Booklet - Rutherglen heritage walk : a self-guided tour of Rutherglen's Historic Streetscapes / by Rutherglen Wine Experience. 2009, p. 5 - states that the Red Boot Shop was "demolished sometime after WWII, and no trace remained until a wild storm uncovered the tiled entrance in the mid 2000's."Black and white photograph of the front of a café, with a central door flanked by two display windows. In tile, in front of the door, is the sign "The Red Boot Shop".On back of photo: "Ozone Café Main St Rutherglen | approx. April 1958 | purchased by Harold Hall March 1958 from McKinlays. | owners after H. Hall | McCarthy | Alan Zotti"main street rutherglen, red boot shop, ozone cafe, harold hall, alan zotti, mccarthy

Black pool was one of the first seaside towns to experience middle and lower class visitations in the Edwardian period. The Blackpool tower is noted as an iconic landscape. "Blackpool is a seaside resort on the Irish Sea coast of England. It's known for Blackpool Pleasure Beach, an old-school amusement park with vintage wooden roller coasters. Built in 1894, the landmark Blackpool Tower houses a circus, a glass viewing platform and the Tower Ballroom, where dancers twirl to the music of a Wurlitzer organ. Blackpool Illuminations is an annual light show along the Promenade. Weather: 8 °C, Wind SE at 18 km/h, 81% Humidity Local time: Wednesday 8:44 am Postcode: FY1-FY4" wikipediaDigital images in colour

Maldon Pottery was established in 1973 by Neville Wilson (1946-1996), Tom Metcalf (1948- ) and Graham Masters (1950- ) on Barringhup Road, Maldon, Victoria. Tom Metcalf and Graham Masters Masters graduated from Bendigo College of Advanced Education all Bendigo graduates. Wilson ) He was a skilled drawer and did all the brushwork. Metcalf (1948- ) graduated in 1968, did two years' work experience at Non-porite in Melbourne, then worked as a thrower and decorator at Bendigo Pottery from 1971-73. He is T.M. on Epsom ware. Masters (1950- ) graduated in 1973 and established the Enterprise Pottery at Myers Flat with Morris Hesse in 1974, so must have joined the partnership later than the others. He left in 1984 to set up his own Sweenies Creek Pottery. Metcalf left in the late 1980s, leaving Wilson to operate the pottery by himself until his death in 1996. As well as using the Maldon Pottery stamp, Wilson signed some of his work with his name or an impressed 'N'. Photograph of a hand thrown ceramic bottle, with glaze design depicting an Australian landscape in the 'continuous trees' pattern.maldon pottery, ceramics, australian studio pottery

Store opened by Vivian Wood at the age of 22 with little experience in hardware sales. Photo was donated in Sept 2009 in response to request for information on heritage.Black & white photograph of the hardware store 'Springburn Hardware' opened by Vivian Wood at the corner of Springfield and Surrey Roads, Blackburn North, established in 1955 until 1967 when it closed.hardware, springburn hardware, blackburn road blackburn north, springfield road blackburn north, vivian wood

This ornate cross sits at the right hand side of View of Trajan's column, Cast Courts, Room 46a, The West Court, Victoria and Albert Museum, London. Cast Courts: "When the Architectural Courts – or Cast Courts as they are now known – opened in 1873, The Builder magazine compared the experience of seeing them to a first glimpse of Mont Blanc, creating one of those 'impressions that can scarcely be effaced'. Since then, these two enormous rooms and the reproductions they contain have continued to impress and inspire visitors to the Museum. For centuries, antiquarian interest in world architecture and sculpture led to reproductions – or copies – being made of outstanding national monuments and notable sculptures. When the Museum was founded, it collected and displayed reproductions of great art and architecture from across the world in order to offer objects for study and tell a complete story of the history of art and design. Casts are made by placing several plaster moulds upon the surface of the original structure. Once hardened and removed, the moulds are then enclosed in an outer casing, the interior coated with a separating agent and the wet plaster poured in. When set, the pieces are then assembled and the joints and surfaces finished off, to make a complete reproduction of the original work. The finished product – as well as being a formidable technical achievement in its own right – enables admirers to study faithful reproductions of important monuments and works of art." Ref: https://www.vam.ac.uk/articles/history-of-the-cast-courtslondon, victoria and albert museum, cast courts

Dr Steve Watson brings a diversity of musical experiences to the challenges of musical direction. Phil Chu - Associate Conductor. Sheila Guymer, Accompanist. Singers: Penelope Mills, Jacqueline Dark, Warren Fisher, David GrecoA4 white paper 8 pages booklet, with black writing, with a small image of Beethoven on the front coverThe Beethoven Society of Australia presents A Viennese Connection MOZAR, BEETHOVEN & FRIENDS Sydney Town Hall Sunday 31st October 2004dr steve watson, phil chu, sheila guymer, penelope mills, jacqueline dark, warren fisher, david greco

