In 2021, the Department of Environment, Land, Water and Planning (DELWP) constructed two new groynes and a section of rock seawall at Apollo Bay to help manage the impacts of coastal erosion. The new 70-meter-long rock groynes run perpendicular to the shoreline and be located just south of the Milford St revetment and to the south of Milford Creek. Sections of rock seawall will be constructed between the two Groynes with an aim to protect the dune, walking path, cypress trees and road from erosion. Colour photograph of a coastal scene at Apollo Bay, featuring new rock groynes to protect the Great Ocean Road from erosion. apollo bay, beach, coast, groyne, rockwall

In 2021, the Department of Environment, Land, Water and Planning (DELWP) constructed two new groynes and a section of rock seawall at Apollo Bay to help manage the impacts of coastal erosion. The new 70-meter-long rock groynes run perpendicular to the shoreline and be located just south of the Milford St revetment and to the south of Milford Creek. Sections of rock seawall will be constructed between the two Groynes with an aim to protect the dune, walking path, cypress trees and road from erosion. Colour photograph of a coastal scene at Apollo Bay, featuring new rock wall and groynes to protect the Great Ocean Road from erosion. apollo bay, beach, coast, groyne, rockwall

In 2021, the Department of Environment, Land, Water and Planning (DELWP) constructed two new groynes and a section of rock seawall at Apollo Bay to help manage the impacts of coastal erosion. The new 70-meter-long rock groynes run perpendicular to the shoreline and be located just south of the Milford St revetment and to the south of Milford Creek. Sections of rock seawall will be constructed between the two Groynes with an aim to protect the dune, walking path, cypress trees and road from erosion. Colour photograph of a coastal scene at Apollo Bay, featuring new rock wall and groynes to protect the Great Ocean Road from erosion. apollo bay, beach, coast, groyne, rockwall, sea wall

In 2021, the Department of Environment, Land, Water and Planning (DELWP) constructed two new groynes and a section of rock seawall at Apollo Bay to help manage the impacts of coastal erosion. The new 70-meter-long rock groynes run perpendicular to the shoreline and be located just south of the Milford St revetment and to the south of Milford Creek. Sections of rock seawall will be constructed between the two Groynes with an aim to protect the dune, walking path, cypress trees and road from erosion. Colour photograph of a coastal scene at Apollo Bay, featuring new rock wall and groynes to protect the Great Ocean Road from erosion. apollo bay, beach, coast, groyne, rockwall, sea wall

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour depicting a coastal beach scene.art, artwork, neville bunning, beach, coast, seascape

3 coloured postcards and 8 coloured photographs of scenes on Churchill Island including an aerial view, homestead, outbuildings, vegetation, views, cairn and coastal scenes.Postcards say Churchill Island, Victoria. Victoria Conservation Trustchurchill island, churchill island heritage farm, churchill island - homestead, samuel amess

Postcards collected by R.H. Baron while on leave in England during WW1. Part of the "Robert H. Baron" (No. 3596) and Cooper Collections. See Catalogue No. 1981P for details of Baron's service. 1. Coloured coastal scene featuring yachts, beach goers and cliffs. People are standing on a pebbled beach. 2. Coloured coastal scene featuring cliffs and ocean. 3. Coloured coastal scene featuring beach, bathing machines, cliffs and town buildings. 4. Coloured coastal scene featuring beach with boats and town buildings. 5. Sepia toned photograph featuring houses. Stream running in front of house. Footpath between stream and house. 6. Coloured street scene featuring houses fronting a gravel road. 7. Black and white photograph of a street scene featuring buildings, pedestrians and horse drawn transport. 8. Sepia toned photograph of a street scene. Right side lined with houses. Single pedestrian on footpath. 9. Coloured scene featuring standing stones. 10. Coloured photograph of a ruined building overgrown with vegetation.1. Ladram Bay. 2. Ladram Bay. 3. Budleigh Salterton from East. 4. Budleigh Salterton from West. 5. Budleigh Salterton, Cottages at the Granery, 6. Budleigh Salterton, West Terrace. 7. High St. Budleigh Salterton. 8. Budleigh Salterton, Station Road. 9. Stonehenge. 10. Abbey Ruins, Waverley. robert h. baron, cooper collection, postcards, ww1

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor contained 86 post cards. See 1400. Black and White photo of a coastal scene at dusk with a 4-line poem by Victor Daley below. Not Dated Addressed to Miss Shatford (no address) from Amy (?) G Davis postcard, collector, alice mcgregor

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor contained 86 post cards. See 1400. Sepia photo of a coastal scene with beach, sea and clouds. Below is a 4-line poem by Victor Daley Addressed to Dear Miss Shatford, Sent by Amy(?) G Davis One Penny Victoria stamp postcard, collector, alice mcgregor

Framed colour photograph featuring a coastal scene Wilson's Promotory or Cape Patterson area. Shows a red sports cars on winding road with rocky islands bearing some foliage in background. Brown timber frame.

