Item in the collection relating to C.J.C. McQuie MM, refer Cat No 9680P for his service details.Booklet, red covers, 64 pages with photos, maps, and information on places in Versailles and Trianons.On front cover hand written, "J. McQuie 26/9/19". Inside first page, "Lieut J. McQuie 6 Bn AIF Paris 26/9/19"booklet, versaille, mcquie

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Western facade, Versaille, FranceVersailles / W.Facade (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

This postcard was most probably sent to Australia by an Australian soldier during World War One. Black and white postcard showing Versailles, France. Parc du Palais De Versailles - Les Alles de l'Orangerieworld war one, versailles, france, chatham-holmes collection

Photos from "Frederick James Baxter MC & Bar". Refer Cat No. 4219 for details.Series of small black and white photos stuck to cards relating to WW1 France Battlefield. 1. Picture of 3 ANZAC soldiers in field with 9.2 and 5.9 German shell casing. 2A. Picture of two ANZAC Soldiers in field with 9.2 shell casings and equipment. 2B. Picture of soldier on a road with ruins on either side in France. 3A. Picture of a Hall of Mirrors Versailles. 3B. Picture of unidentified ruins of a building with bomb damage. 4A. Image of bombed out battlefield with 9.2 Suzi Equip destroyed. 4B. Image of Hall of Mirrors Versailles. 4C. Image of bombed out village in France.Words unclear. 1P 9.2 and S9. 2A 9.2 Misc Ballen B. Aillea. 3A Versailles 4A. 9.2 Suzi Ballere 4B. Hall of Mirrors, Versailles.photographs, frederick james baxter, ww1, france

Postcards were a common form of souvenirs for soldiers who were travelling either during World War 1, or just after, or while returning to Australia. These postcard scenes include the Cathedral and a bridge in Florence, and church and the Pantheon in Rome, a view of Lausanne and a fountain in Versailles and an interior from Brussels. These were with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.Postcards were a very common form of communication in the first World War. Postcards as souvenirs or as correspondence would have been familiar to the first Legatees as they had served in World War 1. Postcards x 12 with images from Rome and Florence in Italy, Lausanne in Switzerland, a fountain in Versailles, France, and an interior in Brussels.01138.1 Firenze - La Cattedrale (the Cathedral in Florence) 01138.2 Firenze - La Cattedrale vista in panorama di sopra ad Or. S. Michele (Alnolfa di Lapo, Brunelleschi ed altri Maestri) 01138.3 Firenze - Ponte S. Trinità 01138.4 Firenze - Piazza delia Signoria, Loggia dei Priori detta dei Lanzi 01138.5 Roma - Il Pantheon 01138.6 Roma - Via Appia Anitca - Tombe. 01138.7 Roma - Via Appia - Aquedotti 01138.8 Capella S. Petri Claver, Romae 01138.9 Lausanne - Ochy 01138.10 Lausanne - Hotel Victoria 01138.11 Parc de Versailles - Bassin des Domes 01138.12 Bruxelles Each one has the word POST CARD on the reverse with room for an address and an area for Correspondence. Different makers.souvenir, world war one

Photos relate to James Worland MILLS No 3441 59th Battalion. .1) James MILLS is 3rd from R standing with arms crossed. .2) James MILLS is 2nd from L without a hat, 3rd row from front. .3) James MILLS is 2nd on L. Refer Cat No 169P for his service details..1) Photo, black / white, showing a large group of soldiers & nurses standing & sitting outside a large building. .2) Photo, black / white, showing a large group of soldiers & nurses standing & sitting outside a large building. .3) Photo, sepia, showing a large group of soldiers & nurses with 3 children standing outside outside a large building. .4) & .5) Photos, black / white, copies of .2) & .3). .1) “Versailles 18.6.19 YMCA” .2) “Paris 17.6.19 YMCA” .3) “Paris 20.6.19 YMCA” .4) “Paris 20.6.19 YMCA” .5) “ Paris 17.6.19 YMCA”photographs, 59th, paris, ymca

