Showing 66 items
matching iron lacework
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Tatura Irrigation & Wartime Camps Museum
Photograph - original, Kodak, Tatura Museum, 1988
... for painting iron lacework on verandah.... of building for painting iron lacework on verandah. tatura museum ...Photograph of Tatura Museum during preparation of building for painting iron lacework on verandah.Colour photograph of exterior of Tatura Museum during restoration. 1988.on back: Tatura Museumtatura museum -
Bendigo Historical Society Inc.
Document - Cast Iron Photo List
... A two-page list of Photographs by A. Doney of cast iron... by A. Doney of cast iron lacework in the Bendigo area. Items listed ...A two-page list of Photographs by A. Doney of cast iron lacework in the Bendigo area. Items listed from number one to number twenty six.alan doney, bendigo, wrought iron -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Group of Town Criers, n.d
... , standing on a verandah in front of historic building iron lacework... on a verandah in front of historic building iron lacework on verandah ...black and white photo. Group of Town Criers in regalia, standing on a verandah in front of historic building iron lacework on verandah. Syd Cuffe part of groupBack: White sticker ' Copyright Portland Observer' '2239/3' - hand written blue biro -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Group of Town Criers including Syd Cuffe, n.d
... , standing on a verandah in front of historic building iron lacework... of historic building iron lacework on verandah. Syd Cuffe, Portland ...Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Black and white photo. Group of Town Criers in regalia, standing on a verandah in front of historic building iron lacework on verandah. Syd Cuffe, Portland Town Crier, part of group.Back: white sticker ' copyright Portland Observer' '2239/3' handwritten in blue birosyd cuffe, portland town crier, town crier -
Bendigo Historical Society Inc.
Slide - PETER ELLIS COLLECTION: SLIDE, May 1970 - Jan 1972
... has decorative iron lacework. Discarded household items sit... has decorative iron lacework. Discarded household items sit ...Coloured slide transparency. Image is of a house. The building is of brick with an iron roof. A verandah along the front has decorative iron lacework. Discarded household items sit under the verandah.Kodachrome Transparencyslide, bendigo, bendigo institute of technology -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Vivian's Saddlery, Portland, n.d
... with iron verandah, wrought iron lacework. Two men in leather aprons... with iron verandah, wrought iron lacework. Two men in leather aprons ...Bert Vivian (1893-1974) was a second generation Portland saddler. His father William had operated a saddlery in Rosebery in the Victorian Mallee before relocating to Portland in the late 19th century. Bert began work as a saddler at W. H. Vivian, at 58-60 Percy Street Portland, continuing in the business after his father’s death in 1928. The exhibition includes saddlery and leatherwork tools, photographs and other items belonging to Bert Vivian.Black and white photo - Two storey bluestone building with iron verandah, wrought iron lacework. Two men in leather aprons, leaning on verandah posts. Sign on verandah roof: 'W.V. VIVIAN SADDLER'Back: 'VIVIAN' - handwritten, blue birovivians saddlery bert vivian, saddler, leatherwork -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, William Day's House, 1987 copy
... the flour mill in 1858. The iron lacework on the balconies was added... adjoining the flour mill in 1858. The iron lacework on the balconies ...Copy of photograph of William Day's home, built adjoining the flour mill in 1858. The iron lacework on the balconies was added later. Classified for preservation by the National Trust. Photographs courtesy of Mr R. Day.Black and white copy of photograph of exterior of William Day's House, near Murchison. Built 1858.on back: Description taped to backwilliam day -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Bluestone Building, n.d
... building with iron verandah, wrought iron lacework. Two men... iron lacework. Two men in leather aprons, leaning on verandah ...Black and white photo postcard. Two storey bluestone building with iron verandah, wrought iron lacework. Two men in leather aprons, leaning on verandah posts. Sign on verandah roof: 'W.V. VIVIAN SADDLER' -
Bendigo Historical Society Inc.
Slide - PETER ELLIS COLLECTION: SLIDE, May 1970 - Jan 1972
... has decorative iron lacework. Discarded household items sit... has decorative iron lacework. Discarded household items sit ...Coloured slide transparency. Image is of a house. The building is of brick with an iron roof. A verandah along the front has decorative iron lacework. Discarded household items sit under the verandah and a seat is on the left hand side.Kodachrome Transparencyslide, bendigo, bendigo institute of technology -
Bendigo Historical Society Inc.
