Showing 60 items
matching crayons
-
Flagstaff Hill Maritime Museum and VillageMirror
Swivel mirror mounted medium brown, wooden mantle stand with 2 drawers in base, Drawers are lined with green and yellow floral paper. Drawer fronts are rounded wood; one drawer has a front piece missing. Wooden uprights are a decorative, curved shape. Base has 4 round, turned wooded feet (5th foot now detached, was located in centre front between drawers). Mirror has lost its reflective coating around edges. It rests, at about 70 degree angle, on metal bracket. Marking on base in black crayon “6 2”, and pencil letters on 1 drawer “& &”, and “S S” (or “”S 8”). flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, mirror, dresser mirror, furniture, 19th century, bedroom furniture -
Clunes MuseumMap, Township of Clunes - Parish of Clunes - County of Talbot
Map of Clunes Township in 19511 X PHOTOCOPY OF MAP, (COMPRISING A NUMBER OF A4 SHEETS TAPED TOGETHER) SHOWING LOT NUMBERS AND NAMES OF LANDHOLDER. REFERENCE GAZ 1951.1480. SCALE 30 CHAINS = 1 INCH 1 X PHOTOCOPY OF MAP, (COMPRISING A NUMBER OF A4 SHEETS TAPED TOGETHER) SHOWING LOT NUMBERS AND NAMES OF LANDHOLDER. REFERENCE: G76359 GENERAL FILE TOWNSHIP RESIDENTIAL ALLOTMENTS SCALE 30 CHAINS = 1 INCHNOTATED IN PURPLE CRAYON ON SECOND MAP: AS AT LATE 1984 COPY OF MAP FROM LAND TITLES OFFICE BALLARATtownship of clunes map, 1951 -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Martin, Mrs A. H. (Mary Emma Martin), Roses from thorns : or the old manor house, [n.d.] [1880?]
152 p. : ill. Blue, red and gold cover, embossed in black - geometric design and leaves. fictionmary emma martin (mrs a. h. martin), children's fiction -
Melbourne LegacyDrawing, Stan / Syd
Two hand drawn caricatures of Legatees Stan Savige and Syd Birrell, in black ink and crayon from a Comradeship committee photo album. The artist is not known. The caricatures are part of a photo album of Comradeship activities (from 1930 to 1977) see items from 01027 to01036.The Comradeship photo album was put together by the Comradeship committee and records events that Legatees did and places they lived or visited. Some appear to be trips to visit other Legatees living overseas and social occasions held in different places. It shows the bond that Legatees have with each other.Hand drawn caricatures x 2 of Stan Savige and Syd Birrell.Handwritten in black ink 'Stan' and 'Syd'.comradeship, stan savige, syd birrell -
Tennis AustraliaCosmetics compact, Circa 1925
A metal cosmetics compact on a chain, lid decorated with silhouette-style graphic of a tennis player, and embedded with coloured cut glass pieces. Contains a mirror, retractable lipstick and eye crayon, and two powder pads. Materials: Silver/Metal, Cotton, Pigmenttennis -
Warrnambool and District Historical Society Inc.Programme, Gaspars Modern Printing Co, Greyhound Racing, 1975
This is a programme of a greyhound racing meeting held in Warrnambool in August 1975. The meeting was held in Botanic Park, in Botanic Road Warrnambool opposite the Warrnambool Botanic Gardens. Today greyhound racing meetings in Warrnambool are held in Koroit Street on a track in the Warrnambool Showgrounds and the Botanic Road site is now the location of a Catholic Primary School. This programme is retained as a memento of the 1970s when the Warrnambool Greyhound Racing Club meetings were held in a park in Botanic Road, Warrnambool. This is a soft cover booklet of 16 pages. The cover is yellow with black printing and an image in red of a greyhound and a map of Victoria. The programme has been stapled but the staples have been removed. The pages and front cover of the programme have been marked with black biro and red crayon.‘Warrnambool Botanic Park Greyhound Racing Thursday 21st August 1975’warrnambool greyhound racing, history of warrnambool -
Glenelg Shire Council Cultural Collection
Poster - Poster - Boots and Saddle at the Crown Pictures, n.d
Full colour poster, advertising showing of the movie 'Boots and Saddle' at the Crown Pictures, presented by the Co-operative Film exchange Ltd. Depiction of a young woman and a mountie. Printed on butcher's paperFront: 'Afternoon & Evening Crown Pictures SAT. OCT 20th' - handwritten, black crayon Back: Portland rifle club statistics, handwritten, pencil -
Clunes Museum
Book, TOBACCO LICENCE
LICENCES ISSUED TO STORE KEEPERS, GROCERS, HAIRDRESSERS, BAKERS, JEWELLER, HOTEL KEEPERS, FRUITERERS TO PERMIT THEM TO CARRY OUT BUSINESS IN CLUNES. INCLUDES GENERAL STORES, GENERAL GOODS, FANCY GOODS.CARDBOARD COVERED BUTT OF RECEIPT BOOK FOR REGISTRATION OF BUSINESS HOUSES IN CLUNES. RECEIPT NOS 1 - 100 INCLUSIVE. DATED FROM 26/6/1899 TO 1/7/1907ON SPINE: PRINTED IN BLACK INK - TOBACCO LICENCE - 264 ON LAST PAGE: BLUE WAS CRAYON ON LAST PAGE INITIALED HG 21/1/08local history, book, receipts, hotels, grocers, fruiterers, baker, fancy goods, jeweller, hairdressers. -