A group of 26 photographs collected by Ralph Andrews, father of Michele Spencer donor. Michele sent the photographs with a covering letter explaining how her father had kept to collection for many years so she felt they should go to a good home for safe keeping. Michele's husband's uncle, Frank Spencer, was the Post Master at Cowes for many years.219-01. Photograph of lady standing on rocks at San Remo 219-02. Photograph of rocks at Back Beach San Remo 219-03. Photograph of rocks at Back Beach San Remo 219-04. Photograph of the San Remo Camping Ground 219-05. Photograph of Merv Horkings in tent at San Remo Camping Ground 219-06. Photograph of Merv Horkings in tent at San Remo Camping Ground 219-07. Photograph of three men on the beach at San Remo 219-08. Photograph of coastal scene San Remo at low tide 219-09. Photograph of rocks at San Remo 219-10. Photograph of shoreline with trees at San Remo 219-11. Photograph of Jetty at San Remo with boats moored 219-12. Photograph of the back view of a man on the beach at San Remo 219-13. Photograph of coastal scene looking towards the eastern entrance to Westernport 219-14. Photograph of Merv Horkings standing outside a tent at the San Remo Camping Ground 219-15. Photograph of people standing and sitting on rocks at San Remo 219-16. Photograph of coastal scene looking towards the eastern entrance to Westernport 219-17. Photograph of foreshore with rocks and lonely tree on land at San Remo 219-18. Photograph taken from San Remo looking towards Newhaven with breakwater. 219-19. Photograph of rock platform at San Remo 219-20. Photograph of coastal scene at San Remo 219-21. Photograph of the breakwater at San Remo 219-22. Photograph of a man sitting on the beach at San Remo with groyns on the foreshore 219-23. Photograph of coastal scene at San Remo 219-24. Photograph of coastal scene at San Remo 219-25. Photograph of the San Remo Punt 219-26. Photograph of a vehicle waiting for the Punt to travel across to Newhavensan remo coastline, san remo punt, newhaven-san remo punt, san remo camping ground, ralph andrews, frank spencer, michele spencer

One of a collection of 15 sheets with copies of Postcards printed onto A3 sheets from the Shirley Jones Collection.Copies of postcards. Cowes Pier; Churchill Island; People waiting on the Cowes Pier for the Steamer; The Cowes Pier; View of Churchill Island; Coastal scene at Cowes; Postcard with 4 scenes at Churchill Island - Amess Cottage, Moonah Trees, Historic Cannon; Kilcunda General Store."Cowes from the Pier" - "Waiting for the steamer on the Pier at Cowes P.I." - "The Pier at Cowes" - "Churchill Island from Phillip Island" - "Churchill Island, Amess Cottage, Moonah Trees, Historic Cannon" - "The General Store Kilcunda Vic"cowes pier phillip island, churchill island, amess house churchill island, moonah trees, kilcunda general store, shirley jones collection, thelma astbury

Ship model Eumeralla steamship with one funnel, two masts portholes in hull, set against a coastal scene with lighthouse. Ship is painted green. Model is in a wooden framed glass case. Split on background scene. Case strengthened by metal brackets at top corners and bottom front corners. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This plate was painted by J.J. Forrester in 1922. John James Forrester, the son of John Lamb Forrester and Maria Hexter, was an architect in Warrnambool in the early 20th century. He had an office in Kepler Street (1910) and in Koroit Street (1916). He lived in the house in Liebig Street that was formerly the first Savings Bank and was erected in 1860 (7A Liebig Street today). Forrester was a staunch member of the Presbyterian Church and was the co-architect for the re-building of the interior of St. John’s Presbyterian Church in Warrnambool after it was destroyed by fire in 1920. John Forrester was also a noted artist of his time and several of his works of art have survived. A landscape by him is in the possession of the Warrnambool and District Historical Society. This plate is one of two painted by Forrester that survive today.This plate, although damaged, is of interest because it was painted by John James Forrester, a Warrnambool artist from the early 20th century. This is a china plate showing a seascape painted by John James Forrester in 1922. It depicts a coastal scene of rocks, birds and sailing boats. The colours are in mauve/brown/ white tonings and are slightly opalescent. The plate has brown/grey handles with one broken and repaired. The plate is oval-shaped with a slight dip and a stand at the base. Front of plate: ‘J.J.F.’ On base: ‘J.J. Forrester 1922’ john james forrester, history of art in warrnamool, history of architecture in warrnambool, history of warrnambool, china painting

