The stencil set has signs of use, with ink on the metal and paper stencils, and in the mixing lid and the block and tube of ink have been used too. The larger brush in this set is labelled "rubber set". The phrase is not to be confused with the 1900-1950s firm Rubberset but ''rubber set" is the process of setting the bristles of a brush into rubber to keep them together and hold them in place. This stencil set once belonged to Dr William Roy Angus. He habitually labelled his possessions with his name - this stencil set may have been used for that purpose. This set is now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus, 1901-1970, surgeon and oculist. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Force. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This stencil set is an example of objects belonging to Dr. W. R. Angus, 1901-1970, surgeon and oculist. It shows the keeness of the owner to label his posessions. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Stencil set with 27 metal cut stencils of the 26 letters of the Alphabet plus an ‘&’, and a metal clip to hold the set together (.1 - .28). The set also has two wooden handled brushes (large with a purple band .29, small with grey band .30) a solid block of black ink and a tube of black paint (.31 and .32) in a green tobacco tin, and a round metal lid used for mixing the inks. The set is contained in a vintage wooden cigar box with a hinged lid. Another stencil (8452.33) is made from stiff waxed paper and reproduces the medical symbol [serpent wound around a rod or cross]. This set is part of the W. R. Angus Collection.Stamped on a large brush "PURE BRISTLE" "RUBBER SET" and a logo (looks like the head of an animal) On small brush "- - - ER" On the wooden box lid and inside the lid "EL VUELO" within a round logo with leaves, "MANILLA LEAF" and on the long side "PERLAS" "25" On wooden box end handwritten in pencil "STENCIL" On ink in a tin "The "GREYS" "SILK CUT VIRGINIA TOBACCO" On the round lid "‘Cellona’"flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, flagstaff hill maritime museum and village, dr w r angus, dr ryan, w.r. angus collection, stencils, stencil set, bristle brushes, rubber set brush, metal stencils, waxed paper stencil, black ink block, black ink tube, stencil ink, labelling equipment, el vuelo, manilla leaf cigars, the greys, virginia tobacco, silk cut virginia tobacco

This crate of bottles may have come from a wholesaler, business, stationer or school. The design of the bottles is sometimes called a ‘cottage’ or ‘boat’ shape. Each of the 70 Caldwell’s handmade glass ink bottles was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This large collection of similar ink bottles is of particular significance as the bottles have come from the same source, most have their original corks and some retain their original labels, which is rare. The method of manufacture of these bottles is also representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottles and their contents are of state significance for being produced by an early Melbourne industry and exported overseas. This case of ink bottles is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Ink bottles in a wooden crate; 70 rectangular, hand-blown clear glass ink bottles. They have side seams, uneven thickness, especially at the bases, and rough, burst-off mouths. The shoulders on the long sides have horizontal grooves used for pen rests. The bottles vary; some have labels, some contain remnants of blue-black ink, and many have their original corks. The glass has bubbles and imperfections. The remnants of printed labels are on white paper with a swirly border and black text. The bottles contained Caldwell’s blend of blue black ‘Flo-Eesi’ ink.Printed on label; “CALDWELL FLO-EESI BLUE BLACK INK” “ - - - - “ Printed script signature “F.R. Caldwell”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, flo-eesi, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture

This shaped ink bottle made by Caldwell's is called a 'boat ink bottle'. It was shaped especially to hold a nib pen when the pen was not in use. The design of the bottle is sometimes called a ‘cottage’ or ‘boat’ shape. The Caldwell’s handmade glass ink bottle was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This pen and ink bottle set is of significance as the bottle has its original cork and retains remnants of ink, which was made from a recipe that at the time was over 100 years old, according to Caldwell.. The handmade, mould blown method of manufacture is representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottle and its contents are of state significance for being produced by an early Melbourne industry and exported overseas. The pen and ink set is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Victorian boat ink bottle; small rectangular clear glass ink bottle with horizontal grooves made in the glass for resting and holding the pen. The set includes one pen and nib with the bottle and cork. The bottle is made by Caldwell's and contains its Flo-Eesi Blue Black Ink brand."Caldwell's Flo-Eesi Blue Black Ink."flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, flo-eesi, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture

