This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Victorian Heritage Database citation for HO137 32 Queens Ave, Caulfield East https://vhd.heritagecouncil.vic.gov.au/places/35536 as at (30/10/2020) The house at no. 32 Queens Avenue, Carnegie, was built in 1888 and formed one of an identical pair since demolished. It was built for and formed part of a land development scheme undertaken by one of Sir Matthew Davies group of speculative companies known as the Freehold Investment and Banking Company of Australia Ltd. It is historically and aesthetically important. It is aesthetically important (Criterion E) as an unusual terraced building form in Glen Eira that stands apart from its neighbours which were built predominantly after the tum of the twentieth century and which is further distinguished by the cast cement ornamentation applied to the central porch.Page 168 of Photograph Album with one photograph of a house on Queen's Avenue. Handwritten: 32 Queen's Avenue [top right] / 168 [bottom right]trevor hart, cast iron lacework, decorative brackets, chimneys, verandah, porch, cast iron columns, queens avenue, 1880's, sir matthew davies, matthew davies, freehold investment and banking company of australia ltd, cast cement ornamentation, arches, caulfield racecourse, portico, stone columns, full length french windows, fanlight, caulfield, race course, queen's avenue, caulfield east, land subdivision, victorian style, cast iron work, rendered mansions, lead lights, terraced buildings

Colour photograph of two attached terrace buildings, shop sites, Sailors Gully Road, Eaglehawk.Estelle Hewstonattached terrace buildings, sailor's gully

Fred Ambler and family at Albert Mills Premier Land Agency building on the corner of Union and Sunbury Roads, c.1910. Fred had his carpenter and upholstery business on the ground level and his home above. (No.1) Premier Land Agency Building, was built in 1886-7 by Albert Mills, builder, at 122 Union Road, on the corner of Sunbury Crescent, opposite the Railway Station. Photo shows his wife and family. Alfred died in 1890 and the family moved. The Boroondara Standard in 1888 reported: "Splendid block of brick buildings reaching completion in Union Road adjacent to railway line – 2 storey. Frontage 120 feet for Premier Land Agency. Shops at Ground Level." A sepia coloured photograph of a two storey terrace building with 3 ladies and 2 children standing on the balcony. Downstairs, a gentleman stands outside the shopfront beside two prams. There is a child in one pram.albert mills premier land agency building, (mr) fred ambler, union road, carpenter, upholsterer, sunbury crescent

Salvaged during the building's demolition by Dr Frank Forster.Cast iron Hospital Gates from the first Lying-In hospital, a leased two storey terrace building at 41 Albert Street Eastern Hill (East Melbourne) which operated from 1856-8 before relocating to Carlton.hospital, lying-in hospital, melbourne

Photograph shows a cable tram set, trailer possibly 514 inbound to Spencer St passing the Royal Terrace building in Nicholson St Fitzroy, during the 1930s.Yields information about cable trams in Nicholson St and the Royal Terrace during the 1930s.Black and white photograph with notes on the rear. Has the number "146" in pencil in top right-hand corner. tramways, cable trams, nicholson st

Date is approximate. This is one of a series of photos donated by Arthur Lyons. Lyons family history: Arthur's father, Fred Lyons initially worked for George Rea's cab service until he set up his own business. He started with a horse and hansom cab but in time he changed over to a motor vehicle and continued his service until 1960. Frederick Adolphus Lyons (1891-1980) was born in Surrey Hills, son of Thomas and Catherine Lyons. He married Elizabeth Ruby Hall in 1918. They lived at 55 Sunbury Crescent. The Lyons’ home in Sunbury Crescent was called ‘Knopshambury’ - this was probably a misspelling of Knockshanbally in Co Kilkenny, the birth place of Fred’s father, Thomas Edmund Josias Lyons (1846-1915). Arthur Lyons was born in Surrey Hills on 12 Jun 1920. He became a motor mechanic / welder and lived his whole life at 55 Sunbury Crescent. The donation was made while he was in hospital. He died shortly afterwards (23 Sep 1990). Donation was finalised by a neighbour, Mrs Florence Ann Armitstead, wife of Glen Victor Armitstead. Glen was a local hairdresser. They moved to 11 Sunbury Crescent after their marriage in 1939. Arthur had no relatives to distribute the material to. The buildings date from circa 1887 and extended some way down Sunbury Crescent. The address was 63 Sunbury Crescent on the corner of Union Road. Built by Albert Mills for the Premier Land Agency; taken over by Timothy Leigh in 1893. The building housed a variety of shops – initially the land agency, but later shops included at various times a fruiterer, florist, carpenter, fishmonger, upholsterer, plumber. However, by the time this photo was taken in the 1930s it was occupied by Triumph Press. The printing industry continued to have a lasting presence. Triumph Press was followed by Surrey Press and in 1970 New Life Publications moved to the site from Abbotsford. It was about this time that this original building was demolished to make way for a modern print works. Gradually the needs of the printing business absorbed other properties along the Union Road frontage. The boy in the photo is Arthur (Tiger) Lyons and beside him is Alf Johnson, the local printer. The Lyons family lived adjacent to these buildings at 55 Sunbury Crescent.Black and white photo of a section of double-storey terrace buildings in Sunbury Crescent Surrey Hills, taken looking towards the corner of Union Road. The bricks are two-toned and laid in herringbone pattern. The verandah on the 2nd story is filled in with cast-iron lacework panels. There are 2 vintage cars in front of the terrace. A young boy sits on the running board beside a man dressed in suit and hat. printers, vintage cars, sunbury crescent, victorian style, union road shops, arthur lyons, arthur frederick lyons, alf johnson, triumph press, surrey press, new life publications, timothy leigh,, albert mills