Photograph - WES HARRY COLLECTION: ST. PAULS RECTORY, 1870
... cast iron lacework around the verandah on the left hand side... Photograph of a two storey brick residence, there is ornate cast iron ...Photograph of a two storey brick residence, there is ornate cast iron lacework around the verandah on the left hand side and a picket fence along the Front. On the reverse is written : St Paul's Rectory, Myers St. Bendigo.buildings, church, st. pauls rectory, st. paul's rectory, myers st -
Bendigo Historical Society Inc.
Photograph - HOUSE GATE 'ILLIRA': FOREST STREET, 1980's ?
... in background. Features iron lacework on verandah, gate and fence... with verandah/house in background. Features iron lacework on verandah ...Colour photo of house gate with verandah/house in background. Features iron lacework on verandah, gate and fence. On each gate post 'Illira' James Lerk 28.2.2000 : Forest Street between MacKenzie and Rowan Sts. 'Illira'buildings, residential, 'illira' -
Tatura Irrigation & Wartime Camps Museum
Photograph - original, Bazeley's Hotel, c 1890's original
... by Thos Bazeley. Early pioneers of Tatura. Upstairs iron lacework..., owned by Thos Bazeley. Early pioneers of Tatura. Upstairs iron ...Very old, part of photograph of Victoria Hotel, owned by Thos Bazeley. Early pioneers of Tatura. Upstairs iron lacework verandah has been removed but Hotel is still standing. 1989. Now known as Sarah and Kate's Victoria Hotel.Original. Very old sepia photograph of Bazeley's Hotel, Hogan Street, Tatura. Two women on balcony, four men standing in front. On cardboard.on back: Bazeley's Victoria Hotel, Hogan Street, Tatura.thos bazeley, victoria hotel tatura -
Glenelg Shire Council Cultural Collection
Negative - Glass Plate Negative - A early Edwardian home, 1890-1910
... has iron lacework....-shaped verandah, corrugated iron roofing. Also has iron lacework ...Glass plate negative. Showing an early Edwardian home - steeply sloped, wide eaves, front facing gable ends, square edged weatherboards, return L-shaped verandah, corrugated iron roofing. Also has iron lacework. -
Glenelg Shire Council Cultural Collection
Photograph - Sheet of 2 contact prints - Various pastoral scenes, 1960-1970
... : Weatherboard house, verandah with iron lacework from roof, verandah... with iron lacework from roof, verandah roof striped. Several ladies ...Sheet of 2 contact prints from glass plate negatives. Top: Weatherboard house, verandah with iron lacework from roof, verandah roof striped. Several ladies and small children on verandah. Bottom: Five women standing on wooden jetty on river bank. -
Bendigo Historical Society Inc.
Photograph - HARRY BIGGS COLLECTION: CARADON
... Street Eaglehawk. The iron lacework on the verandah is a feature... photos of ' Caradon ' in Victoria Street Eaglehawk. The iron ...Three small identical photos of ' Caradon ' in Victoria Street Eaglehawk. The iron lacework on the verandah is a feature. It is a double storied red brick building. Several people can be seen sitting or standing on the first floor verandah. There is also a larger photo of Caradon in the later yearsbuildings, house, caradon, caradon eaglehawk -
Bendigo Historical Society Inc.