This is a book of 451 pages. It has a grey cover with black printing on the front and a grey baize cloth binding. The binding has a tear in the spine section. The pages contain printed text in French and English and five maps inserted into a folder at the back.non-fictionA record of the Treaty of Versaillesworld war one, treaty of versailles

The Glorious years of Australia Fair from the Birth of the Bulletin to Versailles with 12'' stereo/Mono L.P. Record, 158 pages in red hard cover with gold lettering, black & white and some colour illustrations contained in a cardboard box. Published by the Jacaranda Press.Graeme Inson, Russel Wardbooks, technical, history

The National Library notes in its collection - Decorated dummy and car which, electrically illuminated, traversed the Melbourne cable tramways in celebration of peace, on the evenings of Monday and Tuesday, the 14th and 15th July, 1919. Has a illustrated card published by the Tramway Board 1919. Five men on the tram in full uniform of the time. Based on the background - billboards and a church, the photo was taken at Prahran. Same handwriting on the image as 6170 and 7485Yields information about the cable tram set decorated to celebrate Peace after World War 13692 - Black and white photograph of a decorated cable tram set, celebrating the peace after World War 1, soon after the signing of the Treaty of Versailles. 3692.1 - block mounted version - with the caption "Mr. Potter early Brunswick Gripman in front of Dummy". Has Department of Infrastructure copyright stamp on rear and number "H243" in ink on rear and "1-14"tramways, trams, cable trams, world war 1, decorated trams, crews, uniforms

Designed by C Douglas Richardson, ‘The Peace of 1919’ medalet was issued by the Defence Department to school children throughout Australia to commemorate the signing of the Versailles Peace Treaty in 1919.One side of the medal features a symbolic female figure of Peace, holding a sword and standing on a plinth marked ‘PEACE 1919’. Behind her flies a dove, and at her left and right feet are two figures freed from their shackles. The reverse features a central panel surrounded by laurel leaves, surmounted by the King’s Crown with the word ‘VICTORY’ over the rays of the rising sun. A sailor and a digger stand at ease on either side of the panel on which is cast ‘THE / TRIUMPH / OF / LIBERTY / AND / JUSTICE’. Below the leaves is a very small panel with the words ‘THE PEACE OF 1919’, ‘AUSTRALIA’. versailes peace treaty, medal, defence dept., school children

Photograph of the July 1919 decorated cable tram, celebrating the end of World War 1, soon after soon after the signing of the Treaty of Versailles. Decorated by the Tramway Board. See Reg Item 4256 for a timetable and 3692 and 6168 for other photos.Yields information about the decorated and illuminated cable tram set to mark the end of the World War 1Photograph Black and White - decorated cable tram - Peace - World War 1Melbourne “The Tramway Board’s Illuminated Peace Trams” Presumably 11/1919. Copy neg Mark Plummer collections ex late John Alfred collection.cable trams, world war 1, peace tram, decorated trams, tramways

Items in the collection relating to C.J.C. McQuie MM, refer Cat No 9680P for his service details. .1) .2) Dated 5.9.19, appears to be McQuie's hand writing. .3) Has 3 letter signature unclear, talks about leaving for Ostend at 10.15pm. .4) Dated 8.9.19, to McQuie's Father, talks about leaving for Amsterdam, having a good time. .5) Dated 15.9.19, to Mr McQuie, talks about having a good time. .6) On the rear has a full page description of the Catacombs. .7) Dated 22.9.19, to McQuie's Father. .8) Dated 26.9.19. .9) Dated 20.9.19, to McQuie's father, talks about visiting Rome, Naples, Mt Vesuviuos and Pompei, leaving for Paris. .10) Dated 26.9.19. .11) dated 17.9.19, to Lieut F.J.Terry Paris France, from is unclear. Ten postcards different views, different tones, all dated over 2019. .1).2) Sepia tone, views over Southampton, text on rear in black. .3) Sepia tone, Bomb damage scene Dunkirk, text on rear in black. .4) Sepia tone, view of Rotterdam, text on rear in black. .5) B&W, view of Venice, text on rear in black pen, has two green stamps. .6) B&W Plan of the Catacombs of Callistus with description on rear. .7) Colour enhanced, scene over a river, text in black, two red stamps on. .8) B&W, Water garden in Versailles, text on rear in black. .9) B&W, view over Rome, text on rear in black, one red stamp on. .10) B&W, water scene Versailles, text on rear in black. .11) Sepia water fall scene, text on rear in black, one stamp in red..1) On rear, "5.7.19, Crossed this in error". .2) "5.7.19". .3) "Sept 3/19 Dunkirk". .5) "Venice 15.9.19". .6) "16.9.19". 7) On front in red "BOPPARD"postcards, photos, mcquie