This design of the bottle is sometimes called a ‘cottage’ or ‘boat’ shape. The Caldwell’s handmade glass ink bottle was mouth-blown into a three-piece mould, a method often used in the late 19th and early 20th centuries, with the maker's name engraved into the mould section for the base. The glass blower would cut the bottle off the end of his blowpipe with a tool and join a mouth onto the top, rolling the lip. The bottle was then filled with ink and sealed with a cork. This method of manufacture was more time-consuming and costly to produce than those made in a simple two-piece mould and 'cracked' off the blowpipe. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. This particular bottle is unusual as it has four sloping indents at the corners of the shoulder, most likely for resting a pen with its nib upwards and the handle resting on a flat surface. Most of the bottles made during this era had horizontal pen rests that were indented into both of the long sides of the shoulder. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. This only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This hand-blown bottle is significant for being the only bottle in our collection with the unusual sloping pen rests on its shoulder. It is also significant for being made in a less common three-piece mould. The method of manufacture is representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottle is of state significance for being produced by an early Melbourne industry and exported overseas. This ink bottle is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Ink bottle; rectangular base, hand-blown clear glass bottle with its own cork. The bottle has side seams from the base to the mouth, an indented base and an applied lip. The corners of the shoulder sides have unusual diagonal grooves that slope down and outwards that may have been used as pen rests. Inside the bottle are remnants of dried blue-black ink. The glass has imperfections and some ripples on the surface. The bottle has an attached oval black label label with gold-brown printed text and border. The base has an embossed inscription. The bottles once contained Caldwell’s blend of blue black ink.Printed on label; “CALDWELL's BLUE BLACK INK” Embossed on the base "CALDWELLS"flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture, three part mould, cauldwells, cauldwell's

The design of the bottle is sometimes called a ‘cottage’ or ‘boat’ shape. This handmade glass ink bottle was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy.This ink bottle still retains its original cork. The method of manufacture is representative of a 19th-century, handcraft industry that is now largely replaced by mass production. The ink bottle is historically significant as it represents methods of handwritten personal and business communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Victorian 'boat' shaped ink bottle; small rectangular clear glass ink bottle with grooves in shoulders for holding pen. Bottle has side seams and a 'burst-lip'. The bottle retains its cork.flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, stencil ink, copy ink

Typists used carbon paper to make copies of letters and documents.These stencils were used in the SECV office on the Kiewa Hydro Electric Scheme where Jan Burnett worked.Large cream and red cardboard box with 10 Gestetner Typing Plate with carbon and backing sheets. Each group of papers is attached to a single paper with green stripes with random looking holes. On cover of box in red 'Durotype 62'Side of box in blue ink 'stencils'gestetner. typist. carbon paper. stencils.

26 page, single sided stencil ink duplicated document of the Ballarat Tramway Preservation Society Constitution, with two and half pages of forms or schedules. This document was based on the Australian Railway Historical Society Vic. Div. and largely prepared by Shane McCarthy. Note reference to Ballarat Resident members and Councillors Was the basis of the Articles of Association of the BTPS Ltd. prepared during 1973. Understood to be prepared during 1971. Stapled in top left hand corner, with two punch holes on left hand edge."Shane McCarthy" in pencil on top right hand side in what appears to be George Netherway's hand writing.trams, tramways, btps constitution, btps, constitution

1. Box, Wooden. The top is partially covered. It has a wedge shaped wooden door. 2. The "door" is held in place by a 5mm vertical pin with a 'T' piece handle. 3. Inside the box is a tin liner. It has an opening of 147 x 150 mm. It also is slightly wedge shaped. The box has 90 deg brackets screwed on each corner. The thickness of the timber is about 12mm. The two rope handles are sisal. Originally a cord held the pin to the box.Box top - “9205” stencilled in yellow ink. Box side - “Gross 98” Box front - Remnants of a paper label. You can see “W ^D” and part of word “Cart”(ridge). ww2, ammunition box.