Federation University Historical CollectionWork on paper - Artwork, Ballarat East Main Road Joss House Rubbings
A number of rubbings of calligraphic carvings thought to be from the Ballarat East Joss House in Main Road. .1) Blue and brown crayon. Translation: Erected on an auspicious day in winter 1859. Think of his loyalty (Quan Yu, now can canonised as the god of war to whom this temple is dedicated) (AD1084) to his sworn lover their sworn botherhood pledged in the peach garden as has been praised for thousands of years. .2) Rubbing in blue crayon of Chinese calligraphy from pole on right hand side of Joss House Door. (Larger) his great graciousness spreads to other (us here in foreign lands) kingdoms, and his virtue guards our gold miners everywhere. (Smaller) Dedicated to his disciples the Chu Pei-Huo family .3) Rubbing on litho paper. translation - One who knows the nature of things (in the world) will thus understand human nature. .4) Rubbing on litho paper. Translation of middle calligraphy - We all behold the wisdom of the gods in the heavens, earth and man. .5) Rubbing on litho paper - translation - The grace of god flows to all corners of the earth. .6) Charcoal rubbing - translation - Temple of the god of war. .7) Crayon rubbing of calligraphy on litho paper. Translation - Dedicated by the Ma Chu-Feng family. Emperor's virtue spreads far and wide. Grace in Abundance. Erected in winter, 1859. .8) Crayon rubbing of calligraphy on litho paper. Translation: Respectfully dedicated by the Ts'Ai Chi-Yang family. Grace in abundance. Erected in winter of 1859. .9) Crayon rubbing .10) Outline of calligraphy on copy paper .11) Rubbings of calligraphy on copy paper. Translation: The Holy God of War. Exhibited in 1862. Your respectful disciples. .12) List of 11 disciples chinese, joss house, keith rash, chu pei-huo, quan yu, ma chu-feng, ts'ai chi-yang, lee chua-yeh, hwong tien-jyue, wa perg-nan, liu chin-chuson, an lee factory, lice hsue-chiere, lee mei-tzy, lee pas-chi, lui lih-nie, wir hon-fu, li hsi-yang -
Hume City Civic CollectionPhotograph
A sepia photograph of a young boy with a flock of sheep.Handwritten on back in red crayon: Eric Boardman and: A YOUNG SUNBURY SHEPHERD Handwritten on front: Horace Ford Handwritten on back: Horace Ford, Sunbury (and crossed out)ford, horace, sunbury, boardman, eric, farming, sheep farming, shepherd, george evans collection -
Bendigo Historical Society Inc.Photograph - BABY PORTRAIT
Black and white image: baby sitting, dressed in dark dress with white apron. On rear of image : 'Photographers miniature and portrair painters. Barlett Bros. View Place, Sandhurst. This picture can be enlarged to any size as a plain photograph or as a painting in oil, crayon or water color. Copies can always be had'Bartlett Bros., Sandhurstperson, individual, baby portrait, sandhurst, bendigo, barlett bros., photographer -
Warrnambool and District Historical Society Inc.Book, Receipt book, Late 19th century
This receipt book was used in the law business of the Warrnambool lawyer, George Mackay (1891 to 1893) and the amalgamated firm of James Fletcher and George Mackay (1893 to 1910). George Mackay was a prominent Warrnambool lawyer, active in the civic and community affairs of the town and the firm of Fletcher and Mackay was an important one in Warrnambool over the time covered by the entries in the receipt book. In the 1920s the firm became Mackay and Taylor when J. Taylor joined as a partner and was a well-known legal firm in Warrnambool until the 1990s. The book was found in the old Mackay Taylor offices in Kepler Street. WarrnamboolThis is a ledger with a dark green binding and black tape on the spine. There are 176 pages plus an alphabetical listing at the back. Most of the entries are receipts that have been pasted into the ledger with some additional written material. The entries are mostly written in black ink with some seals and stamps attached. The receipts are overwritten with ticks and initials in red crayon. Front cover: ‘Receipt Book, From 14.11.1891 To 29.1.1910’ Spine: ‘14-11-1891 to 29-1-10 Receipt Book’ george mackay, warrnambool fletcher and mackay -
Bendigo Historical Society Inc.Photograph - ELMA WINSLADE WELLS COLLECTION: MRS D WATSON
COLLECTION OF PHOTOGRAPHS FROM MISS E.W.WELLS - Black and white PHOTO OF Mrs D Watson - foot of photo and back Bartlett Bros. View Place Sandhurst, photographers, miniature Portrait Painters -this picture can be enlarged to any size as a plain photograph or as a painting in oil, crayon or water colour. Copies can always be had.'Bartlett Bros. , View Place Sandhurst , photographersphotograph, portrait, female, 'bartlett bros. , view place sandhurst , photographers -
