Showing 142 items matching shoe shops
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Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, colour, c.2000
... with a red tablecloth can be seen. A shoe shop can be seen.... A shoe shop can be seen in the rear, as well as a vertical dark ...The photograph was taken in a Shopping centre and shows an RDNS Sister about to check the blood pressure of a lady..Over many years the Royal District Nursing Service (RDNS), was involved with carrying out health screening checks at many Shopping centres, and other venues, when requested.A coloured photograph taken in a Shopping centre, showing a Royal district Nursing Service (RDNS), Sister, who is wearing glasses and has short blonde straight hair, standing on the left hand side of a seated elderly lady. The RDNS Sister, is wearing RDNS dark blue slacks and a jumper over a white blouse, with the collar and cuffs seen. She is looking down at a blood pressure machine and holding the dial with her right hand. A stethoscope is hanging down from around her neck. The elderly lady has a blood pressure cuff around her right arm. She has grey curly hair and is wearing a blue and pink patterned jacket over a navy blue frock. She is facing the camera and looking serious. To the Sister's left are some open cardboard boxes, one with a white balloon on a stick from it, and further to the left part of a table covered with a red tablecloth can be seen. A shoe shop can be seen in the rear, as well as a vertical dark banner with the word 'Police' running down it in white letters.royal district nursing service, rdns, health screening checks -
Warrnambool and District Historical Society Inc.
Shoes, Shoe stand
... This item would have been made as a stand to display shoes... as a stand to display shoes in a shop. It may have been made locally ...This item would have been made as a stand to display shoes in a shop. It may have been made locally in Warrnambool. As this item was donated to the Warrnambool and District Historical Society by a member of the Dickson family some years ago, it is highly likely that the stand was used for display purposes in the Warrnambool department store of Cramond and Dickson. This store, selling mainly men’s and ladies’ wear, was established by John Cramond and James Dickson in Warrnambool in 1853 in Timor Street and it later moved to Liebig Street, closing in 1973. This stand is of interest as an example of the type of stand used for display in shops early to mid 20th century. It is also significant as a possible memento of the Cramond and Dickson shop which was so important in Warrnambool’s history.This is a shoe stand with a wooden stick or pole tapering slightly to the top and ridged in three places. The pole is mounted on a wooden pedestal which is rectangular-shaped and which is indented to form a smaller rectangular base. A small wooden piece in the shape of a flat bottom of a shoe is attached to the pole with a metal bolt and nut. This enables the shoe piece to remain flat or to be tilted at various angles. cramond and dickson store, warrnambool, history of warrnambool, shoe display -
Ballarat Tramway Museum
Negative, Wal Jack, mid to late 1940's
... Streets. In the background is the R. White shoe store..., Ezywalkin Shoes, Moopers, and other shops. Note the set of bar ...Negative and Digital images of the Wal Jack Geelong Negative file of the Geelong 18 turning from Ryrie into Malop Streets. In the background is the R. White shoe store at the National Mutual building Coles, Ezywalkin Shoes, Moopers, and other shops. Note the set of bar traffic lights at this location. Photo mid to late 1940's. trams, tramways, geelong, ryrie st, malop st, traffic lights, tram 18 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, State Electricity Commission of Victoria (SECV), late 1950's or early 1960
... a Ricksha Paints (pronounced Rickshaw), Allen's Vernal Cake Shop... of photographs. Shows shops and cars. tramways trams Bridge St Stones ...Yields information Bridge Street and the buildings at the junction with Main and Victoria St / Stones corner. Tram parked for some particular reason - see 3807.1 to .3 for a similar set of photographs. Shows shops and cars.Black and White photograph, No. 17 at Stone Corner, intersection of Bridge and Main Streets Ballarat. Parked just past the junction points - reason unknown, see also Reg Item 3803, 3807.1 to 3807.3 - for other photographs of the tram at the same location. Photo late 1950's or early 1960. Also has a number of interesting motor vehicles in the background. In the background a Ricksha Paints (pronounced Rickshaw), Allen's Vernal Cake Shop, Junction Shoes. Roddas, ANZ and the English Scottish Bank of Australia buildings in the view. tramways, trams, bridge st, stones corner, tram 17 -
