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The Beechworth Burke MuseumAnimal specimen - Barn Owl, Trustees of the Australian Museum, 16-1880
Barn Owls are the most widely distributed owl species in the world and one of the most widespread of all bird species, including in Australia. Barn Owls are sedentary and prefer open habitats such as grasslands, farmlands, and open woodlands, where they forage and hunt small mammals, particularly rodents, at night. Barn Owls nest in deep hollows in old trees, especially eucalypts, but also in caves, rock cavities, and sometimes cavities in buildings. Barn Owl's have a highly distinctive white heart-shaped face and pale underbelly feathers. They can be seen circling low above grassland areas at dusk or at night, and their drawn-out shrieking, hissing, and 'eerie' rasping sounds have led some rural populations to consider they have magical powers. Barn Owls vary in size but average 330-390mm in length, with wing spans between 800-950mm. Females are larger than males and most are a mix of white, pale brown and shades of grey speckled with fine black tear-shaped spots. They have a distinctive flat heart-shaped facial mask with oversized oblique black eye-slits and black irises. A ridge of feathers sits above the beak resembling a long nose. The feet vary in colour from pink to grey, and beaks can be pale to dark buff, corresponding to general plumage hue. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Barn Owl is medium sized with long wings and a short squarish tail. Its underbelly is pale and speckled with dark spots. The wings and tail feathers are light brown, grey and white with small, dark, tear-shaped speckles on the upper parts. It has a distinctive white heart-shaped facial disc with large black eyes and curved beak. This specimen stands on a wooden perch pedestal and it has metal and paper identification tags attached to its legs. Swing tag: 36. / Barn [torn] / Catalogue [torn] / Metal tag: 4058 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, birds of prey, tyto alba, heart-shaped faced owl, nocturnal birds, predator birds, 'harbingers of misfortune', demon owl, ghost owl, death owl, magical animals, lich owl, birds as omens, barn owl, carnivore, hissing owl -
Tatura Irrigation & Wartime Camps MuseumBooklet, Collegium Taturen, 1941
White paper front cover with black writing around a circle with an owl and cockatoo inside.ww2 camp 4, books, history, local -
Whitehorse Historical Society Inc.Domestic object - Tea Pot
Squat china tea pot decorated with border of owls and mice. Decoration of leaves and stars.D2607domestic items, crockery -
Kew Historical Society IncPostcard, Scene at Kew
Colourised owl photo postcard entitled;led 'Scene at Kew'. In the background is the Zig-Zag Bridge.Obverse: "Scene at Kew". Reverse: "Zig Zag Bridge adj[acent] Kew Asylum / now demolished / in this era / now called / Donated by Mrs B Challen"bridges - yarra river -- kew (vic.), zig-zag bridge, postcards -- kew (vic.) -
Tatura Irrigation & Wartime Camps MuseumFramed Picture
Given to George Eckert by his friend Felix Gutmann who came to Australia on the Dunera and spent most of the war at Tatura and was on the Board of Lecturers of Collegium Taturense.Blue and white sketch of Waranga Basin. Inside a circle of barbed wire is an owl and a galah. In a light coloured wooden frame. 1942 Wishing You a Happy New Year Collegium Taturense No IV Internment campgeorge eckert, felix gutman -
Federation University Historical CollectionPhotograph - portrait, Gladstone Procter, 1963
This photograph was taken to mark teh retirement of Glad Procter from the Ballarat Technical Art School a division of the Ballarat School of Mines Black and white photograph of Glad Procter, Metalcraft teacher at the Ballarat Technical Art School. He stands in the workshop aera holding a metal owl faced clock. glad procter, proctor, ballarat technical art school, metalcraft, staffmember -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy
Original booklet produced by internees at Camp4 TaturaCopy of photograph of cover of booklet(Reg.No. 7440). Features of owl & cockatoo (encircled by a ring of barbed wire and the words "Collegium Taturense". Below is printed : "Anniversary A40-1941"tatura, photography, photograph, slides, film -