Wendy Rees-Harrison is a prominent Australia artist, working mainly in watercolour and often depicting older terrace buildings in the Melbourne district. One source cites her being born in Ballarat. The Gold Mines Hotel was opened in 1857 at the height of the gold rush in Bendigo, and is still operating as a hotel venue. It is located at 49-57 Marong Rd, Golden Square, Bendigo, Victoria.Sepia coloured water colour painting of the Gold Mines Hotel Bendigo by W. Rees. Harrison, under glass in a black and gold timber frame with a burgundy mount, markings on image read '1977 Gold Mines Hotel Bendigo W. Rees. Harrison Mitcham Vic', Donated by Mr Atkinson related to Mary Reiby.W. Rees. Harrisonpainting, watercolour, buildings, gold mines hotel, w. rees. harrison

Colour photograph of a sandstone building and terracing at Central Springs, Lake Daylesford.This Terracing and Bridge erected by Springs Improvement Committee 1952central springs, daylesford, lake daylesford, mineral water, kiosk, sandstone, springs improvement committee, swimming pool, swimming sheds

Sign on river bank 'Boats to Let'Black and white photograph of substancial dwelling terraced gardens and out buildings on riverside, sign indicating boats for hire and five rowing boats on Mitchell River near Bairnsdale Victoriahouses, land settlement, rivers

Buildings in Adelaide, the capital of South Australia. View is taken from the top of the Shell Building, looking east along North Terrace towards the Institute Building on the corner of Kintore Avenue and North Terrace, Adelaide.adelaide, south australia, north terrace

Black and white photograph mounted on grey frame. 17men pose for photograph in forma suits in 3 row structure (front ones hold hats on their laps). *Most of them wear Freemansonry waistcoast chain. Photograph was taken during King George time - VPRG They stand in terrace of open brick building (on the back), with large windows and some plants.Printed above photograph: POLICE COLLEGE << Course No.1 -- November, 1958 - June 1959 >> Printed bellow photograph: Left to Right, Back Row: Stn. Officer Mooney, Sgt. Sheather, Det-Sgt. Carter, Sgt. Poulter, Sgt. Mooring, Sgt. Pearson, Sgt. Comrie, Sgt. Sharkey, Det.Sgt. McKnight. Centre Row: Sgt. Scotney, Insp. Hynes, Sgt. Long, Sgt. Payne, Insp. Houghton, Sgt. Peach, Sgt. Moore, Sgt. Heath, Sgt. Rose. Front Row (Directing Staff): Mr. C. H. Smith, Det-Sgt. Warne, Insp. Quill, Insp. DeLany, Insp. Milner, Det-Sgt. Braybrook, Mr. R. Crowling.victoria police museum, police officers, police academy, police force, freemasonry, masons, free masons