This is a souvenir of a ‘Back To’ celebration in Warrnambool in 1934. There had been a large-scale ‘Back To’ in Warrnambool in 1930, perhaps prompted by the growing interest in the history of the town ( this was evidenced in many country towns in Victoria at the time) and the need to gather together the remaining older local people as those regarded as pioneers of the district were fast dying out. In 1934 the State of Victoria was celebrating the centenary of the first permanent white settlement at Portland and many other places besides Melbourne took this opportunity to have a reunion of past and present citizens. Also Warrnambool had at the time two men very interested in the history of the settlement – Henri Worland and Patrick O’Grady and the first Warrnambool Historical Society was established the following year with Worland and O’Grady prominent in its establishment and Martin Carter on the first committee as well. Martin Carter, whose name appears on this envelope was the organizer of the 1934 reunion. The Carter family had long been established in Warrnambool as saddlers and Martin Carter was a Warrnambool Councillor from 1917 to 1925 and Mayor during three of those years. No information is available on the ‘Miss Adams ‘ in the address but ‘ R. F. Kennedy & Co.’ refers to the well-known pharmacy business in Timor Street Warrnambool.This envelope is of interest as a souvenir of a ‘Back To’ in Warrnambool in 1934. This is a small envelope with most of the back flap missing. The inside of the envelope has a blue lining. The envelope has a franked green Australian stamp and a Warrnambool Post Office stamp. A handwritten address is on the right side of the envelope. On the left side is a printed poster/advertisement in blue, black and grey colouring. The advertisement features an illustration of a woman speaking into a telephone with a coastal scene background. ‘Warrnambool Calling 1934 Come Home For a Week Jan 13 to Jan 21 Particulars M.L.Carter Warrnambool’ ‘Miss A. G. Adams C/O Messrs R.F.Kennedy & Coy Timor Street Warrnambool back to warrnambool 1934, history of warrnambool

One of 15 A3 sheets of copies of postcards on each page. Shirley Jones Collection.Copies of Postcards: Left side from top to bottom: 1 & 2. Main Street, Cowes. 3. Rural scene nears Cowes. 4. View of Newhaven from San Remo. Right side from top to bottom: 1. Three men sitting on the Cowes Pier - Baths in the background. 2. Coastal scene at Cape Woolamai. 3. Newhaven Pier. 4. Granite Quarry at Cape Woolamai. Left side from top to bottom: 1. "Main St Cowes". 2. "Main St Cowes". 3. "Scene Near Cowes". 4. "Newhaven from San Remo Phillip Island". Right side from top to bottom: 1. "Phillip Island from Cowes Pier". 2. "Phillip Island - Cape Woollami - Home of Mutton Bird". 3. "Phillip Island - Newhaven San Remo in distance". 4. Phillip Island - Granite Quarry Cape Woolamai".main street cowes phillip island, rural scene phillip island, views newhaven, cowes pier phillip island, coastline cape woolamai, granite quarry cape woolamai, shirley jones collection, thelma astbury

Selection of 6 photographs and postcards of The Nobbies, A Seal and the SS Killara, donated by D Reid.A selection of postcards and photograph Black & White and Coloured of The Nobbies, a Seal and the SS Killara. Photo 1. View of the Nobbies with two people in the foreground. Photo 2. View of the Nobbies with a Horse and jinker in the foreground. Photo 3. A Seal resting on the rocks at Seal Rocks Phillip Island Photo 4. The Ferry steamer S. S. Killara arriving at Cowes Photo 5. Coloured view of the Nobbies looking across breakers on the rocks. Photo 6. Coloured coastal view looking towards the Nobbies in the distance.Inscriptions on the front of postcards Photo 2. The Rose Series. P 666. Looking to The Nobbies, Phillip Island, Victoria Photo 3. The Rose Series. P 747. A Seal on the rocks, Phillip Island, Victoria Photo 4. The Ferry Steamer S. S. "Killara" arrives at Cowes. Photo 5. The Nobbies, Cowes Photo 6. Coastal Scene Cowes. Nobbies in Distance.the nobbies phillip island, wildlife - seals, seal at seal rocks, ss killara, ferries

A collection of photographs/postcards donated by Dorothy Hurst. Her grandfather, Rev. Garthshore Stirling Home, was the vicar at the Anglican Church in Cowes - possibly in the early 1930's.235-01. Black & White photograph of Forrest Caves, Phillip Island. 235-02 & 03. Black & White photographs (identical) of two koalas up a tree. 235-04. Black & White photograph of the road to the Back Beach, Phillip Island. 235-05. Black & White photograph of a view of Cowes Pier taken through the trees on the foreshore. 235-06. Black & White photograph of Cape Woolamai Granite quarrie with people on the granite and in a boat. 235-07. Black & White photograph of waves breaking over the rock possibly near the Nobbies, Phillip Island. 235-08. Black & White photograph of The Vicarage at Cowes, Phillip Island - 1930's 235-09. Black & White photograph of a coastal scene at Phillip Island. 235-10. Black & White photograph of a coastal scene of the beach at Cowes. 235-11. Black & White photograph of waves breaking over the rocks near The Nobbies. 235-12. Black & White photograph of The Nobbies with Seal Rocks faintly in the distance. 235-13. Black & White photograph of The Nobbies with Seal Rocks in the background. 235-14. Black & White photograph of The Isle of Wight Hotel in the background. Cenotaph in foreground with a crowd of people, portable organ/piano plus music stands, people standing, children and others sitting on grass for Anzac Day or Remembrance Day. Possibly 1920s from fashions.235-01 Forrest Cave, Phillip Island 235-02 & 03 Native Bear (Koala) 235-04 The Road to the Back Beach, Cowes. 235-05 A Glimpse Thro' the Ti-Tree, Cowes. 235-06 The Quarries, Cape Wollomai, Phillip Island 235-07 The Beach near the Nobbies, Phillip Island. 235-10 The Beach at Cowes, Phillip Island. Valentine's Series M4847forrest caves, phillip island, wildlife - koalas, the nobbies phillip island, seal rocks phillip island, granite quarries, cape woolamai granite quarry, cowes cenotaph, phillip island, cowes pier phillip island, cowes beach phillip island, the isle of wight hotel cowes phillip island, cowes anglican church vicarage,phillip island, rev garthshore stirling home, dorothy hurst

