Teapot awarded to Mrs Thomas Quayle at the Melbourne Exhibition of 1866 for an exhibit. From the home of the late Mrs. W.J. Sebire.Ornate silver teapot551 on basefood warmers, teapots

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This teapot is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. The ingenious repair to the teapot's handle reflects the resourcefulness and thriftiness of the Haeusler family during the economic hardships of the 1930s Great Depression. The teapot was manufactured in England, likely dating from the early twentieth-century. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history. A glazed ceramic teapot with a printed design depicting two deer and a hunter in a woodland on one side, and two deer by a stream in a woodland on the other. The broken handle of the teapot has been replaced with wire. The teapot handle was repaired by Alfred Haeusler (b.1922, d.1997) and holds remarkable balance, perfectly retaining its function. Faded, circular makers mark on the base of teapot, illegible/"ENGLAND"teapot, teaware, tableware, ceramic, domestic, social history

An old teapot covered 'mosaic like' with pieces of broken china. A memento of familiar objects 'lost', a popular idea during the 1930's. From the home of an Aunt of Miss Margaret Mitchell. Round large teapot with coloured ceramic pieces attached all over the pot, rough texture, with a smooth base.teapots, mosaics

www.myprimitivemethodists.org.ukWhite china with gold trim and green transfer prints and text. Teapot, registration number 13.1, has a serpent like spout. Teapot lid, registration number 13.2. Saucer, registration number 13.3. Plate, registration number 13.4.Teapot front: 'Primitive Methodist Jubliee Chapel Tunstall'; teapot back and teapot lid: 'William Clowes' 'Hugh Bourne'. primitive methodist, primitive methodist jubliee chapel tunstall

Receipt book for D Whyte and Co, wholesale and retail grocers. The Teapot cash store, Pall Mall Bendigo. The customer copies have all been torn out. All of the receipts are dated in 1899Teapot Cash store.business, retail, grocer, pall mall, teapot cash store, d. whyte and co. grocers, bendigo businesses

Replica of Wedgewood Wesley teapots made by Sir Josiah Wedgewood 1761 at Etruna, England and presented to John Wesley. Reproduced in 1908. The original teapot is in Wesley House, London.Replica of Wedgewood Wesley teapots made by Sir Josiah Wedgewood 1761 at Etruria, England and presented to John Wesley. Reproduced in 1908. The original teapot is in Wesley House, London.White porcelain Wedgwood-Wesley teapot with blue transfers. Teapot registration number 7.1; lid registration number 7.2.'Be present at our Table Lord, Be here and everywhere ador'd, These creatures blefs & grant that we May feast in Paradice with thee'wesley, john

Handmade pottery teapot made by Doug Alexander at his Springmount Pottery in Creswick about 1972.Doug Alexander was one of Australia's greatest studio potters.Pottery teapot, glazedDoug Alexander's markdoug alexander, pottery, teapot, springmount, creswick, glaze

In the 1650s, the newest exciting development had arrived on Britain’s shores, this time it was tea from China. As it was brought back from overseas, tea was incredibly scarce and as such its price was very high; in 1664, the cost of tea was already 40s per pound, although this is not as high as what it would become when taxed in the 18th century. This resulted in only the social elite enjoying a cup of tea, and most commonly tea was enjoyed in coffee houses, and teapots were therefore not yet a household item. As the East India Company imported larger quantities of tea, it became more widely available and a larger section of the British population were able to enjoy it meaning that, by 1669, tea was available nearly everywhere. Likely due to the fact that tea was first enjoyed in coffee houses, the first known teapot resembles a coffee pot, with a tapering cylindrical shape and standing much taller than what we now know as a teapot at 13.5 inches tall. Into the 1680s, these teapots were given a conical cover for the spout that was fixed to the pot via a chain. As Queen Anne took the throne in 1702, teapots had become much more widely used and had formed two common groups. The first style of teapot was the pear shaped style which began to appear in 1705. The pear shaped pot usually had a domed lid and sometimes featured a finial. This form was generally supplied with a heater and stand as well as having a baluster shaped handle on one side. This iteration would disappear by 1725 but does make a reappearance in the 1740s, only this time as an inverted pear shape. The second group was the more spherical, or globular, shape which appeared in 1710. The globular teapot had a flush, hinged lid as well as a narrow moulded rim foot and a straight sided, tapering spout. Both generalised groups of teapots have polygonal examples – that is, teapots that are made up of straight sided segments – but six or seven sided teapots are incredibly rare. There is one known example of a seven sided globular teapot, made by Isaac Ribouleau in 1724. This is so unique because polygonal teapots are much more technically difficult and time consuming to make. Other than the occasional band of engraving round the shoulder of the teapot, they remain quite plain until c.1740 when scrollwork and chased shells begin to be applied for decoration. ‘Chasing’ is the process of decorating the front of a piece of metal by indenting the back, without cutting or engraving. From 1755 until 1770, silver teapots became incredibly uncommon and it is likely that this either reflects a change in drinking habits or changing trends producing a favour for porcelain. This dip in popularity could also be in response to the outrageous taxes placed on tea, up to 119%! In 1765, the Leeds creamware globular teapot seemed to kickstart a resurgence and this, combined with the Commutation Act of 1784 – which reduced tax on tea from 119% to 12.5% – saw teapots return in all their forms. It’s around this time, in 1780, that a form of teapot with a detachable, openwork stand appeared; however, the plain, oval teapot remained the most popular in the 1780s and 90s. In the later years of George III’s tenure on the throne, during the last decade of the 18th century, there was a revival of chasing and embossing teapots with flower and foliage designs. At the turn of the century, the spherical, partly fluted teapot with classical decoration was superseded by a more oblong shaped pot that sat on four spherical feet. This was then changed again when teapots became more melon shaped. It was at this time that the capacity of a teapot greatly increased and the previously wooden or ivory handles were replaced by silver handles with ivory washers for insulation. As Britain entered into the Victorian era, the design quality often suffered as there was a tendency to over-decorate the silver. In the early 19th century, the last major addition to the shape of the teapot, a raised collar was added between the cover and body. Whilst this seems to just be for decoration, there is some speculation that it could also be to prevent overspills. https://www.marklittler.com/silver-teapots-history/ This item shows that silver and silver plated teapots were used for tea making.Plain sliver teapot. Heavy oxidation. Dented.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, teapot, silver, siver plate, tea