Photograph - HARRY BIGGS COLLECTION: ROYAL HOTEL, MILLERS FLAT
... has ornate cast iron lacework and the timber section has... cast iron lacework and the timber section has seating under ...Photograph. (proof 80) A brick and timber building in two sections, with an iron roof. The wide verandah on the brick section has ornate cast iron lacework and the timber section has seating under the verandah. In the foreground there is a man on horseback rounding up a mob of sheep.buildings, hotel, royal , millers flat, royal hotel, millers flat -
Stawell Historical Society Inc
Photograph, St Joseph's Convent in Patrick St
... . The veranda has iron posts and iron lacework. The second photo... of a brick home with slate roof. The veranda has iron posts and iron ...Saint Joseph’s Convent Patrick Street once the family home of the Kinsella family. The house was built in 1900 by architect M. Ryan and building contractor A. J. Barnes for Thomas Kinsella who occupied the home till he died in 1902. The Kinsella family later sold the house to the Catholic Church and was occupied by the Sisters of St Joseph. 3 Black & White photographs of a brick home with slate roof. The veranda has iron posts and iron lacework. The second photo of the house show St Patrick's Catholic Church located next to the house. The third photo is an enlarged photo of the house & church view.stawell dwelling -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1999c
... style. Decorative corbels support eaves. Wrought iron lacework... in Tudor style. Decorative corbels support eaves. Wrought iron ...Original home of George Carpenter, son of John Carpenter, first contractor for the artificial entrance. On this site home and office of Carpenter's Caravan Park.Colour photograph of Skippers Restaurant, Esplanade. It shows a weatherboard building, centre roof connects eastern hipped roof and western gable which is half timbered in Tudor style. Decorative corbels support eaves. Wrought iron lacework and brackets under veranda roof. Lakes Entrance Victoriaarchitecture, township, restaurant -
Surrey Hills Historical Society Collection
Photograph, "Overland" car in Union Road c 1927, 1927
... . The house on the right is Victorian style with a verandah with iron.... The house on the right is Victorian style with a verandah with iron ...The car has been identified as belonging to Natale and Ethel Cerini who lived at 215 Union Road. The Victorian style home in the background is their home. Ethel May Cerini is standing centre right. The girl standing up may be Jocelyn Cerini. Her sister Lynette is also in the photo. Other children are local friends and neighbours. The 'driver' is possibly Jocelyn's cousin.Black and white photo of children in a car outside houses, identified as being in Union Road. Two women stand behind the car which has the hood down and has registration number 46063. The house on the right is Victorian style with a verandah with iron lacework. The house on the left is a later style typical of the 1920s.union road, cars, houses, victorian style, natale cerini, ethel cerini, ethel swan, jocelyn cerini, jocelyn hall, lynette cerini -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1994
... roofed west wing and hip roof east wing. Veranda has iron... has iron lacework, picket fence across front, part ...Skippers - old Carpenter's home - on reverseBlack and white photograph of the recently completed Skippers Wine Bar, the refurbished Carpenter family home, shows federation style building, entry and reception rooms between gabled roofed west wing and hip roof east wing. Veranda has iron lacework, picket fence across front, part of Carpenter Holiday's sign to right of the image. Lakes Entrance Victoriaresort, restaurant -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Peter Bruce, 1970's
... , poles, iron lacework of Sturt St. in foreground. Buildings... possibly. Has trees, poles, iron lacework of Sturt St ...Telephoto black and white photo of SEC Ballarat No. 11 at the corner of Sturt and Lydiard St.. Tram has destination of Mt Pleasant. High power telephoto photo - 300mm possibly. Has trees, poles, iron lacework of Sturt St. in foreground. Buildings in background. Also tram stop pole and end of section marker on top of shortened pole at this tram stop.trams, tramways, ballarat, sturt st , tram 11 -
Surrey Hills Historical Society Collection
Photograph, Ken Hall, Victorian home at 215 Union Road, Surrey Hills, Original: 1920; copy by Ken Hall: 1980s
... iron lacework and the roof is striped corrugated iron. It sits... roof and a verandah on 2 sides. It has iron lacework ...Built in 1888, which was 5 years before water reticulation came to Surrey Hills. It originally relied on rainwater and a well (still in existence in 2009) was located near the back door. From 1921 this was the home of Mr Natale and Mrs Ethel May Cerini and their family. It remained in the family until it was sold in May 2015. The Cerinis had 2 daughters - Jocelyn Francesca and Lynette Lorraine . The house passed to Jocelyn after her parents' deaths. Mr Cerini named the house after a property in NSW called 'Goonoogoonoo' where he had worked. It had been named 'Montiere' at a previous time. Natale was an accountant and very active in community affairs, especially after his retirement. The house was originally on a double block. [Additional information: Ken Hall - 2/12/2009] The first owner was A Embling, followed by Mrs L A Campbell. [Ref: Alan Holt property register] A Embling was most likely Austin Henry Chinnock Embling (1867, Ballarat East - 2 OCT 1900), eldest son of Dr Dr William and Elizabeth Embling (née Austin). His wife was Sybil Mary Mildred (MS: Edlin), born in Adelaide, whom Austin Embling married in 1898. Black and white photo of a Victorian style house with 3 brick chimneys, a slated roof and a verandah on 2 sides. It has iron lacework and the roof is striped corrugated iron. It sits behind a picket fence. The spire of Surrey College can be seen behind the trees at the rear of the house. In the street is an electric light pole and an immature tree within a picket protection guard.Paper type-written tags mounted at the bottom of the photo - LHS: " Built 1888"; RHS: "215 Union Road in 1920 / Surrey College can be / seen behind the trees."houses, victorian style, goonoogoonoo, surrey college, street trees, natale cerini, kenneth tudor hall, ken hall, jocelyn cerini, jocelyn hall, ethel may swan, ethel swan, ethel cerini, jocelyn francesca cerini, natale benjamin cerini, natale benjamin john andrea cerini, ethel may cerini, lynette lorraine cerini, lynette lorraine lazarus, austin embling, austin henry chinnock embling, sybil mary embling, sybil mary edlin, sybil mary mildred, montiere, goonoo goonoo, lynette cerini -