Glen Eira Historical Society
Document - London Tavern
... Boot and Shoe Repair Shop... and Store'. Shows Boot and Shoe Repair shop at end and two women... Boot and Shoe Repair shop at end and two women outside ...This file contains eight items: 1/A one page typed summary of the history of the London Tavern by (noted in pencil) author J O'Donnell. Includes information on the licensees of the hotel from 1873-1927 (in duplicate) 2/Photocopy of black and white photo of London Tavern c. 1878. Shows sign 'J. Riordan, London Tavern and Store'. Shows Boot and Shoe Repair shop at end and two women outside and horse and buggy on road. 3/Photocopy of black and white photograph entitled 'London Tavern 1935' with handwritten note on reverse by unknown author identifying Mrs. A.C. Scott as Nominee 1929-1969 and identifying a man in the photograph as John Chas (Jack) Scott on left. Car parked at curb. Original print held in album 'Historical Caulfield to 1972'. 4/Half page written note listing the names of Nominees of the London Tavern from 1873-1895. Author unknown; undated. 5/'now&then' article on London Tavern showing three photos (from our files) and brief history. Melbourne Weekly Bayside 22/02/2012. 6/Black and white photograph of London Tavern, established 1886, currently 414 Hawthorn Road. Foreground includes a large crowd with bicycles noted by an unattributed source to be members of Camden Town Sports Club after a bicycle race c.1888. 7/Handwritten note showing John Guess as the proprietor of the London Tavern in 1867 and 1874. Noet is undated and author unknown. 8/Black and white photograph of the London Tavern with a 1970s style car parked in Sycamore Street. Date and photographer unknownhawthorn road, caulfield, london tavern, woods a.j., camden town sports club, gribble c., hotels, sporting clubs, scott a.c., guess john, guess louisa, evans rowland, riordan john, scott mrs., boot and shoe repair shop, vine beer house, balaclava road, hawthorn road, sycamore street, caulfield south, elsternwick, harley susan, mott h, nichols william h, o'donnell j, rosstown hotel, caulfield club hotel, grocer -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, State Electricity Commission of Victoria (SECV), late 1950's or early 1960
... Paints (pronounced Rickshaw), Allen's Verna Cake Shop, Junction... Shop, Junction Shoes. Roddas, ANZ and the English Scottish Bank ...Yields information Bridge Street and the buildings at the junction with Main and Victoria St / Stones corner. Tram parked for some particular reason - see 3807.1 to .3 for a similar set of photographs. Shows shops and cars.Black and White photograph, No. 17 at Stone Corner, intersection of Bridge and Main Streets Ballarat. Parked just past the junction points - reason unknown, see also Reg Item 3802, 3807.1 to 3807.3 - for other photographs of the tram at the same location. Photo late 1950's or early 1960. In the background a Ricksha Paints (pronounced Rickshaw), Allen's Verna Cake Shop, Junction Shoes. Roddas, ANZ and the English Scottish Bank of Australia buildings in the view. Also the signal for incoming trams from Main St, on the post with the tram stop. tramways, trams, bridge st, signals, stones corner, tram 17 -
Ballarat Tramway Museum
Slide - 27 mm sq slide/s - set of 6, Lilian Butler, City area - Sturt St, August or September 1971