Stanley Couzens of the Wathourong community was commissioned by Geelong Wool Combing Ltd to create a painting of the You Yangs and Corio Bay to be reproduced on a jumper. The jumper itself was designed by Jeni McMahon using Merino wool from her property McMahon Farm Pty Ltd. Jumper and miniature wool bale packaging were presented as a gift at the opening of the Geelong Wool Combing LtdSynthetic miniature wool bale packaging containing jumper. Miniature wool bale features two stenciled design with black ink. First stencil reads "Pure Australian Wool" with Woolmark logo. Second stencil reads "A Gift From Geelong Wool Combing GWC". Small tag on bottom right corner reads "XL". Has two removable staples closing top opening. Woolen Jumper inside contains red, mustard, green and cream colours depicting Indigenous artwork. Features two stenciled design with black ink. First stencil on front reads "A Gift From/ GWC/ Geelong Wool Combing ". Second stencil on back reads "Pure/ Australian/ Wool" with Woolmark logo above. Small tag on bottom right corner reads "XL".

The incomplete set of copper stencils was used some time ago to print Old English letters. They still have the remains of black ink on them. The user places the stencil on top of the surface to be labelled, then paints, rolls or brushes ink onto the surface of the stencil, allowing the ink to cover the surface that is exposed by the cutout in the stencil. Stencils in a variety of materials have been in use for thousands of years to reproduce images and letters; examples include wood, metal, cardboard, paper and wax. The box once contained a Silver Stork brand feather pen.The stencil set represents a form of manually produced printing and labelling. The process has been used Stencils, copper; twenty-two stencils of the old English alphabet, stored in a pale green cardboard rectangular box that once contained a feather pen called The Silver Stork feather pen. Box is labelled "The Silver Stork" "A Scribbling Pen" Image; [a feather' with text "Silver Feathers" flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, stencil set, copper stencils, silver stork, feather pen, printing, labelling, reproduction, stencilling

Equipment part of D. Hutchinson collection 1. & 2. Kit bags - dark green colour canvas fabric, long cylinder shape with closed circular bottom. Top has internal flap and eight brass grommets to allow closure by a drawstring rope. Canvas loop at bottom edge. Manufacturers information - inside bag.Manufacturers details - stencilled in black ink. 1. "RFD CO. AUST PTY LTD/ 5465-06-023-S411/ 1975/ ^ ". 2. "C.S.L. 8-165-66-023-8111/ 1986/ ^". Handwritten black ink pen - 329243 / RADCLIFFE.d. hutchinson, kit bags, army equipment

Wooden Box, used for packing horse shoe nails, open top, clear varnish, labelled with manufacturer's details.Capewell Horse Shoe Nails, Trademark, Manufactured in Great Britain by the Capewell Horse Shoe Nail Co Ltd England. No 7 Horse Nails, Over stencilled with black ink or paint: "Net 100 lb, Gross 116 Full (?) Hunter"box, light horse, horse shoe nails, capewell horse shoe nail co, packaging

A brown paper packet of Capewell horse nails. It is 18 centimetres long nine centimetres wide and six centimetres heigh. Stenciled on in black ink or paint is CAPEWELL HORSE NAILS, Capewell trademark, MADE IN ENGLAND FIRST IN QUALITY, FIRMEST IN HOLING POWER, 5lbs. THE BEST IN THE WORLD, SMALL HEADS. The nails are five and a half centimetres long.numerous small numbers written with pencilhorse shoe nails, capewell horse nails