This item wasdonated to the Slab Hut, the Orbost Visitor Information Centre. This item reflects the importance of tea drinking in 19th and 20th century Australia. A teapot of EPBM - electroplated britannia metal with an aluminium lid that has an electric plug connection. The lid is an Alanware, 240 volt 100 watt immersion heater with a coil suspended from it. The lid does not match the teapot.On the bottom of the teapot - EPBM James Dixon & Sons a trumpet symbol Sheffield 8578 4teapot electro-plated-britannia-metal appliances water-heating drink-food-preparation

Ornate embossed lidded silver teapot on three footed stand with a spirit burner on base. Silver pins on chains on both sides of base top for securing teapot.No 4, Badger and shoe symbols, large comma, symbol,l A1, 6305teapots, stands

This teapot was given to Kathleen Carroll by her grandmother, Ellen (Nellie) Carroll. Green ceramic teapot in the shape of a cottage.Stamped on the base - Manto-ware Made in Japankathleen gervasoni, kathleen carroll, manto ware, teapot, cottage teapot

Commonly used 4 cup aluminium teapot with lid, Bakelite handle and knob.Four cup tea pot with lid; bakelite handle and knob."Swan Brand Made in England 4 cups" engraved on baseteapots

Commonly used 2 cup aluminium teapot with lid, Bakelite handle and knob.Two cup tea pot with lid; bakelite handle and knob"Swan Brand Made in England The Carlton 2 cups" engraved on baseteapots

Teapot belonging to a set produced for use at the Moorabbin Arts Centre (now Kingston Arts).White ceramic teapot with lid and Moorabbin Arts Centre logo on front.Marked on base: Royal Porcelain / Kingdom of Thailand / Oven to Table / Dishwasher - safe / Microwave - safeephemera, crockery, tableware, moorabbin arts centre

Teapot used to make butter tea which is the national beverage. It is ideal in the extreme climatic and geographical conditions of the Tibetan plateau due to its high butter content. Although butter tea is the most popular tea, black tea is also popular. Ornamental Teapot Inlaid with lapis, coral and turquoise everyday life, silver, gemstones

This teapot was donated to the Historical Society and placed in the Miner's Cottage display where it remained for several years. It was removed for cleaning and put in an archives display cabinet. The miner's cottage burnt down and thus the teapot is the only remaining object from the site.Teapot made of Britannia metal. Oval with recumbent dog on top. Insulated handle. Brilliant cut design on sides. Pouring spout and '7' shaped handle.On base: 8 Warranted best Britannia metal. Sheffield. 1204

Teaspoons of Loose Leaf Tea are placed in the china or earrthenware teapot then boiling water is added with the lid replaced an infusion occurs. Holding the handle the hot drink is poured from the spout through a strainer into a cup, mug or pannekin and milk, sugar or lemon may be added This drink was very popular with early settlers in Moorabbin Shire. The Temperance Society built a Tea Palace in Mentone - now Kilbreda College. The tea leaf was imported from Sri Lanka (Ceylon) and stored in tall silos in Melbourne where it was packaged and delivered to grocery stores.The early settlers in Moorabbin Shire enjoyed a well brewed pot of tea several times during the day.An opaque white china teapottea leaf, teapot, china crockery, earthenware, tea palaces, mentone, bentleigh, moorabbin shire, cheltenham, ceylon, temperance society, billy tea,