A public appeal was made to raise funds for Melbourne District Nursing Society (MDNS) so motor cars could be purchased to assist their Trained nurses, known as 'Nurse' in those days, with their visits during the Spanish Influenza epidemic of 1919. With donations from businesses and individuals four cars were available within a month, and this photograph shows two of them In 1919 parked outside 'Floraston', 39 Victoria Parade, Collingwood, which was the first MDNS Headquarters and Nursing Home purchased by the Society. The MDNS uniform was a grey cotton frock with white collar, a grey coat with lapels, and a grey brimmed hat with a red Maltese cross in the centre of the hatband. From its founding in 1885 until 1891 the Trained nurses, known as 'Nurse' in those days, of the Melbourne District Nursing Society (MDNS) worked from their own homes which were located in the vicinity of their areas (districts). In November 1891 MDNS was able to rent a two story terraced house at 66 Cardigan Street, Carlton, at £65 a year, which contained accommodation for three Nurses and one pupil nurse as well as being used as their Headquarters. They left from their Nurses Home each morning and returned at the end of their shift to write up their book work before retiring for the day. Three years later they moved into a larger terraced house at 49 Drummond Street Carlton which was rented at ‘a very moderate rental’. There was a Board room, apartments for the Nurses and pupil nurse, a large dispensary which patients could attend each evening to have prescriptions signed and bottles refilled with ‘homely remedies’ and elixirs, which were administered to for e.g. Consumptive cases. Doctor’s prescriptions were filled at the Pharmacy. Cupboards containing donated blankets and bedclothes for needy patients were kept in this room, and it was here where the Nurses kept their nursing bags which were refilled at the end of each shift ready for any emergency and for the next day. A list of Doctors the Nurses could call was kept by the telephone. The home also had a kitchen where nourishing soup was made and distributed twice a week to the needy. Milk was also distributed when needed. In 1902 they moved into rented premises at 188 Leicester Street, Carlton and two years later, in 1904, to premises at 5 Royal Terrace, Nicholson Street, Fitzroy. They remained there for ten years. In June 1914 at last the Society had sufficient funding to purchase their own terraced premises, ‘Floraston’ 39 Victoria Parade, Collingwood which was their Headquarters and Nurses Home. In 1926 the After-Care Home for recovering patients, (later called After-Care Hospital) was built by the Society next door, running from 41-47 Victoria Parade (became No. 45); the District nurses continued to live at No. 39. District Nursing has had various modes of transport over the last 130 plus years. At first, from 1885 as Melbourne District Nursing Society (MDNS), the Nurses walked the streets and lane ways amid the slums of central Melbourne. As the Society expanded public transport was used, and bicycles were bought by the Society in 1903 and used in inner areas until 1945. During the Spanish flu epidemic, in 1919, MDNS appealed for assistance to procure Motor vehicles so the Nurses could visit an influx of cases. Through trusts, grants and donations four 'Ford 'T Model' cars were procured which enabled the Nurses to triple their visits. Through constant use the cars were in such a poor state they were sold in 1927. A Motor Auxiliary was formed in 1929 to take Trained nurses, now called 'Sisters' to patients, and some Sisters used their own cars; even a motorcycle was used by one Sister in 1933. All these forms of transport were intermingled until MDNS and, having received Royal patronage, the now named Royal District Nursing Service (RDNS) had its own full fleet of vehicles.Sepia photograph on grey mounting board depicting four Melbourne District Nursing Society (MDNS) Trained nurses (Nurses) sitting in two motor vehicles in front of Melbourne District Nursing Society Headquarters and Nurses Home. In the foreground are the two Ford Model T vehicles with their soft hoods open. Each car has four spoked wheels. A frame where a spare wheel is attached can be seen attached to the rear car's running board. A spare wheel, with white tyre, can be seen standing up resting against the middle of the front car; the lower section of the tyre is sitting on the running board. The steering wheel can be seen on the right hand side of both cars with a Nurse sitting behind it with her hands resting on the wheel. The upper part seen of the two MDNS Nurses in each car shows they are wearing grey uniform coats over their frocks, the white collars of which can be seen. They are all looking at the camera, and are wearing grey hats with a central Maltese cross on the white hatband. Behind the cars the footpath and the metal spiked fence, with a square concrete columns at either end can be seen. '39' is near the top of the left hand column and a white oblong name plate is attached to the fence. On the far right of the photograph a wooden gate runs from the column. A dark name plate is attached with the words 'Patient Entrance' / - 'Melbourne District Nursing Society -/ For Nursing the Sick Poor'. Behind this are a row of shrubs forming a hedge and behind this the two storey terrace building with its three arched arcade veranda on the ground floor and three long widows on the top floor with a veranda with a metal scrolled safety rail. The building has a flat roof with a central raised section with 'Floraston', written in capital letters on it. XJ. 13. is written in black ink on the bottom right corner of the photographPhotographer's stamp on mounting boardmelbourne district nursing society, mdns, transport, nurses home, rdns, royal district nursing service

Black and white photo: Criterion Family Hotel, cnr. Mundy and Lyttleton Terrace, Bendigo. Two storey building with 6 arched windows on top, with balcony and doorway. Balcony supported by ten pillars. On LH side of building, weather board building with two windows and doorway 'hotel' printed in between gable roof. Horse and carriage at front of hotel. See Mosaic no. 2402.49 for further details and research information. (Joseph S. Symonds the licensee 1858-1862, see 2402.49 for reference]Batchelderorganization, business, criterion hotel, criterion family hotel. mundy street hargreaves street. market square. princess theatre. symonds, joseph s.