This Gestetner Cyclostyle duplicating machine was invented and manufactured by David Gestetner. He claimed in 1922, once he had released several models, that if a Gestetner Durotype stencil was used together with his Cyclostyle machine, then 10,000 copies could be made from the one Durotype stencil, an amazing claim for office technology of that era. David Gestetner (1854-1939), was born in Csoma, Hungary. He has been called the “founder of the worldwide office copying and duplicator industry.). He moved to London and in 1879 filed his first copying patent. In 1881 he patented the Cyclostyle stylus (or pen), which was used in conjunction with his Cyclograph device for copying text and images, He established the Gestetner Cyclograph Company in England at this time (1881) to protect his inventions and to produce his products; stencils, stylos (stylus or pen) and ink rollers. HIs inventions included nail-clipper and the ball-point pen (although the latter is more commonly associated with Laszlo Biro). Gestetner’s patented Cyclograph duplicator was used with his Cyclostyle Stylus or pen to write or draw on special thin wax-coated stencil paper (originally used for kite making paper) in the following way; 1. The Cyclostyle stencil was placed on a lower, framed metal plate of the Cyclograph 2. An upper frame was clipped over the top 3. The Cyclostyle pen, with its tip being a small metal-spiked or toothed wheel, was used to write or draw on the stencil, punched small holes into the paper and removed the wax coating in those places 4. The upper frame and stencil was then removed and a piece of blank paper was placed onto the metal plate in the lower frame and the upper frame with stencil was replaced 5. A roller was given an even distribution of Cyclostyle ink and rolled by hand over the stencil in the frame. This forced the ink through the holes in the stencil to and made a copy of the stencil on the paper 6. The upper frame was raised, the printed paper removed and another blank sheet was put into place. The whole process was repeated until enough copies were made. Gestetner’s invention developed further in 1894, with a stencil that could be placed on a screen on a revolving drum. The drum was manually rotated, the stencil then wrapped around another drum and was fed between cloth-covered rollers on which ink was evenly spread. Each revolution of the drum forced ink through the holes in the stencil and transferred the ink onto paper that had been fed between rollers and pressed against the drum. The process was repeated for each page. The paper was still fed and removed manually in this earlier invention but became more automatic in later models. In 1902 Gestetner duplicator model 6 was put onto the market. This model included the improvement of an automatic paper feed that synchronised with the rotation of the stencil. The Gestetner machine was the first office printing machine. It was easily installed and it made exact copies of the sane document quickly, effectively and inexpensively. This changed the way offices operated, making information easily available to many more users. The machines were commonly used in small businesses, schools, churches, clubs and other organisations for the wide distribution of a wide variety of information in the form of worksheets, newsletters and more. In 1906 the Gestetner Works were opened in Tottenham Hale, North London, and thousands of people were employed there up until the 1970’s. Due to the fast growing success of the Gestetner Duplicator machines many international branches for sales and service centres were established. David Gestetner was succeeded by his son Sigmund, followed by his grandson’s David and Jonathan. Further advancement was made by using a manual typewriter with specifically designed stencils. The end product was a printed, typewritten copy similar to the print from newspapers and booklets. In the next few years there were further developments of this revolutionary invention. The