We acknowledge the Traditional Owners of the place now called Victoria, and all First Peoples living and working on this land.
We celebrate the history and contemporary creativity of the world’s oldest living culture and pay respect to Elders — past, present and future.
Please be aware that this website may contain culturally sensitive material — images, voices and information provided by now deceased persons.
Content also may include images and film of places that may cause sorrow.
Aboriginal and Torres Strait Islander people are advised that this website may contain culturally sensitive material — images, voices and information provided by now deceased persons. Content also may include images and film of places that may cause sorrow.
Some material may contain terms that reflect authors’ views, or those of the period in which the item was written
or recorded but may not be considered appropriate today. These views are not necessarily the views of Victorian Collections.
Users of this site should be aware that in many areas of Australia, reproduction of the names and photographs of deceased people is restricted during a period of mourning. The length of this time varies and is determined by the community.
Reuse of any Aboriginal or Torres Strait Islander material on this site may require cultural clearances. Users are advised to contact the source organisation to discuss appropriate reuse.
Aboriginal and Torres Strait Islander people should be aware that this page may contain culturally sensitive information, and/or contain images and voices of people who have died
The reuse of this media requires cultural approval
Reuse this media
Can you reuse this media without permission?No (with exceptions, see below)
Conditions of use
All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Attribution
Please acknowledge the item’s source, creator and title (where known)
The reuse of this media requires cultural approval
Basket from Coleraine
"This basket was made using our traditional Gunditjmara stitch and would of had possum or kangaroo skin strips to place around their hips or over their shoulders". Gunditjmara Elder
This basket is from the Coleraine area which was the land of the Konoonwootong Gunditj people. There were several massacres known to have occurred on this country. There were survivors whose descendants are still living on Gunditjmara country.
For more information see Dr Ian Clark's book Scars in the Landscape: A register of massacre sites in western Victoria 1803-1859, AIATSIS, Canberra, 1995, pp. 145-155.
For a map of the massacres that took place in Victoria follow this link. http://www.cv.vic.gov.au/stories/indigenous-stories-about-war-and-invasion/4994/massacre-map/
The reuse of this media requires cultural approval
Reuse this media
Can you reuse this media without permission?No (with exceptions, see below)
Conditions of use
All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Attribution
Please acknowledge the item’s source, creator and title (where known)
The reuse of this media requires cultural approval
Basket from Coleraine Maker Unrecorded, Coleraine area, Gunditjmara country
Film - Dr Rob Hely (editor), 'Aunty Connie Hart Teaching Basket Weaving', c. 1990s, Koorie Heritage Trust (Oral History Collection)
The reuse of this media requires cultural approval
Film - Dr Rob Hely (editor), 'Aunty Connie Hart Teaching Basket Weaving', c. 1990s, Koorie Heritage Trust (Oral History Collection)
Aunty Connie Hart: You must have speargrass. Bullrush is definitely no good. So you loosen your stitch, and you come in the back, just through the back and twists on the side and hold it there.
Community Member: Hold it there?
Aunty Connie Hart: Yes. That’s a long one. That’s a nice one. Take it right down, about there and put that into your tail… Don’t let your grass split on you. Down through there. Now shove that… Always shove that finger there, up the back. Now keep that thumb in the middle – now see it won’t twist? And there she is.
0.58
Aunty Connie Hart: See you hold it in this hand, in your left hand and with your working grass hold it there like that. … and then come under and pull it - keep your fingers straight. And then you go all over that until you come to that piece sticking up …. see what I mean? So you go round, that’s to make your centre like that. Once you’ve gone around, push this back like that, just push it back out of the road. And leave it there and then you come into your stitch here, see your stitch here? Come in there. Take it into your stitches. You don’t have to go down into the big circle any more.
2.00
Aunty Connie Hart: One, two, three, four, five, six, seven, eight… Wait on we missed one. This one here.
Community Member: Oh I missed that little fell-, oh yes I missed that.
2.19
Aunty Connie Hart: You need a piece to work on this. Oh yes I’ll just put that one in … and that will fill that space up. Then you come into the stitch.
Community Member: Oh under the tail and into the stitch.
Aunty Connie Hart: Yes that’s to stop you going slanty and your work will come up straight in the end. …
2.39
Aunty Connie Hart: I was always one for sitting among the old people and learning. I wished I’d learned a lot more. But they were too cunning too. If you asked too many questions, that’s it. You got nothing told to you. They were strict. Yeh they were strict. Told you nothing. Told you to run away and play.
3.03
Aunty Connie Hart: Well you can get four or five pieces on that, just this width… That’s why I like that grass. So you’re working with that width hey.
See so hold your finger there so it won’t go away from you. Keep your stitches close together.
3.29
Community Member: You learned by just watching?
Aunty Connie Hart: Yeah. Just by watching her. And when I used to go to Framlingham Mission, I used to go to school up there with all those other girls from up there.
My father was a shearer. And I learnt – watching the old people.
Community Member: Just watching?
Aunty Connie Hart: Just watching. You ask them, could you do a stitch? No. You couldn’t. Couldn’t touch their baskets. They were strict. So I am lucky to learn. I reckon I am … pick it up by watching.
Reuse this media
Can you reuse this media without permission?No (with exceptions, see below)
Conditions of use
All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Attribution
Please acknowledge the item’s source, creator and title (where known)
The reuse of this media requires cultural approval
In this video, highly respected weaver and Elder Aunty Connie Hart (1917 - 1993) gives a precious insight into her skills in basket weaving and talks of her experiences.
Film - Uncle Sandy Atkinson (producer), Dr Rob Hely (editor), 'Aunty Linda Turner Weaving a Basket' (OH189), c. 1990s, Koorie Heritage Trust
The reuse of this media requires cultural approval
Film - Uncle Sandy Atkinson (producer), Dr Rob Hely (editor), 'Aunty Linda Turner Weaving a Basket' (OH189), c. 1990s, Koorie Heritage Trust
[Silent film, no dialogue]
Reuse this media
Can you reuse this media without permission?No (with exceptions, see below)
Conditions of use
All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Attribution
Please acknowledge the item’s source, creator and title (where known)
The reuse of this media requires cultural approval
Elder Aunty Linda Turner walks along a riverbank near Lake Tyers searching for grasses to begin making a basket. She cuts some pieces and sits down and begins weaving.
Victorian Collections acknowledges the Australian Aboriginal and Torres Strait Islander
peoples as the first inhabitants of the nation and the traditional custodians of the lands
where we live, learn and work.