Physical description
Digital images
We acknowledge the Traditional Owners of the place now called Victoria, and all First Peoples living and working on this land. We celebrate the history and contemporary creativity of the world’s oldest living culture and pay respect to Elders — past, present and future.
Please be aware that this website may contain culturally sensitive material — images, voices and information provided by now deceased persons. Content also may include images and film of places that may cause sorrow.
Aboriginal and Torres Strait Islander people are advised that this website may contain culturally sensitive material — images, voices and information provided by now deceased persons. Content also may include images and film of places that may cause sorrow.
Some material may contain terms that reflect authors’ views, or those of the period in which the item was written or recorded but may not be considered appropriate today. These views are not necessarily the views of Victorian Collections.
Users of this site should be aware that in many areas of Australia, reproduction of the names and photographs of deceased people is restricted during a period of mourning. The length of this time varies and is determined by the community.
Reuse of any Aboriginal or Torres Strait Islander material on this site may require cultural clearances. Users are advised to contact the source organisation to discuss appropriate reuse.
Digital images
Headstones in the Smeaton Cemetery.
smeaton, smeaton cemetery, headstones, james eckersley, g.l. nase, anna maria nase, alice maria nase, john edwin dean, anna m. dean, anna maria dean, a. broom, mccrum, ann mccrum, jean dow, andrew wilson, samuel lilley, edmund fulton lilley, robert cowie, helen mcintosh
Colour photograph of the township of Smeaton from Elizabeth Street.
Colour photographs of houses in LaTrobe St, Ballarat
latrobe street, ballarat, architecture
This type of ink container was often called a penny ink container or dwarf ink bottle.
This ink well is historically significant as it represents methods of hand written communication that were common up until the mid-20th century, when fountain pens and ballpoint pens took over fro pen and ink.
Salt glazed ceramic ink bottle
ceramics, ink bottle, salt glaze
Colour photograph of a Christmas tree and gifts.
christmas, christmas tree, gifts, presents
Lake Wendouree was originally known as Yuille's Swamp.
Colour photograph of a cairn displaying the place were William Cross Yuille Camped
Near this spot was the camp of the first resident of Ballarat William Cross Yuille in March 1938. Presented by Cr A.J. Darling. Mayor of Ballarat 1034. Ballt Historical Socy
lake wendouree, william cross yuille, a.j. darling, yuille's swamp, marker
Lake Wendouree was originally known as Yuille's Swamp.
Colour photograph of a boathouse on Lake Wendouree..
lake wendouree, boathouse
John GLEESON Living at Campbell's Creek for over 30 years, John Gleeson makes a range of functional stoneware pottery. He fell in loved with pottery during a hobby class in Geelong in 1972. He worked for a year at Canny Ridge Pottery in Harcourt. John Gleeson uses white stoneware and porcelain clay from The Bendigo Pottery, and buff clay from Bennetts Pottery in Adelaide. He mixed all his own glazes from commercially sourced raw materials, sometimes supplemented with ash from his fire and local red clay to get special effects.
Large celadon platter with incised fish design.
In 1977 The Ballarat School of Mines purchased the ex Ballarat College Boat Shed situated on the South Shore of Lake Wendouree with the expectation pf developing interest in yachting, kayaking, canoeing and rowing within the College.
Brown, A4 book with plastic spine.
endowment plantation, historical committee, boat shed, bricklaying building, old chemistry building, campus plan, crane driving, top, tertiary orientation program, counselling service, enrolments, statistics, brian mclennan, g. shearer, graeme hood, peter shiells, partridge committee, williams committee
Power Station from Federation University, Churchill
power station, churchill
A photograph of a timber honor board with gold text indicating the names of the from the Rubicon Street Sunday School who enlisted for service during World War One.
