The original Hall Braille writer was modelled on the typewriter and was the first successful mechanical point writer. Frank Haven Hall, Superintendent of the Illinois Institution for the Blind, introduced his invention to the public on 27 May, 1892 at Jacksonville, Illinois. It was manufactured by Harrison and Seifried, Chicago, ca 1892. The carriage moves one space to the left as the keys are released. The styli in the embossing heads are controlled by the keys as are the bars on a typewriter. The styli operate from the back so that letters appear in the normal position for reading. Braille writers enable all dots in a Braille cell to be created simultaneously. This model was found in the Braille and Talking Book Library in South Yarra prior to the staff departure in 2000. Presumably used by either staff or volunteers at the library.Braille writer with a key board like a piano with black wooden keys on an ivory board. The body is made from heavy cast iron with a black lacquer.Painted in gold on top of the machine: "The Hall Braille Writer / patent pendingbraille equipment, assistive devices

The American Foundation for the Blind developed this new model in their experimental shop in 1932 and contracted with the typewriter manufacturer to produce the machines and continued production until 1947. It's sleek silver look was a change of look from the previously manufactured Hall Braille Writer, and improvements included a carriage return, the ability to add spaces between lines and a back space key. It was found in the Braille and Talking Book Library in South Yarra, Victoria, Australia and was used by either staff or volunteers at Vision Australia Library.Stainless steel braille writer in the shape of a typewriter. The braille writer consists of a heavy moulded machine with 6 black plastic keys.On front of writer: "American Foundation for the Blind Inc. New York." "Manufactured for the Foundation by L.C. Smith & Corona Typewriters, Inc." On back: "Licenced by Underwood Elliot Fisher company/ Serial no. 5-2422.braille equipment, assistive devices

All writers are paid $75 to appear at the Emerging Writers' Festival. This flyer is seeking people to sponsor the appearance of one emerging writer at the 2011 festival.A white, green and yellow flyer with black font, looking for supporters to become a Pen Pal to sponsor one emerging writers' attendance at the 2011 festival.2011 emerging writers' festival, lisa dempster, literary programming, the wheeler centre, emerging writers', literary, festival, melbourne

Black box containing a Matrix Braille writing machine, with a paper spool attached to the feeding mechanism. The front portion of box is hinged and lifts up to reveal keyboard. Top half of box lifts to reveal Braille writer which is bolted to a wooden base that can be lifted out. The base is secured with a metal latch. Machine has black keys and the wooden case has black leather-like covering, hinged lid, metal clasps, and leather handle on the side. "Model G, Matrix, Coventry Gauge & Tool Company, Ltd., No. 792, For The Royal National Institute for the Blind, London W.I." is stamped on the front,Black vinyl-covered case containing black metal writer and paper spool"Model G, Matrix, Coventry Gauge & Tool Company, Ltd., No. 792, For The Royal National Institute for the Blind, London W.I." is stamped on the front.braille equipment, royal national institute for the blind

Black box containing a Matrix Braille writing machine, with a 24mm-wide paper spool attached to the feeding mechanism. Corner of box is hinged and lifts up to reveal keyboard. Top half of box lifts to reveal Braille writer which is bolted to a wooden base that can be lifted out. The base is secured with a metal latch. Machine has black Bakelite keys with rubber pads beneath make this a "silent" machine; wooden case has black leather-like covering, hinged lid, metal clasps, and leather handle on the side. "Model G, Matrix, Coventry Gauge & Tool Company, Ltd., No. 1183, For The Royal National Institute for the Blind, London W.I." is stamped on the front,Black vinyl-covered case containing black metal writer and paper spool"Model G, Matrix, Coventry Gauge & Tool Company, Ltd., No. 1183, For The Royal National Institute for the Blind, London W.I." is stamped on the front.braille equipment, royal national institute for the blind

Henry Stainsby (1859-1925), Supt. of the Birmingham Royal Institution for the Blind, (later General Secretary of the British & Foreign Blind Association) along with Birmingham manufacturer Albert Wayne, introduced their Shorthand Braille Writer, circa 1910-1940. Used at the Royal Victorian Institute for the Blind. These machines were often supplied with a case, to deaden the sound when in use. The machine was designed to take down verbatim reports from dictation. As the strip of paper passes automatically through the machine, no time is needed to adjust the paper or the machine for each line. Speeds of 80 - 140 words per minute can be obtained.Contained in a dark blue case which folds down to reveal the keys, this portable Braille writer has six flat keys in front and a space key, attached to a marking device at the back. A roll of thin white paper is mounted on an attachment to the side of the machine, and the paper is threaded along a channel at the top of the machine and comes out the other side in a continuous roll. A red round rubber guard is just behind the keys. Royal National Institute for the Blind label attached.braille equipment, royal victorian institute for the blind