... , Ludbrook's shoes and Eyres Brothers shops in the view. .2 - Photo..., Hairdresser, Ludbrook's shoes and Eyres Brothers shops in the view. .2 ...Yields information about the streetscapes of the Sturt St - Grenville St and City Loop.Set of six Colour 27 x 27 mm slide in a Kodachrome cardboard mount. .1 - Sturt St with the Crockers, Hairdresser, Ludbrook's shoes and Eyres Brothers shops in the view. .2 - Photo of a passenger boarding a tram and a young lady leaving the tram on the north side of the City stop with the SEC building in the background. .3 - Sturt St west side looking west up Lydiard St with Coles & Gerrard, Mechanics Institute, Unicorn Hotel and other buildings - taken from the west end of the City loop. .4 - Two trams parked in city loop and one bogie tram crossing Grenville St with the Big W and Dickins Stores in the background. .5 - Tram 21 parked in the City Loop. .6 - Sturt St - city stop with seats shown, passengers waiting, tram stop sign, looking west with the Town Hall on the left hand side and Myers in the background. Slide mount date August or September 1971. Photo from the collection of Lilian Butler.ballarat, tramways, trams, sturt st, tram stops, city, shoppers, passengers, city loop, grenville st, tram 21 -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, Lady's black nylon gloves c1960, c1960
3 pair of lady's black nylon gloves of varying length worn c1960 for outdoor and evening occasions. c1960 Gloves were still worn by women for shopping visiting, and evening functions and the length of the glove indicated its time of use. Gloves were colour matched to shoes and handbags and certain occasions required specific colours eg black for funeral, evening wear or business appointment. Gloves were an essential part of a woman's outfit until c1970 when fashion dispensed with this accessory . Gloves are now worn for warmth of to prevent cross infection of disease. Lady's black nylon gloves a) short length with frill on the cuff; b) medium length with diamante decoration ; c) elbow length with rouching clothing, gloves, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire blackburn nance, dairy farms, fruit orchards -
Derrinallum and Lismore Community Association - History Group
Boot, c.1870
This boot was found hidden in an alcove in a chimney in one of the first houses built in Lismore Victoria during the mid 1860's. The house belonged to scottish born George Ireland Skene who settled in Lismore in mid 1857 with his wife Elizabeth (nee Nelson) and two young children. November 1857 George had built the first blacksmith shop in Grey Street Lismore and then built his house behind the smithy's. Hiding boots in chimneys is well doucumented in folklore. Old brown leather left foot childs boot. In poor condition the leather has dried out and the front centre of the boot along the eyelets has curled into the inside of boot. The holes are in tact but the laces are missing so is the tounge. The leather is stained with a white powder mildrew. The sole and heel has perished and there is a hole in the toe area.boot, shoe, leather, folklore, concealed, chimneys, hidden, magic -
Flagstaff Hill Maritime Museum and Village
Memorabilia - Horseshoe Case, 1906 – 1907
The horseshoes in this purpose-built display case were made by Thomas Alfred Chapman in 1906-1907. Chapman operated a blacksmith’s shop in Mortlake Rd, Purnim, about 15 mins drive from Warrnambool. Chapman made this horseshoe case especially for the 3rd Exhibition of Australian Manufacturers and Products, held in the Exhibition Building in Melbourne, which was organised and promoted by the Australian Natives Association (ANA). Reference is made to the horseshoe case in the Exhibition’s Souvenir Catalogue of 1907 on page 85, under the heading 'In the Machinery Section the following exhibits are also shown … 'CHAPMAN, T.A. , Woolsthorpe, via Warrnambool, Case of Horseshoes'. The Australian Natives’ Association (ANA) were a non-partisan and non-sectarian, friendly society founded in Melbourne, Australia in April 1871. It was set-up for the benefit of Australian-born white men, and membership was restricted exclusively to that group. Men of other races including the Chinese and Indigenous people were not allowed to join. The ANA had relatively progressive views on women (for the time) and attracted suffragists seeking support for their cause, and in 1894, the ANA advocated for women’s enfranchisement. Although, white women were only admitted as members from 1964. The organisation was most prominent in Victoria and sought to shape Australia’s national identity and was a training ground for businessmen, trade unionists and politicians including many of Australia’s early prime ministers such as Edmund Barton, Alfred Deakin, James Scullin and Francis Forde, and the first Australian-born governor-general, Isaac Isaacs, was a member. By 1910 it had developed into a nationwide association with real political and social influence, and members would participate in many activities. The ANA lobbied strongly for anti-Chinese