Launch of Eureka Reminiscences, a publication by Ballarat Heritage Services. This book, a collection of memories about Eureka, was researched, created and printed by Ballarat Heritage Services. On the 50th anniversary of Eureka in 1904, men and women wrote about their experiences during the Eureka Rebellion on 3 December 1854. These were transcribed and recorded by Dorothy Wickham, Clare Gervasoni and Wayne Phillipson.Newspaper clipping with photograph of two women holding books and one man.eureka reminiscences, ballarat heritage services, memories, eureka, anniversary, 1904, experiences, eureka rebellion, dorothy wickham, clare gervasoni,wayne phillipson

Newspaper clipping contained within Reg. Item 1650, page 20, from the Courier 4/1/1994, heritage column written by Lorrie Brown on memories of former tram driver David Kellett. Headline has name spelt with one t, rest of item, double t's. Item describes David's life and experience with the trams, and accidents, conductors, Sebastopol. Has photo of a stop work meeting in front of the Wendouree Parade depot in which David is identified and a photo of David Kellett and Frank Scruse and two visitors from Adelaide in front of a tram. See Reg Item 7139 for a layout of the men names, 7140.1 for a digital image of the original photo and 7140.2 for a marked up copy of the photograph. See Reg item 7144 for an digital image of the original of the photograph featuring the two Adelaide visitors.dave kellett, heritage, stop work, accidents

This work was painted following Rob McHaffie’s Australia Council Residency at Cité Internationale des Arts in Paris in 2007. Despite Paris being a beautiful city, McHaffie also found the experience challenging and felt that on a bad day, the city was no more than an ornately decorated concrete jungle. In this painting a monkey looks out from a green building onto an imagined scene abound with art historical references. A classical European figurative sculpture is surrounded by flowers from Monet’s gardens, while a contemporary sculpture by Franz West dominates the foreground of the work. McHaffie questions the so-called evolution of cultured humanity in comparison to the imagined contentedness of our pre-evolved species.oil on linenmonkey, sculpture, painting, rob mchaffie, paris, flowers, franz west

The Kew Civic Centre (A K Lines, MacFarlane & Marshall, 1972) was built next to the Kew Civic Hall (A C Leith & Bartlett, 1960) on the site of the former mansion Ordsall (later renamed South Esk). Whereas the entrance to the Civic Hall was positioned off Civic Drive, the main entrance to the Civic Centre faced Cotham Road, as shown in the undated perspective drawing of the proposed building. The Civic Hall was used for public functions and performances, while the Civic Centre was used for civic offices. It also contained the Council Chamber. The building opened in 1972, following the relocation of the councillors and council officers from the former Town Hall in Walpole Street (now a Woolworth's supermarket). Following the amalgamation of the former City of Kew into the City of Boroondara in 1994, the Civic Centre was sold to Trinity Grammar School. The exterior of the Centre has been modified by Trinity Grammar.A report for Heritage Victoria (date) describes how two architectural firms dominated the designs for new civic buildings in Victoria during the post war period. The report claims that: "An interesting sub-theme in the erection of post-war municipal offices in Victoria is that a considerable proportion were designed by the same three or four Melbourne-based architectural firms, who established themselves as the leading specialists in this type of work. The two most prolific firms in this regard were A K Lines, MacFarlane & Marshall, and A C Leith & Bartlett; both, in fact, had made names for themselves as designers of local government offices prior to the Second World War. Lines' office, for example had designed the Eltham Shire Offices in 1941, while Leith's firm had been responsible for the celebrated Heidelberg Town Hall in 1937). Both practices parleyed this early experience into a lucrative post-war career, designing numerous municipals offices well into the 1970s." (Survey of Post-War Built Heritage in Victoria, Built Heritage Pty Ltd, 2010.) The perspective drawing importantly captures the original design and function of the exterior of the building and its public entrance.Hand-coloured perspective sketch of the new Kew Civic Centre, completed in 1972 to designs by A K Lines, MacFarlane & Marshall; and located on the corner of Charles Street and Cotham Road, Kew. The sketch represents the front elevation of the building and its relation to the preexisting Kew Civic Hall at right. The three storey building features strong vertical concrete buttresses that extend across the three levels. KEW CIVIC CENTRE / A K LINES, MACFARLANE & MARSHALLkew civic centre, a.k. lines, macfarlane & marshall, architectural drawings, civic buildings -- kew (vic.), town hall -- kew (vic)

The three people were attending a school camp run attended by students, teachers and parents from Bulla and Mickleham Primary Schools. One of the activities the places the campers visited was a fish hatchery in the Beechworth area. Gail Page with her mother Lee and teacher, Carol Hitchens are standing beside one of the ponds at the hatchery. School camps provide students with many interesting extracurricular activities and wider learning experiences in a more relaxed environment beyond the classroom. A non-digital coloured print of two adults and a girl standing beside a pond. One of the adults is holding a camera while the other lady is looking for something ins the pond.school camps, fish hatchery, gael and lee page, carol hitchens