Surrey Hills Historical Society Collection
Photograph, Sunbury Crescent, Surrey Hills looking towards the corner of Union Road, 1930s, 1930
... in with cast-iron lacework panels. There are 2 vintage cars in front.... The verandah on the 2nd story is filled in with cast-iron lacework ...Date is approximate. This is one of a series of photos donated by Arthur Lyons. Lyons family history: Arthur's father, Fred Lyons initially worked for George Rea's cab service until he set up his own business. He started with a horse and hansom cab but in time he changed over to a motor vehicle and continued his service until 1960. Frederick Adolphus Lyons (1891-1980) was born in Surrey Hills, son of Thomas and Catherine Lyons. He married Elizabeth Ruby Hall in 1918. They lived at 55 Sunbury Crescent. The Lyons’ home in Sunbury Crescent was called ‘Knopshambury’ - this was probably a misspelling of Knockshanbally in Co Kilkenny, the birth place of Fred’s father, Thomas Edmund Josias Lyons (1846-1915). Arthur Lyons was born in Surrey Hills on 12 Jun 1920. He became a motor mechanic / welder and lived his whole life at 55 Sunbury Crescent. The donation was made while he was in hospital. He died shortly afterwards (23 Sep 1990). Donation was finalised by a neighbour, Mrs Florence Ann Armitstead, wife of Glen Victor Armitstead. Glen was a local hairdresser. They moved to 11 Sunbury Crescent after their marriage in 1939. Arthur had no relatives to distribute the material to. The buildings date from circa 1887 and extended some way down Sunbury Crescent. The address was 63 Sunbury Crescent on the corner of Union Road. Built by Albert Mills for the Premier Land Agency; taken over by Timothy Leigh in 1893. The building housed a variety of shops – initially the land agency, but later shops included at various times a fruiterer, florist, carpenter, fishmonger, upholsterer, plumber. However, by the time this photo was taken in the 1930s it was occupied by Triumph Press. The printing industry continued to have a lasting presence. Triumph Press was followed by Surrey Press and in 1970 New Life Publications moved to the site from Abbotsford. It was about this time that this original building was demolished to make way for a modern print works. Gradually the needs of the printing business absorbed other properties along the Union Road frontage. The boy in the photo is Arthur (Tiger) Lyons and beside him is Alf Johnson, the local printer. The Lyons family lived adjacent to these buildings at 55 Sunbury Crescent.Black and white photo of a section of double-storey terrace buildings in Sunbury Crescent Surrey Hills, taken looking towards the corner of Union Road. The bricks are two-toned and laid in herringbone pattern. The verandah on the 2nd story is filled in with cast-iron lacework panels. There are 2 vintage cars in front of the terrace. A young boy sits on the running board beside a man dressed in suit and hat. printers, vintage cars, sunbury crescent, victorian style, union road shops, arthur lyons, arthur frederick lyons, alf johnson, triumph press, surrey press, new life publications, timothy leigh,, albert mills -
Surrey Hills Historical Society Collection
Photograph, 'Maitland', 1 Bedford Avenue, Surrey Hills, c 1900, 1900
... villa of Hawthorn brick construction, with wrought iron lacework... villa of Hawthorn brick construction, with wrought iron lacework ...Maitland' was built in 1889 for Thomas Zeplin, who was a Professor of Music. He owned all the land bound by Union Road, Wilson and Montrose Streets and the railway line. 1 Bedford Avenue stayed in family ownership until purchased by Camberwell Council in 1986, initially for a car park. However it was renovated to become part of Surrey Hills Neighbourhood Centre. It was opened on 23 November 1990. No 3 Bedford Avenue was built for Thomas Zeplin's daughter and named 'Mervyl' or 'Merryl'. Mrs Brodecky (donor) was the great-granddaughter of Thomas Zeplin. The 2 girls are granddaughters of Thomas Zeplin. Electoral roll information: 1972 & 1977: Albert Vojteck Brodecky, manager, 1 Bedford Avenue. 1977: Ray Nanette Brodecky. There are 2 copies. Thomas had this built for his son and family. The house was occupied by his family, though sometimes rented out. His great-grand-daughter Mrs. A. Brodecky sold to the Camberwell Council in 1986. This was the only surviving photo in the family after the fire. Courtesy: Mrs. A. BrodeckyBlack and white photo of 2 houses taken from the street front. On the LHS is a Victorian double-fronted single-storey villa of Hawthorn brick construction, with wrought iron lacework to the veranda, slate roof and picket fence, with an established garden. Next door at No 3 is a double-storey Victorian terrace with a similar fence and building materials. There are 2 young girls standing in front between the properties.maitland, bedford avenue, 1900, surrey hills neighbourhood centre, victorian style, mervyl, merryl, mr thomas zeplin, mrs nanette brodecky, mr albert vojteck brodecky -
Bendigo Historical Society Inc.