Whitehorse Historical Society Inc.Book, Hillside. Rock and Dale: Birdlife pictured with pen and camera, 1902
Kate Wilcox, mother - in law to Francis Warren. Kate Migrated to Australia from Dorset , England.Green cloth bound covers. Hardback with gilt embossed cover design: bird in nest. Photographic illustrations (110). Coloured frontspiece of tawny owl. 250 pages, Hand written inscription.Kate Willcox A... as prize for collecting wildflowers from: John Saunders Dec 1904.books, school/educational -
Federation University Historical CollectionDocument - Document - Correspondence, ZILLES COLLECTION: Letter paper and cards - Defence Forces, Portsea and Queenscliff
Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Items are work done for the Australian Defence Force bases at Portsea and Queenscliff. They were training bases - Officer Cadet School and Australian Staff College. Originally the base at Portsea was the Quarantine Station established in the late 1800s. International protocols required captains of arriving ships to provide a clean bill of health from the last port of call. If this was not possible all on board would be transferred to the Quarantine Station by boat for observations. This was to stop the spread of diseases such as cholera, small pox, typhoid fever, influenza and the plague. In 1952 it became a military training base - Officer Cadet School. The quarantine station still operated and the Army had to be prepared to evacuated in an emergency. This occurred in 1954 when 113 passengers on board the Strathaird were quarantined with smallpox. Cadets and staff came with their families and was a small township. Training for the Vietnam War was here, Now gone the remnants of the quarantine station and army activites can be seen. Under Point Nepean Community Trust. Fort Queenscliff dates from 1860 when it was an open battery known as Shortlands Bluff. The Garrison included volunteer artillery, engineers and infantry. It was a Coastal Defence Installation from 1883-1946. The base on Swan Island was part of this and soldiers from the Fort would go on detail to the Island each day. A permanent group with their families were housed there. The children would attend the local school in Queenscliff. It eventually became and still is a restricted area. In 1946 the Fort became home of the Army Command and Staff College. Officers came from overseas to train. Families would come with them and be accommodated in the main officers residence "Maytone" or private housing rented by the Army. Their children would attend local schools. Staff Colleges were all moved to Canberra. The Fort is now the Army Soldiers Career Management Agency and houses all historical documents related to the Army. .1 Off-white card with gold badge and black writing. .2 White card with separate page held together with blue and red ribbon. Badge in gold on front. Two Officer Cadet School flags - crossed and Christmas Greeting in blue inside card. .3 Off-white paper with Australian Staff College emblem. Blue print.2 Officer Cadet School emblem - lion and crown in centre. Flags - British and Australian .3 Emblem - crossed swords, owl and crownzilles printers, australian defence force, quarantine station portsea, officer cadet school, fort queenscliff, open battery, swan island, staff college, army command, zilles collection -
Ringwood and District Historical SocietyBooklet, CRISP Nursery Magazine, 2022
Periodical magazine issued Winter 2022. Focus on Dexter's Bush (Heathmont, Victoria), also featuring articles on Herman Pump Reserve, Friends of Tarralla Creek, The Powerful Owl in Maroondah, and more. -
Kew Historical Society IncLeisure object, Chad Valley, Winnie-The-Pooh Jig-Saw Puzzle, 1920s
Chad Valley produced fine hand-cut wooden puzzles in the 1920s and 1930s. A UK-base dcompany they commenced as a printing business in 1820. They diversified into toys including teddy bears and games from the late 1910s. It is interesting to note that the A.A. Milne Winnie-The-Pooh' books were first published in 1916, 1927 and 1928. 120-piece Chad Valley wooden jigsaw puzzle. Made at Harborne, UK, circa late 1920s. In original book-shaped box with Winnie-the-Pooh on one side and an owl on the reverse. Complete. This puzzle was a gift of Enid Barker of Derby Street, Kew.Jig-Saw Puzzle / 120 wooden pieces / Chad Valleychad valley, winnie-the pooh, games and puzzles, jigsaw puzzles -