Gestetner Cyclostyle duplicator in our Collection is dated c.1922 - 1929 and it uses Gestetner Durotype stencils The 1922 British Industries Fair’s catalogue contained advertising for the Gestetner Rotary Cyclostyle “The World’s Premier Duplicator”, demonstrated at Stand K 86.” A Notice at the foot of the advertisement’s page boasts "Important - D Gestetner's latest invention, the "Durotype" Stencil, enables you to obtain 10,000 copies from one original if desired. It contains no wax of any description, is indestructible, can be stored indefinitely and printed from as required” In 1929 the look of the Gestetner machines changed; American designer Raymond Loewy was invited by Gestetner to improve the look of his duplicators, resulting in a very streamlined appearance. Eventually, around 1960’s, offices replaced their Gestetner with small photocopying machines and printers. Gestetner took over ownership of other office machine companies over time, including Nashua, Rex Rotary, Hanimex and Savin and eventually all came under the holding company name of NRG (Nashuatech, Rex Rotary and Gestetner). In 1996 Ricoh acquired the Gestetner Company, and it was renamed the NRG Group. REFERENCES Cyclostyle, Stencil Duplicating Machines, antique Copying Machines, Early Office Museum, http://www.officemuseum.com/copy_machines.htm Duplicating machines, Wikipedia Duplicator, Collection online, Canada Science and Technology Museums Corporation http://techno-science.ca/en/collection-research/collection-item.php?id=1989.0229.001 Gestetner duplicators, Totterham-Summerhillroad.com http://tottenham-summerhillroad.com/gestetner_duplicators_tottenham.htm Gestetner Duplicator, V&A Museum http://collections.vam.ac.uk/item/O322014/gestetner-duplicator-duplicator-loewy-raymond-fernand/ Gestetner, Grace’s Guide to British Industrial History, http://www.gracesguide.co.uk/Gestetner Duplicating machines such as this one revolutionalised access to copies of printed material, changing the way that educational bodies, offices, small businesses and community clubs and charities operated.Duplicating machine, Gestetner Cyclostyle Durotype, a stencil-method duplicating machine with two rotating drums plus rollers. Hand operated, tabletop office machine. Front has folding Bakelite handle, oil filling hole, calibrating gauge with scale, and copy counting meter. Right side has printed manufacturer’s plate that slides out as a paper output tray. Left side has metal plate with protrusions and perforations, plus another similar plate that is detached. It also has a metal frame attached [that would have been used to hold a paper input board, adjusted for various sizes of paper]. Cover, metal, with folding wooden handle on top, attaches to base with metal clips. Inscriptions printed on machine, mostly in gold-coloured paint. Round metal manufacturing plate is stamped with Serial Number 95759. Made by D. Gestetner, London, c.1922-1929Maker’s plate “MANUFACTURED / BY / D. GESTETNER LTD, / No. 95759 / CYCLOSTYLE WORKS / TOTTENHAM HALE / LONDON, N” Copy counting meter shows “1 4 6 4 8 [space]“ copies. Calibrating gauge has divisions with numbers “0 1 2“, labelled “← [left arrow] “TO PRINT LOWER” and “→ [right arrow], TO PRINT HIGHER”. “The Gestetner”, “Cyclostyle”, “Gestetner” (Trade Mark), Right side print of manufacturing details includes “The / Gestetner / TRADE MARK” And “THE FOLLOWING TRAFE MARKS / - - - OF INK, STENCILS / - - - AND GUARANTEE OF PERFECT / - - - BOTH - - - AND MACHINE” and “CYCLOSTYLE / DUROTYPE / GESTETNER” and “D. Gestetner” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, office machine, copying machine, gestetner machine, duplicating machine, duplicator, stencil machine, gestetner cyclograph company, cyclograph, cyclostyle, d. gestetner ltd, gestetner durotype stencils, gestetner cyclostyle, printing machine, office technology, durotype stencils, david gestetner, raymond loewy, roneo, rotary duplicatorten, mimeo, mimeograph machine, roneograph copier