Bendigo Historical Society Inc.Document - PHOTO - ADDRESS - WESLEYAN SCHOOLROOM, 1880
Exhibition of Home Industries and fine arts. Wesleyan schoolroom. Forest street. Sandhurst. 1880. First Prize Certificate awarded to Miss. E. A Craven for drawing in crayon. Figure division. In Class A. Section 3. James Thomas. Hon Secretary. Coloured drawings of the bush, people, waterfall, trees and kangaroos. Markings: Evening news office. Sandhurst.person, individual, certificate -
Bendigo Military MuseumPrint - PRINT, FRAMED, WW1, Reader's Digest (Australia) Pty Limited, 2015
From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. COPY OF AN ORIGINAL PAINTING - TEXTILE, DYE, COLOURED CRAYON ON COATED PAPER. DEPICTS IN DARK BROWN COLOURS WITH SMALL ACCENTS OF PALE BLUE, RED AND YELLOW - BELOW HORSE. VISIBLE IN PAINTING IS A SOLDIER, HORSE AND GUN CARRIAGE. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details on print; "SIDNEY NOLAN (1917 - 1992) Gallipoli soldier, horse and gun carriage 1961". Sidney Nolan - embarked on a series of Gallipoli drawings and paintings which he completed over a 20 year period. 252 drawings and painting.framed accessories, prints, ww1, gallipoli, centenary -
Bendigo Historical Society Inc.Painting - CONSTELLATION GOLD MINE EAGLEHAWK
Crayon artwork. Art shows poppet head with chimney and brick and timber engine house. Written on bottom ' Constellation Gold Mine, Eaglehawk. A.A. Perry 1958' Two punch holes on LH side. Written on back in pencil: This mine was west of the Victortia St railway gates on N side. I used to read the electricity meter here about 1918 - 20. This drawing was done from memory in 1958 when I was getting over a sickness'.eaglehawk, mining, constellation mine -
Bendigo Historical Society Inc.Postcard - LYDIA CHANCELLOR COLLECTION: OILETTE
Raphael Tuck & Sons 'Oilettte' Connoisseur postcard 2747. Tuck's Post Card. Carte Postale. Postkarte. The 'Crayon' series. Four ladies are enjoying tea in a formal room. There are pictures on the walls and a lamp and clock on a mantelpiece. On a stand or auto tray are teapots and cups and saucers. Art Publishers to the King and Queen. The post card is addressed to Miss L. Pethard, Fir St. Golden Square. The one penny (1d.) Victorian stamp dated 3/11/?.postcard, lydia chancellor collection, collection, female, entertaining, entertainment, costume, fashion, clothing, recreation, tucks post card -
Ringwood and District Historical Society
Voters' Roll, "Mail" Print Ringwood (Tel 65), Voters' Roll 1924, Borough of Ringwood, South Eastern Province, Ringwood Division, c.1924
Arthur Fisher was the grandfather of Arthur G Lunt, RDHS cataloguer.Voters' Roll 1924, Borough of Ringwood, South Eastern Province, Ringwood Division. Names are marked with red crayon, presumably as vote is made. Brown cover, 39 pages, 703 names. E.Winterbottom, Returning Officer, Borough of Ringwood. Typical examples:Entry 202, Fisher, Arthur, Mullum Road, Orchardist, Owner, House and land, Warrandyte, �40, Votes 1Entry 558, Schwerkolt, Francisco, Mitcham, Owner, House, Ringwood, �22, Votes 1 +Additional Keywords: Fisher, Arthur / Winterbottom, E. / Schwerkolt, Francisco -
Friends of WestgarthtownSet, manicure
manicure set in black vinyl case, oval shaped with clasp on front. Satin purple lining on inside lid, velour lining on base. Nail buffer with elliptical casine top and handle, suede buffing material with silver retaining band. Thin nail file in vinyl case. Pink nail polish crayon in steel case. Casine handled metal nail file. Metal cuticle stick. All objects secured in case by straps or cavities. One object missing (probably clippers or scissors).Makers symbol imprinted on file and cuticle stick. 'Nagel-Polier-Stift', 'Polideur', 'Ges.Gesch.', 'Verleiht den Fingernagein eleganten Hochglanz' all printed on nail polish label.toilet requisites, manicure, nail, set, casine, file, polish, buffer, toiletries -
Flagstaff Hill Maritime Museum and VillageDomestic object - Sewing Machine and case, Joseph Wertheim, late 19th century
