct method is intended to mimic a more natural process of growth, revegetating larger areas in a more efficient manner.This photograph is significant as it provides evidence of a project undertaken by the Wooragee Landcare Group in the early 2000s to educate members of the public on alternative and potentially more efficient methods of planting seedlings. The Wooragee Landcare Group has been instrumental in the co-ordination of programs relating to biodiversity protection in the local area, providing great assistance to landholders.Landscape coloured photograph printed on gloss paperReverse: WAN NA EONA2N2. ANN+ 1 4240 / neil and anne nankervis, wooragee, wooragee landcare group, wooragee landcare, direct seeding expo, direct seeding, seeding, seedlings, direct seeding sites, alternative seeding, alternative seeding method

This photograph was taken on Friday the 27th of August 2004 as part of an event called 'Direct Seeding Expo'. This event was one of many held by the Wooragee Landcare Group in the early 2000s which aimed to educate the local community on certain agricultural and biodiversity conservative techniques. This particular event took place across three different locations - Wooragee Hall, and direct seeded sites at the properties of Marcus and Lisa O'Connor, and Neil and Anne Nankervis - and, therefore, the exact location where this photograph was taken is unknown. Three different direct seeding techniques were demonstrated during the day by several experts in the field. Direct seeding involves the sowing of seeds directly into the soil to achieve germination and establishment. It is an alternative to planting seedlings in a contained nursery plot. This direct method is intended to mimic a more natural process of growth, revegetating larger areas in a more efficient manner. This photograph is significant as it provides evidence of a project undertaken by the Wooragee Landcare Group in the early 2000s to educate members of the public on alternative and potentially more efficient methods of planting seedlings. The Wooragee Landcare Group has been instrumental in the co-ordination of programs relating to biodiversity protection in the local area, providing great assistance to landholders.Landscape coloured photograph printed on gloss paperReverse: WAN NA EOWA2N2 ANN- 1 4240 / neil and anne nankervis, marcus and lisa o'connor, wooragee hall, wooragee landcare, wooragee landcare group, direct seeding expo, direct seeding, seeds, revegetation, alternative planting

Allwood, Hurstbridge, 1899. Gray family in the garden in front of the Victorian style Allwood house with lace iron work on the verandah. Left to Right: - , - , William George Gray (3rd from left),. Frances Ellen Gray (nee Hurst) and William Hurst Gray (on lap). Carrie Sharp, Rob Sharp, Holmstrong. Frederick and Catherine Hurst relocated this Victorian style weatherboard home from an inner Melbourne suburb to its present site on their Allwood property. Mr Charles Verso, builder and farmer, reassembled and refurbished the home for the Hurst’s. In 1897 Frederick and Catherine’s daughter, Frances Ellen, married William (Bill) George Gray of Cottlesbridge and the newlyweds moved into the new house. Frederick and Catherine Hurst moved into a little cottage, ‘Mia Mia’, on the other side of the Diamond Creek. William and Frances Gray established Allwood Nursery and by 1900 most of the Allwood property was under orchard, largely apples, pears, cherry plums and peaches. They also developed an extensive nursery, growing seedling stock for supply to other local orchardists and the overseas market. Cross Ref: Sepp_1022 This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negshire of eltham pioneers photograph collection, hurstbridge, allwood, carrie sharp, frances ellen gray (nee hurst), holmstrong, hurst family, rob sharp, william (bill) george gray, william hurst gray