A New Testament published in 1919 in commemoration of peace often refers to small New Testament books given to schoolchildren or soldiers after World War I, such as those associated with the signing of the Versailles Peace Treaty, which ended the war. These commemorative items were a common way to mark the armistice and the subsequent peace celebrations, providing a tangible connection to the end of the conflict and the hope for a more peaceful future. A miniature dark blue cloth covered New Testament of our Lord and Saviour Jesus Christ with a gold circular laurel wreath stamped on the front cover. Inside the wreath stamped in gold lettering is In Commemoration of Peace 1919. Pp. 384On the right of the front end paper written in black ink is 'Nellie Gaudion July 19/19'bibles, new testament, commemorative new testament

In the aftermath of World War I, calls for disarment rang out. Under the Treaty of Versailles, the 'peace treaty' signed in the Hall of Mirrors at Veresailles, Germany was declared the aggressor in WWI and restrictions were placed on the size of its military, the manufacture of armoured cars, tanks, submarines, planes and poisonous, and a demilitarised zone was put in place between Germany and France. The forced disarmament of Germany, it was hoped, would be accompanied by voluntary disarmament in other nations.It's difficult to know if this photograph was taken at the close of World War I, or later, when 'world disarment' was being investigated and promoted (c. 1920). Either way, a float bearing a banner in support of disarment made its way down Charman Road, Cheltenham to garner support. Black and white image of a wagon, drawn by four horses, with a group of men standing on the wagon.protest, war, disarmament

Reproduction slide of a photograph of the July 1919 decorated cable tram, celebrating the end of World War 1, soon after soon after the signing of the Treaty of Versailles. Has seven uniformed men, gripmen and conductors, and one officer. Photo used in Jack Cranston's book p28, "The Melbourne Cable Trams 1885-1940"". Decorated by the Tramway Board. See Reg Item 4256 for a timetable and 3692 for another photo.Yields information about the decorated and illuminated cable tram set to mark the end of the World War 1, the crews and their uniforms.Kodachrome cardboard duplicate slide - Black and white - reproduction - Black and white - reproduction - Peace tram 7/1919 "MP 6" in penciltrams, tramways, uniforms, cable cars, world war 1, decorated trams, crews

The Victory Medal (also called the Inter Allied Victory Medal) is a bronze medal that was awarded to all who received the 1914 Star or 1914-15 Star and, with certain exceptions, to those who received the British War Medal. It was never awarded alone. These three medals were sometimes irreverently referred to as Pip, Squeak and Wilfred. The medal of which the basic design and ribbon was adopted by Belgium, Brazil, Cuba, Czechoslovakia, France Greece, Italy, Portugal, Romania, Siam, Union of South Africa and the USA in accordance with the decision as taken at the lnter-Allied Peace Conference at Versailles but in a particular form of a historic Greek monument as determined by each nation, with the exception of the nations of the far east who issued the medal but with a different design. Eligibility for this award consisted of having been mobilized in any of the fighting services and having served in any of the theatres of operations, or at sea, between midnight 4th/5th August, 1914, and midnight, 11th/12th November, 1918. Women who served in any of the various organizations in a theatre of operations were eligible, such as nurses, members of the Women’s Royal Naval Service, Woman Army Auxiliary Corps, Women’s Royal Air Force, canteen staff and members of the many charitable services.Original medals issued to the Hoffman family post WWI and donated to the Beechworth RSL Sub Branch by his sister Miss Anna Hoffman with the Hoffman Family collection.British War Medal 1914 -1920 with ribbon and Victory Medal with ribbon court mounted and the recipients name inscribed on the rim. On the reverse side is red felt and the mounter's label629 PTE. F. HOFFMAN . 33 - BN . A . I . F . is inscribed on the rim of both medals.medal, medal wwi, victory medal, the war medal