Tea has always been a common drink in Australia and before the introduction of tea bags a teapot such as this was used to infuse the tea leaves. This item is a decorative piece and would have been used for special occasions. The use of tea bags in both teapots and cups became widespread in the 1960s in Australia. Tea bags are the popular choice today for tea drinkers.This item has no known local provenance but is retained as a fine example of a vintage tea pot. This is a white china teapot with a lid which contains a steam hole and a handle. The spout has gold patterning. The handle is painted yellow with a gold strip. The lid has a yellow and blue decorative band and is decorated with flowers and gold pattern. The body of the teapot has the same decoration as the lid. The name of the country of origin and a number are on the base. Made in Japan tea pot, vintage domestic item, tea making in australia

Presented to Mrs. T. Sebire (*nee Nell Gaudion) May 1928 for service as church organist, on the occasion of her marriage to Thomas (7th child of Henry and Martha). Used at Wandin, in the 1920-1950's.A metal teapot with plated silver coated finish and a scalloped design on the spout. The handle is simply decorated. A dedication is engraved on both sides.Engraved on side "From congregation of Wandin Methodist Church in token of faithful service rendered as organist "presented to Mrs. T. Sebire May 7th 1923". Stamped "Made in England for G.W. Catanagh, Melbourne M33604.teapots, containers, tea accessories, commemorative teapots, commemorative objects

These tea warmers were used to keep the teapot warm when it was filled with tea, hence the name. This one was owned and used by Mrs M Larer, New Gisborne "Elderslie" in the 1920's.A silver plated round single burner tea warmer with a removable top grid with five support arms. It has a retractable metal 'wick' operated by turning a small round flat knob attached to the side. This knob is joined to the 'wick' with a long silver rod on the outside of the mechanism so the operator does not burn their fingers. The reservoir has two curved small handles on the side and an ornate filigree style pattern at the top rim. Inside the 'wick' section there is also a small knob with a tiny hole in the top to turn which releases pressure in the reservoir. stamped on the base is 'EPNS A1 London'containers, teapots, teapot warmers, tea accessories, pots

This is a mid-19th century handmade Chinese clay teapot. It has a pattern around the body and interesting tubular handle and knob. This teapot is significant as an example of an item from the mid-19th century. It is also significant as the only example of a Chinese teapot in Flagstaff Hill Maritime Museum and Village's collection.Chinese teapot, brown clay, with vertical wavey line design. The spout is gracefully curved. The lid has decorative tubes as a handle. The handle, now dethatched, is also a tube shape. It is dated 1857. The inside is partially glazed. There is an inscription on the lid. The pot is broken and in five pieces.On lid "L26"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, teapot, chinese teapot, clay teapot, handmade teapot, food and beverage, tea

Original Victorian Railways teapot, part of the silver service at Mt Buffalo Chalet. Part of Victorian Railways silver service. When the Victorian railways took over management of the Chalet from 1 October 1924, they ran their dining room and café in similar fashion to the dining cars on their trains and refreshment rooms on their stations, using the same ceramic hotel-ware and electro plated nickel silverware (EPNS), all made to order items that are clearly identified by the distinctive 'VR' monogram. The Chalet retains a good selection of the diverse range of EPNS item formerly used in the dining room..- which in all their variety and function help to interpret the dining room protocols of the 'tourist house' and the service provided by the Victorian Railways refreshment and Services Branch. Many of the items were manufactured by Stoke & Sons of Melbourne (est. 1856.)' (Pg. 103. Historica) Possibly once graced the chrome display cabinet.Listed in Draft Inventory of Significant Collection items. Appendix A.3.Tableware. (Pg 166 Historica).Large electroplated teapot with "VR" engraved on one side. Handle features holes at base either end of join. Lid features a circular knob and scroll handle at front with a wooden insert. Teapot has flat wide circular base."EPNSSRS / MADE IN AUSTRALIA / STOKES & SONS / MELBOURNE / BOOMERANG PLATE / WARRANTED / HARD SOLDERED / 745 / VICTORIAN RAILWAYS"

This kind of tea cosy was found in just about every Dutch home in the 1950's. It took pride of place on the tea trolley and took the place of, or was an alternative to, the tea lights which also served to keep the teapot warm. It held a large teapot and although it was very effective in keeping the tea warm, after a couple of hours the tea became rather bitter and tasted "stewed". Since the Dutch are not in the habit of adding milk to their tea, the late afternoon cuppa was not always a favourite.A symbol of what the Dutch prize above all, namely "gezelligheid", which means homely cosiness. The afternoon tea ritual ("thee-uurtje") was a very important time of the day as children came home from school to a cosily lit home with their mother presiding over pouring out the tea and distributing biscuits (one at a time!) Half rounded cotton padded teapot warmer (Dutch "theemuts" = tea bonnet) with inserted plywood base. White outside with grey-blue Delft tile motifs, lined with navy blue taffeta and padded with kapok. Metal carrying handle under which there is a clasp which opens and closes the cosy.noneteapot, dutch family life, dutch, immigration, household items

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Teapotart, artwork, teapot

Silver Teapot with inscription.matron, brown, teapot, bbh, 1933