Black and white photographs of plants at Burnley and in the Biology and PSL Departments. Publicity Branch Victorian Department of Agriculture 1960, handwritten annotations: (1)Ref. No. C.1768.C. "Thuja plicata aurea, Golden Willow, Pinus radiata." (3) A485 "Garden notes Sep Jul. The Chrysanthemum is a popular garden perennial." (4) A500 a rose in winter. (5) C.1767.F "Eucalyptus torquata." (7) C.1768.G, 2 copies, "Rex Begonia." (8) C.1767.E, "Angophora 5-6 years." (9) C.1767.D, "Seedling beds in Nursery." (C.1769.C, 2 copies, "Ginko." Department of Agriculture Victoria Biology Branch: (2) Neg. Number ORN.2 Date 30.4.54, "Nandina domestica a very useful plant for ?." (6) Neg Number ORN.1 Date 30.4.54, "Adiantum. Maidenhair. Fern. Grows well in a glassed in verandah." (13) Neg. No. P3006 Date 9.5.57, ?. (14) Neg. No. 0.3 date 4.6.57, ? Department of Agriculture Victoria Plant Research Institute: (11) Neg. No. M197 date 24.6.66, 2 copies, ? (12) Fern? (15) Colour negative of an azalea in a pot.handwritten annotationsplants, burnley, willow, chrysanthemum, perennials, roses, eucalyptus, begonia, seedling, nursery, fern, azalea, ginkgo, biology branch, cuttings, colchicum

Allwood, Hurstbridge, 1905. Hurst/Gray family in the garden in front of the Victorian style Allwood house with lace iron work on the verandah. Left to Right: Whittaker, Mrs. Catherine Hurst, Frederick George Hurst (at rear), Hurst Gray, Mrs. Frances Ellen Gray (nee Hurst), William (Bill) George Gray, Sylvia Gray (later Birch). Frederick and Catherine Hurst relocated this Victorian style weatherboard home from an inner Melbourne suburb to its present site on their Allwood property. Mr Charles Verso, builder and farmer, reassembled and refurbished the home for the Hurst’s. In 1897 Frederick and Catherine’s daughter, Frances Ellen, married William (Bill) George Gray of Cottlesbridge and the newlyweds moved into the new house. Frederick and Catherine Hurst moved into a little cottage, ‘Mia Mia’, on the other side of the Diamond Creek. William and Frances Gray established Allwood Nursery and by 1900 most of the Allwood property was under orchard, largely apples, pears, cherry plums and peaches. They also developed an extensive nursery, growing seedling stock for supply to other local orchardists and the overseas market. Shelia Gray, their youngest child, married William Gordon Ferguson and was the last one of the family to live there with her family from about 1950. According to Nancy Jacobs (nee Gray), it was home to three generations; her grandfather William Gray (though ownership was in Frances Hurst’s name), her father, as well as her home as a very small child. The Ferguson family were the last to live there, Shelia Ferguson (nee Gray) being her aunt. In 1985 the Shire of Eltham purchased the Allwood House property and established the Hurstbridge Neighbourhood House Prior to this building being relocated to Allwood, the Hurst family originally lived in a slab hut. Cross Ref: SEPP_1018 Source: Mrs. Ferguson, Hurstbridge (1970) and Nancy Jacobs (nee Gray) 2025, 2026 This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Print 20 x 25 cm (x2)shire of eltham pioneers photograph collection, hurstbridge, hurst family, sylvia gray, hurst gray, whittaker, allwood house, allwood, frederick george hurst, gray family, mrs. catherine hurst, mrs. frances ellen gray (nee hurst), william (bill) george gray

Port of Portland Authority archivesFront: (no inscriptions) Back: Company Nursery, Dartmoor (upper left, pencil). 11 (lower right, pencil). Photography by The Arthur Studio. Further copies always available at 27 Commercial St. East, Mt. Gambier (lower right, purple stamp).port of portland

Allwood Nurseries in Hurstbridge was operated by W.G (William George) Gray. By 1922 he operated a well cultivated property of 64 cleared acres, 56 of which were under nursery healthy stock, principally apples, peaches, plums and cherries. In addition to 4 acres of potatoes. He grew seedling stock which he supplied to other local orchardists and the overseas market. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, hurstbridge, allwood nurseries, export, nursery

Allwood Nurseries in Hurstbridge was operated by W.G (William George) Gray. He operated a well cultivated property under nursery healthy stock, principally apples, peaches, plums and cherries and sometimes potatoes. He grew seedling stock which he supplied to other local orchardists and the overseas market. This image is of railroad train wagons loaded with fruit trees at Hurstbridge Railway Station for export to New Zealand. Frederick George Hurst (bearded) sits on top of the load (aged 73 years). His son-in-law Willian Gray stands beside the wagon. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, hurstbridge, allwood nurseries, frederick george hurst, w.g. gray, hurstbrdge railway station, william george gray, railroad trains, nurseries (plants), export, despatch, transport