Postcards collected by R.H. Baron while on leave in England during WW1. Part of the "Robert H. Baron" (No. 3596) and Cooper Collections. See Catalogue No. 1981P for details of Baron's service. 1. Coloured coastal scene featuring yachts, beach goers and cliffs. People are standing on a pebbled beach. 2. Coloured coastal scene featuring cliffs and ocean. 3. Coloured coastal scene featuring beach, bathing machines, cliffs and town buildings. 4. Coloured coastal scene featuring beach with boats and town buildings. 5. Sepia toned photograph featuring houses. Stream running in front of house. Footpath between stream and house. 6. Coloured street scene featuring houses fronting a gravel road. 7. Black and white photograph of a street scene featuring buildings, pedestrians and horse drawn transport. 8. Sepia toned photograph of a street scene. Right side lined with houses. Single pedestrian on footpath. 9. Coloured scene featuring standing stones. 10. Coloured photograph of a ruined building overgrown with vegetation.1. Ladram Bay. 2. Ladram Bay. 3. Budleigh Salterton from East. 4. Budleigh Salterton from West. 5. Budleigh Salterton, Cottages at the Granery, 6. Budleigh Salterton, West Terrace. 7. High St. Budleigh Salterton. 8. Budleigh Salterton, Station Road. 9. Stonehenge. 10. Abbey Ruins, Waverley. robert h. baron, cooper collection, postcards, ww1

The Grinton Collection. 38th Bn Officers and Sergeants in Le Harve France. Identified so far. 1st of left, Sgt Fred Lehman MM, 3rd from left, Sgt Coffey. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper - Depicting seven soldiers in uniform standing on a foot path/terrace with balustrade in background and to left buildings and to right, water. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a Lifetime" "F. 38th Battalion soldiers - Le Havre".framed accessories, camera on the somme, ww1, 38th bn, grinton, le havre

Black and white photograph mounted on brown frame. 26 Police Officers in 1920s uniform pose in uniforms with helmets. Set in a terrace with an open brick building with windows on the background. Amongst them is William Arthur Poulter.Handwritten: BILL POULTER 1925 // CENTRE ROW // 5TH FROM LEFT Stamp: PHOTOGRAPH TAKEN // AT YOUR OWN HOME // P. J. DWYER // Onr. Harding & Salisbury Sts. // COBURG // PHOTOGRAPHS COPIED // AND ENLARGEDpoulter, william, william arthur poulter, victoria police museum, dwyer, p. j., police officers

Black and white photograph mounted on light brown frame. 8 Police Officers in 1920s uniform pose in uniforms with helmets. Standfing in a terrace with an open brick building with windows and a set of stairs on the background. Amongst them is William Arthur Poulter.Handwritten: BILL POULTER // 3RD FROM RIGHT Handwritten: The M.C.G. Gang // Collingwood - 93 PTS V Melbourne - 43 PTS // 21.8.26 Stamp: PHOTOGRAPH TAKEN // AT YOUR OWN HOME // P. J. DWYER // Onr. Harding & Salisbury Sts. // COBURG // PHOTOGRAPHS COPIED // AND ENLARGEDpoulter, william, william arthur poulter, victoria police museum, dwyer, p. j., police officers

Black and white photograph mounted on grey frame. 25 mid age police officers in formal setting posing for photograph in 3 row structure [all seem to be influential personalities of Victoria Police - see Inscriptions bellow]. They are all in full 1950s Police uniform, apart from two men on the extremes of front row, who wear suits. They stand in terrace of what seems to be a large and wealthy building on the back, large windows and collums on varandah.Printed above photograph: POLICE COLLEGE << Course No.1 -- November, 1958 - June 1959 >> Printed bellow photograph: Left to Right, Back Row: Stn. Officer Mooney, Sgt. Sheather, Det-Sgt. Carter, Sgt. Poulter, Sgt. Mooring, Sgt. Pearson, Sgt. Comrie, Sgt. Sharkey, Det.Sgt. McKnight. Centre Row: Sgt. Scotney, Insp. Hynes, Sgt. Long, Sgt. Payne, Insp. Houghton, Sgt. Peach, Sgt. Moore, Sgt. Heath, Sgt. Rose. Front Row (Directing Staff): Mr. C. H. Smith, Det-Sgt. Warne, Insp. Quill, Insp. DeLany, Insp. Milner, Det-Sgt. Braybrook, Mr. R. Crowling.victoria police museum, police officers, police academy, police force, william, poulter, bill poulter, police college, tompkins, stuart, stn. officer mooney, sgt. sheather, det-sgt. carter, mr. r. crowling., det-sgt. braybrook, insp. milner, insp. delany, insp. quill, det-sgt. warne, mr. c. h. smith, sgt. rose, sgt. heath, sgt. moore, sgt. peach, insp. houghton, sgt. payne, sgt. long, insp. hynes, sgt. scotney, det.sgt. mcknight, sgt. sharkey, sgt. comrie, sgt. pearson, sgt. mooring, sgt. poulter