The Emerging Writer is an insider’s guide to the craft, philosophy and politics of being a writer. Whether you’re facing your first blank page or negotiating a publishing contract, this book is full of indispensable advice for any emerging writer hoping to turn their seedling of an idea into a mighty tree. The Emerging Writer - Volume Two was published in 2013 and edited by Andre Dao.A book with a red and white cover, with cartoons depicting a small plant growing into a large tree.emerging writers' festival, 2009, literary programming, the wheeler centre, the emerging writer, books, andre dao, 2013

The first Emerging Writers’ Festival was held at the Victoria Hotel in Little Collins Street in January, 2004. The inaugural festival developed out of Express Media's Make It Up zine fair. It brought together the offerings of 68 writers from across Australia in a two-day series of panels, readings, performances and workshops. Express Media ‘s Artistic Director Richard Watts was the driving force behind the ground breaking initiative that was to become the Emerging Writers’ Festival. It was clear to him through the success and the demand of the Make It Up zine fair, which had its origins in 2000, that writing and writers were in the process of radical change and needed a new environment to grow. In response, Express Media formed a partnership with the Victorian Writers’ Centre and held the first Emerging Writers’ Festival with the tagline, the best Australian writers you haven’t heard of yet. The beginnings were humble but the foundations strong. In those early years the festival found its feet, its independence and a loyal and passionate audience.An eight page, stapled program for the 2004 Emerging Writers' Festival printed in black, white and three shades of orange."Featuring the best Australian writers / you haven't heard of (yet) including new, young and / emerging poets, zinesters, short story / writers, spoken word performers, novelists, / screenplay writers / and playwrights, and a range of panels, / readings, workshops as well as an / independent publishers' trade fair."2004 emerging writers' festival, richard watts, express media, literary programming, the wheeler centre, emerging writers', literary, festival, melbourne

Designed by Raymond Lavender, American Printing House for the Blind, it was produced between 1962-1982. A modernized Braille writer, the Lavender allowed the paper to exit through the cover in a way similar to a typewriter. The keys are rectangular and the design is compact with no protruding parts. The cover, which is an integral part of the design, snaps on the case. The case and cover are made of Cycolac, a high impact resistant plastic. After the writer was in use for some time, it was discovered that the plastic material tended to warp and production was discontinued. (Information from the American Printing House for the Blind website). Lavender Braille Writer consisting of an oblong shaped structure made out of a beige coloured metal base with cream coloured keys and a beige coloured hard plastic cover. Braille letters are achieved by punching the various keys. A metallic handle is included.Beige coloured plastic rectangle object with cream buttons and silver returns lever with covering boxbraille equipment, assistive devices

This brown painted metal case was used to carry and store a Braille Writer. It has metal caps on the corners and is lined with green felt. The handle on the front is leather. Two steel catches on the front hold it closed. Brown painted metal case with green felt lining and leather handle Marked on hinges 'U.K Patent No. 427897 and others'.braille equipment, assistive devices

The Emerging Writer is an insider’s guide full of valuable advice from fellow travellers – a resource you can keep within arm’s length, for when you need to consult that map again to help you find your way. The book was published in 2012 and edited by Karen Pickering.A blue, yellow and black book with an image of a fanciful hot air balloon on the cover.emerging writers' festival, 2009, literary programming, the wheeler centre, the emerging writer, books, karen pickering, 2012,

Lake Bolac born singer/song-writer Neil Murray wrote the well-known Australian hit song "My Island Home" which was sung and made famous by Christine Anu. Here the pair are depicted receiving an award for their musical contribution to Australian culture at the APRA Music Awards in 1995.lake bolac, neil murray, christine anu, "my island home", apra music awards

From website: "Shot at various locations by cinematographer Robert Tremelling under the direction of Brenton Manser, the docudrama Rider and Writer is based on poet Adam Lindsay Gordon’s life during the time he lived in South Australia and Victoria. Manser has been researching, planning and developing the script for the new film since February 2012. Much of the footage for Rider and Writer has been shot in Mount Gambier, Port MacDonnell, Penola, Coleraine and Warrnambool. Jakin Manser has the leading role of Adam Lindsay Gordon, and former Grant High School drama teacher, David Reed, returned to Mount Gambier to act in the film, cast as John Riddoch, wealthy pastoralist and friend of Gordon. After 50 commended performances playing Riddoch in the stage production ‘Reckless’, Reed had retired. However, he was enticed by Manser to revive the character for the film."With a bust of Adam Lindsay Gordon in Westminster Abbey, London, his story is of national and international significance. Only one other film about Gordon is known to exist, produced in 1916. Allan Childs, curator of Gordon’s former residence ‘Dingley Dell’ is excited by the project: ‘To have a film that is made with the latest high definition equipment will bring the story of this famous poet alive to a new generation. We’ve come a long way since the black and white silent movies of 1916.’ The film premiered in Mount Gambier on 30 August 2014.adam lindsay gordon, brenton manser, robert tremelling, docudrama, 2014