Hugo Wertheim (1854-1919), was a merchant and manufacturer and was born on the 12th July 1854 at Lispenhausen, in the German electorate of Hesse-Kassel, son of Meyer Wertheim and his wife Minna, née Heinemann. Hugo reached Melbourne in October 1875. He soon began advertising, from premises at 39 Flinders Lane East, as agent for his father's cousin Joseph Wertheim, a well-established manufacturer of sewing machines. Hugo returned to Germany where he married Joseph Wertheim's daughter Sophie Emilie (1864-1953) on 30 August 1885 at Frankfurt. the couple then came to Melbourne. In a short time, with extensive advertising, Hugo established a substantial business, selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He also mounted elaborate displays at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. O. C. Beale worked with him before setting up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Wertheim opened a large, innovative piano factory at Richmond, Melbourne, intending to produce 2000 pianos and player pianos annually, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis on 11 July 1919 at his home at South Yarra, his wife, two daughters and three sons survived him; Herbert Joseph (1886-1972), the eldest, continued the business. Rupert became a share broker and went on to represent Victoria in inter-State tennis in 1913-27 and Australia in Davis Cup matches against Czechoslovakia in 1922. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices.Early Australians had to be self-reliant in regards to making and mending their clothes and utensils. This sewing machine was one of many items used that exhibit the skill and craftsmanship of the women in these early families. A sewing machine was a necessary part of each home and this item demonstrates how women of the time managed had to become self-reliant in the repair and making of their families clothes to make their household budgets go further.Sewing machine, Wertheim brand “ Syst 182” hand crank operated machine with folding handle, timber case and carry handle. Metal machine is painted black, with remnants of gold, red and green scrolls and floral decoration. Machine has base with inlaid measuring rule across front and 2 holes drilled through the base (perhaps for mounting machine to a bench). Machine tilts open, hinged on one side, after thumb screw is unwound, revealing machine’s workings and serial number. Base has a fitted round, concave, silver metal pin holder with lid that hinges open, and symbol pressed into lid; several pins are inside. Body of machine has brand name transfer across front and oval metal trademark disc on front. Metal sliding covers over footplates have stamped lettering. Timber machine case or cover includes an accessory box with sliding cover and metal hook and eye latch, and inside the box are 23 metal sewing attachments, a disc and a stick of black crayon with maker’s trademark on it paper cover. Workings of machine have seized up. The crayon wrapper has printed on it “For the wonderful Wertheim new family machine made in Germany ‘Syst. 182’”, and the maker’s symbol with “Trademark” beside it. Made for Hugo Wertheim.“WERTHEIM” transfer across front and back of machine body. Cover of pin holder has symbol ‘Wings above a shield’. Maker’s trademark on gold oval disc, “WERTHEIM / FRANCFURT” and picture of a dwarf with a hammer. Left footplate has script “Syst 182”, right footplate has stamp in oval shape “MANUFACTURED IN - - /SPECIALLY FOR / HUGO WERTHEIM” Serial Number “7501”flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sewing machine, hand crank sewing machine, hugo wertheim, wertheim, clothing manufacturer, sewing, syst 182 -
Warrnambool and District Historical Society Inc.Map, Plans (5) showing Subdivisions of Warrnambool, 1989
These plans have been drawn by Steve Hester for the Warrnambool City Council to illustrate the allotments in Warrnambool concerned with the subdivisions of 1989. The streets have not been named but there is an indication of the area with the identification of known buildings (eg Hospital) and the plan numbers of each allotment is clearly marked. These numbers corresponded to the plan numbers registered in card files and ledgers in the Warrnambool City Council offices. The scale of the plans was 1 to 5000. These plans are of considerable interest because they show Warrnambool street subdivisions of 1989 in illustrative form. They show how information was collated in the late 1980s before the widespread use of computer digital means to describe and store information.These are five hand-drawn sheets showing plans of sub-divisions in Warrnambool streets in 1989 (Warrnambool City Council material). The plans are multi-coloured (crayons) and show allotments with plan numbers. The first plan has much of the material torn off but the location is known to be in the Russells Creek area. Some of the green tape around the edges is missing. Plans two to five are almost intact and are bound with green tape. Plan Two- Industrial Estate of West Warrnambool; Plan Three – Hospital/Merrivale/ Lake Pertobe areas; Plan Four – North Warrnambool, Wollaston/Brierly areas; Plan Five – Flaxman Street area. ‘Subdivision Plan, Reference Guide, Steve Hester, Oct. 1989’. warrnambool street subdivisions, steve hester, history -
