This item could have been used by a woman who had reasonably good hand stitching and patchwork skills. The time period would be before the 1950's as post 1950s this item would have been commercially available from any medium populated towns Historically this particular item would have been one before circa 1950s, when haberdashery shops would not have been so readily accessible for those families living in the Kiewa Valley. The protection of side boards indicates that furniture at that time was required to look good and last longer. Pride of the family household furniture was also very highTable or dressing table cover made of calico. Hand stitched into Suffolk puffs, large 12 cm in diameter, small 4.5 cm in diameter. 8 large and 103 small ones. All hand stitched together. Hand madepatchwork, calico, hand stitching, home furnishing, furniture coverings

A solid wooden bat, with a a wedged back, and leather end wrap. Stamped in red ink, along the upper shaft of the back is: PRIORY HEATH. Priory Heath is a district of the city of Ispwich, in Suffolk, England. Materials: Wood, Ink, Leather, Glue, Lacquer, Metaltennis

Pictures taken of QBIC Industries staff, including Anne-Marie O'Connell, Jaina Unmoepa, Selwyn Brown, Les Gregory, Henry Chicowski and Wayne Suffolk.17 col. photographs and transparencies of QBIC Industries staff + various negatives at the back of the albumqbic industries, anne-marie o'connell, jaina unmoepa, selwyn brown, les gregory, henry chichowski, wayne suffolk

Believed to be "George Goulding No. 4886" Britain. The collar badge is that of the Suffolk Regiment. Service of George Frederick Goulding, British Army Boer, South Africa. He was NR 4886 Suffolk Regiment DOB c1878. POB White Chapel, London. Served 1899-1902 Cape Colony, Colesberg, Transvaal - with the Mounted Infantry. WW1 - DOE 11 Dec 15, Middlesex Regiment 5 Bm. (A Reserve Bn). Discharged from Middlesex 19 Apr 1916. M.U. Number 1710 Pte. The British I.W.M. also shows he served in the Royal Field Artillery in WW1. That info is not available. Rank Gunner NR L/10626.This is a black and white portrait of a British soldier waist upwards. He is in uniform, wearing two medals. One medal on the soldier has 3 bars, the other has 2 bars. His belt is probably white. The badges on his collar appear to be a Castle with gate. The soldier is hatless. The photo is glued onto a cardboard surround.The bottom of the cardboard backing has written in white ink "The Imperial Studio - E. Dennison. Binns, 44 Measea Road, Colchester"boer war, south africa, british soldier

Correspondence (1984) re John Grimson letter 1856 from Doreen and Douglas Ward, Suffolk Genealogy Society, England. Correspondence relates to reaction to the Wards publishing request for help in Geelong Advertiser re descendants of Grimson. Reference to this being only one of other letters that were presumably in the hands of the Ward family at that time. Correspondence is addressed to 'Dear Sir' and envelope to 'The Archivist' ''Dudley House''. See 2770.2Doug Wardperson, individual, grimson, dudlley house

.1) Khedive Sudan. Silver with clasp. "The Atbara." 1896 -1908. .2) Box. .3) USA, 1898-1902 Spanish American War. .4) USA, 1898-1902 Spanish American War. (broken) .5)British, 1899-1902 Queens South Africa Medal - 5514 Pte. J. Cross Suffolk Regt. .6)British, 1901-1902 Kings South Africa Medal. Lt. A.C. MacColl. I.L.H.numismatics, medals, military, foreign

Book. ALEC H CHISHOLM COLLECTION. 387 page hardcover collection of songs and lyrical poems arranged by Francis T. Palgrave with notes. Published in 1904 by MacMillan & Co., London and printed by Richard Clay & Sons, Suffolk. Catalogue sticker ''2099 PAL'' on spine. Handwritten in ink inside front cover ''A. H. Chisholm, Brisbane Oct. 1915'' Handwritten in ink on page after title page ''R. Spencer Browne Brisbane 4/10 04''Francis T. Palgravebooks, collections, poetry, alec h chisholm collection, francis t palgrave, songs, lyrics, poetry

Printed Certificate of Discharge for Charles Miller. Signed by J Martin, Master of Ship and? Dunlop, Shipping Master and dated 23 June 1859. Signed by Charles Miller on the back. Printed border and Marine Department emblem in the top left corner. Certificate contains the name of the Ship, the 'Suffolk', Official Number 15823, Port of Registry London, Registered Tonnage 974, Description of Voyage London, Date of Entry and Discharge and Place of Discharge London. Also mentions Place and Date of Birth.industries, merchant marine, certificate of discharge, charles miller, certificate of discharge, j martin, ? dunlop, 'suffolk'