This religious tract gives context in what was contained in Victorian mental asylum libraries at the turn of the 20th century. Reprint. Hardback. Blue cloth-covered boards. Gilt lettering on spine. Spine ends worn. Book title is worn away on spine. White flowers and green leaves stencilled on front paste down. 190 pages. Foxing and some finger-marks to page edges. D3 written in ink on the cover page. Some tears and fraying from use. religious text, religion

Presented to MTSV by seafarer Bosun Tomovs from the vessel Irongate, registered in Monrovia, Liberia who created this memento miniature and presented it to Chief Manager Sue Dight, on the occasion of his visit to the MTSV, Melbourne.The seafarer who created this object has presented similar objects to Missions to Seamen wherever he has come ashore and used the services. The object forms a connection through the creator with the Mission network across the globe. It is also a representative sample of creativity aboard ship: model making was often a hobby to kill time on long journeys.small red painted and white corded life buoy with inscription in black paint.side a) In Upper Case stencil: " IRONGATE / MONROVIA " Side b) handwritten in black ink: "04.09.2018 / BSN TOMOVS / BULGARIA"lifebelt, life preserver, miniature models, life buoy, bosun tomovs, irongate ship, gift, buoy, hobbie, seamen, sailors, seafarers

Rectangular cardboard stencil with the letters 'C.C. TAFE' which has been inked in red.collingwood college of tafe, stencil, nmit

Oliver Lewis Randell (1836-1/7/1899) was a Welshman who began in Ballarat in the 1860's before moving to the Bendigo goldfields in 1871. He was a speculator and one of the first members of the Bendigo Stock Exchange. He had large stock holdings throughout the state, including at the time of his death, 2000 shares in the New Chum Mining Co., and 1000 shares in the North Duke Mining Co., both of BendigoThree metal stencils. Brass frame with gold outer edge and oval shape in centre. Name O.L.Randall in one stencil and two with initials OLR in centre. Bailey Bros in left hand corner Engravers in right hand corner Chancery Lane in bottom left hand corner London WC in bottom right hand corner. Cardboard square with Logo on engraver in purple inkstencils, o.l. randall

Flour bags were used when purchasing flour from the late 19th century to the mid 20th century. In Melbourne, McAlpin's were one of the best known suppliers of self-raising flour. The business first began as a bakery in 1879 and was taken over in 1959. This is a good example of a flour bag from a well know Victorian supplier prominent in the early twentieth century.Calico flour bag for McAlpin’s self-raising flour. The stencil on the bag is very faded especially where red ink has been used. It includes an image of mountains and fir trees in green ink and a stalk of wheat sweeping up from bottom right to top / middle left in red ink.McAlpin’s (faded red) CONTAINING AEROPHOS’, PHOSPHATE AERATOR, SELF-RAISING, FLOUR (faded red), “THERE’S NO OTHER” Faded red square with writing …. CALCIUM …. Faded red triangle with T inside it to the far right of the trees Faded red writing at the bottom of the bag: PREPARED WITH PHOSPHATE AERATOR, AEROPHOS 25 LBS NET flagstaff hill maritime museum and village, great ocean road, shipwreck coast, calico, domestic object, textile, food storage, flour bag, mcalpin's, self-raising flour

This cheese box stencil is part of a large collection of items from the Uebergang family relating to early dairying in Allansford, Victoria. The Uebergang collection as a whole is of local significance according to the following criteria: .Potential to yield information that will contribute to an understanding of Victoria's cultural history .Strong or special association with a particular community or cultural group for social, cultural or spiritual reasons. .Special association with the life or works of a person, or group of persons, if importance in Allansford's history.(Lesley Alves December 2009)Rectangular copper cheese box stencil, P.W.Uebergang- Tooram Cheddar Factory, Western District. 6mm round hole in top left corner.Imprinted Makers name - Quirk & Morton, 411-415 Lt Bourke St, Melbourne. Catalogue number yellow sticker 015, Ink 015.1 Stencil - P.W.Uebergang, Tooram Cheddar Factory, Western District.tooram, cheese factory, dairying, stencil, uebergang, allansford, cheddar factory

Ruby Wilson was related to the Wieland family through the marriage of her sister Amy Ellen Thelma to Stanley Wieland.Blue covered book with black stenciled picture of gum tree , koala , kangaroo and kookaburras.All pages filled with hand writing and drawn pictures In ink on back the name Wilson.