Folder donated by Joe Prince. Inside folde as writtenr: "Phillip Island, Victoria, Australia" "Situated in Westernport Bay, Phillip Island offers a delightful combination of rugged coastal scenery, quiet restful countryside, and calm sheltered coves. The tourist finds ample interesting features within easy reach of the many Guest Houses and Hotels. The native Koala Bear is seen in numerous parts of the island, and tourist parties are given the opportunity of visiting the haunts of the Penguin and Seal. Excellent beaches provide good swimming and surfing, and the sportsman finds plenty of scope for his activities. The new bridge from San Remo to Newhaven provides an alternative means of communication to that supplied by the Ferry from Stony Point to Cowes." Colour photo folder of Phillip Island. 1. The picturesque rugged coastline at Phillip Island 2. Isle of Wight Hotel, Cowes, Phillip Island 3. The Nobbies and Seal Rocks, Phillip Island 4. Summerland Beach, the home of the Fairy Penguins, Phillip Island (now called Little Penguins) 5. Overlooking the Jetty at Cowes, Phillip Island 6. View from the Jetty looking towards Cowes 7. The Australian Koala and young 8. Thompson Avenue, Cowes 9. One of the many fine beaches at Phillip Island 10. Coastal scene from Erehwon Point, Phillip Island 11. Seals on the Seal Rocks, off Phillip Island 12. The Parade of the Fairy Penguins, Phillip Island 13. Fishing craft at San RemoOn front: "Phillip Island"coastline phillip island, wildlife - koala, wildlife - penguins, wildlife - seals, cowes jetty, cowes pier phillip island, isle of wight hotel - cowes phillip island, fishing boats, the nobbies phillip island, seal rocks phillip island, seals on seal rocks phillip island, joe prince, thompson avenue, cowes

A selection of photographs sold to tourists. A selection of hand coloured photographs of Phillip Island. Following description as on the photographs. 344-01: Pyramid Rock, Phillip Island. No. 5. 344-02: Penguin Beach, Summerlands, Phillip Island No. 3. 344-03: The 'Killara' at the pier, Cowes. No. 10 (shows Cowes Pier with shed and Killara Ferry.) 344-04: Boat arriving at Cowes. No. 9. (shows the Killara near the pier full of people.) 344-05: The beach, Cowes No. 8. (beachgoers on the Cowes west beach enjoying the sun - many sitting under beach umbrellas.) 344-06: The Nobbies showing Seal Rocks, Phillip Island. No. 4. (Coastal scene at The Nobbies with Seal Rocks in the distance.) 344-07: Penguins, Phillip Island No. 11. (Penguins arriving on the beach at dusk after a day out fishing.) 344-08: Rocks at Cape Woolamai, Phillip Island. No. 7. 344-09: The Pier, Cowes. No. 1. (Photo taken from the end of the Cowes Pier looking towards Cowes Township. Jetty shed and Isle of Wight Hotel in the background.) 344-10: The Pier & War Memorial, Cowes. No. 12. (Taken looking from The Esplanade to the War Memorial and Cowes Pier. People and boats at the Pier.) 344-11: Seals at Phillip Island. No. 6. (Seals are on Seal Rocks out from The Nobbies.)As above.pyramid rock, summerland beach, the killara ferry, cowes pier phillip island, cowes beach phillip island, the nobbies, penguins, wildlife - penguins, cape woolamai phillip island, cowes war memorial, seals on seal rocks phillip island, wildlife - seals, cheryl burton