Photograph - HARRY BIGGS COLLECTION: ARK HALL
... along with three small children. There is decorative iron... with three small children. There is decorative iron lacework ...Photograph (proof 59) of Ark Hall, at the corner of the Calder Alternate Highway and Boyles Lane, Lockwood South. A brick two storey house, with an upstairs verandah running the full length of the house. There is a white picket fence in front of the house, Posing in front of the fence are two adult women, one holding an infant also there is a dog sitting in front of the male along with three small children. There is decorative iron lacework on the downstairs section of the verandah.buildings, house, ark hall, ark hall, boyles lane, lockwood south -
Stawell Historical Society Inc
Photograph, Albert Davey, 20 Sloane Street Stawell 1950
... bull nose verandah with cast iron lacework, weatherboard... chimneys bull nose verandah with cast iron lacework, weatherboard ...Home 20 Sloane Street Stawell taken in 1950 by Albert Davey who resided there with his family. House has three chimneys bull nose verandah with cast iron lacework, weatherboard construction with picket fence. Albert (Bert) worked for the Lands Department and his family consisted of 4 girls oldest being Aubrey about 18, Beverley about 16, Gwenda about 14 and the baby Faye about 4. and Alberts wife Phyllis. Albert worked all over Victoria from Buchan where they lived in the Caves Residence for 6 months, in Omeo, Yackandandah, Stawell, Wangaratta and Shepperton and then Melbourne where he took on the top job of Chief Superintendent of the Lands Dept. Now, 2018 uses as a cottage for distributing food by Inter Church CouncilResidence 20 Sloane Street Stawell housing -
Surrey Hills Historical Society Collection
Photograph, 'Glenisla', 18 Chestnut Street, Surrey Hills, c 1920, 1920
... with a corrugated iron roof and lacework on 2 sides. It appears to have... of a Victorian home with a veranda with a corrugated iron roof ...Date is approximate. In 1920 this became the home of Mr and Mrs Robert Moore, whose daughter Mabel Annie married Norman Brodley Carter of Mont Albert. The house was named after 'Glenisla', a western District grazing property located between Hamilton and Horsham on the Henty Highway and on the edge of the Grampians National Park. This was established as a super-fine wool stud in 1860 and was passed down the family until it was sold in 1922. The family transferred from this property to Melbourne. Robert is listed as a grazier in the 1924 electoral roll at Chestnut Street. With him are Victor Cecil listed as a carpenter; Isabella, Mabel Annie and Edgar Gilbert listed as an orchardist. In 2003 the house was extant minus the verandas. This photo may have been taken from the rear of the property. Ref: History of original property - Age newspaper article: 'The Best - Glenisla: historic Grampians property', 7 January 1994. Moore family details: Robert Moore born 1857 on Isle of Man; died Surrey Hills 1940 Isabella Bateson born 1869; died Surrey Hills 1938 Married in 1894 in Miram, 10 km north-east of Kaniva in the northern Wimmera. All the children were born in Kaniva. Children: Lena Florence (1895-1980) Victor Cecil (1896-1984) - a builder Edgar Gilbert (1897-1976); died Surrey Hills; married Myrtle Emary, daughter of Henry John Emary of Surrey Hills Ernest Alan (1900-1900) Mabel Annie (1901-1957); died Surrey Hills married Norman Brodley Carter (1899-1984) Clarence Arthur (1904-2004). Norman Carter took many photos in the Surrey Hills and Mont Albert are from the 1920s; many is connection with Church of England events and activities. Robert and Isabella Moore are buried in Box Hill Cemetery. Black and white photo of a Victorian home with a veranda with a corrugated iron roof and lacework on 2 sides. It appears to have a later extension at the rear. It is surrounded by mature gardens with ornamental trees (cypresses) and an area with plants in rows, which may be a vegetable garden. There appears to be significant areas of open space around the house.glenisla, homes, victorian style, gardens, norman carter, robert moore, miss isabella bateson, mrs isabella moore, victor cecil moore, edgar gilbert moore, miss mabel annie moore, box hill cemetery -
Bendigo Historical Society Inc.