This booklet has sixteen pages with gold and blue printing on the white cover. The pages contain printed material. The pages have been stapled but the staples have been removed.non-fictionA business booklet of plants for sale and seasonal suggestions for planting.warrnambool plant nurseries, charles jukes

This booklet is a 1932 catalogue of the Floral Farm in Warrnambool. It was established by Charles Allen Jukes who had first opened a plant nursery at Cudgee on the banks of the Cudgee Creek. Early in the 20th century the nursery, the Floral Farm, was re-located to East Warrnambool with the boundary of the property extending along Raglan Parade, Flaxman and Bostock Streets. . A very high paling fence, topped with vertical slats was erected around the property. The Floral Farm continued for some time (with Charles Allen Jukes dying in 1934) and the nursery land was sub-divided for housing. Charles Allen Jukes’ parents, Alfred and Margaret came to Warrnambool in 1856, with Alfred setting up a law business and at one time being the honorary Town Clerk of Warrnambool. This booklet is of historical interest as it is a catalogue of the plants and seedlings available in the early 1930s from the Jukes Floral Farm in East Warrnambool. The parents of the Floral Farm business, Alfred and Margaret Jukes, were pioneer settlers in Warrnambool.This is a booklet of 40 pages. The cover has blue printing and was once white or buff-coloured but is now much stained. The pages contain information on plants and seedlings and have many black and white photographs. The booklet is dog-eared and crumpled.jukes family, warrnambool, floral farm nursery, warrnambool

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Rhonda Kelly - Friends of Waurn Ponds Creek Conservation volunteer projects not only have great biodiversity outcomes but are also collegial community groups that bring people together. Rhonda Kelly has worked tirelessly for over a decade for Waurn Ponds Creek. The Friends group is recognised throughout Geelong as a well-run, well organised and successful community group. This is due to the hard work of people like Rhonda. Rhonda is involved with all aspects of the Friends Group as Convener of the group, seed collector and propagator of plants at the community nursery. She is welcoming, passionate and hardworking. Not only does she organise the planting days and monthly clean-up days, but she also works with the community and schools engaging people with the value and beauty of the creek. Photo at Waurn Ponds Creek by Nicole Marie.Image showing an environmental portrait of a woman holding two potted seedlings with trees and grass in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers

4/28old nursery, nursery, seedlings, seedling beds, bush house, espalier, espalier fruit trees, espalier pear

Black and white photogrpah of seedling frames under construction in the Old Nursery. Espaliered pear tree in the background"Frames under construction Aug 1947." E M Gibson 9/4 364frames, e. m. gibson collection, construction seedling frames, nursery, espaliered pear

Black and white photograph of close up of seedling frames under construction in the Old Nursery. "Aug 1947." E M Gibson 9/5 364frames, e. m. gibson collection, seedling frames, construction seedling frames, nursery

Black and white photograph of seedling frames under construction. Espaliered pear in background"Frames under construction Aug 1947." E M Gibson 9/6 364 frames, e. m. gibson collection, seedling frames, construction seedling frames, nursery, espaliered pear

Black and white photograph of a detail of the construction of the seedling frames in the Old Nursery."Aug 1947. Detail of construction." E M Gibson 9/7 364e. m. gibson collection, seedling frames, construction of seedling frames, detail of construction, nursery

Black and white photograph. Seeding beds in the Old Nursery. Bush House on the right.831/6e. m. gibson collection, seedling beds, old nursery, nursery, bush house

Black and white photograph of the seedling beds in the Old Nursery. Staff member standing in the centre of the beds holding a hoe. Bush House on the right.831/7e. m. gibson collection, seedling beds, old nursery, nuresery, staff

Note by T.H. Kneen 20 February 1991, "Central bed in glasshouse equipped with bottom heat and mist propagation."Black and white photograph of potted plants in a small glasshouse inside another buildingOn reverse, "Photograph by Publicity Branch Victoria Department Of Agriculture Ref. No. D521 I."glasshouse, mist propagation, nursery, heating, potted plants, seedlings, propagation