In 1919, Australian schoolchildren received a special commemorative medal to mark the end of World War I. This medal, known as the “Peace of 1919” medallion, was issued by the Defence Department and distributed to schoolchildren throughout Australia. The medallion is circular with a plain edge and an integral suspension loop. On the obverse side, it features a symbolic female figure of Peace, holding a sword and standing on a plinth marked “PEACE 1919.” A dove flies behind her, and two figures freed from shackles are at her feet. The reverse side showcases a central panel surrounded by laurel leaves, topped by the King’s Crown with the word “VICTORY” over rays of the rising sun. A sailor and a digger stand at ease on either side of the panel, which bears the inscription “THE / TRIUMPH / OF / LIBERTY / AND / JUSTICE.” Below the leaves, a small panel displays the words “THE PEACE OF 1919” and the manufacturer’s name. The medallion was issued to commemorate the signing of the Versailles Peace Treaty in 1919, which officially ended World War I. Originally, the medals were suspended from a narrow piece of red, white, and blue striped cotton ribbon. This medallion served as a reminder to a generation of the service and sacrifice of Australians during the war. It symbolized the achievement of peace, albeit at great cost. Each child in Australia aged 0-14 years (and up to 16 if their parents were in the armed forces) received this small but meaningful token of remembrance12. Small medallion with faded red, white and blue ribbon with pin. Female on the front. Wreath on back with two males either side with uniformmedals, 1919, ww1

The Book is part of a 25 volume set with red cloth bindings and gold filigree design to rib.non-fictionHenry Smith Williams’ “The Historians' History of the World” is a chronological and geographical "tapestry" of human events, these twenty five volumes occupy a very specific and prestigious place in historical research. Volume 15 of “The Historians' History of the World” moves into the heart of modern European power dynamics. Published by The Times in 1908, this volume focuses on the rise of the modern German state and the evolution of the Austrian Empire.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the historians history of the world vol 15 set 1, henry smith williams