This photograph was one of ten photographs donated to Flagstaff Hill Maritime Museum and Village by Fred Trewartha. Frederick John Fox Trewartha (Fred) was a well-known Warrnambool businessman. He was born in Beeac near Geelong in 1920 and came to Warrnambool with his family as a very young child. He was apprenticed to his father John, as a saddler and later opened his own shop on Raglan Parade. He then moved into working with tarpaulins and canvases for the trucking industry. Fred was keenly interested in photography (and was a member of the Warrnambool Cine Club), yachting and boat building. He kept his yacht moored at Port Fairy for many years and participated in sailing events locally and interstate. He also built boats with his sons. He had the opportunity to meet many older sailors and it's thought this photo (and others in the set) may have been given to him by one of these men. Fred Trewartha died in 2016 in Warrnambool. Shipping was the cheapest and most practical means of carrying produce and goods during the period 1840-1890. Regular domestic steamer services commenced in the Warrnambool district in the late 1850’s and by 1870 the passenger trade was booming. Four coastal traders made regular stops at Warrnambool in the 1880's - S. S. Julia Percy, S. S. Dawn, S. S. Nelson and S. S. Casino. The S.S. Julia Percy (later named Leeuwin) was an iron passenger-cargo steam ship built in 1876. At one point in time the Julia Percy would sail from Warrnambool to Melbourne every Friday and return from Melbourne to Warrnambool every Tuesday. The cost of a return ticket for a Saloon Fare was £1.0.0. The Julia Percy was built in Glasgow by Thomas Wingate & Company, Whiteinch, in 1876 for the Warrnambool Steam Packet Company, which commissioned it for trade in Victoria’s western district. It was first registered in Warrnambool, Victoria in 1876. Two steamships, the Julia Percy and the Nelson, collided on 25th December 1881. The Julia Percy was at that time owned by its first owners, the Warrnambool Steam Packet Company, and she sailed under the command of Captain Chapman. It had left Melbourne the evening of 24th December, with about 150 passengers, sailing in fine weather through Port Phillip Heads around 9pm. It was headed for Warrnambool, Belfast (now named Port Fairy) and Portland. The Julia Percy was off Apollo Bay when Captain Chapman was woken by the ship’s whistle after midnight, the steamer Nelson being on a collision course with the Julia Percy. The Nelson struck Julia Percy midship. Boats were lowered from the ship (apart from a damaged lifeboat) and about 30-40 of the passengers boarded the Nelson. The engine room and the forehold were checked and found clear of water. The company manager, Mr. Evans, had been on the Nelson, so he boarded and inspected the Julia Percy and the decision was made to continue on to Warrnambool with the passengers as there appeared to be no immediate danger. However, Captain Thomas Smith said the Nelson was taking on water, so Julia Percy followed it for about an hour towards Melbourne on standby in case of need. Then Julia Percy turned around towards Warrnambool again. Shortly afterwards the Nelson turned to follow her, the ships stopped and passengers were returned to Julia Percy, and three from Julia Percy boarded the Nelson. Both ships proceeded on their way. Julia Percy passed Cape Otway light afterwards, signaling that there had been a collision. It was discovered later that one of the passengers was missing, then thought to have boarded the Nelson but later thought to have fallen into the sea and drowned while trying to jump from Julia Percy to Nelson. There had been 3 tickets purchased under the same name of that passenger “Cutler”; a father, son and friend named Wordsworth, which had caused quite some confusion. No further mishap occurred to either ship and both the Julia Percy and the Nelson reached their destinations safely. An enquiry was instigated by the Victoria Steam Navigation Board regarding the cause of the accident between the two steamships, in connection with the death of Cutler who was supposed to have lost his life by the collision. The enquiry resulted in Captain Thomas Smith having his master's certificate suspended for six months. The Julia Percy changed hands several times. Its next owner was the Western Steam Navigation Co (1887), managed by Mr. T.H. Osborne (the company’s office was on the corner of Timor and Liebig Streets - its north-western wall is now part of the current Warrnambool Regional Art Gallery.) The Melbourne Steamship Co became the next owners (1890), followed by William Howard Smith and Sons (1901) for use in Queensland coastal trades and then it was bought by George Turnbull in 1903 and used for local mail contract in Western Australia. The Julia Percy was sold to the Melbourne Steamship Company Ltd. (1906) and re-named the “Leeuwin” but continued in her Western Australian coastal run. It was converted into a coal hulk in Melbourne in 1910 as a result of damaged caused when it was driven against the jetty at Dongara during a gale. The ship was eventually dismantled and scuttled off Port Phillip Heads on 28 December 1934. The steamship "Dawn" was a 522-ton coastal trader built in 1876 and the vessel operated around the Victorian west coast from 1877 until 1898 for the Portland & Belfast Steam Navigation Co. sailing between Melbourne and Portland, via Warrnambool. The vessel was then owned in October 1885 by the renamed company, Belfast & Koroit Steam Navigation Co., until March 1896 when its ownership moved to W Howard Smith & Sons Ltd. This Melbourne company used the ship to service most ports around Australia. Captain F. Chapman took over from Captain Jones and served on the SS Dawn from 1898 until 1900 when he took command of the SS Casino. On September 4th 1880, the three masted clipper ship, "Eric the Red" struck Otway Reef, near Cape Otway. The S. S. Dawn, under the command of Captain Jones, was returning to Warrnambool from Melbourne, its sailing time different to its usual schedule. The provedore of the Dawn, Benjamin Lear, heard cries of distress coming through the portholes of the saloon. He gave the alarm and the engines were stopped. Cries could be heard clearly, coming from the land. Captain Jones sent out crew in two boats, and fired off rockets and blue lights to illuminate the area. They picked up the three survivors who were in the long boat from "Eric the Red". Two men were picked up out of the water, one being the owner’s son who was clinging to floating kerosene boxes. At daylight the Dawn then rescued the 18 men from the floating portion of the deckhouse, which had drifted about 4 miles from where they’d struck the reef. Shortly after the rescue the deckhouse drifted onto breakers and was thrown onto rocks at Point Franklin, about 2 miles east of Cape Otway. Captain Jones had signalled to Cape Otway lighthouse the number of the Eric the Red and later signalled that there was a wreck at Otway Reef but there was no response from the lighthouse. The captain and crew of the Dawn spent several more hours searching unsuccessfully for more survivors, even going back as far as Apollo Bay. On board the Dawn the exhausted men received care and attention to their needs and wants, including much needed clothing. Four men (three crew and one passenger) died. A week after the shipwreck, the Australian Government had also conveyed its thanks to the Captain and crew of the S.S. Dawn - “Captain Griffith Jones, S.S. Dawn, The Hon. Mr Clark desires that the thanks of the Government should be conveyed to you for the prompt, persevering and seamanlike qualities displayed by you, your officers and crew in saving the number of lives you did on the occasion referred to. The Hon. The Commissioner has also been pleased to award you a souvenir in commemoration of the occasion, and a sum of 65 pounds