Melbourne Tram MuseumPamphlet, Yarra Trams, "Did you know - No. 2", c2013
Pamphlet - Single special sheet, printed both sides in full colour titled cut for a hanging on a tram handrail, titled "Did You know - No. 2", with an image of an owl on the front and advice to passengers looking after one another on the rear. c2013 - has the Yarra Trams 4 logo.trams, tramways, yarra trams, behaviour, passengers, advertisements, safety -
Kyneton RSL Sub BranchUniform, AWAS Hat
This Australian Womens Army Services (AWAS) Hat belonged to Marion (Tib) Owler. Established in August 1941, the AWAS in consisted of 6000 women by January 1942. Some 20,000 were in service by the end of that same year. They worked in roles including administration, driving, catering, signals and intelligence, and were paid around two-thirds of their male counterparts. The item represents Australian women’s army uniform headdress from WW 2. The hat’s stylish design was an important aspect of the recruiting campaign for the women’s services of 1942.Fur felt brimmed hat. Band holds Rising Sun badge centre front, and a red & blue unit colour patch is also attached to the band on the side.tagged - kyn rsl 2012/3women's army services, women's uniform, ww2 uniform. -
Bendigo Historical Society Inc.Document - MALONE COLLECTION: GREETING CARDS
Small whitish card with narrow raised border on three edges. An owl sitting on a holly stem holding a pen which is dripping ink. Behind the holly is a page with red and greenish shading and edged in gold. Below on the right side is an inkwell with two pens in it and some sheets of paper. On the page is printed : 'There's Joy in old time Memories'. It is printed in red, black & gold.person, greeting cards, malone collection, malone collection, greeting cards -
Bendigo Historical Society Inc.Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: CORRESPONDENCE
Letter written on paper with printed letterhead and dated June 2nd 1877. Certify that Alfred Clear had paid into this Court the sum of One Pound and five shillings for the five quarters Contributions for Surgeon's fee - being in advance to Sept. 30th next. Signed by Alex R. ?owles, Secretary. Also has the impression stamp of Court 4845 Launceston Tasmania A.O.F.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, ancient order of foresters friendly society, court sherwood launceston, alfred clear, alex r ?owles -
Tatura Irrigation & Wartime Camps MuseumBooklet, Collegium Taturense Anniversary 1940-1941, 1941
Compiled in camp 4 by Dunera faculty members to substantiate the academic standard of their school. 20 copies made.Handmade buff coloured booklet camp 13 handbound at spine with thread. Black ink printing on cover, water colour of Tatura 2 camp, b & w illustrations, water colour of port scene from the Dunera. Typed script on cover: "Collegium Taturense" encircling a ring of barbed wire which has an owl and cockatoo in it. Underneath is written "Anniversary 1940-1941"as abovecollegium taturence, collegium taturence anniversary 1940-1941, camp education -
Tennis AustraliaRacquet, Circa 1934
A wooden racquet with white plastic shoulder supports, and grooved handle. Inscription across the throat on obverse, accompanied by an emblem of a wreathed owl on a book: UNIVERSITY. Below on stem: MAGNAN. Manufacturer's emblem, featured on throat on reverse, comprises of the letter 'M' at the centre of a gold ribboned black badge. Inscription: N.J. MAGNAN CORP./NORTH ATTLEBORO,MASS, U.S.A. Materials: Wood, Gut, String, Leather, Cloth, Metal, Glue, Lacquer, Ink, Plastictennis -
Bendigo Historical Society Inc.Book - AILEEN AND JOHN ELLISON COLLECTION: SOME AUSTRALIAN BIRDS
Small booklet: Some Australian Birds. On the front cover a Kookaburra. Published in April 1957 by the Bank of New South Wales. The booklet has 17 pages. Contents: Foreword - Bell miner - Black Swan - Boobook Owl - Bower Bird - Brolga - Dollar Bird - Fairy Penguin - Jabiru - Kookaburra (inside front cover) - Lyrebird - Pelican - Rifle Bird - Weebill - Whipbird - White Cockatoo - Willie Wagtail - Yellow Robin (inside back cover).books, natural history, birds -