This photograph was taken at what is now the Young’s Creek picnic area which is located on the site of an old sawmill, once owned and operated by L.E. & H. Williams, dating back to the early 1920’s. The mill was eventually sold, dismantled, and the machinery transferred to a sawmill at Cabbage Tree Creek. there are still some items of old sawmill debris. The old steam engine at the edge of the car park is the remains of the mill’s former power plant. This portable steam engine was constructed in Leiston, Suffolk, in England.This is a pictorial record of a popular recreational area in the Orbost district in the late 19th century.A black / white photograph of a wooden bridge over a creek in forest setting. There is a second copy.on back - handwritten "the Young's Creek Bridge June 1897"young's-creek-orbost bridge-young's-creek

James Steward was born St Edmunds Suffolk England in 1830 where he had some brewing experience in his youth. He arrived in Melbourne 1853 and headed to the Bendigo gold fields. He had a claim at Sailors Gully which he worked with varying success until 1856 then purchased a property which became the Albion Brewery. He became one of the largest mining investors in the district and owned a lot of valuable properties in the area. He died on 1 Dec.1898 The excitors of his estate were his sons William A Steward and Henry P Steward. A green bottle with white painted markings STEWARD BROS, a sketch of a person wearing a hat, SAILORS GULLY, THIS BOTTLE IS NOT SOLD. The bottle is eight and a half centimetres diameter at its base and stays at that diameter for 14 centimetres, the next eight centimetres tapers to three and a half centimetres the last eight centimetres to two and a half centimetres with a ring seal. The base has a five centimetre deep frog.bottle, steward bros, a.j.a. steward brewery, james steward

George Brunning was born in Suffolk, England, on 2 October 1830 and settled in St Kilda in June, 1852. He was a gardener and became part-proprietor and manager of Rule's Nursery in Richmond before establishing the first nursery of his own in 1861. Following his death on 5 June 1893, his sons continued the business. An article published in Punch in 1907 observed 'Nearly all the flowers grown in and around Melbourne, indeed, throughout Victoria, which are not native to Australia, had their origins in the nurseries of George Brunning and Sons. The statement is a large one to make, but it is literally true.'Single page black and white photocopy of advertisement from an unidentified publication for G Brunning & SonG Brunning & Son, St Kilda Nurseries, Near Melbourne, Beg to announce they have the Largest and Most Extensive Nursery Stock in the Australian Colonies. Ten acres of our ground are under cultivation with Flowers and Shrubs, upwards of two acres being covered with pot grown plants. We are the biggest Importers of new florists flowers in the Southern Hemisphere, always adding to our Stock all the Novelties as they appear in Europe. Our nurseries are particularly noted for the fine collections of roses, show, fancy and zone pelargoniums, fuchsias, picots, carnations, and other leading Plants, Shrubs, etc. In addition, we cultivate extensively the best and most popular kinds of fruit trees, of sorts suitable for private gardens, or for market purposes. Priced Catalogues are published annually in May, and will be forwarded gratis on application to G Brunning & Son, St Kilda Nurseries, Near Melbourne. Visitors to Melbourne are respectfully invited to inspect our Nurseries.g brunning and son, plant nurseries victoria, st kilda, 19th century

Bendigo Advertiser "The way we were" from 1999. Malthouse: The Albion Brewery (Steward Brothers), Eaglehawk, circa 1900. The brewery dates back to 1853. James Steward was born in 1830 at Bury-St-Edmonds, Suffolk, England, and was educated in the brewing of ale before he boarded the American ship, the James L. Logert, bound for Australia in 1852. He made his way to the Bendigo diggings where he soon won his share of the precious metal until 1857 when he purchased a brewery in Letherby's Rd, Sailors Gully. The brewery covered five acres, had a house opposite with creeper covered walls and was described as one of the most attractive in the area.newspaper, bendigo advertiser, the way we were