to be awarded to your officers and crew according to annexed scale. I am, &c, W Collins Rees, for and in the absence of the Chief Harbour Master.” The Awards are as follows: - Crew of DAWN'S lifeboat-Chief Officer, Mr G. Peat, 15 pounds; boat's crew-G. Sterge, A.B., 5 pounds; T. Hammond, A.B., 5 pounds; J. Black, A.B., 5 pounds; H. Edwards, A.B., 5 pounds. Dinghy's Crew-Second Officer, Mr Christie, 10 pounds; boat's crew -F. Lafer, A.B., 5 pounds; W. Johnstone, A.B., 5 pounds; Mr Lear, provedore, 5 pounds; Mr Dove, purser, 5 pounds. Captain Jones receives a piece of plate. (from “Wreck of the ship Eric the Red” by Jack Loney). Medals of Bravery were awarded to the Captain and crew of the S.S. Dawn by the President of the United States, through the Consul-general (Mr Oliver M. Spencer), in July 1881 “ … in recognition of their humane efforts in rescuing the 23 survivors of the American built wooden sailing ship, the Eric the Red, on 4th September 1880.” The men were also presented with substantial monetary rewards and gifts. The city of Warrnambool’s care of the survivors was also mentioned by the President at the presentation, saying that “the city hosted and supported the crew ‘most graciously’. The Medal of Bravery awarded to Nelson Johnson is in the collection at Flagstaff Hill Maritime Museum and Village in Warrnambool. Prior to 1882, and the arrival of the S. S. Casino, the "Dawn" was the only steamer to be able to navigate up the Moyne River at Port Fairy and unload at the wharf. The other regular steamers had to anchor in the bay instead. In February 1891 (as reported in The Age newspaper) the "Dawn" became the first vessel to berth alongside the newly completed Warrnambool Breakwater. The occasion was celebrated with a number of prominent townspeople assembling on board to "participate of a glass of wine". In 1895 the owners of the S.S. Dawn, the Portland and Belfast Steam Navigation Co., wound up and sold out to the Belfast Company who took over the Dawn for one year before selling it to Howard Smith. It took over the Melbourne to Warrnambool run in 1906 when the S. S. Flinders was sold. The S. S. Dawn was condemned and sunk in Suva in 1928. The State Library of Victoria has a lithograph in its collection depicting the steamer Dawn and the shipwrecked men, titled. "Wreck of the ship Eric the Red, Cape Otway: rescue of the crew by the Dawn". The third ship depicted in the photograph was thought to be the S. S. Coorong but there was a question mark next to its name. The photograph was thought to have been taken in 1885 and it's possible the S.S. Coorong was working in Clarence River, N. S. W. by this time. The steamer "Coorong" was built in 1862 by J. G. Lawrie of Glasgow. It was an "iron screw" steamer of 304 tons. It had many owners including Joseph Darwent of Adelaide (1863 - 1871), McMeckan Blackwood and Company, Melbourne (1871 - 1877), Mount Gambier Steamship Company Ltd. (1877 - 1881). William Whineham, Port Adelaide (1882), John See and Company, Sydney (1884 - 1892) and the North Coast Steam Navigation Company Ltd, Sydney (1892 - 1910). In 1911 it was hulked in Sydney Harbour and in 1921 it was being used as a coal hulk at Sydney. It had been originally imported into South Australia for the Port Augusta trade (primarily transporting goods needed by the early settlers) however the owners recognized that it had too much space for that purpose, so it was moved to work on the Adelaide to Melbourne line. Its passenger accommodation was enlarged and it enjoyed a "first class reputation" and by 1874 had made 313 voyages between Melbourne and Adelaide. Its captains included Captain McLean, Captain Ashton and Captain Dowell. In 1867, when 25 miles west of Cape Otway, while travelling from Adelaide to Melbourne, it came across the crew of the schooner "Black Watch" who had abandoned ship after it began quickly taking on water. The crew (six men) were able to get away in a small boat with a compass, chart and few candles. They were "excessively cold from exposure to the weather" when the S. S. Coorong picked them up. In 1877 the Coorong ran aground when entering the Outer Harbour at Adelaide (but was not damaged) and in 1882 it was stranded (for a short time) near Curdies Inlet (Victoria) with some slight damage to its bottom plates. Note - A ship with the same name "Coorong" (a coal carrying barque) was often on the Newcastle / Wollongong to Adelaide route also stopped several times in Warrnambool in the mid 1880's. The photograph has the label "Chuck Photos" printed on the front. Thomas Foster Chuck (born 1826 in London) was a photographer and entrepreneur who arrived in Victoria in 1861. The following year he produced and toured a "Grand Moving Diarama" of dramatic painted scenes from the Burke and Wills expedition. By 1866 he had established a photography studio in Daylesford and later he returned to Melbourne where he opened a studio in the Royal Arcade. In 1874 a collection of Chuck's photographs won a gold medal at the Annual International Exhibition in London. Throughout the 1870's he took over 700 individual photographs of prominent citizens for his historical photographic montage titled "Historical Pictures of the Explorers and Early Colonists of Victoria" which is now in the collection of the National Library of Australia. By 1888 he had sold his Melbourne studio and had established a studio in Ballarat (with his son Thomas Henry Chuck). In 1886 they produced an album titled "Warrnambool and District 1886, Western Hotel - J. Fox proprietor" containing over sixty large photographs of local coastal scenes and seascapes, for the use of patrons of the Western Hotel. This photo (of the three steamers in Lady Bay) was taken at this time and is in the album. Thomas Chuck died on December 7th, 1898, in Albert Park, Melbourne and his son Thomas Henry continued to operate the photography studio in Ballarat into the 1920's.This photograph is a significant record of several of the well-known coastal traders (S. S. Julia Percy, S. S. Dawn and possibly S. S. Coorong) that sailed along the southwest coast of Victoria for many years - transporting goods and passengers between Melbourne and Warrnambool in the 1880's. They are also significant in the role they played in the history of Warrnambool and the other coastal ports they visited as well as being examples of the dangers and hazards associated with navigating the waters along the southern coast of Australia. It is also a good example of a photograph taken by a well-known and significant photographer of that era.Black and white photograph of three steam ships anchored in Lady Bay, Warrnambool. They each have a funnel and two masts and are side on to the beach. A small rowboat with a crew can be seen on the far right. The words "CHUCK-PHOTO" are on the bottom left of the photograph. On the back of the photograph is the name and telephone number of the donor (handwritten in black ball point pen) and the names of the three steamships and date written in uppercase letters in dark blue ink. There is a four-figure number stamped in the centre of the back.Front - "CHUCK-PHOTO" Back - Name of donor and telephone number "6944" "JULIA PERCY, DAWN & KOORONG(?) IN LADY BAY 1885"flagstaff hill maritime museum and village, warrnambool, great ocean road, fred trewartha, s. s. julia percy, s. s. dawn, s. s. nelson, s. s. casino, leeuwin, steamer, steamship, coastal trader, warrnambool steam packet company, captain chapman, victorian steam navigation board, western steam navigation company, melbourne steamship company, william howard smith and sons, portland and belfast steam navigation company, w howard smith and sons ltd, eric the red, captain jones, medal of bravery, rescue, moyne river, warrnambool breakwater, lady bay, s. s. coorong, mount gambier steamship company, black watch, thomas foster chuck, chuck photos, chuck photography