Stawell Historical Society IncPhotograph, Fourth Stawell Salvation Army Brownie Pack December 1970
Pack Leader Gilian Ackroyd, Pack Helper Elizabeth Watson, Brown Owl Mavis Ackroyd, District Commissioner Margaret Hutton, Mrs Laurene, Captain Laurens Julie Krause, Linda Mason, Joan Folkes, Angela Welsh, Julie Perry, Sheryl Laurens, Helen Presser Susan Hurley, Vicki Hall, Annette Kelleher, Leone White, Freda Ackroyd, Wendy O'Neill, Rhonda Baulch, Debbie Leithead, Helen Kennedy, Susan Wilson, Louise Gaylor B/W photograph of brownies with leaders in front of wooden fence and treeguides -
Melbourne Tram MuseumSlide, Keith Caldwell, Late 1960's
Agfa colour blue white plastic mount slide, photo by Keith Caldwell of W5 837, in William St between Flinders Lane and Collins St, route 55 to West Coburg via William St. Note the driver is checking his mirror of looking outwards to the left. The tram has adverts for Peter Wright and "Take my advice" featuring an owl. In the background are the National Mutual and Lyle House, Head office of the SEC, built 1921. Slide undated - late 1960'strams, tramways, william st, route 55, west coburg, w5 class -
Melbourne Tram MuseumSlide, Keith Caldwell, Late 1960's
Agfa colour blue white plastic mount slide, photo by Keith Caldwell of W5 837, in William St between Flinders Lane and Collins St, route 55 to West Coburg via William St. Note the driver is checking his mirror of looking outwards to the left. The tram has adverts for Peter Wright Ford and "Take my advice" featuring an owl. In the background are the National Mutual and Harbour Trust buildings Slide undated - late 1960'sHas "BXBU" in pen on the slide.trams, tramways, william st, route 55, west coburg, w5 class -
Ballarat Tramway MuseumDocument - Advertising Rate Card SEC, State Electricity Commission of Victoria (SECV), Late 1940's or early 1950's?
Demonstrates aspects of the method of selling advertising space inside tramcars by the SEC and gives rates.Pamphlet - folded card - giving advertising rates for Geelong, Bendigo and Ballarat tramcars. Details the number of trams in each city, the rates for a standard size internal card, based on the number of cards, larger cards, half yearly and quarterly. Gives reasons why you should advertise. Has the same name, telephone number and the name "Alan Davis Pty Ltd of 149 Castlereagh St Sydney" on the card as well. Not sure of their relationship. On the front small folded section, an image of an owl and the statement "Be Wise and Advertise". Two copies held.On both copies in black ink "BTPS Cat No. 614".tramways, trams, advertisements, ballarat, bendigo, geelong -
Flagstaff Hill Maritime Museum and VillageDomestic object - Corkscrew, 1930s or after
The design of the corkscrew may have been derived from the gun worm, which was a device from at least the early 1630s, used by men to remove unspent charges from a musket's barrel in a similar fashion. The corkscrew is possibly an English invention, due to the tradition of beer and cider, and the 'Treatise on Cider' by John Worlidge in 1676 describes "binning of tightly corked cider bottles on their sides", although the earliest reference to a corkscrew is, "steel worm used for the drawing of Corks out of Bottles" from 1681. In 1795, the first corkscrew patent was granted to the Reverend Samuel Henshall, in England. The clergyman affixed a simple disc, now known as the Henshall Button, between the worm and the shank. The disc prevents the worm from going too deep into the cork, forces the cork to turn with the turning of the crosspiece, and thus breaks the adhesion between the cork and the neck of the bottle. The disc is designed and manufactured slightly concave on the underside, which compresses the top of the cork and helps keep it from breaking apart. The winged corkscrew, sometimes called a cork extractor, butterfly corkscrew, owl corkscrew, Indian corkscrew, or angel corkscrew, has two levers, one on either side of the worm. As the worm is twisted into the cork, the levers are raised. Pushing down the levers draws the cork from the bottle in one smooth motion. The most common design has a rack and pinion connecting the levers to the body. The head of the central shaft is frequently modified to form a bottle opener, or foil cutter, increasing the utility of the