rubicon street sunday school honor roll, rubicon street methodist sunday school, a. aird, j. aird, g. barnett, a. black, h. braidie, a. bridson, s. bridson, w. bridson, h. brittain, w. brittain, s. caddy, w. clarke, e. collins, f. dignam, n. flockhart, f. graham, c. gunn, w. gunn, l. hearn, w. hicks, p. holloway, r. holloway, arnold holst, f. giffen holst, john holst, e. hooker, j. humphreys, p. james, a. jarvis, g. jarvis, w. jenkins (2), a. jolly, c. jolly, g. jolly, j. kauffman, o. kauffman, p. jenkins - o. jennings, g. lawry, f. mayall, d. mcgrath, j. mckenzie, w. oakes, p. renfree, e. rickard, h. robertson, f. robinson, l. rowe, t. rowe, w. rowe, c. rowsell, l. rowsell, r. rosewall, h. rumler, c. sheers, s. sheers, j. smallman, o. smallman, a. smith, c. smith, h. smith, n. smith, h. straight, h. stanley, r. stanley, w. thompson (2), a. vale, s. vial, j. wearmouth, j. willaton, t. wills, h. williams, h.s. williams, m. williams, d. drummond, h. drummond, j. drummond, r. proctor, p. patten, h. pengelly, world war one, honur board
Aboriginal people caused scars on trees by removing bark for various purposes, such as making canoes, containers and shields, and to build shelters. The scars, which vary in size, expose the sapwood on the trunk or branch of a tree.
Colour photographs of the remains of a scarred tree at Harcourt, Victoria
scarred tree, scar tree, harcourt, dja dja wurrung, aboriginal, aborigine, canoe tree
Garry BISH (1950- ) trained a After training as a secondary school art teacher in Melbourne in 1968-69, Gary Bish moved to Bendigo, where he established the Potters Arms Studio in Epsom in 1972 while studying for a Diploma of Art and Design in ceramics at the Bendigo Institute of Technology, graduating in 1974. Establishing an independent studio in Epsom in 1972, Garry Bish has lectured in Ceramics for many years. Bish marks his work with his signature or an impressed 'B' with a stem like a feather.
Black ceramic bottle with green dots.
ceramics, gary bish
A study into the Heritage of Golden Plains
golden plains, heritage, bannockburn, lethbridge, linton, meredith, rokewood, scarsdale, shelford, croindhap, inverleigh, smythesdale, steiglitz, berringa, cape cear, woodbrook homestead, shellford, mcmillans bridge, jubilee company quartz mine, glenfine homestead, werneth, laurence park homestead, darriwil park house, naringal private cemetery, batesford, happy valley, ross creek, wallinduc, maude, murgheboluc, clyde company station, wurrook homestead, lullote homestead, geringhap, moorabool, burunah plains, nintingbool
Residents of the Ferleigh Flats Retirement village are understood to be well and strong enough to care for themselves and need to be over the age of 55 years. Fernleigh Flats is owned and operated by the Seventh Day Adventist Church. "TO LET, a Brick House, corner of Urquhart and Ripon Streets. Apply Owen Cazaly, Mining Exchange."(Ballarat Star, 16 Aug 1867) "SALE BY AUCTION, Corner of Urquhart and Ripon streets, 07 COMFORTABLE CUITAGE PROPERTY. M'GREGOR BROTHERS, instructed by the owner, Mr Bradbury, who has bought another property, will sell by public auction, on Monday, 16th May, at half-past 12, His six-roomed substantially-built RESIDENCE. The owner has, under his own supervision, spared no expense in making this a most comfortable and convenient dwelling, situated on a quarter of an acre allotment, at the corner of Urqhuart and Ripon streets, high and dry. Garden laid out with choice young fruit trees; ground capable of growing anything. Fowl yard fenced off. making It a most desirable residence. For a family residence or as An investment this is a good opportunity. Inspection invited. Auctioneer, R. M'GREGOR. (Ballarat Star, 12 May 1893.)
A retirement village on the corner of Urquhart Street and Ripon Street, Ballarat. The street trees surrounding this property include a number of trees (blue cedar?) and suggest the demolition of an older stately home on this site.