Document - Apologies and other correspondence for the public meeting called by the Mayor of Bendigo on a fitting recognition for the life of Amy Huxtable, 1980
... Lockwood, * Advertising brochure for a Cast Iron Lacework seat... for a Cast Iron Lacework seat, * Report of the Memorial Committee ...Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet a Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Apologies and other correspondence for the public meeting called by the Mayor of Bendigo on a fitting recognition for the life of Amy Huxtable. There are eight pages of documents: * Apologies from Grace A. Craig and husband representing the Bendigo Business and Professional Women's Club, * Bendigo Trust letter correcting who represented them at the meeting from Mrs Myra Potter, Executive Officer, * Report from the first and second meetings of the Amy Huxtable Memorial Interim Committee, * Apology from Norma Young for the next committee meeting suggesting an appeal be launched if funds are not found for the memorial, * City of Bendigo Parks and Gardens letter 29 May 1980 giving permission for a memorial seat to be erected, * Interim committee report Thursday 5th June 1980, * July 1980 letter of thanks to the Mayor Cr R.L. Campbell from the Bendigo Advertiser Editor Douglas Lockwood, * Advertising brochure for a Cast Iron Lacework seat, * Report of the Memorial Committee heldon 24th July 1980 at the Bendigo Advertiser offices. * Letter from Miss Norma Young - a suggested seat design * July 1980 letter apology to the Mayor Cr R.L. Campbell from the Bendigo Advertiser Editor Douglas Lockwood, history, amy huxtable, bendigo, amy huxtable memorial committee -
The Beechworth Burke Museum
Photograph - Lantern Slide, c1900
... , and granites materials, and gabled or hipped roofs with iron lacework..., and granites materials, and gabled or hipped roofs with iron lacework ...This glass slide presents an image of the Old Beechworth Post Office and was taken in the year 1900. The building displayed within the image is not that of the post office in its original form; the post office originally consisted of only a simple wooden building. With the establishment and growth of new towns across Victoria, as well as an increased need for more consistent communications with the City of Melbourne, this modest building was soon deemed inadequate. In 1858 it was brought into the style of the changing times, with the tall clock tower added in 1865. This transition aligned with a pattern of refurbishment and conversion of many Beechworth buildings (which could be seen during the 1860s-70s), aiding in the growth and prosperity of the town. Early makeshift homes were turned into more substantial dwellings, featuring elements such as weatherboard, brick, and granites materials, and gabled or hipped roofs with iron lacework fringing the verandah. These refurbishments were temporarily halted in March of 1867 when a fire swept through the town, damaging many buildings including the post office. This led to further reconstructions on the building, including heightening of the clock tower, and in 1870 the two-storey Italianate style building was completed. The Old Beechworth Post Office itself also holds significance due to its connection with one of Australia's most infamous families. It reportedly played an important role in communicating the news of the 1880 murders of police at Stringybark Creek by the Kelly Gang. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques. This glass slide captures social and historical significance as it displays the Old Beechworth Post Office in 1900, a building that demonstrates the prosperity and growth of Beechworth as a town during this time period. This slide also holds a level of aesthetic significance due to the Italianate style building that is featured in its image; a style that became very popular during the nineteenth-century. Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metal strips to secure the edges of the slide.Obverse: x / burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, beechworth post office, beechworth post office kelly gang, 1900, 1900 beechworth, growth of beechworth, 1867 beechworth fire, old beechworth post office, beechworth post office reconstructions, italianate style, italianate style buildings, italianate style beechworth post office -
Glenelg Shire Council Cultural Collection
Photograph - Sheet of 2 black and white contact prints from glass plate negatives, 1960-1970
... . Veranda with iron support poles and lacework. Vines growing up... with shingle roof and stone chimneys. Veranda with iron support poles ...Sheet of 2 black and white contact prints from glass plate negatives. Measurements are 11.8 x 16.1 cm for both prints. Top: Image of stone house with shingle roof and stone chimneys. Veranda with iron support poles and lacework. Vines growing up poles. (same house as 5622) Front view. Bottom: Man on horse. Cypress pines, wooden fence behind.