The Stainsby Braillewriter was utilised by Braille tutors and volunteers as well the blind and visually impaired. Stored in a brown cardboard lockable case and this complete kit consists of a metal Braille writing machine; a long slim rectangular device with carriage and six silver keys and a bell, a metal board to attach Braille writer, a metal hinged Braille paper clamp and an instructional booklet. Henry Stainsby (1859-1925), Supt. of the Birmingham Royal Institution for the Blind, (later General Secretary of the British & Foreign Blind Association) along with Birmingham manufacturer Albert Wayne, introduced their portable brailler writer around 1903. An "improved" version, featuring aluminum parts and a paper clamp allowing accurate interpointing or interlining, was announced in "Outlook for the Blind" as early as 1927 and available generally by 1933 in the RNIB catalog. By 1978, RNIB sold the Improved Stainsby in a number of formats, including a large version available with interlining and inter-pointing board, and a small version with a folding board. Both large and small models came in ordinary and reverse keyed versions. Silver Brailler, rectangular with six silver keys and a bell, with paper board and clip, in cardboard suitcaseM8839 M88 (Brailler) M 8839 (Board) On the outside of the suitcase an address label reads "Braille Library, 31-51 Commercial Road, South Yarra". braille equipment, assistive devices

Clipiing from Victoria School News Volume 3, Issue 7, page 13, 1995

This book deals with American history from 1776 to 1876 and does not appear to have any connection to Warrnambool history. It is retained as a good example of an antiquarian book.Of antiquarian interest only.This is a hard cover, leather bound book of 1007 pages with gold coloured printing on the spine. The pages contain printing and black and white illustrations and one coloured illustration. The cover is scuffed and torn and the binding is coming apart.american history, warrnambool, our first century and memorable events

This is an original letter written by Peter Adam to Edward Vidler in 1907. Peter Adam was a pioneer settler in the Warrnambool district and the letter records his life beginning with his arrival in 1854 and concluding with his connection with the Kinnear family who acquired the historic property of Allandale in 1906. The letter also refers to the sending of a photograph and a sum of money for the right to have the photograph included on Warrnambool’s Pioneer Honor Board. The recipient of the letter, Edward Vidler, was Secretary of the Warrnambool and District Progress league and Secretary of the Warrnambool Chamber of Commerce and Manufactures in 1907 and he proposed producing a Pioneer Honour Board as part of Warrnambool’s 60th anniversary celebrations. He contacted many of the pioneers or their families and asked for a photograph, a fee and a biography and had the Boadrd made. For many reasons, including financial ones, the Pioneer Honour Board was not seen by the Warrnambool public until the 1920s but today it is one of Warrnambool’s great treasures. This letter is original and is of the utmost importance as it gives personal information about the life of Peter Adam, a person on Warrnambool’s Pioneer Honour Board and it refers to the submission of a photograph for placement on the board. This is one of only two letters that we know of that refers to the sending of a photograph and the fee charged for its inclusion on the Pioneer Board. The recipient of the letter, Edward Vidler, is important in Warrnambool’s history as the person most responsible for producing the Warrnambool Pioneer Honour Board, one of Warrnambool’s historical treasures. This is a letter on a piece of paper folded to make four pages with three of these pages containing handwriting in black ink. The paper has been torn and mended with adhesive tape.peter adam, allansford, edward vidler, warrnambool, warrnambool’s pioneer honour board, history of warrnambool

This Christian Bible by Professor James Moffatt from the United Free Church College in Glasglow Scotland was at a time when translated Christian bibles(Greek to English) were being review as to the accuracy of their translated words. This period was in the early 1900's specifically during and between the two major World Wars of 1914-18 and 1939-45 and also covering the Great Depression(1939). All these periods were ones of death, destruction and "loss of faith". Bibles which provided greater clarity of better times ahead flourished. This book offered its readers hope for the future (in terrible times). The regions that it covered were those who belonged to the Christian Faith. The significance of this bible to the Kiewa Valley is that it provides an insight of those Christians living in a semi remote rural region at the period in Australian history where forces outside of this area were placing hardships which were "foreign" to them, as a family and as a community. The major Christian religions within the Kiewa Valley were either of the Catholic or English Protestant teachings. These groups still remain the dominant ones well into the 2nd Millennium. Spiritual relief to overcome harsh rural setbacks is not just specific to the Australian rural sector but is also global. With the influx of migrant workers from the war torn European nations (after WWII) a broader coverage of Christian and other faiths developed. A "positive" saying, when crops failed and bush fires and river floods sprang up, rallied the faithful "with God's help" This hard covered bible consists of six pages of preamble including title, publishing details, printer and author's preface. The book has 388 pages of black print. Relevant reference lines are notated by numbers on the left side of the page. On the front dust cover is a cream silhouette against a light blue backdrop highlighting a smoking "Aladdin's" Arabic oil lamp on a cenotaph. The hard cover has a embossed emblem of a lantern with a plume of smoke rising from the spout. This is all encapsulated by a circle. The spine also has this emblem. On the dust jacket, front "THE MOFFATT NEW TESTAMENT", and the back cover has blue writing on a cream background. On the spine, at the top "JAMES MOFFATT" below this a white on blue silhouette of "Alalddin's lamp" below this is (in blue letters against a light blue background " THE NEW TESTAMENT A NEW TRANSLATION" On inside cover a signature "Clare Roper". The hard cover has marked in red print "THE NEW TESTAMENT ANEW TRANSLATION MOFFAT" christian bible, prayer, new testament, religion, faith.