Original of this photo comes from the photograph album (B09.0003) of Noelle Kendall ( Vaughan, graduated 1919.) Note by T.H.Kneen 19 November 1991, "Shows potting shed and at left an open fronted store for seedling boxes. The cold frames in the centre were replaced by a glasshouse. The watering can held by the student was standard equipment in the nursery." Later examination by Eric Littlejohn suggests a quite different purpose for open fronted store, he recalls it being used for storage of tobacco leaf. Black and white photograph. 2 copies of original. 2 female students working outside the potting shed in the Old NurseryInscribed, "Title: Potting Shed Neg: 176." female students, potting shed, noelle kendall (née vaughan), watering can, tools, equipment, old nursery, seedling boxes, tobacco leaf storage, students working outside, cold frames

Black and white photographs of various sizes pasted on cardboard for display purposes. Some annotated. Labelled: (1) Rose with 4 pieces cut off it. (2)"Citrus rootstock in nursery ready for budding." (3) "Feb. Left. Healthy budstick of current season's growth. Right. Prepared budstick, foliage and undeveloped buds removed, short section of leaf-stick reatined." (4) Same as (3). (5)"Harvest scions while dormant and store in moist, well-drained soil." (6) "Whip-tongue graft after one season of growth." (7) "Graft after one season of growth." (8) "Mastic applied to keep air and moisture from the cut surfaces." (9) "Graft tied to prevent movement." (10) "Young camellia-struck cutting." (11) Cutting beside pot. (12) "Feb. Same pot camellia struck." (13) Clump of dug-up perennials. (14) Divided piece. (15) Trimmed. (16) "April. Seedling Polyanthus." (17) Cuttings. (18) Clump of rooted cuttings. (19) Trimming rooted cutting. (20) Clump of Begonia. (21) Dividing Begonia. (22) Begonia leaf cut into pieces. (23) Rooted cuttings from leaf. (24) Putting leaf pieces in pot. (25) Pot of rooted cuttings. (26) Lupin seedlings emerging. (27) Lupin seedlings. (28) Clump of roots? From A. W. Jessep.roses, nursery, budstick, grafting, growth, camellia, polyanthus, cutting, trimming, begonia, dividing, a. w. jessep, citrus rootstock, scions, whip-tongue graft, perennials, lupin seedlings, teaching

10 black and white photographs demonstrating preparing bed and planting of Stock seedlings. (7) "Stock seedlings as lifted from open nursery bed."stock seedlings, nursery bed, soil preparation, planting technique

dingley nursery, retailing plants, boron deficiency, rose garden, sunken garden, lettuce seedlings, greenhouse, public lecture, orchard, student class outside