QBIC Industries production workers and supervisors, including: Selwyn Brown, May Brown, Keith Smith, Bill Bryce, Andrew Grimes, Bob McKay, Arthur Trumper, Jaina Unmoepa, Alan Nemeth, Lan Lam, Jenny Scown, Danny Fuller, Kevin Waits, Duncan Collard, Merv Matthews, Wayne Suffolk, Les Gregory, Henry Chichowski, BCC Councillor Tim Quinn, Max Stegman, Denis Cavanagh, John Gilmore, Anne-Maree O'Connell, Colin Ingram and Bray Waterman. Photos also include machinery on the factory floor, Merv Matthew's retirement in 1999, workers in action, a staff meeting, the outside of the builing and the office and showroom with its famous frog logo.62 col. photographs of QBIC Industries/Vision QLD staffqbic industries, selwyn brown, may brown, keith smith, bill bryce, andrew grimes, bob mckay, arthur trumper, jaina unmoepa, alan nemeth, lan lam, jenny scown, danny fuller, kevin waits, duncan collard, merv matthews, wayne suffolk, les gregory, henry chichowski, tim quinn, max stegman, denis cavanagh, john gilmore, colin ingram, bray waterman, anne-marie o'connell, mark pelgrave

Handwritten notes of statistics on the Garden Gully Line of Reef. Notes mention name of mine, years, tons of ore, yield (ozs and dwts), Calls and Dividends. Some also have the mine number, others have the Sheet No. Mines mentioned are: New Moon, North New Moon, Suffolk United, North Argus, Clarence, New Argus 202, Specimen Hill United, Virginia and Specimen Hill, Virginia, Great Northern, McDuff, McBeth, constellation, Golden Pyke, Johnson's Reef Extended, Golden Age, Princess Dagmar, South New Moon, Gt South New Moon, Johnsons Reef, North Johnsons, Confidence Extended and Windmill Hill. Document from Albert Richardson Collection of mining history.document, gold, garden gully line of reef statistic, garden gully line statistics, new moon, north new moon, suffolk united, north argus, clarence, new argus 202, specimen hill united, virginia and specimen hill, virginia, great northern, mcduff, mcbeth, constellation, golden pyke, johnson's reef extended, golden age, princess dagmar, south new moon, gt south new moon, johnsons reef, north johnsons, confidence extended, windmill hill, m d, 3 a m s 1/6/99, 3 d e t a o d 1952, garden gully line of reef

Artist is not known. Comments recorded at the time of purchase are that it is possibly by 'Plimer'. Andrew Plimer, 1763-1837 and his brother Nathaniel Plimer, 1757-1828, were notable British miniaturist portrait painters.William Henry Bacchus was one of the first British colonists to arrive in the Waddawurrung and Wurundjeri first nations peoples country 55 kilometers west of Melbourne in 1838. He established a large sheep property and built a notable large Georgian style home which still stands in the town of Bacchus Marsh today. From shortly after his arrival the area became known to the colonists as Bacchus's Marsh, and was later officiaslly named 'Bacchus Marsh' in his memory.Small framed painting of William Henry Bacchus. On the reverse is a label which reads: Captain William Henry Bacchus who arrived in the district of Bacchus Marsh early in 1838, was born in Suffolk, England, 1782, and died at Bacchus Marsh on 26 February 1849. His remains were interred in the graveyard of Holy Trinity Church which during his lifetime he had richly endowed with a gift of land. He was a Captain of the 2nd Royal Surrey Militia and formerly Captain of the 18th Light Dragoons.bacchus family, william henry bacchus 1782-1849

Contents: Ely family tree Frederick Ely was born in Cowlinge Suffolk, in 1838. (His parents were George Ely b1793 and Sarah Poulter b1792, both born in Cowlinge. Frederick came to Australia on the ship 'Ocean Monarch' in 1856 with (most likely) his brother George, aged 34, his wife Elizabeth Piper, aged 22, and daughters Elizabeth, aged 2, and Harriet, aged 1. George and his family settled in the Harcourt area of Victoria, as did his brothers William and Henry. In 1857, Henry, his wife Mary Anne (Parker) and a daughter came to Australia, and settled in Greensborough for a short time, then moved to Harcourt, taking a large amount of apple tree cuttings and plants from Greensborough, where he, brother William, William Eagle, a childhood friend from Cowlinge, and a Nathan Vick, planted and stated apple orchids.History of the origins of this Greensborough family.20-page plastic binder, spiral bound, clear cover. Contains documents relating to the Ely family.Collected by Greensborough Historical Society. Folder commenced 2012.ely family, splatt family