Displayed in History House. Portland Town Council?Sepia photograph of interior of room with wooden floors and ceiling. Pale-coloured walls. Three tall arched windows on each side (left and right) and fireplace in centre of rear wall. Single central light suspended from ceiling. Paintings and framed photographs on wall, wooden benches along 3 walls and at front left and right, with large central table and 10 chairs in centre of room. Mounted on buff card with decorative stencil.Front: Yeoman & Co. Extra copies can always be obtained. Royal Arcade melbourne. (ink stamp, centre right). Back: Yeoman & Co. The popular photographers, Royal Arcade Melbourne. [.....] Prahran, Richmond, Carlton and South Melbourne (purple ink stamp, centre left).portland town hall, local government, administration

These shell cases were donated along with other items from the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The Church was operated by the Mission to Seamen organisation. The symbol of the broad arrow on the base of the shell case signifies that it was owned by the Australian Army. The dates of the shell cases - 1940 and 1941 - link the shell cases with World War II. Both cases' headstamps have "N", which could indicate that they were made for use by the Navy. Shell Case 1298.01: The headstamp code on the label "MEC" means that it was made by the Explosives Factory Maribyrnong - Cordite Annexe, Maribyrnong, Melbourne, which made cordite propellant for cartridges and shells. Shell Case 1298.02: The headstamp "MF" indicates it was made by the Small Arms Manufacturing Factory in Footscray, Melbourne, and the stamped year was 1941. THE MISSIONS TO SEAMEN (Brief History): - The Missions to Seamen was an Anglican charity that has served seafarers of the world since 1856 in Great Britain. Its symbol is a Flying Angel, inspired by a Bible verse. Today, there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000, the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres, such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943, a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. These shell cases are significant for their relationship with the Australian Army in general and in particular with the defence of Australia during World War II. The may have also been made for the Navy. Their significance is increased by their association with the Williamstown Missions To Seamen, which donated them to Flagstaff Hill in 1979, an organisation that has supported seafarers for many years.Shell case: two brass 4" rimmed shell cases with headstamps (inscriptions) on the base plate around the firing pin three holes evenly spaced around the centre of the base. A label is attached to one shell. The shell cases are part of the St. Nicholas Seamen's Church Collection. Shell Case 1298.01 - Printed stamp “P.2BT” “M.E.C.111” “I.E. 10/43”. Stamped into base “N”, “1940” “W [within lozenge]”, “S” symbol [Australian Government Arrow] “360“ . Around firing pin “MF I 422” “ME” “II” “4 I N” “5-“ ”MF [within rectangle]” “f” “B – [within circle]”, Shell Case 1298.02 - headstamp “N 1941 MF / F symbol [square box] LOT 679”, [in oval] 101 / 4 / S /U2) M GUNS 7 “, symbol [Australian Government Arrow], Stencil [in red circle] “B J”, symbol [Diamond with line top to bottom] Stamped in red ink “R5G 11 1 2B7”flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, munitions, shell case, ammunition 1940, ammunition 1941, firearms, cannon, australian government, borad arrow, australian army, wwii, world war 2, australian defence, australian ordinance, small arms manufacturing factory, explosives factory maribyrnong, cordite, world war ii, ww2, 1940, 1941, defence, n headstamp, footscray

Set of 12 Australian Railway and Locomotive Historical Society Bulletins for the period January 1946 to December 1946. Each page has been stencil duplicated. Index sheets for the journals at the front of the documents. The sheets have been placed in a heavy flysheet and then placed in "The Riven" red coloured spring back binder. Has "J E MAND" written in ink on the front cover.arhs, arlhs, bulletin, journals, railways, tramways, history

Letter produced by stencil or Gestetner process, dated 13/9/1971, by the City of Ballaarat, inviting Mr. L. J. Denmead to a Civic function to mark the occasion of the closure of the Ballarat Tramways on 20/9/1971. Printed onto quarto duplicator paper, with the name of the invitee written in using black ink. Has the City Crest, address, telephone number. Letter gives the details of the function, the occasion and that the newly appointed Chairman of the SEC, Mr. N. R. White will be attending, along with the Mayor, Cr. J.A. Chisholm and the Mayor of Sebastopol, Cr. N. F. Donald. Members of both council were to attend."Mr. L. J. Denmead"trams, tramways, closure, civic functions, city of ballaarat, sec