This Document is the first in several plus photos and an article following the restoration of the Bendigo Cenotaph (Replica of the Cenotaph in Whitehall London). The letter is from the City of Bendigo Municipal Offices Lyttleton Terrace Bendigo is dated 13th April 1984 from the Building Surveyor Mr P.W. Phillips to Mr J.K. Barnes Secretary Bendigo RSL Sub Branch P.O.Box 449 Bendigo. Letter states that the Surveyors Report was adopted by Council on 21st November 1983 and would then be considered at Estimates later in the year. The Surveyors Report pages 2/3 gives a background report back to 1976 re its condition by the Building Surveyor at the time Mr R.H. Chellow and that an offer to fund at no cost was offered. Unfortunately this did not proceed. Council had approved funds for Stone work etc in the 1976/77 Estimates. The report is under several headings “Restoration of Cenotaph” being the history to this point. “Nature of Repairs Neccessary” - in brief, Extensive repairs, Granite structure is good, Sandstone needs 90% replacement, brick core in good order. “Estimate of Cost” A price of $30,000 for Budget purposes but could be as low as $25,000. “Recommendation” That Restoration be referred to the 1984/85 Estimates for consideration, copies to Bendigo RSL and State President RSL.Document 3 pages stapled together, front page is A4 and the pages 2/3 is Foolscap.Front page has a top section in blue, on the left is a depiction of a Mine Poppet Head, on the right is a Coat of Arms. The letter section is in black type, signed at the bottom in blue pen. Pages 2/3 are all black print.Page 1 points, Coat of Arms, “City of Bendigo - Progress”. “1968/84” - PWP:LT 32.7.1”. Page 2/3, “Building Surveyors Report - 21st November 1983 - B42/83 - (32.7.1)”brsl, smirsl, cenotaph, restoration

The original licence for the Sans Souci Hotel was granted to A. G. Ventry in 1909. The hotel burned down on 15.06.1923 and was rebuilt. It burned down again in 1936 and the licence surrendered 21.12.1936. with the owner compensated with 475 pounds and the occupier 50 pounds. (info Victoria Government Gazette Thursday December 24 1936) The hotel was at Upper Bemm River near Club Terrace in East Gippsland.This item is a contemporary pictorial record of a building which was once a popular destination for adventurous tourists in the early 1900's. There are few photographs of this hotel.A pencil (?) drawing of the old Sans Souci Hotel at Upper Bemm River, near Club Terrace. It is a one storey timber building. The drawing has been framed at one time causing differences in light damage.sans-souci-hotel bemm-river

'Fulling', the half-hectare property at Pitt Street, Eltham was the home of landscape designer Gordon Ford and his wife Gwen. Ford bought the property in 1948, originally part of an orchard. The garden encapsulates the major trends of Australian garden design in the second half of the 20th century. The garden design is based on mass (plants) and void (paths and pools), textures and forms. It epitomises the Eltham style because of its relaxed informality and attraction to native wildlife. The mud brick house and designed and built by Ford commenced in 1948. Several extensions were added up to 1970 and were built by Graham Rose (Source: information panel for exhibition, n.d.) Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p147 A narrow timber gate opens onto a garden that has had a huge impact on natural garden development in Australia since the 1950s.1 Fulling, the half-hectare property at Pitt St, Eltham, was the home of the landscape designer, Gordon Ford, who died in 1999. The garden ‘encapsulates the major trends of Australian garden design in the second half of the 20th century...and epitomises the Eltham style of garden’.2 It in turn, was influenced by several Victorian major landscape designers of the mid 20th century – Ellis Stones, Peter Glass and Edna Walling. The gate opens onto a sandy gravel path, one of several, which wind around dramatic pools and what appear to be natural bush, but on close inspection are carefully integrated native, indigenous and exotic plantings. Retaining walls and steps of rock through the garden link different terrace levels. Lichen-covered boulders serve as steps across a pool, leading to the triple level mud-brick house. Ford bought the property, which was originally part of an orchard, in 1948. As the son of a Presbyterian minister, Ford received a good education, which included learning Latin. This was advantageous when he worked in plant sales for the Forestry Commission, before the Second World War. In the late 1940s, however, Ford turned to building and landscape gardening. He worked on the Busst house, an early mud-brick building designed by Alistair Knox and at the same time, Ford was employed by Ellis Stones. Knox described Ford as, ‘one of the funniest men of the district. ...Rocky’s (Ellis Stones) Depression stories and Gordon’s memory and quick tongue made the jobs the most enjoyable of all those hysterical times that made Eltham the centre of the eternal laugh, between the years of 1945 and 1950’.3 Ford’s house, like so many after the war, was built progressively, as more space was needed and formerly scarce materials became available. It began with an army-shed of timber-lined walls, now used as the kitchen. Ford then built what is now the lounge room, and the house grew ‘like topsy and on a shoestring,’ says his widow Gwen. A lot of second-hand materials such as window frames were used, a style made famous particularly with their extensive use at Montsalvat, the Eltham Artists’ Colony. The house was constructed as a joint venture with friends, including artist Clifton Pugh, who built Ford’s bedroom for £10. The polished floorboards and solomite (compressed straw) ceilings, interspersed with heavy beams, exude warmth. The result is a home of snug spaces, with soft light and garden vistas. Several other mud-brick buildings were constructed as needed, including a studio and units for bed-and-breakfast clients. The garden, which has been part of the Open Garden Scheme since the mid 1980s, is based on a balance of mass (plants) and void (paths and pools), textures and forms. It epitomises the Eltham style because of its relaxed informal ethos and attracts native animals. Wattlebirds, scrub wrens, pardalotes, currawongs, owls and even kangaroos, have been seen at Fulling. Gwen, a former English teacher who has worked on the garden since around 1970, urged and helped Ford write his book, The Natural Australian Garden.4 Several of Ford’s favourite trees are in the garden, including the native Casuarina or She-Oak. In spring, the garden is dusted with the purple Orthrosanthus multiflorus or blue native irises and rings with the calls of birds attracted to plants like the callistemons, correas and grevilleas.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, fulling, gordon ford garden, pitt street, eltham mud brick buildings, mud brick house