Original jewellery design for 'Britannia' pendant by Ernest Leviny, designed when he was living in London c1851, before travelling to the Australian goldfields of Castlemaine in late 1852. Leviny and his partner, Frederick Boocke, supplied jewellery designs to Watherston and Brogden in London. This design was made into a pendant by another London company, S.H. & D. Gass and was awarded a prize medal at the Great Exhibition of 1851 at the Crystal Palace in London. Leviny brought many of his original jewellery designs with him when he came out to Australia from Britain. See Schofield, Anne & Fahy, Kevin (1991), 'Australian jewellery: 19th and early 20th century'; Woodbridge, Suffolk, Antique Collectors Club, p. 39; Gere, Charalotte & Rudoe, Judy (2010), 'Jewellery in the Age of Queen Victoria', Pub.The British Museum p.340.This original jewellery design for the 'Britannia' pendant by noted colonial silversmith and jewellery, Ernest Leviny, is significant due to its link with the 'Britannia Pendant' awarded a prize medal at Great Exhibition of 1851, held at the Crystal Palace in London.Original jewellery design for a pendant featuring a standing woman (Britannia) holding a trident in her left hand and possible oar in her right hand, with Gothic style ornate pillars on each side and an archway overhead. Beneath the figure are three pearl drops. Drawn in pencil on grey card with gold ink highlights and red watercolour tinting.ernest leviny, jewellery, design, illustration, brittania, 1851, great exhibition of 1851

These three factories clustered together and close to Albion Station provided manufacturing type of employment for several decades. All the factories have now disappeared and have been replaced by retail or service businesses. Spalding has been replaced by a Bunnings Hardware store, while the main retail outlet on the Nettlefolds site is Harvey Norman. Ironically part of the Phoenix Fireworks site is now occupied by the Metropolitan Fire Brigade, as well as other small businesses including a smash repair business, and a tyre retailer.The photograph provides a historical record of some of the types of manufacturing industries that existed in Sunshine, before retail or service industries began to replace them. Many of the younger generation do not know that fireworks, screws, or some sports items were manufactured in Sunshine not so long ago, and where the factories existed.The image depicted in this photographic copy is believed to be from circa late 1920's to early 1930's, and shows the NETTLEFOLDS, SPALDING, and the PHOENIX FIREWORKS factories. These factories were located in North Sunshine on the north side of Ballarat Road near Albion Station. Nettlefolds and Spalding are on the corner of Ballarat Road and McIntyre Road, with Nettlefolds being on the west side of McIntyre Road and Spalding on the east. Phoenix Fireworks factory is composed of small huts, and is situated on the north side of Phoenix Street at the rear of the Spalding factory. The photograph also shows a row of residential houses on Garnet Street which is on the east side of the Phoenix factory. Ballarat Road is still an undivided road and on the south side is a plantation of trees that once stretched from near Albion Station to Anderson Road. Other roads visible are Suffolk Road and Westmoreland Road.Nettlefolds Screw Worksnettlefolds, spalding, phoenix fireworks, screw works, ballarat road, mcintyre road, phoenix street, garnet street, westmoreland road, suffolk road.

Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth, brilliant light, grittier textures and luminous colour. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth and brilliant light, its grittier textures and luminous colour, qualities he sought to convey in-the-round and on canvas. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood, Midwinter and Denby.Stoneware bowl with flange. Glazed in white matt crackle with a faint copper red tint. Dry black glazed rim. Gift of the artist.Robin Welch stamped on baseceramics, robin welch, gippsland, gppsland campus, jan feder memorial ceramics collection

Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth, brilliant light, grittier textures and luminous colour. Stoneware bowl on a tall foot. Calcium matt glaze, underglaze colour with underglaze metallic lustre. ceramic, jan feder memorial ceramics collection, robin welch, gippsland campus, mungeribar pottery, stadbroke pottery

Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth and brilliant light, its grittier textures and luminous colour, qualities he sought to convey in-the-round and on canvas. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood, Midwinter and Denby. Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965.Stoneware bowl with split flange, glazed with matt white, black and a touch of copper red Tobin Welch stamped on basejan feder memorial ceramics collection, ceramics, robin welch, gippsland campus, jan feder

R Timmins & Sons were makers of heavy steel 'toys' - toy in this context means any small metal object, including hand tools. The company was founded in 1790 by Richard Timmins and was situated in Hurst St, and later in Pershore Street, Birmingham. In 1850 Richard Timmins died aged 60 and the company continued with his wife Ann and their son Henry who were the executors of his will. In 1889 they were taken over by another Birmingham maker, W & C Wynn of Suffolk Street also edge tool makers and the business moved to Commercial Street Birmingham in 1872. For a few years, both companies continued to operate under their original names. In 1892 they were incorporated as Wynn, Timmins & Co, and in 1897 the premises in Commercial St were renamed Century Works. The company survived until 1969 when they were taken over by Balfour Dawins Ltd of Sheffield, and the works in Birmingham then closed.A significant item given its age having the probability of having been made after Richard Timmins had died and before the take over in 1872 during the time the company was being run by his wife Ann and son Henry. Given the inscription on the item is "A Timmins & Sons". The items significance is social given it was used to clean bungholes in barrels and was possibly used in the early cooperage industries of the early Australian colony. Bung reamer metal with wooden handle. A Timmins & Sons stamped on blade.warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, coopers tools, bung hole reamer, barrels, barrel making