This is a scene of Cape Conran, in Far East East Gippsland .Orbost locals have been camping and picnicking at Cape Conran since at least the early 20th century. This photograph was taken at a time before Cape Conran Coastal Park a 11,700 hectare area was declared a coastal park under the National Parks Act in 1997. A black / white photograph photograph showing the rocks and ocean at Cape Conran in Far East Gippsland. There are three people on a rock with their backs to the camera.Two women are sitting and a man is reclining.cape-conran beach-east-gippsland

This album contains photographs of many local and beach scenes such as view over Warrnambool, Botanic Gardens, Hopkins River and Bridge, Warrnambool railway station, Proudfoots, Thunder Point, Christ Church and the War Memorial. There are a couple of photographs of groups of people picnicking on the main beach. The newspaper cutting showing firemen dousing the last of the flames of the fire has onlookers including four children in the foreground. The Ozone Coffee Palace was built in 1890-1891 and burnt down February23, 1929. It was one of the largest fires in Warrnambool It was designed by Mr J McLeod. It was grand in design and decoration. The term Coffee Palace was used to describe temperance hotels which were built during the 1880’s -1890’s. They typically were multi-purpose and had a large number of rooms for ballrooms and leisure activities. Coffee palaces were aimed at families in coastal areas and inner city locations. Examples of some are The Windsor Hotel Melbourne, Ozone, Queenscliff and Kilbreda Convent in Mentone. This album has social and historical significance as it shows a collection of local scenes which is a record of familiar scenes such as the gardens, Hopkins River and beach scenes. The groups of people are unknown but the images provide a snapshot of customs and costumes of the early 1920’s.Khaki coloured soft card tied with a dark green cord which has broken and has been replaced with yellow string. There is an embossing of a lion/dragon on front cover with ribbons. 20 pages with photographs glued to most. A cutting relating to the fire at the Ozone mansions is inside the front cover.warrnambool history, early warrnambool photographs, ozone coffee palace

