Deep Lead – Portrait Gladys McKenzie nee (Perry) a daughter of John Perrystawell

Deep Lead – Portrait John Perry and Caroline Perry seated and family Jess Gladys Jack Maud Caroline.stawell

A young Mrs Greenwood is seen posing with two apples; an older Miss Gladys Greenwood (daughter of Mrs Greenwood) is seen at a celebration. The Greenwood family share farmed with the Bosch family.The area of Greensborough along the Plenty River was known for its orchards, which might explain why Mrs Greenwood is photographed holding the apples.Digital copy of one black and white photograph and one colour photograph.greenwood, gladys greenwood

Gladys REYNELL (04/091881 - 16/11/1956) Born Glenelg, South Australia Gladys Reynell was South Australia's first studio potter and the first Australian artist to apply modernist principles to the crafts. For four years she worked from Ballarat. Osrey Pottery Ballarat operated between 1922 and 1926 by Gladys Reynell and George Osborne. The name of the pottery was an acronym formed from their surnames. Gladys Reynell, her sister Emily and brothers Rupert and Carew supported the war effort during World War One. Rupert Reynell was a neurologist who valued handicrafts in the rehabilitation of shell-shocked soldiers. He influenced Gladys and Margaret Rose (Rose) McPherson (later known as Margaret Preston) to learn pottery at the Camberwell School of Arts and Crafts, London, in 1916. Next year a friend sent Gladys some Kangaroo Island clay which excited her: 'I thought then that it could be the most delightful thing on earth to make pots in Australia from virgin clay'. In 1918 Gladys and Rose began teaching pottery to soldiers at Seale Hayne Neurological Hospital, Devon. In September 1919 Gladys Reynell came home in September due to her father's illness. She established the Reynella Pottery and became responsible for all stages of pottery production. Using a seasoned dump of buff-coloured clay from a well at nearby McLaren Vale Gladys Reynell built and fired her own kiln; threw simple, robust forms based on early European folk pottery; and decorated them with designs inspired by both Aboriginal art—one of the earliest to use this as a source. Gladys Reynell decorated her earthenware pottery with the characteristic rich 'Reynella blue' slip. On 14 August 1922 at St Mary's Church, Edwardstown, Gladys married George Samuel Osborne, an ex-serviceman and gardener at Reynella; they had no children. Between 1922 and 1926 they set up Osrey Pottery In Ballarat. Gladys produced pottery for sale at fairs with George as her assistant. She would throw her pots in the street, causing a sensation. In 1926 George contracted lead poisoning from lead in the glazes. They moved to rural Curdievale where Gladys resumed painting and making woodcuts. From 1939 Gladys and George lived in Melbourne. In World War II she worked in the army pay corps, in the Taxation Office, and as a translator of French. Gladys died of cancer on 16 November 1956; her husband scattered her ashes at Reynella. Her ceramics, the work of one of Australia's earliest studio potters, have been avidly collected since the late 1960s and are in most major art galleries. Small blue glazed ceramic bowl incised around the top with a decorative frieze. Incised on the base "(Dam Clay) Ballarat 1923, Osrey"gladys reynell, osrey pottery, blue bowl, incised bowl, australian studio pottery, ceramics, native clay

These baby's silk socks x2 were made by a member of Gladys Reed's family c1930 in Moorabbin Shire and show the needlework skills .of residents . Gladys Reed was a member of the Ormond Choral Society c 1950 that performed plays and musicals in the the City of Moorabbin These baby's silk socks x2 were made by a member of Gladys Reed's family c1930 in Moorabbin Shire and show the needlework skills .of residents 1 pair x Finely hand knitted cream silk baby socks . Sole of foot is plain with decorative stitches on upper foot and leg. clothing, craftwork, silk, baby wear, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

Gladys Elva Mole VFX17199 Australian Army Nursing Service. Refer Cat No’s 1899, 1901.4 medals and service history. .1) Two photos, colour, side by side in the one frame. On the left is a Nurse in grey uniform with hat & tie. On the right is same Nurse in uniform with red cape. The frame is brown stained wood with gold band. .2) Photo, colour showing Gladys Mole standing beside her uniform that is on a mannequin. The frame is brown stained wood with gold band,.1) " Capt Gladys Mole VFX17199" .2) "Gladys Mole with her wartime uniform prior to going on display."photography - photographs,, frame accessories, medicine, nursing, military history, army

Eldest daughter of Walter and Fanyy Withers, Emily Gladys in the fortified trench constructed by her younger brother Charles Withers (aka Bill) and his good friend from school, Mervyn Britain at the Withers family home, Southernwood, Eltham. The view is looking to the east with Main Road and associated buildings near ridge in distance. [Charles son, John Withers explained that his father and friend liked to play war games.]On back of photo: "Bill & Mervyn's trench 1916 or 1917" Many items in this collection have suffered from significant water damage and black mouldjohn withers collection, eltham, 1916, southernwood, trenches, charles meynell pitt withers, mervyn britain, emily gladys withers