Built by noted artist Theodore Penleigh Boyd, father of architect Robin Boyd. Covered under National Estate, National Trust of Australia (Victoria) Local Significance and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p111 The Robins at Warrandyte,* was once home to a member of a famous family and is also one of the first reinforced concrete houses in Victoria. The builder, Theodore Penleigh Boyd, born in 1890, was a talented painter1 noted for his works of the Warrandyte bush. He was the father of architect Robin Boyd, author of the Australian Ugliness and the uncle of painter, Arthur Boyd. Penleigh Boyd’s great grandfather was Sir William A’Beckett, Victoria’s first Chief Justice. Penleigh Boyd is considered by some to be an ‘unsung hero’ overshadowed by more famous members of his family. Mornington Gallery Director Andrea May said many believed Boyd ‘had never received the national acclaim that he deserved’.2 Classified by the National Trust3 and part of the Australian National Heritage,4 The Robins is set well back near the end of Kangaroo Ground – Warrandyte Road, unobserved by passers-by. Built in 1913, The Robins has some Art Nouveau influences and is a descendant of the Queen Anne style. It is covered in stucco and has a prominent attic, which Boyd used as a studio. Some parts of the house are up to 33 centimetres thick and built in part with pisé (rammed earth) and in part with reinforced concrete. Amazingly, Boyd built The Robins without an accessible driveway, and only a narrow track along which he had to cart building materials. The journey was uphill and Boyd terraced the land with Warrandyte rock5 without the aid of machinery. At only 33 years, Boyd was killed in a car accident in 1923. He was buried in Brighton near the home of his parents. Several people have since owned the house, including political journalist, Owen Webster. Boyd was born at Penleigh House, Wiltshire, and studied at Haileybury College, Melbourne and The Hutchins School, Hobart. He attended the Melbourne National Gallery School and in his final year exhibited at the Victorian Artists’ Society. He arrived in London in 1911 and his painting Springtime was hung at the Royal Academy. He painted in several studios in England and then worked in Paris.6 There he met painter Phillips Fox through whom he met artists of the French modern school and also his wife-to-be, Edith Anderson, whom he married in Paris in 1912. After touring France and Italy, the couple returned to Melbourne. In 1913 Boyd held an exhibition and won second prize in the Federal Capital site competition, then the Wynne Prize for landscape in 1914. In 1915 Boyd joined the Australian Imperial Force, and became a sergeant in the Electrical and Mechanical Mining Company. However he was severely gassed at Ypres and invalided to England. In 1918 in London Boyd published Salvage, writing the text and illustrating it with 20 black-and-white ink-sketches of army scenes. Later that year he returned to Melbourne, and, despite suffering from the effects of gas, he held several successful one-man shows, quickly selling his water-colour and oil paintings. In his short career Penleigh Boyd was recognized as one of Australia’s finest landscape painters. He loved colour, having been influenced early by Turner and McCubbin. His works are in all Australian state galleries, the National Collection in Canberra as well as in regional galleries.7 His wife Edith was also an artist having studied at the Slade School, London, and in Paris with Phillips Fox. After her marriage she continued to paint and excelled in drawing. In later years she wrote several dramas, staged by repertory companies, and radio plays for the Australian Broadcasting Commission, in which she took part. She was the model for the beautiful red-haired woman in several of Phillips Fox’s paintings and the family hold three of his portraits of her. *Possibly named after the Aboriginal words warran, meaning ‘object’ and dyte, meaning ‘thrown at’.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, kangaroo ground-warrandyte road, north warrandyte, the robins