George Alfred Yung, known as Alf, pictured in the second row, 10th from the left, enlisted on 25/02/1916; embarked on 19/02/1917; was killed during the battle of Menin Gate at Yrpres, Belgium on 20/09/1917. https://www.awm.gov.au/collection/U51447 The 7th Battalion was among the first infantry units raised for the AIF during the First World War. Like the 5th, 6th and 8th Battalions, it was recruited from Victoria and, together with these battalions, formed the 2nd Brigade. The battalion was raised by Lieutenant Colonel H. E. "Pompey" Elliott within a fortnight of the declaration of war in August 1914 and embarked just two months later. After a brief stop in Albany, Western Australia, the battalion proceeded to Egypt, arriving on 2 December. It later took part in the ANZAC landing on 25 April 1915, as part of the second wave. Ten days after the landing, the 2nd Brigade was transferred from ANZAC to Cape Helles to help in the attack on the village of Krithia. The attack captured little ground but cost the brigade almost a third of its strength. The Victorian battalions returned to ANZAC to help defend the beachhead, and in August the 2nd Brigade fought at the battle of Lone Pine. While holding positions captured by the 1st Brigade, four members of the 7th Battalion, Corporal A. S. Burton, Acting Corporal W. Dunstan, Lieutenant W. Symons and Captain F. H. Tubb, earned the Victoria Cross - Burton posthumously. The battalion served at ANZAC until the evacuation in December. After the withdrawal from Gallipoli in December 1915, the battalion returned to Egypt. In March 1916, it sailed for France and the Western Front and entered the front line trenches for the first time on 3 May. The battalion's first major action in France was at Pozieres in the Somme valley where it fought between 23-27 July and 15-21 August. After Pozieres the battalion manned trenches in the Ypres salient in Belgium, before returning to the Somme valley. It saw out the horrendous winter of 1916-1917 rotating between training, working parties and duty in the trenches. In early 1917, the Germans withdrew to the Hindenburg Line and the 7th Battalion participated in the brief advance that followed and then came to a grinding halt before Bullecourt. The battalion was withdrawn from the front line for training on 9 May 1917 and did not return to action until the Ypres offensive of September and October. It fought major battles at Menin Road on 20 September and Broodseinde on 4 October, and then spent much of ensuing winter in the Ypres mud. In March and April 1918 the 7th helped stop the German spring offensive in northern France and later participated in the Allies' own great offensive of 1918, that began with the battle of Amiens on 8 August. The advance by British and empire troops on 8 August was the greatest success in a single day on the Western Front, one that German General Erich Ludendorff described as, "the black day of the German Army in this war". The battalion continued operations until late September 1918. At 11 am on 11 November 1918, the guns fell silent. The November armistice was followed by the peace treaty of Versailles signed on 28 June 1919. In November 1918 members of the AIF began to return to Australia for demobilisation and discharge. In March, the battalion was so reduced that it and the 6th Battalion were amalgamated to form a composite battalion. In turn, this battalion was merged with another, formed from the 5th and 8th Battalions, to form the 2nd Brigade Battalion. https://www.awm.gov.au/collection/U51447army, soldier, alf yung, 7th australian infantry battalion

Soft cover book. Cover - cardboard, green, black and white background with white print front and spine. Front and back illustration - black and white photograph of soldiers marching WW1. 226 pages, cut, plain, white paper. Illustrated black and white and colour photographs, maps, posters and cartoons. Owners adhesive labels and handwritten information. Cover and title page.Adhesive label - blue and yellow print. "Bendigo Senior/ Secondary College/ Library/ Ph 5443 1222". Handwritten details - black ink pen, various library notations.publication, book, education, ww1

Index, bib, ill, maps, p.640.non-fictionFew years can justly be said to have transformed the earth: 1914 did. In July that year, Germany, Austria-Hungary, Russia, Britain and France were poised to plunge the world into a war that would kill or wound 37 million people, tear down the fabric of society, uproot ancient political systems and set the course for the bloodiest century in human history. In the longer run, the events of 1914 set the world on the path toward the Russian Revolution, the Treaty of Versailles, the rise of Nazism and the Cold War. In 1914: The Year the World Ended, award-winning historian Paul Ham tells the story of the outbreak of the Great War from German, British, French, Austria-Hungarian, Russian and Serbian perspectives.world war 1914 - 1918 - history, world war 1914-1918 - causes

Ill, maps, p.353.non-fictionCovers the period from the Treaty of Versailles to Churchill's appointment as Prime Minister in 1940world war 1939-1945 - history, europe - politics and government - 1918-1945

Index, p.283.non-fictionExcerpts from the author's diary written when he was President Wilson's confidential interpreter at the Peace conference of 1919.treaty of versailles, paris peace conference - 1919-1920.