legislation and were an ardent believer of colonial unification. Its mission and efforts are largely credited for the successful referendums that resulted in Federation of the six Australian colonies into a new nation, the association’s most important legacy. The ANA was also a supporter of trade protection, and were a staunch advocate of the first act of Australia's new parliament, the Immigration Restriction Act 1901 (cth) or commonly known as the White Australia Policy, which became one of the central pillars of Australian nationalism in the 20th-century. The ANA campaigned against the Australian Federal Government's new immigration policy after the Second World War (non-British immigration from southern and central Europe) in order to maintain a 'white Australia', and resisted changes when the Labor government during the 1970s fully dismantled and abandoned the White Australia Policy. The ANA merged with Manchester Unity Independent Order of Oddfellows, in 1993 to become Australian Unity Ltd. The display case of horseshoes changed hands several times, going from its maker Thomas Chapman to his mother then various other members of his family. The case was also displayed at the Lee Family’s butcher shop at 188 Liebig St Warrnambool, and in the Purnim Hotel during the Warrnambool May Races. In the late 1950s the horseshoe case went to Thomas’s son, Brian. He was a Master Farrier and completed his apprenticeship at Flemington Racecourse, and in Warrnambool he owned a blacksmith business at the Warrnambool Racecourse Grounds. Brian later operated a blacksmith’s at Flagstaff Hill, where his customers would bring their horses to be shod. Brian passed away in August 2017. The horseshoe case is significant as an example of trades in the early 20th century in Western Victoria, Australia. It is also significant as an example of horseshoes from the early 20th century. The horseshoe display case is also significant for its association with the Australian Exhibition of 1907, showcasing Australian produce and manufacturing to the world. The horseshoe display case is locally significant for its association with local families, essential businesses and community events. Display case of homemade horseshoes. Wooden case with glass front containing 16 horse shoes grouped in sets, each set with a label: Made 1906-1907 for Australian Exhibition of 1907 by Thomas Alfred Chapman of Warrnambool. The case contains (a) complete chrome set each of Trotting Shoes, Hunting Shoes and Racing Plates, and (b) one pair of Hind Polo Shoes and one pair of Front Aluminium Shoes. The wooden frame has gold lettering on each side proclaiming “Australian Natives Association, T.A. Chapman, horse shoer, Warrnambool” and is topped by a painted Australian coat of arms. Gold lettering on frame, in the order of top/bottom/ left/right “AUSTRALIAN.NATIVES.ASSOCIATION / T.A. CHAPMAN / Horse Shoer / Warrnambool”flagstaff hill, warrnambool, shipwrecked coast, maritime museum, shipwreck coast, horseshoe display case 1906-1907, chromed set of trotting shoes 1906-1907, chrome set of hunting shoes 1906-1907, chrome set of racing plates 1906-1907, pair of hind polo shoes 1906-1907, pair of front aluminium shoes 1906-1907, australian exhibition 1907, australian natives association (ana), t.a. chapman horse shoer warrnambool, thomas alfred chapman, brian chapman, brian “snacks” chapman, blacksmith warrnambool, warrnambool may races, warrnambool racecourse, purnim hotel, lee family’s butcher shop warrnambool -
Kiewa Valley Historical Society
Bottle - Beer, 1930s - 1940
Beer came in bottles sold at licensed premises either locally or in larger cities visited during shopping expeditions. The shape of bottles were recycled remaining the property of the manufacturer who paid for their return. History of Manufacturers Bottle Co. of VictoriaHistorical: Change of bottles - shape, glass, embossing. Collected by bottle collectors. Aesthetic: Display showing embossing & shape especially if in good condition.Clear brown glass beer bottle. Straight sides 190 mm from base. Sharp taper to neck which tapers for 90 mm to opening. At top of straight side is a heavily embossed spade (as in cards) shape with M.B. at top and C.V. beneath - both inside spade shape. Bottle made with 2 longitudinal halves. At the bottom near the base is heavily embossed print (in capital letters) around the circumference. At the base is embossed a horseshoe shape.Inside spade shape: M. B. above C. V.. Along the circumference at the bottom "The Property of Manufacturers Bottle Co. of Victoria Pty. Ltd.'. At the base; A horse shoe shape with a pointed curve.bottle, beer, munufacturers bottle co. of victoria, horse shoe shape on bottle, spade shape on bottle -