device. Corkscrews of this design are particularly popular in household use. In 1880, William Burton Baker was issued British Patent No. 2950 for his double lever corkscrew, with both levers sliding onto the upper end of the shank. The first American patent was in 1930 granted to the Italian Domenico Rosati who emigrated to Chicago, Illinois, to work as bartender before prohibition. Rosati's design had an exposed rack and pinion mechanism. Such design was adapted by other brands as the wine-market grew in popularity. The winged owl version, with two side-plates covering the rack and pinion mechanism, was first designed and manufactured in 1932 by the Spanish industrial designer David Olañeta for his brand BOJ and was later adopted by others, such as the 1936 US Patent No. 98,968 by Richard Smythe marked HOOTCH-OWL https://en.wikipedia.org/wiki/CorkscrewThis object is significant as an example of an item in common use in the 19th and early 20th centuries, and that was developed further in the 1930s.Winged corkscrew with a T-shaped wooden handle, metal spring and worm-wheel screw section.None.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, corkscrew, beverages, kitchen equipment, bottle opener -
Vision AustraliaPhotograph - Image, Lisa Saad, Launch of the Feelix library at Melbourne Zoo with Sigrid Thornton, 12 February 2013
The Feelix library was developed to help children who were blind or have low vision experience the connection with books via tactile objects. Each print book was hand selected, a clear Braille overlay placed on the pages, and items relating to the story were made or purchased and added to the kit. The kit (book and objects) was held inside a cardboard suitcase and sent through the mail in a bright orange, zippered plastic padded pouch with a carry strap. Launched at the Melbourne Zoo on 11 February 2003, ambassador Sigrid Thornton read 'Owl Babies' by Martin Waddell to the crowd. These images were taken of the families who attended, including Zoos Victoria CEO Laura Mumaw, Minister for Community Services Sherryl Garbut and RVIB CEO Doug Kent.36 digital photographs of families and official guests at launch of Feelix libraryroyal victorian institute for the blind, feelix, sigrid thornton, sherryl garbut, laura mumaw, doug kent, louise curtin -
Federation University Historical CollectionBook, June Epstein, ABC School Broadcasts Music books and teachers guides, 1970s
Books used in conjunction with Music of the Air in schools throughout AustraliaA variety of ABC school broadcast books and teachers guides .1 Mustard cover with picture of a brass instrument and the word music. .2 Teachers' guide with blue cover and picture of an owl. .3 Teachers' guide with two tone green cover with scattered squares .4 Teachers' guide with pink cover and stripy border with children holding a harlequin puppet .5 Teachers' guide with orange and maroon cover with cat and children. .6 Teachers' guide with pink and purple dotty cover with large hand with face on it. .7 Purple covered book with girl playing the flute on the front and three flowers .8 Grey covered book with 3 musical instruments on the front a violin, Banjo and brass instrument non-fictionBooks used in conjunction with Music of the Air in schools throughout Australia june epstein, teachers' book, music of the air, abc, infants, kindergarten, radio, books -
Port Melbourne Historical & Preservation Society
Domestic object - Candles, J Kitchen & Sons, J Kitchen & Sons Pty Ltd et al, 1900 - 1991
Candles produced by J Kitchen & Sons Pty Ltd, Unichema and Unilever at the Port Melbourne site, circa 1900 to 1991 .01 - Box of eleven Electrine lamp candles 5" (13 cm) .02- Box of six Electrine candles 9.5" (24 cm) .03 - Box (blue) with one Unichema 20cm - circa 1980s .04 - Four 9" plain white candles - circa early 1900s .05 - six decorative candles (16 cm) - circa 1970s or 1980s .06 - Owl candle (8 x 11 cm) - circa 1980 .07 - empty display box of Electrine bedroom candles (real label) .08 - empty display box of Electrine carriage candles (real label)industry - manufacturing, business and traders - soaps/candles, domestic life, j kitchen & sons pty ltd, unilever australia (holdings) ltd, unichema australia pty ltd, electrine candles -
Bendigo Historical Society Inc.