Flagstaff Hill Maritime Museum and VillagePainting - Oil painting, W. Langley-Taylor, Cape Schank [Schanck], Late 19th to early 20th century
This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. The subject of this painting is Cape Schanck, Victoria, which is on the east side of Port Phillip Bay. It includes the Cape Schanck Lighthouse and its Flagstaff. The Cape Schanck Lighthouse was built in 1859 and is the second of Victoria’s coastal lights. It is 21 metres tall and made from limestone. Unusually, its stairway is made from stone rather than wrought iron. Gilded tours are available to explain its use and significance to visitors. The lighthouse keepers at Cape Schanck kept records of the ships that sailed past them along Bass Strait; ship’s names, direction, time and date and so on. The details would also be passed on to shipping agencies, Harbour Masters and newspapers, which published Arrivals and Departures into and out of shipping ports such as Port Phillip Bay and the Port of Melbourne. INSCRIPTIONS “Mrs M Irby” (and on the Eagle Rock, Warrnambool, painting “980/Regency”) The inscription “Mrs M Irby” is on the back of both paintings but the significance of the inscription has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. NOTE: The artist’s spelling of the title “Cape Schank, Vic.” is incorrect. The location in this painting is named Cape Schanck. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of coast with cliffs, lighthouse and flagstaff, flying birds, high waves breaking onto rocks, blue sky with clouds. The title is painted on lower left corner and the Victorian artist, W. Langley-Taylor, has signed his name on lower right. The inscription on back is handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “CAPE SCHANK, VIC.” [NOTE: correct spelling is Schanck] Handwritten on back “Mrs. M. Irby” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, painting, oil painting, cape schanck painting, w. langley-taylor, wall decoration, seascape of victoria's coast, art, mrs m irby, victoria's coast, pair of paintings -
Clunes Museum
Financial record - RECEIPT BOOK, VICTUALLER'S LICENCE
RECEIPT BOOKS, BLUE CARDBOARD COVER WITH LINEN SPINE. VICTUALLERS LICENCE 25 POUNDS. .1 Licence Numbers 4541 - 4550 dated 31/12/1890 - 24/12/1892 issued to: 4541 - 2 McCartney James, Club Hotel Fraser St Clunes 4543 Heffernan , James The Ristori Commercial Hotel, Allendale 4544 Gelbert Fred The Town Hall Hotel, 4545 Cocking Wm The Telegraph Hotel, Clunes 4546 Murray, David The Speculation Hotel, Clunes 4547 Rintel Janne The Club Hotel, Clunes 4548 Cocking Wm The Telegraph Hotel Clunes 4549 Heffernan, James The Ristori Commercial Hotel, Allendale 4550 Malley Wm The Club Hotel Clunes .2 Licence Numbers 4521 - 4530 dated 24/12/1886 to 27/12/1888 4521 Cocking William Telegraph Hotel Clunes 4522 Gelbert, Frank Town Hall Hotel, Clunes 4523 Bassett Christopher Nags Head Hotel, Clunes 4524 Burns Wm Burt Club Hotel, Clunes 4525 Cocking Wm Telegraph Hotel Clunes 4526 Gilbert Frederick Town Hall Hotel, Clunes 4527 Burns Wm Burt Club Hotel Clunes 4528 Bassett, Christopher Nags Head Hotel, Clunes 4529 Gilbert Frederick Town Hall Hotel, Clunes 4530 Cocking Wm Telegraph Hotel, Clunes .3 Licence Numbers 4531 - 4540 dated 1/1/1889 - 1/1/1891 4531 Wilson Geo. Sutherland Club Hotel Clunes 4532 Gilbert Frederick Town Hall Hotel, Clunes 4533 Heffernan James Ristori Commercial Hotel Allendale 4534 Cocking Wm Telegraph Hotel Clunes 4535 Murray David Speculation Hotel, Allendale 4536 McCartney James Club Hotel, Clunes 4537 Heffernan James Ristorii Commercial Hotel, Allendale 4538 Cocking, Wm Telegraph Hotel, Clunes 4539 Gilbert Fred. Town Hall Hotel Clunes 4540 Murray David Speculation Hotel, Allendale.1 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1890 - 1892 FOR CLUNES AND SURROUNDS HOTELS SERIES 4541 - 4550 INCLUSIVE .2 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1886 - 1888 FOR CLUNES AND SURROUNDS HOTELS SERIES 4521 - 4530 INCLUSIVE .3 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1888 - 1890 FOR CLUNES AND SURROUNDS HOTELS SERIES 4531 - 4540 INCLUSIVE .4 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1887 - 1892 FOR CLUNES AND SURROUNDS HOTELS SERIES 1 - 50 INCLUSIVE .5 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1888 - 1890 FOR CLUNES AND SURROUNDS HOTELS SERIES 1 - 50 INCLUSIVE .6 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1890 - 1891 FOR CLUNES AND SURROUNDS HOTELS SERIES 1- 50 INCLUSIVE .7 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1890 - 1892 FOR CLUNES AND SURROUNDS HOTELS SERIES 1 - 25 INCLUSIVE .8 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1891 - 1892 