Situated at the top of the hill in Arthur Street, the former Jelbart residence and barn were part of a major change that transformed Eltham's character in the late 1960s. Built from the mid 1940s through mid 1950s when Eltham was a rural community, the Jelbart residence and barn are all that remain of a family property of some 250 acres (100 ha). With growing population pressures, in the late 1960s, owners Ron and Yvonne Jelbart decided to subdivide their property creating the Woodridge Estate in the early 1970s, a major factor towards the transformation of Eltham to the suburb it is today. The Jelbarts had moved to Eltham in the early 1940s when they purchased a poultry farm in New Street, now Lavendar Park Road. (The local Black Friday bushire of January 13, 1939 had started at C.A. (Clarrie) Hurst’s Eltham Poultry Farm and Hatchery in New Street.) Jelbart was primarily a businessman importing office machinery but desired farm beef and dairy cattle so the couple purchased the virgin bushland at what was then at the end of a dirt road, Arthur Street. With post war shortages of most building materials, they followed the example of the Eltham Artists' Colony (later called Montsalvat) and built their home from mud-bricks and recycled materials. The barn was first to be completed in 1945 which they made their home whilst building the main residence. It took eight years to complete the two buildings. Both the main residence and the barn are now separate homes, and along with the remaining property being sub-divided further in 1998 are now part of the Kinloch Gardens Estate at 93 Arthur Street. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p139 Standing on a hilltop at Arthur Street, Eltham, the Jelbart residence and former barn were part of a major change that transformed Eltham’s character in the late 1960s. Built from the late 1940s to the mid 1950s when Eltham was a rural community, they are all that remain of what was once a family property of around 250 acres (100 ha). As population pressure increased in the late 1960s, owners Ron and Yvonne Jelbart, decided to subdivide their property. The break-up of this property into the Woodridge Estate in the early 1970s, was a major factor towards transforming Eltham into the suburb it is today.1 Although standing only a few minutes from Eltham’s busy hub and hundreds of houses in Woodridge, scarcely any urban sound disturbs the peace. Views from the two buildings are almost exclusively of trees and extend to Mt. Dandenong to the south-east, the Great Divide to the north, and Melbourne city to the south-west. The Jelbarts had lived in Eltham since the early 1940s when they bought a poultry farm in New Street, now Lavender Park Road. Although Jelbart was primarily a businessman importing office machinery, he was keen to farm dairy and beef cattle, so the couple bought rough bushland at what was then the end of Arthur Street. But a shortage of building materials following World War Two hampered their plans to build their new home, so they followed the example of the Eltham Artists’ Colony (later called Montsalvat) and used mud-bricks and recycled materials.2 With great determination the family and friends constructed their house. Massive timber frames and huge quantities of mud-bricks were made on site. The barn was built first in 1945, and two years later, while camping inside, the Jelbarts started building their house. It took eight years to construct the two buildings, even with the help of professional tradesmen. The buildings, with timber frames infilled with mud-brick and plastered, are reminiscent of the English Tudor style. The Jelbarts are of Cornish stock. Much of the timber framework came from demolished bridges or warehouses, and recycled slate was used for roofs and floors. Quality second-hand materials were readily available in the late 1940s and 1950s when there was much demolition in Melbourne and little respect for heritage. A former 19th century Toorak mansion Woorigoleen provided the magnificent stone fireplace, the timber panelling and the parquetry floor in the living room. The large stone gateposts at the entry of the property came from Melbourne University. Almost no mechanical equipment was used to build the 55 square house and the 25 square barn. Massive timber frames were erected using block and tackle pulleys and timbers were shaped, sawn and drilled by hand. Son and architect Ian, with his family, have lived in and extensively renovated both buildings since the early 1970s. Ian transformed the steep ridge of the property into a plateau, where the main house Kinloch stands, surrounded by terraces and lawns. The grounds retain many native plants, including massive yellow boxes – some nudging 80 years. Ian attached 70 metres of pergolas draped with wisteria, roses and grape vines, to three sides of the house. The beautiful garden is featured in the book Through the Rose Arbour by Rosemary Houseman. The two-storey barn – now a house – retains traces of its original use. The cow-shed with milking and feed-rooms, and the machinery-shed remain. The house, separated on the ground floor by a breeze-way, soars two storeys and includes a mezzanine. These are connected by spiral staircases, to timber-beamed and plaster-lined high-pitched ceilings. The house also descends to a wine cellar. Curiously the roof is of corrugated iron on the south and slate on the north, to save costs. Small-paned windows and three French doors open onto the front lawn, which extends to Jelbart Court.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, arthur street, jelbart barn, jelbart home, kinloch gardens