This is a Warrnambool folding post card sold to tourists and locals in the mid 20th century. The card contains photographs of Warrnambool scenes – the Hopkins River mouth, the Botanic Gardens, Liebig Street, Fletcher Jones gardens etc. Warrnambool has been promoted as a tourist town since the late 1800s and attracts visitors in both the summer months (beaches, coastal scenery etc) and the winter months (visit of Southern Right whales and major sporting events). This card is an example of a local tourist souvenir sold in places such as Warrnambool in the mid 20th century and ensuing decades.This is a postcard with a cover photograph in colour and twelve other colour photographs folding up in concertina fashion. One page has space for a stamp and an address.Warrnambooltourism in warrnambool, history of warrnambool

One of a collection of photographs donated by Bruce BennettColoured copy of a postcard showing the coastal cliffs on Westernport with The Nobbies in the distance"Coast Scene, Cowes, Nobbies in Distance."phillip island coastline, cliffs and shoreline westernport, bruce bennett

The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Titan Bridge, Warrnambool – The name Titan Bridge is likely to be a reference to the huge Titan crane that was used in the construction of the Breakwater in the late 19th century. Shelly Beach is a popular swimming area with the added attraction of rock pools to investigate and rock formations to climb. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time that he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.The image of the Titan Bridge rock formation with figures on it suggests that the location was a popular place to visit. It captures a time when the rock formation was publically accessible. The choice of subject for this postcard indicates the popularity of Warrnambool's natural environment as a tourist attraction at a time when ships called coastal traders brought passengers and cargo to the Port of Warrnambool from ports along Victoria's southwest coast. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool.Postcard, one of nine, landscape orientation, coloured print within an oval border and mauve-toned shading. The cameo image shows two figures, one seated and one standing, beside the sea on a rough rock beside a rock formation resembling a bridge. There is no correspondence written on the card. The back has inscriptions and outlines for a postage stamp. Jordan Series, printed in Great Britain.Front, in red: “TITAN BRIDGE / SHELLY BEACH, NEAR WARRNAMBOOL” Back in black: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here”flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, shelly beach, titan bridge, titan, rock formation

The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Pliiar Caves, near Warrnambool – The formation at the front of the cave resembles the pillars of a porch, giving the cave its name. Local social media discussion locates the caves near Lake Gillear, east of Warrnambool. The area was popular with young lads as a place to explore and to go rabbiting. The caves in this area are home to colonies of bats and have been a source of bat feces or bat guano, which is an enriching additive to soil. The 19th century sailing ships in the Nitrogen or Guano trade collected large quantities of guano from caves and popular bird nesting locations to sell as a rich fertiliser, due to its high nitrogen and phosphorus properties. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time that he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.The image of the Pillar Caves rock formation with figures on it suggests that the location was a popular place to visit. The choice of subject for this postcard indicates the popularity of Warrnambool's natural environment as a tourist attraction at a time when ships called coastal traders brought passengers and cargo to the Port of Warrnambool from ports along Victoria's southwest coast. The presence of bats in local caves also connects the postcard to the 19th century Nitro Trade and Guano Trade, when bat guano was collected and sold for plant fertiliser around the world. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool.Postcard, one of nine, landscape orientation, coloured print within an oval border and mauve-toned shading. The cameo image shows figures on the high, grass-topped cliff, one between the likeness of pillars in the cave entry, and others walking on the rocks nearby. The background below is rough ground. There is no correspondence written on the card. The back has inscriptions and outlines for a postage stamp. Jordan Series, printed in Great Britain.Front, in red: “PILLAR CAVES, NEAR WARRNAMBOOL” Back in black: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here”flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, rock formation, pillar caves, pillars cave, lake gillear, rebbiting, bats, guano, nitro trade, fertilizers