FOR CLUNES AND SURROUNDS HOTELS SERIES 1 - 25 INCLUSIVE .9 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1892 - 1893 FOR CLUNES AND SURROUNDS HOTELS SERIES 1 - 25 INCLUSIVE .10 SOFT COVER BOOK IN BLUE CONTAINS CONTAINS RECEIPTS OF VICTUALLER'S LICENCES 1893 - 1893 FOR CLUNES AND SURROUNDS HOTELS SERIES 1 - 25 INCLUSIVE .11 UNBOUND 15 CERTIFICATES DATED 1889 "CERTIFICATE TO AUTHORIZE THE ISSUE OF A VICTUALLER'S LICENCE" .12 UNBOUND 32 CERTIFICATES DATED 1887 "CERTIFICATE TO AUTHORIZE THE ISSUE OF A VICTUALLER'S LICENCE" .13 UNBOUND 26 CERTIFICATES DATED 1889 "CERTIFICATE TO AUTHORIZE THE ISSUE OF A VICTUALLER'S LICENCE" LABEL ON FRONT COVER: .1.2.3 VICTUALLER'S LICENCE 25 POUNDS, INITALIALED RG 5/8/1886 .4 VICTUALLER'S LICENCE 15 POUNDS .5 VICTUALLER'S LICENCE 15 POUNDS BOOK 228 .6 VICTUALLER'S LICENCE 15 POUNDS BOOK 263 ORANGE CRAYON HANDWRITING ON FRONT COVER "EXHAUSTED AFTER AUDIT 7-12-91" .7 VICTUALLER'S LICENCE 15 OUNDS BOOK 350 .8 VICTUALLER'S LICENCE 15 POUNDS BOOK 344 ORANGE CRAYON HANDWRITING ON FRONT COVER "EXHAUSTED AFTER AUDIT 7-12-91" .9 VICTUALLER'S LICENCE 15 POUNDS BOOK 398 .10 VICTUALLER'S LICENCE 15 POUNDS BOOK 399 (LABEL TORN IN HALF) RED INK HANDWRITING ON FRONT COVER "NO.1 EXHAUSTED AFTER AUDIT 24-8-93" local history, book, receipts, clunes hotels -
Warrnambool and District Historical Society Inc.Textile - Wedding dress, Miss Hedrick's dress Shop, 1940's
Through the address on the box, this dress has a local connection. Miss Mavis Hedrick operated a dress salon at 162 Liebig St Warrnambool in the 1940's. Her parents lived at various houses in Warrnambool, including Skene, Spence and Princess Sts. She married John William Freeman in 1942 and left Warrnambool some time after that date. From wedding reports of the day it doesn't seem that this is Miss Hedrick's wedding dress. It seems more likely that it was purchased from her frock salon in Liebig St Warrnambool.While the owner and original wearer of this dress has eluded us, the dress has a strong link to Warrnambool through the original box with its identifying labels. The dress is very much in the style of the era of Miss Hedrick's dress shop..This cream silk wedding dress and slip was donated in original cardboard box with the address written in large letters on the front. The dress is cream silk with gold metallic trim in two lines across the bodice.There are silk covered buttons on the front and back of the bodice and it has a high rounded V neckline.It has long lily point sleeves .There is a side opening with hook and eye fastening.The skirt is cut on the cross and a small train flows from the back of the dress. A simple A line slip accompanies the dress. It has ribbon shoulder straps and the top is edged in a fine narrow lace. The large box is rectangular and grey in colour. The addressee's name is written in large lettering in black (possibly crayon) . A label is pasted to the top right hand corner. A Victorian Railways stamp is loose with the item.On the Box : Miss Hedrick Frock Salon Warrnambool On Label in top RH corner: Mollard & Williams 238 Flinders Lane Melbourne. Stamp: Victorian Railways Parcel stamp 8d Melbournewarrnambool, 1940's wedding dress, mavis hedrick, mollard and williams, 238 flinders lane melbourne, miss hedricks frock salon -
Flagstaff Hill Maritime Museum and VillagePainting - Oil painting, W. Langley-Taylor, Eagle Rock, Warrnambool, Vic, Late 19th to early 20th century
This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. This painting is of Eagle Rock, Warrnambool, which is on the west of Port Phillip Bay. Eagle Rock is located about 400 metres west of Thunder Point, near Shelly Beach. The painting includes the rocky cliff formations looking east towards the Warrnambool Breakwater. The walk from the Thunder Point car park westwards to Shelly Beach has been popular over the decades with residents as well as tourists. Many photographs include the rock, with varying backgrounds depending on the angle of the camera. It is a popular dive site for locals and visitors, in calm weather! The site can be approached by boat from the open sea in favourable conditions, and there is plenty of native marine to be seen in this marine sanctuary. This part of Warrnambool’s rugged coastline is unprotected from the Southern Ocean with its wild icy winds and high seas. The painting’s crashing waves and the northerly direction of the smoke on the steamship sailing north show the effect of the southerly wind. INSCRIPTIONS “Mrs M Irby” and “980/Regency” The significance of the inscription “Mrs M Irby”, on the back of each of the two paintings, has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of rock formation and cliffs, two yachts, a two-masted steamboat with red funnel and smoke, flying birds, high waves breaking onto rocks, blue sky with clouds, some tinted pink.. The title is painted on lower left corner and the artist, W. Langley-Taylor, has signed his name on lower right. The inscription on the back is a handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “EAGLE ROCK, WARRNAMBOOL, VIC.” Handwritten on back “Mrs. M. Irby” and “980 [underlined] Regency”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, eagle rock warrnambool, w. langley-taylor, oil painting, wall decoration, seascape of victoria's coast, mrs m irby, art, seascape, pair of paintings -