1239.1 - Notice to BTPS members about a Social Meeting to be held at St. Cuthbert's Church Hall, Sturt St. West on 27 Jan. 1972. Notes an inspection of the proposed track to Wendouree Parade and work commenced on the depot foundations. Signed by Hal Cain, President. Printed on pink paper using Stencil process. 1239.2 - Appeal form or notice to members, seeking funds to cover the cost of acquisition of tram No. 33, ($750) and transport ($450) from Hamilton. Gives notes on history of 33 in Hamilton. Donations to be sent to the Treasurer, Mrs. Dean in Box Hill. Gives date of return of tram 33 to Ballarat as 28 April 1977. Printed on yellow paper with duplicator process.1239.2 has "Nancy's" in top right hand corner in blue ink.museums btps, appeals, hamilton, social meetings

Foolscap, stencil cut printed sheet with a joint statement by the Tramway Museum Society of Victoria (TMSV) and the Ballarat Tramway Preservation Society (BTPS) about tramcar preservation in Victoria. Covers the aims of both groups. Printed Dec. 1971, signed by Tony Cooke Public Relations Office of the TMSV and Paul Nicholson, Publicity Officer, BTPS. Has two punch holes on the left hand side and has been folded into four."GN" in black ink and "21/12/71" in pencil in top right hand corner.museums btps, tmsv, tramcar preservation, public relations

12 issues of BTPS Newsletter, titled "Information for Members and Interested Parties" from Oct. 1971 to May 1973, with sales sheets and other sheets. All printed, unless noted otherwise, on stencil duplicator using white duplicator paper, foolscap sized sheets. Listed by Neville Gower 10/98 on cover sheet. Some signed by Paul Nicholson Publicity Officer, some noted as edited by N.Gower. Oct. 1971 -pp2 - plus appeal for financial assistance Dec. 1971 - pp2 Jan. 1971 - p2 Feb. 1972 - pp2 - plus list of "Tramcar allocations in Melbourne 1/1/1972" - pp2 ( 2 copies) (with heat sensitive paper copy of this list, stapled in top left hand corner - pp2) Mar. 1972 - pp2 - plus list of disposal of SECV Ballarat tramcars - pp2 April May 1972 - orange paper, plus supplementary foolscap sheet on green paper, for "Bring back 39 to Ballarat", "Sales Department list" and "Driving Training" expression of interest. (2 copies) June-July 1972 - pp2 (2 copies)(copy imaged) September 1972 - pp2 - plus appeal for BTPS funds, p1 on yellow quarto paper. November 1972 - pp2 - plus sales items, 2 sheets, one on blue quarto paper December 1972 - pp2 - plus sale items, pp2 February 1973 - pp2 plus sales items pp2 on light blue paper May 1973 - pp2 plus sales items pp2 on light green paper, with advertisement of Jack Chadwick, Manager of B.V. Menswear Store of 251 Chapel St. Prahran. various notes, dates received, "Noelene's copy" and other notes on some issues in pencil and ink.museums btps, btps newsletters, publicity, sales items

Demonstrates the last timetable issued for Ballarat Tramways and yields information about tram services.285 - Three page photo copy of the final timetable for tram services in Ballarat for the SECV issued March 1970. Page 1 - Sunday, p2 - Saturday, p3 - weekdays. Gives IN and OUT times for each route and notes if from depot etc. Understood to be SECV photocopy. 285.1 - ditto, but actual wax stencil copy on duplicating paper used by Driver / Conductor J. Everett. Has been folded into 8. This copy used in image files. Item added 2/2/2003. 285.2 - ditto - three copies of SECV copies given to the BTPS at the time of closure. Staple horizontally in top left hand corner and marked in ink - see Inscriptions. Items added 9/3/2004. 285.3 - ditto wax stencil or duplicated copy - unmarked. Item added 22/08/2004. 285.4 - ditto but Saturday timetable sheet marked in red or blue ink to show run numbers? Item added 22/08/2004. Two staples in top left hand corner. 285.5 - ditto wax stencil or duplicated copy - unmarked. Item added 17/05/2006 See pdf documents for good quality scans and history of record for details of source.ballarat, secv, timetables, tram services