A detailed account of the story of Lone Pine in Gallipoli and how seedlings were grown from a pine cone brought back by Sgt. Keith McDowell. The author and date of this account is not known but was post 1989. The text says: " Gallipoli Lone Pine Lives On The Gallipoli Lone Pine has become a piece of living history in Australia. Every Australian solider who served at Gallipoli, knew Plateau 400 or ‘Lone Pine’ – the scene of some of the fiercest hand-to-hand combat by Australian in World War 1. The Plateau was distinguished by a solitary lone pine which bore silent witness to the heroism and tenacity of Australians who fought there. Lone Pine was a heavily fortified Turkish trench position, identified by a solitary Pinus Halepensis species commonly known as an ‘Aleppo Pine’. (** NB this has since been corrected and the species is not an 'Aleppo pine' but Pinus Brutia, commonly called Turkish pine) At 5.30 pm on August 6th, 1915, Australians of the First Brigade attacked the Turkish trenches under heavy machine-gun and artillery fire. The Australians found the trenches were roofed over with pine logs covered with earth. They clawed the roofing back and jumped into the trenches below. After savage hand-to-hand fighting the trenches were taken by 6 pm. Attack and counter attack continued until August 10, when fighting at Lone Pine ceased, and the position as firmly held in Australian hands. The six Australian Battalions involved lost 80 officers and 2197 men in the battle for Lone Pine. Turkish deaths were estimated at between 5,000 and 6,000. At Gallipoli during the evacuation, 33 men of the 24th Battalion mounted a gallant action. They were left behind to keep up the pretence that the Lone Pine trenches were still occupied. They destroyed the remaining guns, and embarked before daylight 20 minutes before the appointed time, and less than two hours before a storm blew up which would have made withdrawal impossible. Although the Lone Pine was destroyed in the fighting it lives on today in Australia. Which is where the Legacy Lone Pine story begins. During the withdrawal a soldier, Sgt. Keith McDowell, picked up a pine cone from the original Lone Pine and placed it in his haversack as a souvenir. Sgt. McDowell carried the cone for the remainder of the war and when he returned to Australia gave it to his Aunt, Mrs Emma Gray of Grassmere near Warrnambool. “Here Aunty, you’ve got a green thumb, see if you can grow something out of this”, the late Mrs Gray’s son, Alexander, recalled. But it wasn’t until some 12 years later that Mrs Gray planted the few seeds from the cone, five of which sprouted and grew into little trees. One of the pines eventually died but the remaining four survived. In May, 1933, one was planted in Wattle Park on the occasion of the Trooping of the Colour by the 24th Battalion. On the 11th June 1933, the second tree was planted with full military honours by S G Savige of the 24th Battalion, at the Shrine of Remembrance in Melbourne, where it now shades the well-loved statue of Simpson and his donkey. The late Lieutenant-General Sir Stanley Savige KBE, CB, DSO, MC, ED, was the founder of Melbourne Legacy. Formed in 1923, the Melbourne Legacy Club was the first such Club to be established. On the 18 June 1933 the third tree was planted at the Sisters, near Terang, just north east of Warrnambool. This is the area Mrs Gray’s family lived and the home of several Gallipoli veterans. The fourth tree was planted in the Warrnambool Gardens on 23 January 1934. In 1964 Legatee Tom Griffiths, then President of Warrnambool Legacy, put forward the idea that more seedlings should be raised in the Jubilee Year of Gallipoli from the established trees with the object of planting memorial trees throughout Australia in memory of those who fell in action at Lone Pine in 1915. The project was outlined in a paper presented to the Perth Conference in 1965 and was strongly supported. Two batches of cones were sent to Melbourne, one from the tree at ‘The Sisters’ and another from the tree at the Warrnambool Gardens, and the full cooperation of the (then) Forests Commission of Victoria, was guaranteed by the Chief Commissioner, Mr Benallack. Unfortunately, these cones had been gathered too late as the seeds had already been cast, and the few seeds that survived failed to germinate. However, Melbourne Legacy then undertook the propagation and distribution of seedlings. With the assistance of the Shrine of Remembrance Trustees, permission was granted by the Melbourne City Parks and gardens Curator to harvest a limited number of cones from the 24th Battalion tree at the Shrine and these were gathered by the Forest Commission and after the necessary preparatory treatment were planted in the Commission’s nursery at Macedon. Approximately 150 seedlings were raised from these cones by Dr Grose, Director and Silviculture. Melbourne Legacy’s Commemoration Committee was responsible for the collection, propagation, presentation and dedication of Lone Pines from the 24th Battalion tree at the Shrine of Remembrance. One the 14 September 1989 further cones were collected with the hope to raise 1000 trees from the seeds. This could not have been done without the invaluable assistance of the Department of Natural Resources and Dr Peter May at the Victorian College of Agriculture and Horticulture in Richmond, Victoria. Thus, Legacy is helping to keep the memory of the Gallipoli ‘Lone Pine’ alive – its spirit living on today. Presentations are made to schools, ex-service organisations and interested bodies by Legacy Clubs in the hope that they will be cherished as a symbol of Australian nationhood and of its just pride, devotion, courage, selflessness and sense of service to others. "The Legacy Lone Pine program helped promote the Anzac story throughout Australia.White A4 paper with black type x 3 pages recounting the story of Legacy's propagation of Lone Pine seedlings. lone pine, gallipoli