Bendigo Historical Society Inc.Photograph - MR & MRS J.B.WITTMANN PORTRAIT, cq. 1900
B+W photograph on front mount studio portrait (B+W) of lady seated on upholstered chair (carved wood), man standing behind occasional table. Man is dressed formally (Bow tie and stiff shirt); whiskered- beard & moustache. Inscription: Front: the crown studios Sydney - printed on board. Back: (P.T.O).Back: Handwritten: 'Mr & Mrs Wittmann in later years when/they had gone to live in Sydney. RHSV stamp (Royal Historical Society of Victoria/Bendigo Branch), '1128', Printed by Studio: 'George & Market Streets/Sydney', 'The Crown Bromide Enlargement Coy 'Trade Mark'','The/Crown/Studios','Mark Blow/General/Manager', 'Portrait enlarged/on Bromide,Platinotype/Carbon Opal, and Finished/ in crayon, indian in, partel/water colour or oils',' Telephone No 477','Cable Address 'Bromide'/Sydney',' Copies of this Photograph No__ maybe had at any time'.The Crown Studios, Sydney, George & Market Streetperson, family, wittmann portriat -
Mission to Seafarers VictoriaPainting, Kimberley Dunstan, Port Phillip Bay Bicentennial Fleet Departure, 1988
I was born in Guildford W.A. on 12 November 1940 and at an early age took an interest in painting. Over the years (between lapses) I have completed several hundred pieces of work including pencil and crayon sketches, lino cuts, oil colours - and water colours which have been my main focus. As painting has always been a hobby I’ve never bothered with selling my work through an art gallery - but have donated a good deal of work to fundraisers and charity auctions with some paintings attracting large prices, I’ve also sold quite a number (some years ago) via Joels Auctions before they went up-market, others have gone to friends and family. My pleasure has been in completing painting, I’ve never bothered about recovering costs (including framing) but happy when people take an interest in my work - and I know pictures have gone to a happy home – additional pleasure comes when people remind me they love the painting, sometimes I’ve forgotten what they have and other occasions have been able to see them in their homes and loved they way they have fitted-in. Regarding the little painting of the Bicentennial sailing ships – I did it as a quick sketch at the time (1988) when the ships departed Melbourne sailing down Port Phillip Bay - with the view to doing a larger painting which never eventuated and it has remained in my possession until recently when I decided to dispose of my remaining work/s as I have to move and ‘down-size’. As you will appreciate it is a very simple sketch but it captures a notable moment in time and would be very happy if the MTS could find a place for it in their collection. As it happens I spent 9 years in the Royal Australian Navy and feel a close connection to seafarers and would be honoured that you might wish to include the picture in your collection. Marine art, Maritime artKimberley Dunstan, Mission to Seafarers CollectionSmall rectangular oil painting (landscape format) depicting sailing shipsSigntaure of the artist bottom left corner: KHD At the back in black ink: 1988 / Kim Dunstan / Port Phillip Bay / Bicentennial Fleet Departure / From End Of Martin St Brightonbicentennial, 1988, fleet, kim dunstan, kimberley dunstan -
Coal Creek Community Park & MuseumBottle, glass, Post 1916 - c.1939
TROVE : Port Philip Gazette and Settler's Journal (Vic. : 1845 - 1850) Saturday 21 April 1849 p 3 Advertising 'On MONDAY, 23RD INSTANT, (WITHOUT RESERVE,) at 12 o'clock, AN INVOICE of Drawings, Prints, Crayons, Portraits, coloured Figures II M. Ships '"Vindictive," "Victory," "Pomona," ''Vanguard," " Carysfoot," " Magicienne," &c., coloured ; the Channel Fleet, Jenny Lind, and a large quantity of Engravings. Three hundred volumes Books, comprising Novels, History, Poetry, School Books, &c., &c., &c. A large quantity of assorted stationery consisting of boxes of India rubber bands, pens, show cases, fancy wafers, satin note paper. One cask Stephen's Fluid Ink, in pints and half-pints. Terms— Cash'. TROVE : The Argus (Melbourne, Vic. : 