Kiewa Valley Historical Society
Bottle - Beer, 1940s - 1960s
Beer came in bottles sold at licensed premises either locally or in larger cities visited during shopping expeditions. The shape of bottles changed. Bottles were recycled remaining the property of the manufacturer who paid for their return. People collected bottles to return.Historical: Change of bottles - shape, glass, embossing. Collected by bottle collectors. Aesthetic; Display showing embossing & shape especially if in good condition.Clear glass bottle used for beer. Straight sides half way up and then tapered to the opening. 2 longitudinal joins on opposite sides in glass. Lightly embossed MB and underneath it CV in a spade (as in cards) shape two thirds of the way up. Embossed along the bottom and a horse shoe shape at the base.M.B. with C.V. underneath it on the side. Along the bottom: "This bottle always remains the property of / The Manufacturers Bottle Co. of Victoria Pty Ltd." Horse shoe shape on base.beer, bottle, m.b.c.v., manufacturers bottle company of victoria -
Ringwood and District Historical Society
Book, Richard Carter, From Horses Shoes to High Heels
Ringwood Shopping Centre and Eastland 1858-2008 -
Ringwood and District Historical Society
Photograph - Photographs, Gazette Newspapers, Whitehorse Road shops
Photo of Whitehorse Road looking west from Wantirna Road in January 1975 clearly showing Anderson's Furniture, Speeds Shoes, Flamingo Fashions, Cassari Pizza, Ron Mason's Studio and Guests, in the Main Shopping Centre -
Ringwood and District Historical Society
Photograph, A.E. Walker's General Store, Main Street, Ringwood - c.1910
Black and white photograph of general store. People standing under front veranda and grey horse with cart standing to right of photograph. (2 copies). Signage reads, "A.E. Walker. General Store. Groceries. Ironmongery. Drapery. Boots. Shoes Etc." One photograph is labelled 1910 and the other 1912.Written on backing sheet, "Walker came from Gembrook in 1910. Later sold shop to Capt. Miles. Coffee Palace built either side of shop." -
Ringwood and District Historical Society
Photograph, Whitehorse Rd. Ringwood looking west. 1918
Black and white photograph of street with shops to right of picture. (2 copies) One photograph identified house at top left corner as Station master's house. Signs on shops in picture read, "Eng.Scot. & Aust. Bank", "John Parker, Draper, Clothing, Boots and Shoes", "J.B. McAlpin, Estate Agent", "G.S. Reed, Sadler", "P.J. Dillon, Hairdresser" and "W. Dunkley, Green Grocer, Confectioner".Typed below photograph, "Whitehorse Rd. Ringwood looking west - 1918" on one photograph and, "Main Street, Ringwood. 1918" on the other. -
Ringwood and District Historical Society
Photograph, 86 Maroondah Highway - Ringwood Shopping Centre businesses. 1969
86 Maroondah Highway - Ringwood Shopping Centre businesses including Ringwood Camera Centre, Vereys Shoes, Music Centre, 4-Square Food Store. Written on backing sheet, "May 1969"Written on backing sheet, "May 1969" -
Ringwood and District Historical Society
Photograph, John Parker's Store, Whitehorse Rd. Ringwood - 1908
Black and white photograph of shop. Sign above veranda reads, "John Parker, Draper & Clothier. Boot & Shoe vendor". Main St 40 feet eastTyped below photograph, "John Parker's Store, Whitehorse Rd. 1908". -
Orbost & District Historical Society
black and white photographs, 1980s? (winter months)