Index, ill, p.235.A description and history of the Palace of Versaillesversailles - history, versailles - architecture

Hard Cover Book. History of The Great European War Set 1 Vol 10 Author: W Stanley Macbean Knight Publisher: The Caxton Publishing Company Ltd Clune House, 161 Surrey St, London W.C. Printer: The Standard Publishing Co. 100 Flinders St, Melbourne. Date: Various Volume Subscription Releases 1914 to 1920 Further Information: Red pictorial cloth gilt-lettered boards, each volume illustrated with a coloured frontispiece, black-and-white photographic plates, and fold-out colour maps of various fronts depending on volume(e.g. the Serbian Retreat, the Italian front etc.). Note there are two sets of this publication in the Flagstaff book collection.non-fictionThis set is a contemporary and popular narrative history of WWI, written and published while the war was still happening; the preface is dated 1914, but volumes were issued serially as the war progressed, meaning later volumes covering 1917–18 and the peace were released several years after the first. This is a common format for the period — compare rival serials like The Great War (Hammerton & Wilson) or Collier's The Story of the Great War — publishers issued 'instant history' in subscription parts to a public hungry for authoritative-sounding accounts. The volumes in this set cover the following topics during the First World War: Vol. I — Causes and Effects (1914): Its aims are to explain the political and diplomatic background to the war — the alliance system and the July Crisis — with the outbreak of hostilities in August 1914. Vol. II: Continues into the opening campaigns of 1914 (per Internet Archive, 'Vol 2 of 10', contemporary account). Vol. III: Descriptions note it as continuing the story of the campaign of the Allies and their mid-war campaigns. Vol. IV: Covers 1916 and the ongoing 1915–16 campaigns; this volume contains a fold-out colour map of the Serbian Retreat and one of the Italian front, featuring the Balkan and Italian theatres of war. Vols. V–VI: Continue the general campaign narrative through 1916–17. Vols. VII–VIII: Cover the later war years, focusing on 1917–18. Vols. IX–X: These volumes cover the war's final phase and the Armistice. Publication of the last volumes continued into the early 1920s, covering the peace settlement at Versailles and its aftermath.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the history of the great european war vol 1 set 1, the history of the great european war, caxton printers

Hard Cover Book. History of The Great European War Set 1 Vol 8 Author: W Stanley Macbean Knight Publisher: The Caxton Publishing Company Ltd Clune House, 161 Surrey St, London W.C. Printer: The Standard Publishing Co. 100 Flinders St, Melbourne. Date: Various Volume Subscription Releases 1914 to 1920 Further Information: Red pictorial cloth gilt-lettered boards, each volume illustrated with a coloured frontispiece, black-and-white photographic plates, and fold-out colour maps of various fronts depending on volume(e.g. the Serbian Retreat, the Italian front etc.). Note there are two sets of this publication in the Flagstaff book collection.non-fictionThis set is a contemporary and popular narrative history of WWI, written and published while the war was still happening; the preface is dated 1914, but volumes were issued serially as the war progressed, meaning later volumes covering 1917–18 and the peace were released several years after the first. This is a common format for the period — compare rival serials like The Great War (Hammerton & Wilson) or Collier's The Story of the Great War — publishers issued 'instant history' in subscription parts to a public hungry for authoritative-sounding accounts. The volumes in this set cover the following topics during the First World War: Vol. I — Causes and Effects (1914): Its aims are to explain the political and diplomatic background to the war — the alliance system and the July Crisis — with the outbreak of hostilities in August 1914. Vol. II: Continues into the opening campaigns of 1914 (per Internet Archive, 'Vol 2 of 10', contemporary account). Vol. III: Descriptions note it as continuing the story of the campaign of the Allies and their mid-war campaigns. Vol. IV: Covers 1916 and the ongoing 1915–16 campaigns; this volume contains a fold-out colour map of the Serbian Retreat and one of the Italian front, featuring the Balkan and Italian theatres of war. Vols. V–VI: Continue the general campaign narrative through 1916–17. Vols. VII–VIII: Cover the later war years, focusing on 1917–18. Vols. IX–X: These volumes cover the war's final phase and the Armistice. Publication of the last volumes continued into the early 1920s, covering the peace settlement at Versailles and its aftermath.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the history of the great european war vol 1 set 1, the history of the great european war, caxton printers