This fitted cotton blouse with cutwork was made and worn by Mrs Gladys Reed c 1950 whilst a resident of the City of Moorabbin c 1950Mrs Gladys Reed, a member of the Ormond Choral Society c 1950 and was an accomplished dressmaker and craftworker. Theatrical Societies were part of the community recreation for settlers in post World War 11 City of Moorabbin A white cotton fitted lady's blouse with short sleeves, cutwork bodice and flared waist.clothing, dressmaking, cutwork, needlework, ormond theatrical society, mckinnon, bentleigh, moorabbin, reed gladys, clark judy clothing, actors, early settlers, post world war 11 estates, knitting, crochetwork,

Gladys Reed was a member of the Ormond Choral Society c 1950. and these clothing props were used in the plays and musicals when performed in the City of Moorabbin c1950 Drama, Musical and Choral Societies were founded by local residents in the City of Moorabbin c1950 to provide social, artistic and musical entertainment and development in their communities A theatrical prop for the Ormond Choral Society c1950 that simulates a 1920's flapper beaded evening wear cloche hat. White lace is over sewn with small pearl beads and 3 rows of shiny beading with large pearls and beading around edge of hat. Loops of small pearls hang from each side . Shown with beaded waistband MAV 00297 early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

The Hedge, aka Thomas Knee's house. Thomas Samuel Knee (born c. 1881in Lilydale) married Jane Maggs c. 1912, Thomas Samuel Knee's father Thomas Knee (married to Sarah Hardidge and who it appears was also an orchardist in Yarra Road) was rated for the land as vacant land at the turn of the century (c. 1900) Thomas Samuel Knee rated as owner of vacant land (CA14B of over 20 acres1911-12 and as a house 1912-13, next year CA 14C added making a total of 39 acres. It appears that Thomas Samuel Knee and his wife Jane lived at the property until 1949 when they moved to Montrose. In 1949 it was purchased by Hubert Victor (Vic) Eggleton after they migrated from Banstead in Surrey England. They had four boys Peter (who did a lot of the farming with Gladys), Brian, Michael and Roger. It was mixed farming: lemons, cherries, eggs, chickens and Gladys bred Spaniel dogs too. They had 2 dairy cows and a draft horse. The farm was larger then and was subdivided at a later date. The big dam was added too. the painting of the house was painted by a cousin of the Lusks. Ownership: Thomas Samuel Knee 1912-1949, Eggletons, 1949 - c.1953, then Timms, c. 1953 - early 1970s then Lusks early 1970s to c. 2012. The Lusks built a new house and after that the old house had various tenants.

Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was an accomplished dressmaker and made this blouse for her daughter Judy.Manufactured lace became affordable and plentiful so it was used by home dressmakers like Gladys Reed in City of Moorabbin c1960A white cotton lace, sleeveless blouse c 1960 with opening front fastened by hooks and eyes clothing, manufactured lace, dressmaking, blouses, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

This beaded sequined waist band for evening wear was a clothing prop used in the plays and musicals performed in the the City of Moorabbin. Gladys Reed was a member of the Ormond Choral Society c 1950. Gladys Reed was a member of the Ormond Choral Society c 1950. and this beaded sequined clothing prop was used in the plays and musicals when performed in the the City of Moorabbin A Theatrical prop, evening wear as a taffeta waistband with beading, multi coloured sequins, and corded cotton waist ties.c1950 Shown with Theatrical prop white beaded lace hat MAV 00295clothing, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

Part of a collection of correspondence and photographs to Gladys Holmes and Byaduk residents during WW1.. War issue envelope for mail from service personnel on ACTIVE SERVICE and must be signed to certify the contents refer only to personal and family items. The Cover may have contained several letters each from the same writer and may be subject to the Censor. Cited in 'Untold Stories & Forgotten Faces' by James Affleck, 'KINGHORN,Walter Stanley, (Byaduk), born 1888, enlisted 26th August 1914. He served in 4th Light Horse Regiment, who fell at the Charge of Beersheba on 31st October 1917, buried at Beersheba War cemetery.. One of fourteen local men killed remembered in an Avenue of Honour. Original document, cover/envelope with 1917 postmark, surname of sender and full address. Portion of fourteen items comprising the Gladys Holmes collection.Buff coloured paper envelope with dark green ink used for instructions and markings. Black ink circular postmark FIELD POST OFFICE/9 JA 17 Blue ink handwritten address and sender's name.Writer: Kinghorn Address: Miss G Holmes/Byaduk/ via Hamilton/ Victoria/ Australia gladys holmes, envelope, kinghorn, ww1, byaduk