All photographs seem to have been takenfrom the Telecom tower on the corner of Browning and Wolseley Streets in Orbost 3259.1 is a view of the Orbost township looking north-east. The swimming pool and bowling club can be seen in the foreground. 3259.2 is aview looking north-west and showing the tennis courts and clubhouse, the Recreation Reserve oval, the Youth Centre, Historical Museum, Municipal Offices, Senior Citizens clubrooms with the fire station in the foreground. 3259.3 is a view looking south with the Shire of Orbost Municipal offices and Ruskin Street in the foreground. Munro Street can be seen running from Ruskin Street to St Joseph's School in the middle distance. Lochiel Park oval, Lochiel House, the Snowy River and highway bridge are in the background. 3259.4 is a view looking south showing the Club Hotel, C.B.C. Bank in the middle distance and Hoffman's paddock (Forest Park) and the Snowy River beyond. 3259.5 is a view looking north-east over houses. 3259.6 is aview over the main street, Nicholson Street.showing the main shopping precinct. Shop signs for Permewans, Williams Shoes, F.B. Dicken and Orbost Bakery can be seen. 3259.7 is a view looking south west and shows Forest park and beyond towards Bete Bolong.These photographs are detailed pictorial records of the township of Orbost.Seven black / white photographs taken from above a township. Chimney smoke can be seen in the photographs.orbost-township-1980s aerial-photograph-orbost -
Orbost & District Historical Society
boot buttons
From A. & D. Munro's bootmaker's shop. Archie Munro came to Orbost and started a boot shop in Cameron's barn where he was Acting Post Master.High button boots became a fashion in the 1870s when hemlines were fashionable at the ankle, rather than dusting the top of the shoe. Previous to the high button boot was the ankle bootie favored by Queen Victoria. They laced up and gave no support to the ankle. But, when the dress hemline inched up a bit, more of the ankle was exposed. So, industrious shoe designers came up with a taller shaft of the boot, fastened with buttons rather than laces. This item is an example of early fashion.Six small black boot buttons on a silver safety pin.buttons costume accesories footwear -
Emerald Museum & Nobelius Heritage Park
Photograph, Emerald Business - Emerald Electrics, c. 1960's
Photograph of Edward Teasdale's shop 'Emerald Electric/Boot and shoe repair' situated on Railway Property, Emerald (which is now the Puffing Billy playground on Kilvington Drive, Emerald. Retail district historyColour photograph of Emerald Electrics Handwritten on back: Donation from Kaye Ure nee Nolan Taken early 1960's C Taken from a slide Original Bootmaker's shop owned by Edward Teadale Railway leasehold propertyedward teasdale, emerald commercial distric -
Eltham District Historical Society Inc
Photograph, Lower Plenty shops, Main Road, c.1976, 1976c
... development over time lower plenty shops main road shoe inn maunder's ...Streetscape development over timeRoll of 35mm colour negative film, 2 stripsAgfa CNSlower plenty, shops, main road, shoe inn, maunder's food store -
Eltham District Historical Society Inc
Photograph, Para Road and Main Road, Lower Plenty, c.1976, 1976c
... Streetscape development over time para road lower plenty shops main ...Streetscape development over timeRoll of 35mm colour negative film, 2 stripsAgfa CNSpara road, lower plenty, shops, main road, shoe inn, maunder's food store -
Eltham District Historical Society Inc
Photograph, Marshall and Neale Beehive Store; Grocers, Drapers, Outfitters; Noorat
Black and white photograph of Alan Marshall parents' store; Marshall and Neale Beehive Store at Noorat featuring drapery, grocery, crockery, cutlery, boots, shoes, fancy goods, flour, chaff, potatoes, pollard.pioneers and painters, marshall and neale, shops -
Warrnambool and District Historical Society Inc.
10 x Labels, J Miners, Early 20th century
J. Miners was a cash draper and outfitter in Koroit Street , succeeding Thomas Nayler. The shop sold millinery in the "Elite Millinery' department . The known date for this business is 1907. The delivery docket tells us that delivery costs were covered for an item costing over one pound. .These labels are of some significance as little is known about this store..1, White rectangular label on adhesive paper with white and dark blue text and space for writing. Some of the text is contained in the borders. It is damaged. .2 Identical to .1 but undamaged .3 Identical to .1 and stained .4 Identical to .1 but undamaged and stained .5 Identical to .4. .6 Identical to .1 .7 Identical to .1 .8 Identical to .1 .9 Identical to .2 .10 Cream rectangular folded card with gold coloured text and a decorative border of leaves. .1,.2,.3,.4,.5,.6,.7,.8,.9.. From J. Miners KOROIT STREET DRAPER, WARRNAMBOOL ELITE MILLINERY. MEN'S CLOTHING. BOOTS AND SHOES Carriage Paid on all Parcels from ( one pound ) upwards. .10 Elite Millinery MODES DE PARIS No.........j miners, draper -
Warrnambool and District Historical Society Inc.