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Page 122 of Photograph Album with one landscape photograph of a house at 7 Lucan Street.Handwritten: 7 Lucan Street [top right] / 122 [bottom right]trevor hart, caulfield north, villa residence, verandah, terraces, timber roof brackets, gables, cast iron ridging, ornate plasterwork, arched windows, curved windows, chimneys, lucan street, victorian style, cast iron work, houses

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Victorian Heritage Database https://vhd.heritagecouncil.vic.gov.au/places/35576 No. 70 Orrong Road is important as an exceptionally ornate Boom style villa residence in the terraced form and in this respect is rare in Caulfield. Its architectural value is enhanced by its intact state and by the manner in which its bold architectural expression is carried through into the hallway and staircase. Victorian Heritage Database - National Trust local significance 284 Orrong Road Caulfield https://vhd.heritagecouncil.vic.gov.au/places/65700 A house designed by Harold Desbrowe Annear in 1917 and believed to have been the first "all electric" house in Melbourne. It has been extensively altered.Page 164 - four photographs of 2 different houses on Orrong Road. The top left photo is in colour while the others are in black and white.Handwritten: Orrong Road [top right] / Lisborn House [ (ed. correct name is LISBON HOUSE), under top left photo] / Lisborn House [under top right photo] / [under bottom right photo] / CORNER ORRONG ROAD AND PEARSON AVENUE / HOUSE BY DESBROWE ANNEAR [under bottom left photo] / 164 [bottom right]trevor hart, orrong road, lisbon house, lisborn house, elsternwick, pearson grove, st kilda east, caulfield north, terrace houses, cast iron work, verandahs, balconies, parapets, arches, cars, streetscapes, attic houses, desbrowe annear

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates Moore's Buildings", were built in 1891 and comprising 5 shops. In 1888, Hugh Moore, a gentleman, subdivided his land in Glen Huntly Road, north side between Selwyn Street and St Georges Road into 27 lots, with a right of way separating them from his property "Glenmoore". The subdivision was known as the "Glenmoore Estate". Purchases of land included local builders Corkill, French and Pugh. Moore retained five lots and W.W. Jamieson bought lots 11 to 14. "Moore' s Buildings are locally important for their association with the early Elsternwick land owner, Hugh Moore, whose home, "Glenmoore", at 1 St.Georges Road (qv) survives. They recall Elsternwick's role in the Land Boom and survive as a most prominent row in the Glen Huntly Road shops, enhanced by the survival of the unpainted stuccoed surfaces to nos. 307-311. 287-289 Glen Huntly Road: contributory to HO72, Elsternwick Estate and Environs, City of Glen Eira.Page 63 of Photograph Album with one landscape photograph of retail shops (Moore's Buildings).Hand written: 287-289 Glen Huntly Road [under photo] / 63 [bottom left] trevor hart, shop, grocer, stuccoed, terrace, victorian terrace, protruding parapet, ornate render, hugh moore, 1890's, moore's buildings, glenmoore, glenmoore estate, shopping centres, milk bars, cars, victorian style, glen huntly road, glenhuntly road, elsternwick

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. 23-29 Hawthorn Road Caulfield North are contributory buildings to HO14 Caulfield North and environs, Caulfield North - Heritage Precinct in the City of Glen Eira.Page 82 of Photograph Album with four landscape photographs of street views of two sets of properties on Hawthorn Road. Addresses are handwritten underneath each property.Handwritten: Hawthorn Road [top right] / 28-34 HAWTHORN ROAD 3 Sep 1972 [under top left photo] / 23-29 HAWTHORN ROAD [under top right photo] / 23-29 HAWTHORN ROAD 3 Sep [under bottom left photo] / 23-29 HAWTHORN ROAD [under bottom right photo] / 82 [bottom right] trevor hart, caulfield, hawthorn road, victorian, cars, terrace houses, cottages, streetscapes, caulfield north

black and white photo of large group of male workers outside wooden shed. Men wearing suits, some with hats and caps. Locomotive sheds ( brick building ) in background. Written on front F. Harrison, Photo, 161 Lyttleton Terrace, Bendigo. Written on back June Loco Sheds Bendigo 1918 see attachmentF. Harrison, 161 Lyttleton Terra e, Bendigoorganization, government, bendigo locomotive sheds

black and white photo of terrace houses, two storey, staircase in front of terraces leading to balcony. Slate roof, ironbark street trees x 2 , 2 chimnmeys, rail fence. Inscription stamped on back 'photo/A. Doney, Bendigo' '23A Terrace corner Short and McKenzie Streets'in ball point pen on back.A. Doney, Bendigobuildings, residential, terrace