Document - Amy Huxtable Memorial Committee - Correspondence, 1991-1993
Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet A Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Amy Huxtable Memorial Committee - Correspondence - 10 Pages Page 1 Letter to Mr David Thomas, Director, Bendigo Art Gallery 5/7/1991 asking for information on the repair of the Ola Cohn on the Curnow Fountain in Rosalind Park, and offering money left over before the Amy Huxtable Committe is wound up. Page 2 Another Letter to Mr David Thomas, Bendigo Art Gallery 5/7/1992 - expressing a desire to finalise a possible donation of remaining committee funds Page 3 Letter to the committeee from the Bendigo Art Gallery, 9/7/1991, advising process on Ola Cohn's Curnow Fountain. Page 4 Letter to the Art Gallery 22/1/1993, expressing a desire to place a memorial artwork in the Art Gallery using the leftover funds. Page 5 Letter from the art gallery to the committee 27/1/1993 expressing delight that an artwork honouring Amy Huxtable will be presented to them. Page 6 Receipt to the committee for $4457.29 from the art gallery 21/7/1993 - donation for the Ola Cohn Acquisitions. Page 7-8 Letter to the committee from the art gallery 20/7/1993, thankyou for the aquisition of three works by Ola Cohn in memory of Amy Huxtable. The works are: Behold the Man, Woman with Two Children and Women with Owl (Bookends). Page 9 Bendigo Art Gallery signage on the "Amy Huxtable Memorial Fund Ola Cohn (1892-1964) works: Master Pigeon,1923, Behold the Man, c.1940 Women and two children, c.1940 Women with Owl, c.1933history, amy huxtable, bendigo, amy huxtable memorial committee, bendigo art gallery ola cohn works -
Bendigo Art GalleryPainting, Kate BERGIN, The Alpacas' Teaparty, 2011
painting, australian artist, female artist, alpaca, rabbit, quoll, cockatoo, bird, rotary phone, teacup, tea party, table, owl, penguin, pig, lyre bird -
Wooragee Landcare GroupPhotograph, 12th September 2004 or 15rh September 2004
This photograph was taken at Wooragee Landcare workshop (Quoll), field day in Mt Pilot park on Bush Recovery: After the Fires. This is part of the Biodiversity Month on September 2004. The Bush Recovery workshop was held on Sunday 12th September 2-4pm with Christine Watson, Sue Berwick and Natasha Schedvin, and another workshop on Wednesday, 15th September, 9am to 12 noon with local biologist Glen Johnson and botanists Gill Earl and Christine Watson. The topics involved in the training involved what species have returned, what species haven't, what recovery studies are being carried out, how are the barking owls and phascogales faring, and why is Mt Pilot important. The photograph shows L-R: Colin Payne; Jerry Alexander; Geoff Galbraith. Bush fires are common in Australia due to several reasons. One is due to the geographic spread of fire's seasons, secondly, the absence of El Nino conditions are also linked to fires. Climate change also affected Australia's hot and dry seasons. Australia's climate began warming since the 1970s. Human-induced fires also contributed to this increase in temperatures across the nation. Bush fires happened in Mt Pilot in 2003 but it has recovered well since. This makes Mt Pilot an important site to understand bushfire recovery. This photograph contributes to the scientific and historical records on bushfire recovery in Victoria. It creates a picture of Victorian community activities and efforts on biodiversity, climate change, and environmental care.Landscape coloured photograph printed on gloss paperReverse: WAN NA 0A2A0N0 NN2 0 163 / (No. 2)wooragee, wooragee landcare group, wooragee landcare, bush fires, bush recover, mt pilot, biodiversity month, botany, botanists, bush recovery, quoll, foxy, fox, forest, environment, climate change, bushfire recovery, bushfires, 2004 bushfire, field work, after the fires, fire, biodiversity -
The Beechworth Burke MuseumAnimal specimen - Tawny Frogmouth, Trustees of the Australian Museum, 1860-1880
The Tawny Frogmouth, although often mistaken for an owl, is a nocturnal Australian bird of the Podargidae family that is more closely related to the nightjars. They are widespread in terms of distribution and can be found all across mainland Australia and Tasmania in a diverse variety of habitats from woodlands, forests and urban areas. Masters of camouflage, the Tawny Frogmouth sleeps during the day on tree branches in a stiff upward facing position (as with this specimen) to mimic broken tree branches, their feathers assist in this deception as the mottled grey and brown colours blend into the environment seamlessly. This specimen differs in colours from the usual appearance of a Tawny Frogmouth, as the beak is usually a olive-grey to blackish tone and the plumage is generally more dominantly grey all over the bird. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Tawny Frogmouth has a broad head and a creamy beige coloured wide triangular beak with a hooked tip. The plumage on the head and back of the bird is a combination of darker and rufous browns, mottled with streaks of cream and grey. The underside of the bird from the bottom of the beak to the tail tip is a lighter cream colour with streaks of rufous-brown. The feet are an orange-brown colour. This specimen is adopting the skyward looking pose associated with the species, mimicking dead tree branches.1a. / More-Park / See Catalogue, page 7 /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, tawny frogmouth, frogmouth