The photograph was taken when the students from Bulla and Mickleham Primary Schools combined to attend a camp at Beechworth in 1988. During that time the children were engaged in a number of different outdoor activities as a component of their outdoor education. Recognising some of the native birds of the area was one of their activities where the children experiences the birds actually landing on them.The varied activities that the children engaged in at the school camp helped to give them a better appreciation and understanding of the natural environment. A non-digital coloured photograph of a group of children with some adults in a bushland area, trying to encourage a flock of crimson rosellas to come closer by feeding them.school camps, beechworth, native birds, crimson rosellas

The students attending Bulla Primary School celebrated Arbor Week in 1989 by improving the school garden and planting native trees on the surrounding area adjacent to the school.The experience gave the children an awareness of the importance of trees and an understanding of the local native flora.A non-digital coloured photograph of six children and an adult doing gardening in a bushland setting.arbor week, bulla primary school, gardening, native vegetation

The students from Bulla Primary School visited a local farm to experience some aspects of farm life. In this photograph a little boy is finding out that 'milk comes from a cow' and not from the supermarket, as he watches the lady milk the cow that has been leg-roped in its bail. The purpose of this school excursion was two introduce the children to aspects of farm life.A non-digital photograph of a small boy watching a lady milk a cow that has been tethered in an open yard.farms, dairy cows, bulla primary school, school excursions

In 1992 the children from the Bulla Primary School had an excursion to Woodlands Park for a Colonial Day where they were introduced to old crafts and skills. In this photograph the children were painting a shed using lime wash instead of commercially produced paint.The purpose of this school excursion was to introduce the children to day to day living in colonial times in Australia by giving them a hands on experience in a number of crafts and leisure time pursuits.A coloured photograph of five children painting a shed wall under the supervision of an adult. One person is mixing the paint while three others are doing the painting.bulla primary school, woodlands park, school excursions, colonial crafts

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic Gardens Cyril Curtain was born in Williamstown in 1928. He attended North Williamstown Primary School and Williamstown High School. Shortly after marrying he purchased a house on the Esplanade, where he still lives and in which this interview took place. Cyril’s work in conservation of the natural and built heritage is highly regarded. The recently developed Cyril Curtain Reserve in Williamstown is named in his honour. In this interview Cyril discusses the Gardens and the foreshore area including the beach and L A Parker Reserve A primary source of information on memories of the Gardens.CD and transcript of interview with Cyril Curtain and his memories of the Gardens and surrounding environs.fish pond, curator, cannons, williamstown botanic gardens, hobsons bay city council, aviary, pinetum, centennial reserve, midsummers night dream, cable tram car seats, infrared photography, , rotunda, gloucester reserve, 1934 storm, national trust, bateman house, clarke statue

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic GardensA primary source of information on the lobbying that led to master planning for rejuvenation of the Gardens and the formation of the Friends of Williamstown Botanic Gardens. CD and transcript of interview with Helen Page and her memories and experiences in lobbying for the rejuvenation and long-term viability of the Gardens. Helen was a resident of Williamstown when she contacted local Councillor, Angela Altair, in May 1999 to express her concerns about the destruction of trees in Melbourne Road and the condition of the Williamstown Botanic Gardens. The result of her communications with Councillor Altair and the Council was the formation of the Landscape Advisory Group and the Williamstown Botanic Gardens Advisory Group. Still an active member of the Williamstown Botanic Gardens Advisory Group, Helen talks of these experiences, how they led to the formation of the Friends Group and her hopes for the future of the Gardens.helen-page, angela altair, mary klestadt, mike hirst, shelley wood, andrew shannon, williamstown botanic gardens advisory group, master plan, sue murray, kim sawyer, anja lee, golden elm, advisory group, gates, pinetum, victorian heritage register

Cudgewa Line -The Cudgewa railway line opened in stages between 1889 and 1921. The first section from Wodonga to Huon opened on 10 September 1889. It was extended to Bolga on 18 July 1890, Tallangatta on 24 July 1891, Shelley on 13 June 1916 (the highest station in Victoria), Beetomba on 10 April 1919 and Cudgewa on 5 May 1921. The line had 1 in 30 grades and trestle bridges that have been heritage listed. In 1919, the line was used to carry materials for the construction of Hume Weir, and three years later a spur line connecting Ebden to the weir was opened. In the 1960s, Cudgewa became the railhead of materials for the Snowy Mountains Scheme. The last passenger service from Wodonga to Tallangatta ran on 30 September 1961. The turntable and passenger platform at Cudgewa were abolished in 1976. This fish plate came from the rails of the Cudgewa Line at Gordon Roy's hut which was situated behind Perry's Stump Hotel outside Wodonga. The hut was used as an office with the points lever outside to switch trucks to different tracks on the Bandiana and Cudgewa lines.This item is significant as it was part of the railway line to Cudgewa which played an important role in North east Victoria carrying freight during the construction of the Hume Weir and the Snowy Mountains Scheme.A section of flat plate. These plates were used in pairs to connect the ends of adjacent rails in railway track. victorian railways, cudgewa rail line, railway components