Stone mileposts dating from the 1870s are found on the Glenelg Highway. Stone and iron mileposts are now a rarity, and have remanining markers have become a tourist attaction in many smaller towns with remnant markers. The stone mileposts on the Glenelg Highway are listed on the Victorian Heritage Reigister as being significant to the State of Victoria. Their primary purpose is to inform the travelling public of distances and directions to various destinations. The stone milepost in the current City of Ballarat are located on the Glenelg Highway (between Ballarat and Scarsdale), Smythes Creek and Delacombe, and have been registered by Heritage Victoria, (HO155) Other stone mileposts are located In Golden Plains Shire at Smythesdale (Victorian Heritage Register H1701) Metrication in Australia caused former mile markers to be gradually replaced with 10 km markers on highways and country roads, which are referred to as "kilometre plates".
Colour photograph of a stone mile post on between Ballarat, Scarsdale and Linton
milepost, mile post, scarsdale, linton, ballarat, mile marker, stone milepost, milestone
I have been interested in urban design and landscape since a child. My early fascination with maps corresponded to early mark making inspired by maps, topography, legends and aerial depictions. This developed into the use of a bold colour palette often used by map makers to delineate sections, contours and geology. Over time I experimented with a range of techniques and enjoy pushing expected techniques and materials to their limits. Often referred to as having a natural aesthetic, my works use various media, most often paint, textiles and photography.
Lisa J. GERVASONI Born Melbourne, Victoria Graduating from Royal Melbourne Institute of Technology where she received a Bachelor of Applied Science-Planning, and the University of Melbourne with a Master of Environmental Studies Lisa Gervasoni's artwork reflects her passion for the landscape and built form. Lisa Gervasoni specialises in photography, embroidery and acrylic paintings on canvas. Many of her works have a theme of interpretation of heritage and cultural spaces. Dedicated to ensuring Lisa Gervasoni has used photography to document urban areas, heritage sites and natural resources of Australia.She has provided over 70,000 images to the National Library of Australia Trove database via the Flickr portal. In 2004 Lisa Gervasoni won the Daylesford Small Art Prize for an embroidered depiction of the Savoia Hotel, and in 2022 she was shortlisted in the Harden Landscape prize. Her art mediums are photography, embroidery and acrylic on canvas. Many of her works have a theme of interpretation of heritage and cultural spaces.
A depiction of the Dean Store in stitchery.
lisa gervasoni, dean, dean store, stichery, textiles, embroidery
Bluestone house with slate roof in Ascot St, Ballarat.
bluestone, slate, ascot street, ballarat
Interpretation of the Gervasoni farms at Yandoit Creek using a fauvist colour palette.
Lisa J. GERVASONI Born Melbourne, Victoria Graduating from Royal Melbourne Institute of Technology where she received a Bachelor of Applied Science-Planning, and the University of Melbourne with a Master of Environmental Studies Lisa Gervasoni's artwork reflects her passion for the landscape and built form. Lisa Gervasoni specialises in photography, embroidery and acrylic paintings on canvas. Many of her works have a theme of interpretation of heritage and cultural spaces. Dedicated to ensuring Lisa Gervasoni has used photography to document urban areas, heritage sites and natural resources of Australia.She has provided over 70,000 images to the National Library of Australia Trove database via the Flickr portal. In 2004 Lisa Gervasoni won the Daylesford Small Art Prize for an embroidered depiction of the Savoia Hotel, and in 2022 she was shortlisted in the Harden Landscape prize. Her art mediums are photography, embroidery and acrylic on canvas. Many of her works have a theme of interpretation of heritage and cultural spaces.
abstract, modern
Painted stretched canvas depicting an abstract aerial oblique of Yandoit Creek, Victoria.
gervasoni farm yandoit creek, lisa gervasoni, yandoit creek
haystack
tractor
Victorian Collections acknowledges the Australian Aboriginal and Torres Strait Islander peoples as the first inhabitants of the nation and the traditional custodians of the lands where we live, learn and work.