William Scott Purves Godfrey (1872-1953) designed the chairs and Miss Gladys Hawkey (1886-1974) carved them. W.S.P Godfrey was born in Toorak on 6 April 1872. He was was the cousin of Ethel Godfrey. Educated in Brussels and at Melbourne Grammar, he studied Architecture at the University of Melbourne. He and Henry Howard Spowers established the architectural firm Godfrey & Spowers, known for the design of the Argus building, around 1901. W S P Godfrey retired from practice in 1944. He died in August 1953, aged 81. He's buired in the St Kilda Cemetery with the Godfrey family. Gladys Hawkey was a member of the Guild. (photographed during the Norla Fete). She was born in Sandhurst, Bendigo and is buired in the Bendigo Cemetery. Little is known about Gladys Hawkey. She may have been a student of Robert Prenzel. Another mention of her work is made in an article in 1915 where her escritoire is offered in a raffle to raise funds for the Australian sick and Wounded. The chairs were donated in 1919 when the Flinders Street mission was open. In a style of Robert Prenzel with Australian Flora, the chairs are in the typical Arts and Crafts style. Like many women from the early 1900s, she was likely to have been inspired by the Australian exhibition of women's work and other female woodworkers of the time.Handcarvedgladys amy hawkey (1886-1974), william scott purves godfrey (1872-1953), lhlg, ladies harbour lights guild, chapel, flinders street, mission to seafarers, seamen's mission, wood carving, godfrey and spowers, heritage listed, arts and crafts, gifts-1917

Victorian and Edwardian ladies adorned their hats with various bird feathers. Although living conditions in Moorabbin Shire c1910, were basic families still held onto their traditional English and European customs and took pride in presenting elements of refined society. Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was skilled in craftwork, hand knitting, crochet and dressmaking. Her garments were used by her family and the Ormond Choral Society C1910 Women in Moorabbin Shire followed the fashion from Europe and made their own clothes and accessories using their dressmaking, craftwork and design skills 8 x feathers of various sizes and colours for adorning a Lady's hat c 1910 a) Blue & b) White Ostrich, c) Black Cockerel, d) Black Emu Feathers. e) Brown stripped Coque Diamond Tail f) Pink dyed ostrich, g) Black duck, h) black fur clothing, millinery, hat feathers, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire,reed gladys, clark judy, dairy farms, fruit orchards, footwear, shoes, buckles, clothing, silver, pewter, brass, victorian fashion, edwardian fashion, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals in the City of Moorabbin and she made this nightdress c1950 Crepe de Chine, also spelled Crêpe De Chine, (French: “crepe of China”), light and fine plain woven dress fabric in silk, wool, or synthetic fibre fabric with a distinctively crisp, crimped appearance produced either with all-silk warp and weft or else with a silk warp and hard-spun worsted weft. This material was easy to sew, wash and dry and required no ironing . . This crepe de chine nightdress is an example of the popular style worn by women in the post World War 11 Estates in the City of Moorabbin c1950 A lady's floral crepe de chine, full length, nightdress with shoulder straps and waist ties clothing, nightdress, crepe de chine, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

Photos taken at the 125th Anniversary school reunion. Collection includes 5 colour photographs: Principal Mark Smith with Gladys Greenwood, oldest student and Jack Mansour, youngest student; Gladys Greenwood with Jack Mansour; Gladys Greenwood cutting cake (2); cake.Five colour photographs. Principal Mark Smith with Gladys Greenwood, oldest student and Jack Mansour, youngest student; Gladys Greenwood with Jack Mansour; Gladys Greenwood cutting cake (2); cake. Names of people, occasion and date on back of prints.greensborough primary school, gladys greenwood

This pair of silk split-leg drawers was handmade by Gladys Angus for her trousseau in 1929 when she married Dr. Angus. The design became popular in the mid-1800's and continued into the early 1900's. It is part of the W.R.Angus Collection and was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. The Collection that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. Dr Angus was the last Port Medical Officer in Warrnambool.This garment is an example of the beautiful handmade clothing produced in Australian homes in the early 20th century. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Lingerie, split-leg drawers, beige silk, handmade, with scalloped finish on legs and drawer string waist. Each leg is finished separately then drawn together at the waist by a ribbon drawer-string, with the legs overlapping slightly. It is part of the W.R. Angus Collection. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, handmade lingerie, lingerie 1920's, silk lingerie, split leg drawers, split-leg drawers, early 20th century, ladies underwear, women's underwear, underwear, silk inderwear, undergarment

Gladys and Bob Lucus's Ostrich Farm Lakes Entrance VictoriaColour photograph of Gladys Lucus with two ostriches in an enclosure on Gladys and Bob Lucus's Ostrich Farm Lakes Entrance Victoriabusinesses, farm, commerce

Born August 16, 1888, daughter of Walter Herbert and Fanny Withers of Kew, Victoria1888, baptism certificate, emily gladys withers, fanny withers (nee flinn), john withers collection, walter herbert withers

1888, emily gladys withers, john withers collection, vaccination certificate, walter herbert withers

photograph, people