1848 - 1957) Tuesday 27 March 1956 p 2 Advertising 'PUBLIC NOTICE TO BOTTLERS, BOTTLE DEALERS. Etc., RE PROPERTY BRANDED BOTTLES WHICH ARE NOT SOLD The undermentioned Firms and Companies,' carrying on businesses at Sydney and elsewhere, HEREBY GIVE NOTICE that all Bottles delivered by them to their customers having: a notification moulded thereon (including bottom) that they are, or remain the property of. the Firms and Companies mentioned below ARE NOT SOLD WITH THE CONTENTS THEREOF BUT REMAIN THE PROPERTY OF SUCH FIRMS AND COMPANIES. Such Bottles are loaned solely for the purpose of enabling the contents to be delivered to purchasers from the said Firms and 'Companies and to all subsequent purchasers of the contents. As soon as the Bottles are emptied of their contents they must not be refilled destroyed, damaged, or used again for any purpose, but must, on demand be delivered up to the Companies or Firms whose names are moulded thereon or to their Accredited Agents: BUTLER & NORMAN PTY. LTD., MANDIBLE STREET. ALEXANDRIA, N.S.W. The remuneration received by Collectors, Dealers, etc.,- is simply an allowance for the safe custody and collection of the Bottles LEGAL ACTION WILL BE TAKEN AGAINST ANY PERSON OR COMPANY VIOLATING THE PROPERTY RIGHTS OF THESE FIRMS OR COMPANIES' BRANDED BOTTLES. ABC Mop Co.......................Stephens Ink (Australia) Pty Ltd.......................'.Squat round clear glass ink bottle with embossed text on heel at base and monogram on base'PROPERTY OF STEPHENS INKS AUSTRALIA LTD' on heel of base. Austrralian Glass Manufacturers monogram on base with embossed illustration of a feather quill.ink bottle -
Duldig Studio museum + sculpture gardenDrawing, Slawa Horowitz-Duldig, Portrait of Rella by Slawa Horowitz-Duldig 1917, 1917
Slawa Horowitz-Duldig) was both an artist and a designer, and both aspects of her practice are represented in the collection. There is an archive of approximately 255 drawings by Slawa dating from 1917 until 1922. Slawa’s sketchbooks from this period provide an insight into her early training and demonstrate the artist’s early interest in portraiture. A number of the drawings have been framed, but the majority remains 'in situ'. Slawa was a student at the Viennese Kunstschule für Frauen und Mädchen (the Viennese Art School for Women and Girls) (KFM) from 1917 until 1921, and in 1922 she became a student of Anton Hanak. The KFM School had been established in 1897 as a private school, and it was highly regarded both for its teaching staff and academic curriculum. By 1918 it had introduced stringent admission policy similar to those of the Austrian Academy of Fine Arts, and obtained government funding for its academic program, and began to focus on students seeking to pursue careers as professional artists. In 1921 when Slawa applied to the Austrian Academy of Arts for a place in its program, her application was unsuccessful, as her work was considered advanced, and a place in the third or fourth year of the program was not available. In 1922 she became a private student of Anton Hanak. Many of the portrait images from this early period concentrate on capturing the physical appearance of the face of the model. A number of these studies, in which the subject is not identified, display an academic approach to the genre. Her technical skills in capturing precise facial features of the model, the expression of eyes and the texture of hair are evident. These drawings were perhaps completed in the studio of the KFM School. There are also portraits of friends and family members, including her sister Rella and others, perhaps parents and grandparents, who have yet to be identified conclusively. It is these images of family and friends that particularly demonstrate Slawa’s confidence with pen, charcoal and crayon on paper. Amongst the group are several portraits that indicate the artist’s interest in conveying the inner psyche of a subject, as well as capturing a likeness. Ann Carew 2016The drawings from this period give us an insight into the artist’s early training, and the teaching methods of Viennese Kunstschule für Frauen und Mädchen, one of the first professional art schools for women in Vienna. The drawings and sketchbooks have artistic, interpretative and research significance as records of the art education of women in Vienna in the early 20th century. Ann Carew 2016Charcoal over pencil sketch on paper of Slawa's sister Rella.Artist signature in the bottom left corner. -
Federation University Art CollectionWatercolour & Crayon, "Playing String Instruments" by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour and ink work of a man playing a violin.art, artwork, neville bunning, available, music, violin
