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        Aboriginal and Torres Strait Islander people should be aware that this page may contain culturally sensitive information, and/or contain images and voices of people who have died

        William Barak
         long, shaped wooden shield with rectangular section cut out for placing hands

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        Selection of Artworks

        In this story:

        • William Barak
          • Life of Barak
          • Coranderrk Station
          • Selection of Artworks
          • Films: Remembering Barak
        • View story information and credits
        figures with boomerangs celebrate a snake

        Painting - William Barak, 'Untitled [Ceremony]', c. 1880–1890, Koorie Heritage Trust

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        All rights reserved

        This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.

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        © Digital reproduction copyright of Koorie Heritage Trust (Gnokan Danna Murra Kor-ki)

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        This painting was purchased by the Koorie Heritage Trust in 1983 from an Auction house in Melbourne. This work is untitled but the theme is consistent with many of Barak’s other works in that it depicts ceremony.

        During his last two decades Barak painted the ceremonial side of Wurundjeri culture - in particular, corroborees. In Barak’s day these ceremonial meetings were held almost nightly around Melbourne. A corroboree typically involved elements of dance, song, ritual and discussion, and could be called for a number of reasons: marriage, initiation, trade or dispute settlement.

        Barak’s paintings and drawings had a strong linear emphasis. He depicted Wurundjeri people wearing traditional possum skin cloaks, clapping boomerangs together, and performing dances and hunting ceremonies. Animal totems – emus, echidnas, turtles – also figured.

        Art offered Barak a chance to record the traditional ways of his culture, and pass this knowledge down. When Governor Sir Henry Loch’s request to witness a corroboree was refused by the Board for the Protection of Aborigines, which had banned such “heathen” practices, Barak was commissioned to paint the Governor a picture of a corroboree instead.

        figures line up and watch a ceremony of the Woiwurung clan

        Painting - Brown ochre and charcoal on cardboard, Willian Barak, 'Untitled [Woiwurung Ceremony]' , c. 1880-1890, State Library Victoria

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        © Digital reproduction copyright of State Library Victoria

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        This painting, by William Barak (Berac), is believed to feature one of the ceremonies of his clan - the Woiwurung. As well as a painter, Barak (Berac) was Ngurungaeta, a clan leader.

        ceremony takes place with emu and wallaby

        Painting - Brown ochre and charcoal on cardboard, William Barak, 'Ceremony, Wallaby and Emu' , c. 1880-1890, State Library Victoria

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        © Digital reproduction copyright of State Library Victoria

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        This painting features a ceremony which depicts hunting, with wallaby and emu. William Barak was ngurunggaeta (a clan leader) of the Woiwurung (Wurundjeri).

        men and woman take part in ceremonial dance

        Painting - Brown ochre and charcoal on cardboard, William Barak, 'Untitled [Ceremony]', c. 1880-1890, State Library Victoria

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        All rights reserved

        This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.

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        © Digital reproduction copyright of State Library Victoria

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        Over his lifetime William Barak gained a reputation as a skilled artist, creating paintings, drawings and artefacts.

        multiple images are revaled under layers of paint

        Photograph - Infra-red imaging of painting, William Barak, 'Untitled', Koorie Heritage Trust

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        All rights reserved

        This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.

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        Please acknowledge the item’s source, creator and title (where known)

        © Digital reproduction copyright of Koorie Heritage Trust (Gnokan Danna Murra Kor-ki)

        The reuse of this image requires cultural approval

        In 2006, the Koorie Heritage Trust took our Barak painting to the Centre for Cultural Materials Conservation at the University of Melbourne to be treated.

        As part of this process the Conservators undertook infra-red examination and uncovered a map underneath Barak’s painting, showing that Barak was using second hand paper for his paintings.

        long, shaped wooden shield with rectangular section cut out for placing hands

        Weapon - Wooden parrying shield, William Barak (creator), 1897, Koorie Heritage Trust

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        Reuse this media

        Can you reuse this media without permission? No (with exceptions, see below)

        Conditions of use

        All rights reserved

        This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.

        Attribution

        Please acknowledge the item’s source, creator and title (where known)

        © Digital reproduction copyright of Koorie Heritage Trust (Gnokan Danna Murra Kor-ki)

        The reuse of this image requires cultural approval

        This wooden shield (and a wooden club) made by William Barak, was purchased by the Koorie Heritage Trust in 1991 from a private collector.

        The collector had purchased both artefacts from a shop called 'Decoration’ in Little Collins Sreet many years prior. The words 'Made by King Barak Last of the Yarra Tribe 18/12/97' are inscribed on the shield in cursive script with black ink.

        Also in this story

        • Life of Barak
        • Coranderrk Station
        • Films: Remembering Barak
        • Date created

          18 April 2007

        Source collections

        • Koorie Heritage Trust
        • State Library Victoria

        Cite this page

        Victorian Collections

        https://victoriancollections.net.au/stories/william-barak/selection-of-artworks

        Accessed 12 May 2025

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