4x Labels, Rome, Early 20th Century
Thomas (Tommy) Rome was a prominent Warrnambool citizen who came to Warrnambool in 1888 and established his footwear shop at 115 Liebig Street in 1907. He retired in 1962. Tommy Rome was also important as the person who recorded songs and skits on an Edison phonograph at the Warrnambool Industrial and Art Exhibition in 1897. These recordings survive today as the earliest surviving sound recordings in Australia.These are labels from a well known business in Warrnambool and so are of some significance..1Rectangular paper label with brown and yellow background, white and brown text and a space for writing. The reverse is adhesive. .2 Rectangular paper white label with dark blue sections, a space for writing and dark blue and white text. The reverse is adhesive. It is damaged. .3 Identical to .2 .4 Identical to .2 ..1 T.J.Rome Liebig St. Warrnambool For Gladstone, Kit & Brief Bags. up=to=date Boot & Shoe Store. .2, .3, .4 THE UP-TO-DATE BOOT AND SHOE STORE FROM, T.J. Rome LIEBIG STREET,WARRNAMBOOL .t.j.rome, boots and shoes, warrnambool -
Anglesea and District Historical Society
Book, Cox & Wyman, Pan Books, The Clue of the New Shoe, 1967
Soft cover novel by Arthur Upfield$5 (Op Shop price)novel, upfield, book -
Melbourne Athenaeum Archives
Theatre Program, Cass & Clothier (Printers), The Sin of Madelon Claudet (film) shown at the Athenaeum Theatre in 1931
... and the shop selling dancing shoes, G.M. Coutie of Elizabeth Street ...With the cover framed, the remaining four pages of the interior of the program remain in the collection. The entertainment commenced with music performed by Rene Breggozzo and Continental String Orchestra, Ballet music from Gounod's Faust and this was followed by a Cinesound Review and a Universal news reel. As usual, in these programs, the entertainment continued with a short movie, Laurel and Hardy in "Beau Hunks" and Wm T Tilden performing in "Volley and Smash". A rendition of the Meditation from Jules Massenet's "Thais" was performed by Rene Bregozzo prior to interval. After interval the main feature "The Sin of Madelon Claudet", starring Helen Hayes and Lewis Stone was shown and the evening concluded with the orchestra playing the national anthem.The program reveals the type of entertainments of people who attended theatres in the 1930s. The classical-style music performed during the evening's movie entertainments tell us that this style of music was very popular throughout the population. The pages of the program have many advertisements for businesses ranging from sewing machines sold by Ward Bros. of North Melbourne (a picture of a treadle machine illustrates the advertisement) to the "Claire" florist of Queens Walk and the shop selling dancing shoes, G.M. Coutie of Elizabeth Street. A theatre program also reveals information about the location where the entertainment is enjoyed.Cover of a program for a film shown at the Athenaeum Theatre September 1931; the image is framed and hangs in Archives room.athenaeum theatre, program, programme, the sin of madelon claudet, helen hayes, lewis stone -
Stawell Historical Society Inc
Photograph, J. Parry General Blacksmith Shoeing Forge at 05 Main Street Stawell
Street scene of Lower Main Street Stawell depicting J. Parry General Blacksmith Shoeing Forge surrounded by three weather board houses. Outside the Blacksmith Shop are people and 2 horses. This photographs records on of the major industries of the horse drawn era.Sepia photograph of a street scene depicting J. Parry General Blacksmith Shoeing Forge and 3 weather board houses with two horses and several males standing around Lower Main St Stawell. Lower Main St. Opposite G.H.R (G. H. Robson) Mon Yards (Monumental Yards)stawell business streetscape -
National Wool Museum
Clothing - 1984 Los Angeles Olympics Men's Opening Ceremony Shirt, c. 1984
On the 1984 Los Angeles Olympic Uniforms donator Doug wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. When the forthcoming Los Angeles Olympic Games was announced, the Product Marketing Group seized upon the chance to show the world that we could make top fashion garments and display them on our elite athletes on the world stage. A concept was launched using a contemporary top designer, Adel Weiss, with the most exclusive fabrics and knits available, and all with a lot of hype. This launch failed dismally for the following reasons- - The designer did a wonderful job presenting an excellent fashion range on perfect skinny models. The AOC however wanted a uniform which had an obvious Australian appearance when fitted to elite, and frequently muscular, athletes. - The fabrics chosen did not reflect the performance required by travelling athletes, there was no recognition of the need for ‘easy care.’ - There was no recognition given to the problem of measuring, manufacturing and distribution of a range of articles when the selected athlete could be domiciled anywhere in Australia. - There was no appreciation of such historical facts as Fletcher Jones, who had been unofficial suppliers dating back to the 1954 Olympics in Melbourne, and the Fletcher Jones board member, who was also an AWC board member, and was not in favour of the change. The project passed from Product Marketing to Public Relations, a big spending off-shoot of the AWC Chairman David Asimus, and due to the day to day operations of the project was passed to me and PR took care of the financial matters. The first task was to meet with the AOC and find out exactly their requirements. This lead to the production of a design and manufacturing brief, cointaining exact time lines for each event required to ensure an appropriate uniform on every athlete chosen to represent his/her country on the date given for the Opening Ceremony in Los Angeles. Working backwards the timeline becomes- 1. Noted the exact date of the Opening Ceremony. 