This is the program from the 10th Emerging Writers' Festival. The EWF is an independent arts organisation based in the Wheeler Centre, Melbourne. The catalogue provides information about the events and programs involved in the festival, the first EWF programmed by Artistic Director Sam Twyford-Moore.More information about the 2013 Emerging Writers' Festival can be found online at: https://web.archive.org/web/20130510133639/http://www.emergingwritersfestival.org.au/events/A green, white, brown and orange booklet which contains information about the program for the 2013 Emerging Writers' Festival. The booklet has 44 pages and the cover has two parts - with the illustration on cover a separate but larger page than the green text. Written on front of catalogue is "10th Emerging Writers' Festival / 23rd May-2nd June / 2013".10th emerging writers' festival, sam twyford-moore, 2013, program, the wheeler centre, emerging writers', literary, anniversary, festival

The Three crosses of sacrifice. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

Cream blue feint lined writing pad paper with blue handwritingletter, rock-street, ivanhoe, talbot, newstead, daylesford, mining, baragwanath

Index, ill, maps, p.378.non-fictionBased on the notebooks in which Vasily Grossman gathered the raw material for his newspaper articles, A Writer at War depicts the crushing conditions on the Eastern Front during World War II and the lives and deaths of infantrymen, tank drivers, pilots, snipers, and civilians. Deemed unfit for service when the Germans invaded the Soviet Union in 1941, Grossman became a special correspondent for The Red Star, the Red Army newspaper. A portly novelist in his mid-thirties with no military experience, he was given a uniform and hastily taught how to use a pistol. Remarkably, he spent three of the next four years at the front, observing with a writer's eye the most pitiless fighting ever recorded.". "Grossman witnessed almost all the major events on the Eastern Front: the appalling defeats and desperate retreats of 1941, the defense of Moscow, and the fighting in the Ukraine. In August 1942 he was posted to Stalingrad, where he remained during four months of brutal street fighting. Grossman was present at the battle of Kursk (the largest tank engagement in history), and, as the Red Army advanced, he reached Berdichev, where his worst fears for his mother and other relatives were confirmed. A Jew himself, he undertook the faithful recording of Holocaust atrocities as their extent dawned. His report "The Hell of Treblinka" was used in evidence at the Nuremberg tribunalworld war 1939-1945 - campaigns - eastern europe, soviet union - german occupation - 1941-1944

Hardcover w/ Dust JacketSome margin notes in pencil - "Mary A'Beckett" Inside front coverbritish literature, american literature, prose literature, modern, 20th century, walsh st library

Hardcover W/ Dust Jacketsoviet union, travel, walsh st library

SoftcoverPrimavera Press catalogue inserted inside front coverwalsh st library

Ill, maps, index, p.654.non-fictionIn 1939, Ray Parkin was serving on the Australian light cruiser HMAS Perth. At first glance he looked every inch the archetypal petty officer that he was - tough, practical and a model of naval discipline. Yet Ray was no ordinary sailor. Despite a lack of formal education, he had the soul of an artist and a philosopher's enquiring mind. As HMAS Perth was embroiled in war - in the Mediterranean and then in South-East Asia - Ray became both a witness and a chronicler of the conflict through his meticulous diaries and his minutely observed watercolours and sketches. When Perth was sunk off the coast of Java, Ray was one of the survivors. After a valiant attempt to sail back to Australia in a lifeboat, he surrendered and spent the rest of the war as a prisoner of the Japanese, first building the Thai-Burma Railway and then working as a slave labourer in a Japanese coalmine. The horrors and privations of those years saw some of his most memorable artwork - documenting both the beauty of the natural world and the savageries and humiliations of the POW ordealprisoners of war - japan - death railway, ex prisoners of war - biography