Rev Walter Guthrie Bower was born in Lincoln, Lincolnshire, England in 1877. He was a graduate of London University and was ordained a priest in 1901. He had been a curate of St. Michael & All Angels, Bedminster, then he became the Vicar of St. Thomas, Bristol, for 8 years prior to coming to Warrnambool in 1923. He made a lasting impression on the Parish with his teaching and Christian humility and service. He was a quiet, scholarly, Christian gentleman who endeared himself to all sections of the community. He was married to Norah Marianne. He resigned from the Vicariate of Warrnambool in 1932, to return to England to accept the living of Metfield with Withersdale, Suffolk. HIs address when he died was - The Vicarage, Metfield, Harleston, Norfolk. He died on Mar 26th, 1936 aged 59 yrs leaving his widow Norah. Norah died in 1963 aged approx 77 yrs in Horiston, Devon. Stained glass lancet window memorial to the Reverend Walter Guthrie Bower, the 7th Vicar of the Parish of Warrambool 1923 - 1932. Depicting Jesus as the Good Shepherd.To the Glory of God. In grateful and/affectionate memory of the life and ministry of/ Walter Guthrie Bower/ Vicar of this parish 19230-01932. A faithful minister of the Gospel.

Wright’s Coal Tar Soap was a popular brand of household soap, manufactured by William Valentine Wright from 1860. The soap was antiseptic and orange colour designed to thoroughly cleanse the skin. It was originally named Sapo Carbonis Detergens, which remains a registered trademark. The product was developed from ‘liquor carbonis detergens’, the liquid by-product of the distillation of coal to make coke; the liquid was made into an antiseptic soap for the treatment of skin diseases William Valentine Wright, born in 1826 in Aldeburgh, Suffolk, was a wholesale druggist and chemist who had a small business, W.V. Wright & Co. at 11 Old Fish Street Hill, City of London, where he first sold the soap. In 1867, n 1867, Wright moved his firm, Wright, Sellers & Layman, to small premises at 50 Southwark Street, Southwark, London. The company's name changed to Wright, Layman & Umney, when Charles Umney (1843–1909) was taken into the partnership in 1876. The advertisement of Wright’s Coal Tar Soap is representative of the many consumer goods sold at pharmacy/chemist shops across the world, such as Sambell and Son, who operated a pharmacy in Fairy Street, Warrnambool in the 19th-century.Paper with printed text for the promotion of Wright's Coal Tar Soap1176soap, wright's, coal tar soap, bathing, london, southwark, chemist, flagstaff hill, maritime museum

The house has been demolished but was associated with the Jacobs family. The Jacobs family lived in Surrey Hills from c 1895-1903 (ref: electoral rolls); by 1909 they were in Gippsland at Toora where Henry Atwood Jacobs was a storekeeper. They had returned to Surrey Hills by 1924 (ref: electoral roll) and were living at 22 Suffolk Road. Family details: Capt Jacobs was appointed to the Nunawading Roads Board in 1900; in 1902 he as a member of a deputation to the Minister of Public Works regarding municipal severance. He was in favour of Surrey Hills being a separate municipality. Amy (Amelia) Jacobs was the daughter of Capt Jacobs and his first wife, Eleanor Dobson Mills, who died shortly after the birth of her daughter. Winifred Atwood Jacobs was born c 1900; Mildred Adelaide Jacobs was born 1902, both at 'Spencycroft' in Canterbury Road, Surrey Hills. Winifred married Stephen Edwin Yarnold (1903-1978), a Presbyterian & Uniting Church minister, on 26 July 1946. He had a notable career in the ministry and has an ADB biography. Black and white photo of a Victorian style home with a slate roof, 2 chimneys and a veranda across 3/4 of the front. Construction is possibly block-fronted timber or bluestone and render; not brick. The house sits behind a picket fence with a lattice screen to one side. There are mature trees, possibly eucalypts in the background.warrington, house names, fences, surrey hills, architectural features, victorian style, vegetation, verandas, capt henry atwood jacobs, mrs amy lilian jacobs, miss amy lillian scales, miss amelia allan jacobs, miss winifred atwood jacobs, mrs winifred atwood yarnold, miss mildred adelaide jacobs