2. Estimated the date for distributing completed garments to each athlete. 3. Estimated the time span available for measuring each athlete and commence making each component of the ensemble to the individual measurements of each athlete. 4. Decided the date for making the final choice of uniform design concept. 5. Decided the date for distribution of the design brief to selected designers. These five steps were spread out over a two year period. The Commonwealth Games occur midway between each Olympic Games, work on the Olympic uniform commences the week after the Commonwealth Games closing ceremony and MUST be ready by the prescribed day two years hence. The project also had to remain cognisant of trade politics existing within the span of the task, as well as the temperament of designers in general. It is no overstatement to say that in the past every designer in Australia believed they could, and should, be chosen to design the Australian Uniform. The final choice of designer almost always faced criticism from the fashion press and any designer who had been overlooked. However, with the contenders receiving an exacting brief the numbers of serious contenders greatly reduced. The Los Angeles Olympic Uniforms. A further reason for the AWC bid failure to design the LA uniform was that the AOC had already chosen Prue Acton to design it. This was based on her proven performance during previous games as she had a talent for creating good taste Australiana. Her design concepts also considered the effect when they were viewed on a single athlete as well as the impact when viewed on a 400 strong team coming on to the arena. A blazer trouser/skirt uniform in bright gold was chosen for the formal uniform. It was my task to select a pure wool faille fabric from Foster Valley weaving mill and have sufficient woven and ready within the prescribed timeline. The trouser/skirt fabric selected was a 60/40 wool polyester plain weave fabric from Macquarie Worsted. This fabric had a small effect thread of linen that was most attractive when dyed to match some eucalyptus bark Prue had brought back from central Australia. For the Opening Ceremony uniform, Prue designed a series of native fauna, a kookaburra for the men’s shirt and a pleated skirt with a rural scene of kangaroos, hills and plants. This presented an insurmountable printing challenge to the local printing industry as it had an unacceptably large repeat size and the number required (50) was also commercially unacceptable. The solution was a DIY mock up at RMIT and the employment of four student designers. The fabric selected for this garment was a light weight 19 micron, pure wool with a very high twist yarn in alternating S and Z twist, warp and weft. This fabric proved to be the solution to a very difficult problem, finding a wool product which is universally acceptable when worn next to the sin by young athletes competing in the heat of a Los Angeles summer. Modifications to this fabric were developed to exploit its success when facing the same problem in future games. Garment Making- The most exacting garment in the ensemble is the tailored blazer, plus the related trouser/skirt. Unfortunately tailoring athletes that come in various shapes and sizes such as; - Weight lifters develop an enormous chest, arms and neck size. A shirt made to a neck size of 52 would produce a shirt with cuffs extending well beyond the wearer’s hands. - Basketball players are up to 7 feet tall and garments relying ona chest measurement grading would produce a shirt with cuffs extending only to elbow length. - Swimmers develop enormous shoulders and slim hips, cyclists by contrast develop thighs I liken to tree trunks and a uniform featuring tight trousers must be avoided at all cost. Suffice to say many ensembles require specialist ‘one off’ treatment for many athletes. Meanwhile there is a comfortable in between group who can accept regular sizes so you can cater for these by having back up stock with plenty of built in contingencies. Athletes may be domiciled anywhere in Australia, this creates a fundamental problem of taking their measurements. The Fletcher Jones organisation was key to answering this problem due to their presence in every capital city, as well as many provincial towns around Australia. Each athlete on being selected for the Olympic Team was simultaneously requested to visit their nearest Fletcher Jones shop. The standardised measurement data collected was shared with the other manufacturers, e.g. Pelaco Shirts, Holeproof Socks and Knitwear, Maddison Belts, and even Hush Puppy Shoes. As the time for the Games approached the AOC made arrangements for combining meeting of all. Selected available athletes at the Australian Institute of Sport, Canberra, where, among other things, they were fitted and supplied with their uniform. The method evolved as follows.Men’s cream coloured button up, collared shirt. Images of a kookaburra have been printed onto the shirt, a single kookaburra on the left breast and a pair of kookaburras on the reverse of the shirt. The kookaburras are printed in a brown tone to complement the cream colour of the fabric.On tag - FMaustralian wool corporation, 1984 los angeles olympics, olympic uniforms, men's uniforms, sport, athletes